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MEXICAN CURATOR ANNOUNCED FOR LIVERPOOL BIENNIAL 2027

The Liverpool Biennial has appointed Lucía Sanromán and Aimee Harrison as Co-curators for its 2027 edition. Sanromán, Chief Curator at Mexico City's MUAC, brings an international perspective on socially engaged art, while Harrison, a long-time Biennial staffer, provides deep local knowledge and experience in community-focused projects. The festival will run from June 5 to September 12, 2027, utilizing historic buildings, galleries, and unexpected spaces across the city.

Adam Welch offers a solo show that looks like a group exhibition.

Adam Welch presents his first solo exhibition, "Terminal Moraine," at The Mine Factory, a newly opened gallery in Pittsburgh's Point Breeze neighborhood. The show runs through August 10 and features a dense installation of new, repurposed, and reconfigured paintings, drawings, sculptures, projections, and assemblages. Welch, best known as a curator at Pittsburgh Filmmakers/Pittsburgh Center for the Arts, fuses his dual roles by arranging the works in a way that initially resembles a group exhibition, with semi-random clusters and conglomerations that emphasize fragmentation over a singular theme.

公募|Hiroshima MoCA FIVE 25/26

Hiroshima City Museum of Contemporary Art (Hiroshima MoCA) has opened the call for entries for the second edition of its biennial open-call exhibition "Hiroshima MoCA FIVE 25/26." The deadline for submissions is July 25, 2025. The theme for this edition is "memory." Five artists or groups will be selected by the museum's curators and a special juror, Hattori Hiroyuki (associate professor at Tokyo University of the Arts and director of the Aomori Contemporary Art Centre), to create and exhibit new works with museum support. Each selected artist receives a 400,000 yen activity grant, and additional prizes of 200,000 yen will be awarded for the Hiroshima MoCA Prize and the Special Juror Prize. The exhibition runs from December 20, 2025 to March 1, 2026.

Asian-American artists shine at US fair amid ongoing anti-immigrant rhetoric

At the San Francisco Art Fair in April, held at Fort Mason Centre’s Festival Pavilion, organizers, curators, and gallerists centered Asian-American and Pacific Islander voices through a curated group exhibition titled “Da Da Daam” and a pop-up design store featuring over 70 Asian diaspora artists and brands. The fair’s 14th edition, directed by Kelly Freeman, responded to ongoing anti-immigrant rhetoric in the US by celebrating the strength of the immigrant community in a city where nearly 35% of the population identifies as Asian.

RISD Museum Puts Spotlight on Diversity

The RISD Museum in Providence is spotlighting diversity through a series of exhibitions and programs in spring 2026. Highlights include the third Black Biennial, titled "Please Catch Me When I Fall," organized by students Karma Johnson, Khalil McKnight, and King Meulens, featuring over 50 works by Black artists from the school and local community. Other exhibitions range from "A Shared Journey: The Barkan Contemporary Ceramic Collection" to "Natchiq | Onkeehq | Isuwiq: Indigenous Artists Honor the Seal" and "The Artistry and Reunion of Two Surimono Albums," alongside ongoing displays like "Shimmering Beauty: Kingfishers in Art and Poetry."

Lakeland and Walter Panas High School Seniors To Exhibit Art At The Katonah Museum Of Art

The Katonah Museum of Art (KMA) will present Young Artists 2026, its annual exhibition of high school senior artwork, from May 3-24, 2026. Now in its 43rd year, the show features over 350 works from 40 high schools across New York and Connecticut. Participating students collaborate with museum professionals to plan and produce the exhibition, taking on roles as artists, curators, graphic designers, and installers. This year’s winning marketing image was created by Hailey Nazario of Lakeland High School in Shrub Oak.

Reconnecting with the Handmade: The Hart Gallery’s Ampersand student art exhibit

William & Mary students showcased their handmade artworks in the Hart Gallery's "Handmade" exhibit, held in conjunction with the Ampersand International Arts Festival. Curated by alumna Zara Fina Stasi '12, a Richmond-based artist and founder of Good for the Bees, the multimedia exhibition featured approximately a dozen student submissions including assemblage, collage, sculpture, sewn hangings, and traditional painting. Student curators Gibran Adnan '27 and Rebecca Graber '27 collaborated with Stasi to select and install the works, which explored themes of experimentation, self-expression, and the human process of creating by hand.

