The Rochester Museum of Fine Arts has announced "Heart Of The Wild," an exhibition of works by artist Mike Durkee. The show will be hosted at Back Hill Beer Co. in the Gonic Mill, Rochester, New Hampshire, and will run from April 4 to June 6, 2026. Durkee is a New England-based muralist and designer known for large-scale, community-inspired works.
The Lynnwood Event Center recently hosted a "Meet the Artists" reception for its juried exhibition, "Flight Patterns: The Art & Motion of Winged Life." Curated by Mary Adams and Julie Carlos, the show features over 45 works by 27 regional artists from the Pacific Northwest, ranging from traditional paintings and photography to innovative metal etchings and fiber arts. Highlights include Graham Schodda’s holographic bird imagery ground into stainless steel and Alexandra Nason’s participatory installation, "The True Butterfly Effect," which invited guests to decorate aluminum butterflies to contribute to a growing communal wall piece.
Res Publica Verlag sucht Projektmanager:in oder Chef vom Dienst Print
Res Publica Verlag, an independent publisher based in Berlin, is hiring a project manager or print production editor for its magazines Cicero and Monopol, as well as special publications. The role involves managing editorial workflows, asset management systems, ad coordination, and serving as a liaison between the publishing house and editorial teams. The position is for 30 hours per week, starting August 1, 2026, with an optional onboarding from July 1, 2026.
Canadian artist Lotus L. Kang has opened an exhibition titled "The Face of Desire Is Loss" at the new Bvlgari Pavilion in Venice. The show features her fluid, changeable works that explore themes of desire, loss, absence, and impermanence, with the artist describing the experience as a charged, chaotic, yet focused pursuit of something elusive.
Ermittler suchen erneut nach gestohlenem Kelten-Goldschatz
More than three years after the theft of a Celtic gold treasure from the Kelten Römer Museum in Manching, Bavaria, investigators are conducting a new search for the missing loot. Four perpetrators were arrested and sentenced to long prison terms in July 2025, but only a small portion of the stolen gold coins was recovered. Now, based on new intelligence, Bavarian state police are searching the property of the main suspect and his partner in Plate, Mecklenburg-Vorpommern, using X-ray and radar technology. They believe 411 gold coins and a gold casting ingot—about three kilograms of gold—are professionally hidden there, along with cash from other burglaries. The suspect's partner is under investigation for money laundering for allegedly offering to help sell the gold.
Designklau im Plattformkapitalismus
The article details a growing trend of design plagiarism within the platform economy, where large interior trade platforms and fast-design companies systematically copy the original work of small, independent design studios. These copies are then mass-produced and sold globally at lower prices, often marketed directly through social media channels. The original designers find it nearly impossible to defend their intellectual property due to the high cost and complexity of legal action, especially against international entities.
Stirbt die Kunst mit der Arbeit?
The rapid advancement of artificial intelligence raises a fundamental paradox for the future of creativity: while automation could theoretically free humans from labor to pursue artistic endeavors, it simultaneously threatens the economic foundations of the art world. If AI-driven job displacement leads to a widespread loss of disposable income, the commercial market that sustains professional artists could effectively collapse.
Contemporary photographers are increasingly rejecting traditional cameras in favor of alternative, camera-less techniques such as photograms, cyanotypes, and chemigrams. These artists draw inspiration from early scientific experiments with light-sensitive materials, like those of Johann Heinrich Schulze and Thomas Wedgwood, who created temporary images using silver nitrate and sunlight before photography was formally invented.
Milan-based Filipina designer Mirei Monticelli creates biomorphic lighting fixtures from hand-woven Banaca fabric, made from Abacá fiber sourced from the Philippines. Her studio collaborates with a community of weavers in the Bicol province, developing the material through a long-term relationship. The lamps, which blend sculpture and utility, were recently featured in an installation titled 'Pleasure Garden' at Milan Design Week. Monticelli’s process incorporates techniques from garment construction, learned from her mother, a fashion designer.
Ohio-based artist Rachel Mentzer creates collagraph prints using discarded cartons as printing plates, carving them with images of birds, trees, and energy infrastructure. Her process involves carving the cardboard, sealing it with polyurethane, inking it, and transferring the image via an etching press, often incorporating chine collé for color. Her work was recently shown at the Manhattan Graphics Center, and she will participate in the Suzanne Wilson Artist-in-Residence Program at Glen Arbor Arts Center this summer.
Amsterdam-based studio Imagination of Things, co-founded by Vitor Freire and Monique Grimord, has launched "Unruly Play," an interactive digital archive featuring 169 artworks, designs, games, and participatory projects. The repository includes notable works such as Rael San Fratello's "Teeter-Totter Wall" and the Wind Phone project, alongside a 12-foot puppet that travels the world. The archive is searchable by theme or through a shuffle feature, aiming to showcase projects that invite surprise, camaraderie, and unexpected encounters with imagination and joy.
