Japanese artist Manabu Kosaka creates hyperrealistic, scale replicas of everyday and retro objects using only paper. His meticulously crafted sculptures—ranging from 35mm film cameras and vintage transistor radios to luxury wristwatches and fast food—feature functional internal components like gears, levers, and moving hatches that mimic the mechanics of the original items.
Louis Vuitton is honoring its long-standing creative dialogue with Japan through a series of cultural initiatives timed to the 2025 World Expo Osaka Kansai. The LVMH-sponsored French Pavilion features an immersive narrative designed by OMA architect Shohei Shigematsu, including Rodin's *The Cathedral* among 85 wardrobe trunks and a video work by artist Daito Manabe. At the Nakanoshima Museum of Art, the exhibition "Visionary Journeys," curated by Florence Müller, presents archival materials tracing the Japanese influence on Louis Vuitton's monogram canvas. Two new publications—*Fashion Eye Osaka* by Jean-Vincent Simonet and *City Guide Osaka* with contributions from food critic François Simon and artist Verdy—further celebrate the connection.
The global financial landscape is undergoing a structural shift toward "collapse finance," where institutions designed to manage risk are increasingly profiting from and accelerating systemic instability. Amid geopolitical turmoil and the abandonment of green initiatives, traditional concepts of market security are unravelling, replaced by a system that monetizes uncertainty through instruments like catastrophe bonds and volatile cryptocurrencies.
The Center for Institutional Studies, Research, and Training (CERFI), a research cooperative co-founded by Félix Guattari in the wake of May 1968, sought to merge militant political practice with institutional psychotherapy. By adopting a model of 'analytical self-management,' the group utilized rotational roles and collective research to avoid the hierarchies and alienation typical of traditional academic and political organizations. This experimental structure was heavily influenced by the 'grid' system used at the La Borde psychiatric clinic, aiming to turn administrative labor into a tool for subjective liberation.
A new auction platform called Bam Auctions will launch in Dubai this May, with its inaugural sale held on Saturday at Bayt AlMamzar, an independent cultural space in a restored villa. The sale features 21 lots of contemporary art from the UAE and the wider region, including works by Jaber Al Azmeh, Manal Al Dowayan, and Hale Tenger, with estimates ranging from a few hundred to several thousand dollars. Bidding will be in person with remote options via phone, WhatsApp, and absentee bids.
Les Yeux du Monde presents 'GROUNDING,' the final show of 2025 featuring new oil paintings by Annie Harris Massie that explore light, memory, and place through landscapes and botanical studies of her Lynchburg, Virginia surroundings. Other December exhibitions include Randall Stoltzfus's 'To Hold The Light' at Angelo Jewelry, Judith Ely's paintings at Botanical Fare, and 'All That Glitters' by Natalie Darling at C’ville Arts Cooperative Gallery. The Fralin Museum of Art at UVA hosts three shows: 'Haiti’s Time' from the Sullivan collection, 'In Feeling: Empathy and Tension Through Disability,' and 'The World Between: Egypt and Nubia in Africa.' The Kluge-Ruhe Aboriginal Art Collection features works from the Spinifex Arts Project and Robert Fielding, while the Jefferson School African American Heritage Center presents 'Finally Remembered: The Black Patriots of Central Virginia.'
A new gallery called the Capitol Crossing Gallery of Art has opened in Washington, D.C., within the Capitol Crossing development on Capitol Hill. The gallery features over 20 artists with local connections to the DMV area, including a large lobby commission by Katherine Tzu-Lann Mann. The space is curated by Alexandra Foxworth-Hill, senior property manager for Capitol Crossing Advisors, who selects abstract works that complement the building's modern, sustainable design.
The twentieth edition of Art Dubai opened to VIP visitors on Thursday in a smaller format than originally planned, delayed from mid-April due to regional geopolitical unrest. The fair presented around fifty galleries, roughly 60% fewer than the approximately 120 exhibitors initially expected, yet drew a strong crowd of collectors primarily from the Gulf states and the wider Middle East. Separately, a new gallery, 971 Art Gallery, has opened in Dubai's Art of Living Mall, featuring international artists such as Gérard Rancinan, Isabelle Scheltjens, Riccardo Gusmaroli, Benito Cerna Leon, and Michele Tombolini, and offering curatorial advice and collection management to a growing base of newer collectors.
The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.
The Contemporary Art Museum of Indianapolis (CAMi) is set to open its doors from May 1-3 in a renovated 125-year-old dairy barn in Garfield Park. Managed by the Big Car Collaborative, the 40,000-square-foot facility features six exhibition spaces, 18 artist studios, and various community hubs including a cafe and storefronts for local creative businesses. The opening weekend will feature the main exhibition “Campo de Resonancia” by Puerto Rican painter Ivelisse Jiménez, alongside sound installations and experimental documentaries.