East Dallas art exhibition is a celebration of Chicano identity and community

An exhibition titled “Chicano” at Art on Main gallery in East Dallas showcases the work of over 50 North Texas artists, featuring paintings, digital photography, and mixed media that explore Chicano identity, childhood memories, lowrider culture, immigration enforcement, and Indigenous heritage. Co-curated by artists Ariel Esquivel and Junanne Peck, the show includes pieces such as Chelsea Reyes' digital photograph “Movimiento y Orgullo,” Cease Martinez's painting “Cultura,” and Hermila Cuevas' oil on canvas “Chicomecōātl: Giver of Harvest.” The gallery owner Andrea Lamarsaude, who previously collaborated with the curators on the exhibition “Shelter,” notes the community's positive response.

Adam Art Gallery Autumn Exhibition Focuses On The Voice - Scoop

Te Pātaka Toi Adam Art Gallery has announced its autumn exhibition, "Peal the Bells," featuring five projects that explore the human voice as a medium for collective action, lament, and political critique. The group show includes paintings, sonic installations, and moving image works by artists Noor Abed, Anoushka Akel, Qianye and Qianhe Lin, Maree Sheehan, and Mo H. Zareei. The exhibition investigates how speech and listening function in an era of digital chatter and bureaucratic evasion, highlighting the voice as a vital index of contemporary social dynamics.

Never Spoken Again Exhibition at the Weisman Challenges Museum Norms

The Weisman Art Museum is hosting "Never Spoken Again: Rogue Stories of Science and Collections," a traveling exhibition produced by Independent Curators International (ICI). Curated by David Ayala-Alfonso, the show features works by over a dozen artists that challenge traditional museum practices, such as the use of pre-Hispanic ceramics as speaker stands to give them a literal voice. The exhibition uses diverse media—from cinefoil sculptures to tapestries from Las Vegas casinos—to critique how institutions collect, classify, and display artifacts.

'There's no point in an art gallery without artists'

Artists and curators in the UK are increasingly mobilizing to address the rapid integration of artificial intelligence in the creative sector. Following a public backlash against an AI-focused workshop at a local gallery in Hull, curator Lucy Brooke organized forums to discuss the ethical implications of machine learning, including copyright, plagiarism, and environmental impacts. While some creators are calling for stricter institutional policies and collective lobbying against AI exploitation, others, like illustrator Eleanor Tomlinson, view the technology as a transitional challenge similar to the invention of photography, focusing on public education rather than opposition.

Newest DeLuce Gallery exhibit explores ‘Art Left Behind’

Northwest Missouri State University has unveiled "Art Left Behind: Exploring Decades of Creativity," an exhibition featuring student artworks discovered in the storage rooms of the Olive DeLuce Fine Arts Building. Curated by students Brooke Reyes, Jeri Walters, and Sammy Ward, the show presents a selection of prints dating from the late 1960s to the present day. The collection largely consists of works created under the guidance of former professor Phil Laber, ranging from abstract compositions to social and political commentaries.

Arts Around Ann Arbor

The Prison Creative Arts Project (PCAP) is celebrating the 30th anniversary of its Annual Exhibition of Artists in Michigan Prisons at the University of Michigan’s Duderstadt Center Gallery. The landmark show features over 800 works by more than 600 incarcerated artists across 26 facilities, ranging from traditional paintings to sculptures made from soap and found materials. This year’s edition is curated by guest artist Omari Booker, whose own work is displayed in dialogue with the incarcerated artists, and includes a collaborative musical component titled "New Art // New Music."

How the Edam exhibition is giving ‘edam’, or space, to Kerala’s women artists

The article reports on 'Edam', a collateral exhibition of the Kochi Muziris Biennale curated by Aishwarya Suresh and KM Madhusudhanan. Featuring 36 Malayali artists, the show consciously avoids stereotypical depictions of women as confined to home and family. Instead, it highlights deeply personal works by women artists such as Priti Vadakkath, Indu Antony, Nithya AS, and Devika Sundar, whose art reflects their individual struggles and lived experiences. The curators also faced challenges including financial constraints, spousal opposition, and helping recent art graduates gain confidence to articulate their work.

Arts Council Korea calls for applications for Seoul art residency

The Arts Council Korea (ARKO) is accepting applications for its ARKO Art Studio residency program in Seoul, which will host 10 visual artists—six international and four local—for two rounds in 2025. Selected artists receive private studio space in Pyeongchang-dong, cultural tours, mentorship, networking events, and studio visits with curators, culminating in a two-month group exhibition at the ARKO Art Center. The application deadline is February 18, with successful applicants announced on March 11.

