Contemporary US Art is Sick with Problems

"Die zeitgenössische US-Kunst ist von Problemen krank"

Artist Josh Kline has sparked a heated debate with a scathing critique of the American art scene, particularly targeting New York City as an unsustainable hub driven by market logic and inequality. Kline argues that contemporary art is "sick with problems" and urges young artists to abandon the city, calling for a shift from institutional critique to a broader industry-wide analysis of class and power. Meanwhile, the German art world sees significant movement with the upcoming auction of Georg Kolbe’s "Tänzerinnen-Brunnen" following a Nazi-looted art settlement, and the Berlin State Museums announcing a phased reopening of the Pergamon Altar starting in 2027.

Orsay inaugure une salle destinée aux œuvres « MNR »

The Musée d'Orsay in Paris has opened a new dedicated gallery, Room 10b, to display works from its MNR (Musées nationaux Récupération) collection—artworks looted or acquired under dubious circumstances during the Nazi era. The room features detailed labels and educational texts, with some works shown verso to reveal provenance labels. The initiative is funded by the American Friends of the Musée d'Orsay and the Musée de l'Orangerie with €1 million over four years, and includes a fake Monet, a Degas subject to a restitution claim, a Rodin sculpture, and a debated Cézanne. The museum's provenance research team, led by Inès Rotermund-Reynard, collaborates with the French Ministry of Culture's M2RS mission.

La nature morte : une exposition novatrice

Le Journal des Arts reports on a new exhibition titled "La nature morte" (Still Life), presented by a gallery as a continuation of its previous monographic shows on Boetti and Burri and the thematic exhibition "On Fire." The exhibition focuses on the classical genre of still life, positioning it as a field of experimentation that accompanies the renewal of painting in the 20th century. It brings together three artists—Picasso, Morandi, and Parmiggiani—who, though not from the same school or direct lineage, each explore the subject through distinct artistic languages: Picasso asserts the presence of the object, Morandi delves into its meditative and silent dimension, and Parmiggiani pushes the reflection toward a form of disappearance. The show is curated by Cécile Debray, president of the Musée national Picasso-Paris, and involves collaborations with institutions such as the Museo Morandi.

5 secret jewels to discover in Europe

5 joyaux secrets à découvrir en Europe

L'Œil magazine has curated a list of five European cities rich in art historical treasures, highlighting hidden gems for cultural getaways. The first city profiled is Mainz, Germany, featuring the Romanesque-Gothic Mainzer Dom (Imperial Cathedral of St. Martin), the Gutenberg Museum showcasing the 42-line Bible as a landmark of printing history, and the Church of St. Stephen with its iconic blue stained-glass windows designed by Marc Chagall. The second city is Plovdiv, Bulgaria, where the old town blends ancient Roman ruins (a stadium, forum, odeon, and theater from the 2nd century) with 19th-century Bulgarian National Revival houses, such as the Balabanov, Hindliyan, and Kuyumdzhioglu houses, now converted into museums.

A new director for the Smithsonian American Art Museum

Une nouvelle directrice pour le Smithsonian American Art Museum

Lynda Roscoe Hartigan, 75, has been appointed director of the Smithsonian American Art Museum (SAAM), succeeding Stephanie Stebich after a vacancy of nearly 17 months. Hartigan, who began her career at SAAM in the 1970s and rose to chief curator before leaving in 2003, most recently served as executive director of the Peabody Essex Museum, becoming its first woman to lead the institution. She will assume her new role on September 8.

Orientalism, Tales and History at the Louvre-Lens

L’orientalisme, contes et histoire au Louvre-Lens

The Louvre-Lens has launched "Beyond the Arabian Nights," an ambitious exhibition exploring the evolution of Orientalism in France. Moving past simple clichés of odalisques and flying carpets, the show features over 300 items, including masterpieces by Delacroix, Ingres, and Gérôme, alongside popular culture objects like porcelain figurines and film clips. The exhibition traces cultural exchanges from medieval trade and the Crusades to the 19th-century obsession with Islamic art, utilizing a scenography that emphasizes the construction of fictional narratives.

At the Louvre Museum, ORLAN will give a free art history lecture this Friday

Au musée du Louvre, ORLAN donnera ce vendredi un cours d’histoire de l’art (gratuit)

French artist ORLAN will deliver a free art history lecture at the Musée du Louvre on Friday, May 22, 2026, as part of the fourth edition of the museum's "Leçons d'artiste" lecture series. Titled "Le musée et l'histoire de l'art cellules souches de nos nouvelles images," the talk will examine how museums like the Louvre shape art history—with its omissions, censures, and rewritings—and how new technologies, including artificial intelligence, feed on existing imagery. Two additional lectures will follow on June 12 (on body representation) and September 25 (on artists' responsibility in times of war and oppression).

