Daniel Soma sat alone in a pop-up art gallery in downtown Washington, D.C., surrounded by Australian Indigenous artworks that had been planned for years but remained unseen due to a government shutdown. The gallery, wedged between a bank and a men's workwear store, was fully installed but empty of visitors, highlighting the immediate impact of the shutdown on cultural programming.
The New York Times poses a hypothetical question to several prominent figures in the art world: if they could design any museum exhibition, what would it be? The article features responses from artists, curators, and critics who describe their dream shows, ranging from a survey of overlooked female abstract expressionists to a retrospective of a fictional artist. Each contributor outlines a concept, the venue they would choose, and the rationale behind their curatorial vision.
The University of Pittsburgh's University Art Gallery presents "Earth and Ether: The Art of Lucille and Virgil Cantini," a new exhibition curated by students in the Kenneth P. Dietrich School of Arts and Sciences. The show features never-before-seen works uncovered in the Heinz History Museum's archives, alongside pieces from Pitt's collection and the Cantini family, highlighting the artistic partnership of Virgil Cantini—creator of iconic public art on Pitt's campus like "Skyscape" and "Man"—and his wife Lucille, a notable jewelry maker, ceramist, and enameler.
Art Macao's collateral exhibition 'Since it is•The Future: Media Art Exhibition' opened on Saturday evening at the Cardinal Newman Centre for Culture and Arts Performance of Macau (CCCN). Part of the Art Macao: Macao International Art Biennale 2025, the show is co-curated by Willa Chan and Ha Tin Cheong, featuring works by four local artists—Ng Man Cheng, Cheong Ka Kit, U Ka Kit, and Lo Hio Leng—under a 'post-apocalyptic cultural archaeology' narrative. The exhibition uses media art to explore Macau's identity between passive acceptance and active creation, with each artist presenting interactive installations that reimagine the present through a speculative future lens.
The LAX Art Program, operated by Los Angeles World Airports (LAWA), has issued a call for muralists to create large-scale artworks for display in the terminals of Los Angeles International Airport. Up to ten finalists will be selected and awarded commissions ranging from $14,000 to $38,000, with murals to be installed for a minimum of two years. The initiative, part of the broader Meet Me at the Mural project, is open to professional artists, artist teams, and curators residing in Southern California, with proposals due by July 30, 2025.
Frida Juárez, a prominent figure in the art world, has been the subject of a recent article. The piece details her career trajectory, highlighting her contributions to contemporary art and her role in fostering emerging talent. It also mentions her involvement in several high-profile exhibitions and her influence on art discourse in Latin America.
The Cultural Affairs Bureau (IC) of the Macao SAR Government has issued an open call for exhibition proposals for the Collateral Exhibitions of "Art Macao: Macao International Art Biennale 2025." Local contemporary art professionals and organizations are invited to submit proposals for exhibitions that will run between July 19 and October 12, 2025, with venues chosen by the selected teams. The deadline for submissions is May 23, 2025, and proposals will be evaluated by Chief Curator Feng Boyi based on curatorial concept, quality, theme relevance, and feasibility.
A new three-story glass gallery called Kodl Contemporary is set to open in Prague by the end of 2025. Located on Dvořákovo nábřeží near the Fairmont Golden Prague Hotel, the space was conceived by Jakub Kodl, the youngest member of the prominent Czech art collector family behind Galerie Kodl auction house. The glass cube design is intended to maximize natural light for displayed works, and the gallery aims to showcase contemporary Czech art to an international audience.
Pinta has launched Pinta Experience, a new boutique travel unit offering three-to-five-day immersive programs centered on Latin American art ecosystems. These curated itineraries provide participants with exclusive access to art fairs, private collections, artist studios, and gallery tours, moving beyond traditional cultural tourism to foster direct networking with local curators and gallerists.
The Cultural Center of Spain in Panama is hosting an exhibition titled 'The Dimension of the Invisible: Ecofeminist Traces of Panamanian Art' until April 1, 2026. The show features traditional and digital works by ten Panamanian and international artists who explore the intersections of nature, culture, and the body from an ecofeminist viewpoint, challenging established boundaries between the human and non-human.