The Evanston Art Center is hosting its annual teen exhibition, titled "Stronger Together," running through April 22. Organized by the center’s teen board, the showcase features works that explore themes of peace, unity, and community resilience. This year’s display includes watercolor and digital pieces, specifically highlighting works by local students like Frances Wade, who contributed pieces reflecting on personal and communal connections.
Harta Space in Penang is hosting 'A Third Eye', an exhibition paying tribute to the late multi-dimensional artist Askandar Unglehrt. Born in Germany, Unglehrt studied at the Sorbonne in Paris during the 1960s, where he was influenced by Dadaism and surrealist poet Jean Hans Arp. He later settled in Malaysia, taught at Universiti Sains Malaysia, and developed a distinctive artistic practice rooted in collage, assemblage, and the concept of a 'third eye' that synthesizes Eastern and Western perspectives. The exhibition explores his humorous, esoteric works and his lifelong questioning of art's seriousness.
The Anton Art Center in Mount Clemens, Michigan, will open a dual exhibition on April 26 featuring the Member’s Exhibition 2025 and the Emerging Women Artists of Metro Detroit, presented by the Detroit Society of Women Painters and Sculptors (DSWPS). The shows will display 90 original artworks by 74 artists across the center’s first and second floors through June 14, with a juried selection process led by artist Dan Keller for the members’ show and center exhibition manager Stephanie Hazzard for the emerging artists competition.
Simone Venturini è il nuovo sindaco di Venezia ecco cosa vuole fare per la cultura (e sì, tornerà l’assessore)
Simone Venturini, a 38-year-old center-right candidate, has been elected mayor of Venice in a surprise first-round victory on May 25, 2026. Born and raised in Marghera, Venturini entered politics at 22 and is seen as the protégé of outgoing mayor Luigi Brugnaro. His campaign emphasized daily belonging and crisis management experience, from the pandemic to overtourism.
A private company donated a design competition to the Galleria Borghese in Rome, aiming to expand the museum's exhibition spaces and services. Before any winning project was selected, associations like Italia Nostra protested, claiming the initiative would desecrate Villa Borghese. The article's author visited the park to document its current state, finding decay: a wrecked Globe Theatre, neglected ponds, graffiti, trash, dilapidated buildings, and a degraded horse-riding track. The author argues that while the park is defended as "perfect and untouchable," it is actually suffering from real neglect that goes unaddressed by the same groups opposing development.
The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.
The Front, an artist-run cooperative gallery in Montpelier, Vermont, operates on an equal-ownership model with 23 member artists. Founded by Glen Coburn Hutcheson after a pop-up studio gallery evolved into a collective space, the gallery is cooperatively managed, with members sharing rent and responsibilities while hosting solo and bi-monthly group shows, critiques, and community events.
Des précisions sur les œuvres des musées français à Abu Dhabi
French museums and cultural institutions, including the Louvre, Versailles, the Centre Pompidou (Beaubourg), and the Musée d'Orsay, are refusing to disclose which specific artworks from their collections are currently on loan and on display at the Louvre Abu Dhabi. This lack of transparency occurs despite heightened regional security risks, including the threat of Iranian strikes. The French Ministry of Culture claims it is in close contact with UAE authorities to ensure the protection of the loaned works.
Salon 21 by Alex Bass hosted an intimate garden dinner at the Maidstone Hotel in East Hampton, celebrating its summer exhibition “La Dolce Vita” and previewing the gallery’s fall reopening in a new WSA space. The event brought together art world insiders, design leaders, and creative peers, including curator Sharon Coplan Hurowitz, Watermill Center Managing Director Elise Herget, and lifestyle expert Katie Sands Bochner, for an Italian coast-inspired evening of seafood, rosé, and conversation.
Young Cham artist Kaeu Sreypeou has opened her first solo exhibition, titled "Remembering," at SNA Arts Management in Phnom Penh, running from May 21 to August 8. The show features 18 acrylic paintings that depict traditional Cham Muslim ceremonies, such as the Mawlid Festival and the Tolak bala cleansing ritual, which are now practiced by only a few communities in Cambodia. Sreypeou, a 2023 graduate of the Royal University of Fine Arts, draws on her own memories and participation in these rituals to document and preserve Cham cultural identity.
The Wellcome Collection in London has announced plans to transfer 2,000 Jain manuscripts to the Jain community, but they will remain in the UK at the University of Birmingham’s Dharmanath Network in Jain Studies. The manuscripts, ranging from the 15th to 19th centuries, were largely purchased in 1919 from a temple in India and from sources in present-day Pakistan. The transfer follows years of dialogue with the UK-based Institute of Jainology and aims to maximize community access and research opportunities.