6 musées incontournables à visiter à Venise

Beaux Arts Magazine highlights six must-visit museums in Venice, including the Palazzo Ducale, Gallerie dell'Accademia, Peggy Guggenheim Collection, and the Pinault Collection venues Palazzo Grassi and Punta della Dogana. The article notes that during the Biennale, the city is filled with free pavilions, but the main museums have high entry fees, offset by passes like the Venice Museum Pass (€59) and Venice City Pass (€119). It also mentions a current Marina Abramović exhibition at the Gallerie dell'Accademia, marking her as the first living female artist honored there.

Museum Night in Paris and Île-de-France: 5 ideas to get off the beaten track

Nuit des musées à Paris et en Île-de-France : 5 idées pour sortir des sentiers battus

The article from Beaux Arts Magazine offers five alternative recommendations for experiencing the Nuit des Musées (Museum Night) in Paris and the Île-de-France region on May 23. Instead of visiting major museums like the Musée d'Orsay or the Grand Palais, readers are guided to lesser-known institutions and unique activities: exploring the craftsmanship of Sèvres porcelain at the Mobilier national, joining a festive dance workshop led by choreographer Wanjiru Kamuyu at the Palais de la Porte-Dorée, creating a collective fresco inspired by Jean Dubuffet at the Parc de l'Île Saint-Germain in Issy-les-Moulineaux, and immersing in the historical atmosphere of 1936 at the Musée de l'Histoire vivante in Montreuil.

« À qui appartiennent ces œuvres ? » : le destin des biens culturels spoliés par les nazis au cœur d’un nouvel espace au musée d’Orsay

On May 5, the Musée d'Orsay in Paris inaugurated a new dedicated space in the Pavillon Amont for artworks looted during World War II that remain unclaimed by their owners or heirs. The room, titled "À qui appartiennent ces œuvres ?" ("Who owns these works?"), features thirteen pieces including sculptures by Auguste Rodin and paintings by Auguste Renoir, Edgar Degas, and Eugène Boudin. These represent a fraction of the museum's 225 MNR (Musées nationaux récupération) holdings, part of a national legacy of approximately 2,000 looted works still held in French museums.

Which exhibitions and museums to visit in the evening this May in Paris?

Quels expos et musées voir en nocturne en ce mois de mai à Paris ?

Paris museums and galleries are extending their hours for evening visits in May, with many offering late-night openings on specific weekdays. The Palais de Tokyo is open until 10pm daily except Tuesday, the Musée du Luxembourg stays open until 10pm on Mondays, and the BnF Richelieu site is open until 8pm on Tuesdays. The Fondation Cartier pour l'art contemporain, newly relocated near the Louvre, welcomes visitors until 10pm on Tuesdays, while the Jeu de Paume stays open until 9pm on Tuesdays. On Wednesdays, the Musée du Louvre extends its hours until 9pm, alongside other museums. Current exhibitions include shows dedicated to Leonora Carrington, Martin Parr, and Nan Goldin, among others.

Quels sont les musées ouverts ce 1er mai 2026 à Paris ?

Beaux Arts Magazine has published a guide to museums open in Paris on May 1, 2026, a public holiday in France. The article lists cultural venues across several arrondissements, including the Musée de l’Illusion, Musée en Herbe (with a Pokémon exhibition), Muséum national d’Histoire naturelle (zoo only), Musée Maillol (featuring Philippe Geluck's cat), Musée Jacquemart-André (with a Spanish Baroque exhibition), Musée Grévin, and the Atelier des Lumières (with a Renaissance immersive experience). Each entry includes addresses, dates, and highlights.

Au boulot ! 10 œuvres qui célèbrent le travail

Beaux Arts Magazine presents a feature on ten artworks that celebrate labor, from ancient Egyptian frescoes to modern depictions of workers. The article highlights pieces such as Pieter Brueghel the Elder's "The Harvesters" (1565), Diego Velázquez's "The Spinners" (c. 1657), and Johannes Vermeer's "The Milkmaid" (c. 1660), examining how artists have elevated peasant, artisan, and domestic work from background detail to central subject. The feature coincides with the Musée d'Orsay's nationwide initiative "100 œuvres qui racontent le travail" (100 Works That Tell the Story of Work), which explores the history and representation of labor in art.

Which museums are free on the first Sunday of the month in Paris and Île-de-France?

Quels musées sont gratuits ce 1er dimanche du mois à Paris et en Île-de-France ?