London-based artist Dima Rebus creates large-scale watercolor paintings using water samples collected from strangers around the world. In her series "Floaters," she freezes the crowdsourced water with pigments, then lets it melt across paper to form abstract color fields, later adding figures and aquatic landscapes. Each sample arrives with a letter, building an archive of rain, rivers, seas, oceans, and glaciers that serve as both material and human message.
An annual Little Artists exhibition will take place next Sunday, May 10, at The Lighthouse in North Berwick, from 1:30 to 4:30 PM. Young creators will display artworks based on the theme 'favourite things,' including drawings of their favorite toys, foods, places, and more. The exhibition also features eight large wall murals painted monthly, depicting scenes such as a toy shop, a field of animals, and a rabbit village. Tickets are £10 per family group.
Vault Artist Studios, a Belfast-based arts collective with over 100 members including musicians, circus performers, and visual artists, has moved into a temporary hub at Bankmore House on Bedford Street after spending three years at Victoria Street and the Shankill Mission building. The collective, formed in 2017 to transform derelict buildings into affordable studio space, now provides studios for 30 artists plus a gallery and project space, with further space opening soon in a former Masonic Lodge on the lower Newtownards Road. Their first exhibition in the new space, titled 'Mayday Mayday', serves as both a distress signal and a rallying call for workers.
Shahin Norouzi's solo exhibition of paintings is on view at Negar Art Gallery in Tehran from October 20 to November 6, 2023, presented by Arena Fine Art Gallery. The show features 13 recent works, all titled "Untitled" and dated 2022, with prices ranging from $800 to $3,500, exploring gesture, rhythm, and repetition as performative and time-based practices.
The South County Art Association has opened its 53rd annual 'Earthworks Open Juried Clay Annual' exhibition at the Kingston gallery in Rhode Island. The show features a variety of clay-based pieces from multiple artists, celebrating the versatility of the medium.
The Center for Counseling & Consultation in Great Bend, Kansas, has announced a community art gallery titled "Because Every Story Deserves to Be Seen" as part of HopeFest 2026. The gallery invites local artists, community members, and classrooms of all ages to submit artwork exploring themes of mental health, healing, resilience, and hope. Submissions in various mediums including painting, photography, mixed media, sculpture, poetry, and fiber art will be accepted through August 1, 2026, with selected works displayed at the event on September 19 and some pieces potentially shown for an extended period afterward.
La Biennale e il peso delle bandiere. Che senso hanno i padiglioni nazionali?
The article examines the inherent contradiction within the Venice Biennale: its historical structure of national pavilions, a legacy of 19th-century world fairs and state-sponsored art, clashes with the transnational, post-identity vision of the international exhibition curated by Koyo Kouoh. The return of the Russia Pavilion amid geopolitical conflict and the international show titled "In Minor Keys," which rejects national belonging as an interpretive criterion, highlight this tension. The piece also addresses the controversy over the lack of Italian artists in the main exhibition, questioning whether a Biennale hosted in Italy should guarantee national representation.
Leoni d’Oro della Biennale votati dal pubblico? 7 motivi per cui non possono funzionare
On April 30, 2026, the International Jury of the Venice Art Biennale resigned en masse. In response, the Biennale Foundation hastily announced a new initiative called the "Visitor Lions" (Leoni dei Visitatori), where paying visitors would vote to award the Golden Lions for best artist and best national participation. The voting system would rely on ticket tracking to verify attendance at the main venues, the Giardini and the Arsenale. However, just a week before the public opening, no further details had been released, raising numerous practical concerns about the mechanism's feasibility.
Osservatori culturali. Dinosauri o soggetti in grado di interpretare il presente?
The Cultural Observatory of Canton Ticino has published a study on cultural observatories worldwide, including a map and list of surveyed organizations. The analysis reveals that cultural observatories are not a global phenomenon but are concentrated mainly in Europe and South America, with occasional presence in North America (especially Canada and Hispanic-oriented organizations in the US). Africa, Asia, and Oceania are almost entirely absent from the map. The study also highlights a high rate of inactive observatories: among the top 10 countries by active observatories, only Germany shows an effective activity ratio. Spain has 26 active observatories out of about 45 total, while Italy has 11 active out of over 20 inactive. The research defines observatories as non-profit organizations that combine cultural and statistical expertise to deepen and transfer knowledge about the cultural sector, and classifies as inactive those with no recent activity on web or social channels.
