Japanese museum’s collection of Western art could bring $60m at auction

The Kawamura Memorial DIC Museum of Art, a private museum near Tokyo that closed permanently in March 2025, has consigned 80 works from its collection of Western modernism to Christie’s. The consignment is expected to generate at least $60 million across multiple sales in New York this autumn, led by a 1907 Claude Monet *Nymphéas* painting estimated at $40 million. Other highlights include a Pierre-Auguste Renoir *Baigneuse* from 1891, two Marc Chagall paintings, and works by artists such as Mark Rothko, Pablo Picasso, and Cy Twombly. The museum’s parent company, DIC Corporation, plans to retain only about 100 works and sell the remaining roughly 280 pieces gradually.

Luxury Art Gallery Debuts in Nashville, Launches Profound Exhibit Exploring Shared Culture

CASS Contemporary, a Tampa-based luxury art gallery, opened its new Nashville location in the Wedgewood-Houston neighborhood on September 12, 2025, with a grand opening event. The gallery launched its inaugural group exhibition, "CLTRL CNTXT," featuring eight artists from eight countries, including Florian Eymann, Michal Mraz, and Faith47, running through November 7. Founded by Cassie and Jake Greatens over a decade ago, CASS Contemporary has expanded from a gallery into art consulting and management, serving high-profile clients such as celebrities, athletes, and developers.

Collector’s eye: the art Kyongho Kim has bought and why

Kyongho Kim, a Seoul-based dentist and art collector, discusses his journey into collecting contemporary art, which began in 2019 when he bought his first painting to fill bare walls in his new home. He now owns around 250 works, including pieces by Hernan Bas, Genieve Figgis, Scott Kahn, and Jack Kabangu, and describes his philosophy as stewardship rather than ownership. The interview, published by The Art Newspaper, covers his first purchase (Byung-Rock Yoon's *Scent of Autumn*), his regret over missing a George Condo piece, and his love for art fairs like Frieze Seoul, where he acquired a work by Marina Perez Simão.

Art and Soul: Inside Madagascar’s Burgeoning Creative Scene

The article explores Madagascar's burgeoning contemporary art scene, centered on Hakanto Contemporary, a non-profit art space in Antananarivo founded by artist Joël Andrianomearisoa. It highlights the group exhibition "Lamba Forever Mandrakizay," featuring 21 Malagasy artists reflecting on the traditional lamba textile, and the innovative culinary-art fusion by chef Lalaina Ravelomanana. The piece also mentions the Musée de la Photo, founded in 2018, which preserves Malagasy photographic heritage.

Folkestone Triennial 2025 review: environmental catastrophe—but also hope, joy and a jolly salamander

The Folkestone Triennial 2025, titled "The Lie of the Land," features 18 artists across the seaside town in southeast England. Works include Sara Trillo's chalk cob sculptures inspired by Iron Age urns, Emilija Skarnulyte's film on nuclear decommissioning at Lithuania's Ignalina plant, Katie Paterson's amulet installation made from planetary crisis materials, and Cooking Sections' activist project on UK sewerage pollution. The triennial runs through the ancient port's historic role as a site of arrival and departure.

Pook & Pook Presents Exceptional Works of Modern and Post-war Art in its Upcoming Auction

Pook & Pook will hold an online auction on July 16, 2025, featuring over 500 lots of modern and post-war art deaccessioned from a distinguished East Coast educational institution. Highlights include eight works by Romare Bearden, over one hundred pieces by Leonid Sokov, paintings by Mikhail Turovsky, conceptual works by Lydia Dona, and a sculpture by Frederick Eversley. The auction will be accessible via PookLive, Bidsquare, and Invaluable, with in-person previews at Pook & Pook's Downingtown, Pennsylvania gallery on July 14-15.

Exhibition in Abu Dhabi marks collaboration between Korean and Emirati institutions

A partnership exhibition titled "Layered Medium: We Are in Open Circuits" has opened at Manarat Al Saadiyat in Abu Dhabi, featuring 29 Korean contemporary artists from the Seoul Museum of Art (SeMA) collection. Organized with the Abu Dhabi Music & Arts Foundation (ADMAF), the show includes works by Nam June Paik, Haegue Yang, Lee Bul, and others, and runs until 30 June. A reciprocal exhibition of Emirati artists, "Intense Proximities," will open at SeMA in December 2025. The curators, Maya El Khalil and Kyung-hwan Yeo, chose to present each country's art scene separately to allow full appreciation on its own terms.