New Exhibitions at NEHMA Bring Other Facets of the West to Life

The Nora Eccles Harrison Museum of Art (NEHMA) is opening two new exhibitions, 'Meet the Fletchers' and 'Jim Mangan: The Crick,' on February 21. The first exhibition explores the artistic legacy of Calvin Fletcher, his wife Irene, and son Dale, highlighting their role in founding Utah State University's art department and establishing Logan as a center for modern art in Utah. The second exhibition features photographer Jim Mangan's portraits of a secluded community of young men in the American West, known as the Lost Boys, capturing their vulnerability and connection to the landscape.

Florida State University announces Spring 2026 exhibitions and community programming

Florida State University's Museum of Fine Arts and College of Fine Arts have unveiled their spring 2026 schedule of exhibitions and public programs. The lineup includes student and faculty exhibitions across multiple campus gallery spaces, a series of public workshops on topics like experimental cartography and basket weaving, and special events like an art crawl and family storytime sessions. Key exhibitions include "A Place Within," "Horizon: Speculative Worlds and Interdisciplinary Research," and the MFA thesis shows.

[Face] Value | Art Museum

An exhibition titled '[Face] Value' will be on view from February 6 to March 14, 2026, curated by graduate students from the Fall 2025 Curatorial Practicum. The show examines portraiture conventions, exploring how portraits uphold tradition, shift hierarchies, and showcase communities, featuring works from the museum's collection selected and researched by each student.

SFO's One-of-a-Kind Art Museum

A podcast episode from The Bay takes listeners on a behind-the-scenes tour of the SFO Museum, the only museum in an airport accredited by the American Alliance of Museums. Curators Daniel Calderon and Nicole Mullen explain how the museum operates 25 exhibition sites throughout the terminals, drawing from temporary collections rather than a permanent one. They highlight current displays including the AIDS Memorial Quilt, vintage telephones, women in Afrofuturism, and Chinese ceramics, and note that the museum offers free access even to non-travelers with advance notice.

Here are the exhibits honoring Black art and culture during Miami Art Week

During Miami Art Week 2025, multiple exhibitions and events are spotlighting Black art and culture. Highlights include the Point Comfort Art Fair + Show at the Historic Ward Rooming House, themed "Life & Times of Frederick Douglass," with a special installation hosted by former NBA star Alonzo Mourning. Soul Basel returns to Historic Overtown with exhibitions at the Center for Black Innovation and the Black Archives Lyric Plaza, featuring Marcus Blake's "In Art We Trust." The Art of Transformation showcase in Opa-locka explores "At the Edge of Entanglement," while Revolt Art Fair returns for its second year at Ice Palace Studios with over 50 Black artists. Additionally, historian Nadege Green's installation "The Power of Her Hands: Black Washerwomen in Early Miami" is on view at YoungArts Gallery.

Traveling Through SFO Airport? Check Out the Art Museum

The SFO Museum at San Francisco International Airport offers travelers a unique cultural experience with multiple art exhibits throughout its terminals, including a permanent installation dedicated to Harvey Milk in Terminal 1, the AIDS Memorial Quilt in the International Terminal, and rotating displays on topics from vintage telephones to Afrofuturism. Curators Daniel Calderon and Nicole Mullen describe the museum’s 25 exhibition sites, its status as the only airport museum accredited by the American Alliance of Museums, and their goal of engaging passengers to look up from their phones and explore the art.

Absa Bank showcases 2023 L’Atelier Ambassador in solo exhibition

Absa Bank Ghana, in partnership with the L’Atelier Art Programme, hosted a solo exhibition in Accra featuring Edward Lawerh Dugbartey, the 2023 Absa L’Atelier Ambassador. The event drew art enthusiasts, collectors, curators, and young creatives to celebrate Dugbartey’s work and his contribution to Ghana’s visual arts scene. Dr. Paul Bayliss, Senior Specialist for Art and Museum Curatorship at Absa, emphasized the bank’s commitment to nurturing emerging African talent through masterclasses, international residencies, mentorship, and marketing support.

53 oil paintings in a Palestinian exhibit were lost in the 1940s. A new exhibit on display in Brookline reimagines what could have been.