This article from Beaux Arts Magazine lists museums in Paris and Île-de-France that offer free admission on the first Sunday of each month, including the Musée de l'Orangerie, Musée national Picasso-Paris, Musée des Arts et Métiers, Musée de la Chasse et de la Nature, Musée Carnavalet, Musée Cognacq-Jay, Crypte archéologique de l'île de la Cité, Maison Victor Hugo, and Musée de Cluny. It also notes that municipal museums in Paris are free year-round, and provides practical tips such as booking online and taking advantage of free entry for visitors under 18 or 26.

In Geneva, John M Armleder’s Stunning Lesson in Art History

À Genève, la renversante leçon d’histoire de l’art de John M Armleder

The Musée d’Art et d’Histoire (MAH) in Geneva has unveiled its sixth "carte blanche" exhibition, curated by the influential Swiss artist John M Armleder. Following in the footsteps of figures like Ugo Rondinone and Wim Delvoye, Armleder was invited by museum director Marc-Olivier Wahler to mine the institution's vast collection of 800,000 objects. The resulting show defies traditional museum hierarchies by juxtaposing fine art with decorative objects, such as silver-topped corks and musical instruments, alongside Armleder's own prolific output of multiples.

The Beautiful Renaissance of the [mac] in Marseille

La belle renaissance du [mac] à Marseille

The [mac] (Musée d’Art Contemporain) in Marseille is undergoing a significant revival following years of stagnation and underfunding. Under the new leadership of Stéphanie Airaud, who was appointed in 2023, the museum has completed major renovations including updated storage facilities, a new rooftop terrace, and a reorganized gallery layout. The institution is leveraging its impressive but previously underutilized collection of over 1,000 works—featuring masters like Basquiat, Klein, and Saint Phalle—while actively working to correct historical gender imbalances and strengthen ties to Mediterranean contemporary art.

Don't Go to the Museum with Children Without These 10 Tips!

N’allez plus au musée avec des enfants sans ces 10 astuces !

Beaux Arts Magazine offers ten practical tips for making museum visits with children more enjoyable and less stressful. The advice, provided by Marion Charneau of the Louvre-Lens, includes practical preparation like checking hours and packing snacks, as well as strategic approaches such as keeping visits short, choosing morning hours, and turning the experience into a game with visual challenges.

Giverny Before the Water Lilies: An Unknown and Intimate Monet Revealed at the Museum of Impressionisms

Giverny avant les nymphéas : un Monet méconnu et intime se dévoile au musée des Impressionnismes

The Musée des Impressionnismes in Giverny is presenting an exhibition focused on Claude Monet's first seven years in the village, a period before he created his famous water lily pond. The show, assembled for the centenary of his death, features lesser-known works from private collections and small museums, revealing a Monet grappling with financial instability, family scandal, and artistic doubt as he transitioned to stability and fame.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

Robot dogs with Musk and Zuckerberg heads roam around Berlin gallery in Beeple's new exhibit

American artist Beeple (Mike Winkelmann) has installed an interactive piece titled "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads modeled after Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and "poo" printed AI-transformed images of their surroundings, with each dog's output reflecting the worldview of its human figure—for example, the Picasso dog produces Cubist-style images. The work, first shown at Art Basel Miami Beach 2025, includes QR codes on prints that grant access to free NFTs.

sandy stephen perlbinder art collection sagaponack norman jaffe 2

Philanthropists Sandy and Stephen Perlbinder, who have been part of Long Island's East End cultural scene since 1969, are being honored at the Parrish Art Museum's annual midsummer gala in July 2025. The couple commissioned an oceanfront home from architect Norman Jaffe in Sagaponack and have filled it with a collection featuring works by Jack Pierson, Almond Zigmund, Constantino Nivola, Roni Horn, Jenny Holzer, Mel Kendrick, Lynn Chadwick, Claude Lawrence, and others. Sandy serves as vice president of the museum's board of trustees, and the couple previously supported a Jaffe retrospective at the Parrish in 2005.

Sotheby’s Launches Museum Partnership Series, Starting with Exhibition by New York’s Hispanic Society Museum & Library

Sotheby's has launched a new exhibition initiative called 'In Residence' at its Breuer building on Madison Avenue, starting with a presentation of three paintings by Spanish master Joaquín Sorolla from the collection of the Hispanic Society Museum & Library. The inaugural show, titled 'In Residence: The Hispanic Society Sorollas,' opened Monday and runs through June 1, featuring works including 'Sea Idyll' (1909), 'Louis Comfort Tiffany' (1911), and 'Señora de Sorolla in a Spanish Mantilla' (1902). This marks the first partnership between Sotheby's and the Hispanic Society, and the first edition of a broader program inviting museums to stage focused exhibitions inside the Breuer building, which previously housed the Whitney Museum and the Met Breuer.