Israel advanced a bill on Tuesday that would grant sweeping civilian authority over antiquities and archaeology in the occupied West Bank, replacing the current military-run system. The Likud-backed legislation would create a "Judea and Samaria Heritage Authority" under the Israeli heritage minister, empowered to purchase and expropriate land, oversee excavations, and manage heritage sites across Areas B and C of the West Bank. The bill passed its first of three votes (23-14) and would be led by Amichai Eliyahu, a far-right politician who advocates for annexation. Human rights groups and the Israeli NGO Emek Shaveh warned the move amounts to de facto annexation and a violation of Palestinian rights.
Sotheby’s has reported a return to profitability in 2025, posting a $53 million pre-tax profit following a significant $190 million loss the previous year. Driven by a 20 percent increase in sales totaling $7.1 billion, the auction house benefited from a broader 4 percent recovery in the global art market. Despite these gains, the company is navigating complex financial pressures, including a $10.2 million commission lawsuit from Cushman & Wakefield and the need to refinance $765 million in debt by 2027.
Archaeologists in northeastern Romania have unearthed a 6,000-year-old 'megastructure' at the Stăuceni-"Holm" site, attributed to the Cucuteni-Trypillia culture. Measuring approximately 350 square meters, the building is significantly larger than typical dwellings of the period and was strategically positioned near the settlement's entrance. The absence of domestic tools or ritual statuettes suggests the space served as a communal assembly hall or administrative center rather than a private residence.
The Smithsonian’s National Museum of African American History and Culture (NMAAHC) will remove a significant timber fragment from the São José-Paquete de Africa slave ship on March 22. The artifact, which has been a centerpiece of the "Slavery and Freedom" exhibition since the museum's 2016 opening, is being returned to the Iziko Museums of South Africa following the expiration of a long-term loan agreement. It will be replaced by a cargo manifest documenting the enslaved individuals forced onto the vessel.
The Israeli Knesset's Ministerial Committee on Legislation approved a first reading of a bill that would grant Israel's Heritage Minister sweeping authority over antiquities in the West Bank. The legislation allows for the appointment of a governing council, the designation of antiquity sites, and the expropriation of land and artifacts across the occupied territory, including areas currently under Palestinian civil control.
Bonhams ended 2025 with $970 million in global sales, one of its strongest recent performances, driven by growth across regions and categories including fine art, luxury goods, and collector cars. The year’s top lot was a 2020 Bugatti Divo that sold for $9 million. However, the results are overshadowed by a Financial Times report of a £213 million pre-tax loss in 2024, largely due to £153 million in impairment charges tied to a change in ownership—the house was sold by private-equity firm Epiris to Pemberton Asset Management in October 2025. Bonhams Hong Kong posted a record $104 million, UK sales rose 4.5% to $285 million, and digital sales accounted for 46% of total value.
Bonhams, the UK-based auction house, reported a nearly 90% surge in pre-tax losses to £213 million ($286.3 million) in 2024, alongside a 9% revenue decline to £176 million ($236.6 million), according to filings with Companies House. The losses were driven by £153 million in impairment charges due to reduced cash flow forecasts, reflecting a write-down on the investment value held by former owner Epiris. The house was sold to Pemberton Asset Management in October 2024, and subsequently saw a leadership overhaul, with Seth Johnson appointed CEO, Liese Thomas as CFO, and Jennifer Babington as COO, replacing Chabi Nouri and Céline Assimon.
Woodmere Art Museum in Philadelphia has filed a lawsuit against the Trump administration over the unlawful termination of a $750,000 grant from the Institute of Museum and Library Services (IMLS). The grant, awarded in 2024 through the IMLS's 'Save America's Treasures' program, was intended to revamp the museum's catalog system and digitize works for its 'America 250' exhibition honoring the nation's 250th anniversary. After President Trump signed an executive order calling for the IMLS to be eliminated, the agency ceased distributing funding, leaving Woodmere with only about $195,000 of the grant received and scrambling to fulfill contracts already in place. The museum is seeking an injunction to stop the IMLS and the Office of Management and Budget from following the executive order.
Archaeologists at the Villa Romana del Casale in Sicily have uncovered a mosaic in the frigidarium (cold bath) of the southern baths featuring a pair of flip-flops and the inscription "Treptona bibas," likely referencing a woman involved in managing the complex. The discovery was made during the University of Bologna's Summer School ArchLABS program, which trains students from 11 countries in modern excavation techniques. The flip-flop motif, known from other Late Roman bath decorations across Spain, Cyprus, Jordan, and Asia Minor, signals the aristocratic and cosmopolitan character of the baths.