A traveling exhibition titled "The Lost Paintings, A Prelude to Return" is on view at the Brookline Arts Center and Unbound Visual Arts in Brighton through December 17. The show reimagines 53 oil paintings by Palestinian-Lebanese artist Maroun Tomb, which were lost in the chaos of the Nakba and the 1948 Arab-Israeli war after his 1947 exhibition opened in Haifa on the same day the UN adopted the Partition Plan. Curators Rula Khoury, Haidi Motola, and Joëlle Tomb—Maroun's granddaughter—commissioned 53 contemporary artists from Palestine and the diaspora to create new works inspired by the original titles, using mediums including textiles, prints, paintings, sculptures, and video.

Beijing exhibition exploring Xinjiang heritage accused of ‘slipping into cultural appropriation and misrepresentation’

A group of artists, curators, and gallerists from Xinjiang, operating anonymously as the collective Yixak, have publicly criticized the Beijing exhibition "Greetings" held at the Maca Art Center from March to June 2025. The show, featuring works by Han Chinese artist Dan Er, focused on her travels through Xinjiang and its heritage arts. Yixak accuses the exhibition of cultural appropriation, misrepresentation, and reinforcing ethnic stereotypes, including conflating distinct ethnic cultures, stripping traditional Adras textile patterns of context, and mislabeling Xinjiang traditions. The collective also claims the show failed to credit local collaborators and excluded Xinjiang communities. Both Dan Er and Maca declined to comment, citing "irresistible factors."

Palmer Museum of Art hosts exhibit exploring intersection of art and engineering

The Palmer Museum of Art at Penn State is hosting a new exhibition titled “Structures, Systems and Society: Work at the Interface of Art and Engineering,” on view through December 21 in the Barbara and Lee Maimon Teaching Gallery. Developed in collaboration with the College of Engineering and the Leonhard Center for the Enhancement of Engineering Education, the show features works from the museum’s collection alongside pieces by Penn State faculty, including curators Sarah Zappe, Joseph Cusumano, and Benjamin Fehl. The exhibition is organized around three themes—Structures, Systems, and Society—and aims to highlight the creative and cultural intersections between art and engineering.

Column | 9 fascinating art shows to see this fall

Columnist Sebastian Smee highlights nine art exhibitions opening this fall, noting that museum curators plan major shows two to five years in advance, and the cultural mood can shift dramatically between conception and execution. The article reflects on how exhibitions that once felt timely may now feel dissonant or precarious upon opening.

How a Bangkok art show was censored following China's anger

Burmese artist Sai and his wife have fled to the UK to seek asylum after their exhibition at the Bangkok Arts and Cultural Centre was censored following complaints from Chinese embassy officials. The show, titled 'Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,' opened on 26 July 2025 and featured exiled artists from China, Russia, and Iran. Chinese representatives, accompanied by Bangkok city officials, demanded the removal of works by Tibetan, Uyghur, and Hong Kong artists, leading to the blacking out of artist names, removal of flags, and switching off of films. The couple alleges Thai police are looking for them, though police deny this.

Art League Houston Announces Open Call for 2027 Exhibitions

Art League Houston (ALH) has issued an open call for exhibition proposals for its 2027 season, inviting artists, curators, and collectives from around the world to apply for six total exhibitions across winter and summer sessions. Proposals are accepted in all disciplines, including visual arts, installation, performance, video, and interdisciplinary practices. An artist advisory board will review submissions between November 2025 and January 2026, with a free application deadline of October 31, 2025. Selected artists will receive stipends ranging from $700 to $2,700, and ALH will host a FAQ session in mid-September to assist applicants.

The Southwest City That Turned Itself Into an Essential Art Outpost

The New York Times reports on a city in the southwestern United States that has transformed itself into a significant art destination. Through strategic investments in museums, galleries, and public art initiatives, the city has attracted major exhibitions, international collectors, and a growing creative community, positioning itself as an essential outpost for contemporary art beyond traditional coastal hubs.

Fort Worth Contemporary Arts to Open New Location in September

Fort Worth Contemporary Arts (FWCA), the contemporary art gallery of Texas Christian University (TCU), will open a new 2,000-square-foot location at 3050 Waits Avenue in September 2025, one block from its former site. The inaugural exhibition on September 5 will be "Indian Removal Act III: We are a Wounding" by San Antonio artist Joe Harjo, a member of the Muscogee (Creek) Nation of Oklahoma, continuing his series on Native American historical and contemporary issues. The previous location at 2900 W. Berry Street closed in November 2024 after a final memorial exhibition honoring influential faculty member Dr. Frances Colpitt, as the university repurposes the site for student housing under an $83 million development plan.