British artist says the Met ‘should take responsibility’ for dress copyright dispute

British artist Anouska Samms has publicly criticized the Metropolitan Museum of Art in New York over a copyright dispute involving a dress displayed in the Met Gala opening exhibition. Samms claims the museum included a garment called the Nervina Hair Dress, which she says is a copy of her collaborative work Hair Dress, created with fashion designer Yoav Hadari during their residency at the Sarabande Foundation. The Met had expressed interest in acquiring the original dress for its Costume Art exhibition but shelved those plans in December. Samms says she was not credited or paid, while Hadari acknowledges her IP rights over the textile but asserts the design and construction are his own. The Met has declined to comment, directing the artists to resolve the matter themselves.

Frick Inks Three-Year Partnership with Louis Vuitton, with Support for Exhibitions and Free Fridays

The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.

Artist Alleges Hair Dress in the Met’s ‘Costume Art’ Show Copies Her Design

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute and curator Andrew Bolton of displaying a garment in the spring 2026 exhibition "Costume Art" that she claims is a counterfeit of her collaborative work. Samms says the piece, titled Corpus Nervina 0.0, was inspired by a 2023 hair dress she co-created with fashion designer Yoav Hadari for his label Psycheangelic. Despite a contract giving Samms sole ownership of the hair-based textile's intellectual property, the museum's wall label credits only Hadari and states Samms's textile was not used. Samms's lawyer, Jon Sharples, says the museum initially expressed interest in acquiring the original dress but later shifted to a remake after Hadari reported water damage, then stalled entirely before the exhibition opened.

Comment | We must avoid amputating art in the name of preservation

The article recounts the author's experience viewing Caravaggio's *Seven Acts of Mercy* (1607) in its original chapel in Naples, where the painting's crowded, dramatic composition directly mirrors the chaotic streets of the city, revealing its sacred meaning through context. In contrast, the author describes Caravaggio's *Flagellation of Christ* (1607), moved from the church of San Domenico Maggiore to the Museo di Capodimonte for security reasons, as a painting "marooned"—its spiritual purpose broken, reduced to a mere object for aesthetic appreciation.

Pedro Reyes’s new Lacma commission sparks criticism in Mexico

Pedro Reyes's new sculpture 'Tlali' (2026), a four-meter-tall Olmec-inspired volcanic-stone female face installed at the Los Angeles County Museum of Art (Lacma), has sparked criticism in Mexico. An open letter signed by nearly 80 cultural figures, published on the art criticism site Cubo Blanco, alleges the work is a new version of a 2021 project that was canceled after backlash. That earlier project, 'Tlalli', was meant to replace a Christopher Columbus statue on Mexico City's Paseo de la Reforma but faced opposition from over 300 cultural figures who argued a male, non-Indigenous artist should not represent Indigenous women. The site later became the 'Glorieta de las Mujeres que Luchan', an anti-monument against gender violence.

A.I. Identifies Holbein Drawing as Possible Portrait of Anne Boleyn

Researchers at the University of Bradford have used artificial intelligence to analyze preparatory drawings by Hans Holbein the Younger in the Royal Collection at Windsor Castle. The AI model, which previously identified a forgotten Raphael painting, suggests that a drawing long believed to depict Anne Boleyn actually shows her mother, Elizabeth Howard, while another drawing labeled "Unidentified Woman" likely portrays Anne Boleyn herself. The findings, published in Heritage Science, are based on biometric analysis of facial features, bone architecture, and proportional relationships, offering quantifiable evidence to resolve long-standing scholarly uncertainty about the sitters' identities.

English museums should only charge tourists if digital ID checks in place, UK politician says

Labour peer Margaret Hodge has detailed her proposal to introduce admission fees for overseas tourists at England’s national museums, stipulating that such a move must be preceded by a universal digital ID system. Speaking to a parliamentary committee, Hodge argued that without digital verification, museum staff might resort to profiling visitors based on appearance, which would undermine community cohesion.

V&A Pulls Catalog Materials Due to Chinese Censorship Laws

The Victoria and Albert Museum (V&A) in London has admitted to removing maps and images from two exhibition catalogs following censorship demands from a Chinese printing firm. Documents revealed that C&C Offset Printing flagged content in the catalogs for the exhibitions "Music Is Black" and "Fabergé: Romance to Revolution" as violating Chinese law. The censored items included a 1930s map of British trade routes and a photograph of Vladimir Lenin, which the printer claimed could not be produced under Beijing’s strict regulations.