In Romagna da oltre un secolo c’è un Carnevale “serio” di primavera. La storia dei carri di gesso e di pensiero
A small town in Romagna, Casola Valsenio, has been hosting a unique spring festival for 125 years, featuring massive allegorical floats made of plaster and wood. Unlike traditional carnivals, this event—called the "serious carnival"—takes place in late April/early May and focuses on social and political themes. The floats, up to seven meters long and nine meters high, are built by local youth and paraded twice (day and night) with performers frozen in tableau vivant poses. A jury, this year chaired by Roberto Cantagalli, director of the MAR museum in Ravenna, awards a winner.
Nella campagna alla periferia di Milano ci saranno una serie di performance artistiche in un campo di grano
The Biblioteca del Grano, an experimental agricultural and cultural site on the outskirts of Milan, is hosting a series of artistic performances and workshops led by artist Edoardo Mozzanega. Scheduled to coincide with Milan Art Week and Design Week, the program includes 'Tiger’s Nap,' a collective public sleeping performance, and 'A House Full of Tigers,' a workshop based on Social Dreaming. These events are part of the broader 'Learning Landscapes' initiative, which brings together international researchers and artists to explore food and land as cultural infrastructure.
A Milano torna la fiera dedicata agli artisti emergenti. Aperte le iscrizioni per la sesta edizione di ReA! Art Fair
ReA! Art Fair has officially launched its open call for the sixth edition, scheduled to take place from October 22 to 25, 2026, at the Fabbrica del Vapore in Milan. Organized by the non-profit association ReA Arte, the fair will select 50 emerging international artists to showcase their work in a curated group exhibition format. Applications are open until May 1, 2026, welcoming a wide range of disciplines including digital art, performance, and traditional media.
Gunjan Tyagi, a multidisciplinary visual artist based in Schenectady, New York, has been selected to exhibit at Pen + Brush, one of New York's oldest nonprofit galleries, during Women's History Month. Tyagi's work spans painting, sculpture, site-specific installation, nature art, video, photography, and mixed media, often incorporating unconventional materials like cow dung and found objects to explore identity, cultural exchange, and humanity's relationship with nature. She also serves as organizer of the India chapter of the Global Nomadic Art Project and as a jury member at the Biennale of Seychelles.
Warin Lab, a Bangkok-based art space, is staging a retrospective exhibition that brings together 28 of its past art exhibits. The show offers a comprehensive overview of the gallery's curatorial history, featuring works from various artists who have shown at the venue since its founding.
A new exhibition opened April 10 at the Indianapolis International Airport’s Civic Plaza, featuring 92 works by 90 Hoosier artists with developmental disabilities. The show was organized by the Indianapolis Airport Authority in partnership with the Indiana Association of Rehabilitation Facilities, Inc. (INARF) and Ability Indiana, with artists from 12 INARF member organizations contributing pieces in a variety of mediums. The airport’s arts and culture program, which rotates permanent and temporary collections, has hosted this annual showcase for several years, with some artists returning each year with new work.
Three women—Tarot Crick, Penny Bowley, and Rhiannon Griffiths—opened a new art gallery called Jackdaw in Oundle, Northamptonshire, in March 2025. The gallery exclusively sells artwork created by artists based within 50 miles of the shop, aiming to showcase local talent that the owners describe as 'phenomenal' but underrecognized. They have built extensive connections with local artists and collaborate with Northants & Rutland Open Studios to provide a year-round platform for creatives.
The AIPAD Photography Show, a major fair dedicated to fine art photography, took a refreshing turn by emphasizing craft and handmade processes. The event featured a notable shift away from purely digital and commercial photography, highlighting works that incorporate traditional techniques such as cyanotypes, photogravures, and hand-applied color. Galleries presented pieces that blurred the line between photography and other media, including mixed-media works and artist books, reflecting a growing interest in the tactile and artisanal aspects of the medium.
The Town of Windsor Museums is hosting a retrospective exhibition for longtime Windsor artist Maryanna Yauk, featuring her work from 1946 to 2025. The show includes acrylic and watercolor paintings, ceramic figurines, holiday-themed pieces, recycled-material creations, and a hand-stitched Bicentennial quilt. The opening reception takes place May 29 at the Art and Heritage Center, with the exhibition running from May 22 through June 28, and additional displays at the Windsor Community Recreation Center.
Creative 360 in Midland, Michigan, will host the opening reception for “Convergence,” a solo exhibition by artist Steven Parkhurst, on May 22 at 7 p.m. The show features Parkhurst's work across multiple mediums, including graphite drawings, oil and acrylic paintings, and iPhoneography. Parkhurst describes himself as a 'maker' who lets the medium and his imagination guide each piece, rather than following a predetermined design. The exhibition runs through June 21, with free admission and a chance to meet the artist.