Everything to Know About Christie’s Modern Middle Eastern Art Auction

Christie’s has opened an online auction of Modern and Contemporary Middle Eastern Art, running through May 8th and featuring 69 works from across the Gulf, Levant, North Africa, Iraq, and Iran. The sale is led by pioneering artist Samia Halaby’s 2013 painting 'Water Lilies', estimated at $100,000–$150,000, and includes a dedicated 'Saudi Now!' section with 12 pieces by Saudi artists such as Ahmed Mater and Manal AlDowayan. Over a third of the lots are by women artists, including Etel Adnan, Helen Khal, Huguette Caland, Tala Madani, and Tagreed Darghouth, alongside North African figures like Mohamed Melehi and Hassan Hajjaj.

How Javier Milei’s war on history is threatening art spaces in Argentina

Argentina's President Javier Milei has escalated his campaign to rewrite the history of the country's 1976-1983 dictatorship by closing art and human-rights spaces on the grounds of the ESMA Museum and Site of Memory in Buenos Aires, a former clandestine prison turned memorial and UNESCO World Heritage Site. In January, the Haroldo Conti Cultural Centre was shuttered for 'internal restructuring,' with 50 of its 87 employees fired; in early April, the government halted operations at Espacio Memoria, suspending salary payments and funding pending an audit. Both centres are public institutions managed by the Human Rights Secretariat, which has undergone mass layoffs and changes under Milei's administration.

Five years on from bankruptcy, Unseen photo fair returns to Amsterdam

Unseen photo fair is returning to Amsterdam under new management and in a new venue, five years after its commercial entities filed for bankruptcy in early 2020. Founded in 2012 by Foam photography museum, Vandejong Creative Agency, and Platform A, the fair was acquired later in 2020 by Art Rotterdam, with its director Fons Hof now overseeing the relaunch. The 13th edition will take place from 18 to 21 September at the NDSM Loods, a 20,000 sq. m former shipyard in Amsterdam Noord, featuring expanded curated sections and a new contemporary art segment called Unfold.

'Slime family portrait' shown at top exhibition

Kutub Uddin, a photographer from West Sussex, is one of only two UK photographers selected for the prestigious Wildlife Photographer of the Year exhibition. His image, described as a "slime family portrait," captures the reproductive parts of a slime mold—tiny blue spheres on stalks—on a fallen tree in Slindon Wood, magnified many times using a specialist lens. The exhibition recently opened at Brighton Museum and Art Gallery and runs until September 6.

Kennedy Center Board Votes to Close for 2-Year Renovation Project

The John F. Kennedy Center for the Performing Arts board has approved a plan to close the institution for a two-year, comprehensive renovation project. The decision follows public criticism from former President Donald Trump regarding the center's physical state and past financial management.

Working in Art: Opportunities from Museo Novecento, Giudicesse 2030, Premio Combat and Fondazione Club Silencio

Lavorare nell’arte: opportunità da Museo Novecento, Giudicesse 2030, Premio Combat e Fondazione Club Silencio

This article from Artribune compiles five current job and grant opportunities in the Italian art world. It highlights a crowdfunding campaign by Museo Novecento for Agnese Galiotto's artwork "Sogni" in Empoli, an open call for the fourth edition of the Giudicesse 2030 residency for filmmakers and video artists in Sant'Antioco, a call for artists using AI from Associazione culturale 360° Creativity Events for PARMA 360 Festival, a paid internship at Blob Art ETS for Premio Combat in Livorno, and a search for a project manager by Fondazione Club Silencio ETS.

Alphabet of bread and love for animals. Uri Aran's exhibition at the Museo Madre in Naples

Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli

Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.

The 15th-century Ca' Giustinian Faccanon reopens in Venice. It will be a space for exhibitions and events

A Venezia riapre il quattrocentesco Ca’ Giustinian Faccanon. Sarà uno spazio per mostre ed eventi

The historic Ca' Giustinian Faccanon, a rare example of Venetian Gothic architecture in the San Marco district, has reopened in Venice after over a year of restoration work. The 15th-century palace, acquired by entrepreneur Andrea Parisotto, will now serve as a space for exhibitions and events managed by Art Events and Cultural Real Estate Studio. During the 61st Venice Biennale, it will host the Vietnam Pavilion with the exhibition "Arte nel flusso globale" curated by Do Tuong Linh, marking Vietnam's first official participation, as well as a solo show by Korean sculptor Shim Moon-Seup titled "Harnessed From Nature."

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.

Palestinian Museum seeks new ways to reach audiences as crisis escalates

The Palestinian Museum in Birzeit, West Bank, is adapting its operations amid the ongoing war in Gaza and escalating violence across occupied territories. Director General Amer Shomali, who began his role on October 8, 2023, describes how the museum has shifted focus to research, digital access, and international partnerships while protecting its collection. The museum closed for four months from October 2023 to February 2024, and has since moved artworks to safer locations, including keeping paintings exhibited in Europe abroad. It mounted a bold exhibition, "This is Not an Exhibition," featuring 335 works by 122 Gazan artists, at least five of whom have been killed, and collaborated on "Thread Memory: Embroidery from Palestine" at the V&A Dundee in Scotland.

Currently, much that was painstakingly built is being destroyed

"Aktuell wird viel zerstört, das mühsam aufgebaut wurde"

Berlin's Savvy Contemporary, a non-profit art space known for its postcolonial discourse, has been awarded the Art Basel Award in the 'Museums and Institutions' category—the only German institution to receive the honor this year. However, despite the prestigious recognition, Savvy has been unable to open any exhibitions in 2024 due to a lack of funding. In an interview, managing directors Lema Sikod and Lynhan Balatbat-Helbock discuss the award, the institution's 15-year history, and the growing difficulty of sustaining decolonial work amid rising right-wing populism and political backlash.

GDR Women Without Filter

DDR-Frauen ohne Filter

The Kunsthaus Apolda in Thuringia is presenting a posthumous retrospective of Günter Rössler, the East German photographer who defined nude and fashion photography in the GDR, on what would have been his 100th birthday. The exhibition features 130 works spanning six decades, including fashion assignments, reportage from his travels abroad, and large-format black-and-white nudes. It is curated by his widow and estate manager Kirsten Schlegel, and complemented by an audio guide in which Rössler's models reflect on their collaboration with him.

This is the Press Photo of the Year

Das ist das Pressefoto des Jahres

The World Press Photo competition has named Carol Guzy's photograph "Separated by ICE" as the World Press Photo of the Year. The image, taken for the Miami Herald in August 2025, shows children clinging to their father's shirt during a court hearing in New York after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury praised the photo as a stark documentation of family separation resulting from U.S. immigration policy. Two other finalists were recognized: Saber Nuraldin's image of the humanitarian crisis in Gaza and Victor J. Blue's photo documenting the Achi women from Guatemala who sought justice for wartime abuses.

Press Photos of the Year Chosen

Pressefotos des Jahres gewählt

Carol Guzy won the World Press Photo competition for 2025 with her image "Separated by ICE," taken for the Miami Herald. The photograph depicts children clinging to their father's shirt during a court hearing in New York, after he was unexpectedly detained by U.S. Immigration and Customs Enforcement (ICE). The jury selected the image from nearly 57,000 entries by about 3,700 photographers. Two other finalists were recognized: Saber Nuraldin for documenting the humanitarian crisis in Gaza, and Victor J. Blue for covering the trial of perpetrators who kidnapped and abused women during Guatemala's civil war.

Museum Sculptures in Park Sanssouci Return Restored

Musen-Skulpturen im Park Sanssouci kehren restauriert zurück

Eight 18th-century marble sculptures depicting Greek muses have been reinstalled in the western pleasure garden of Park Sanssouci in Potsdam following a six-month restoration project. The works, created by Berlin sculptor Friedrich Christian Glume, represent figures like Melpomene (Tragedy), Klio (History), and Thalia (Comedy) and have been cleaned, repaired, and given a protective coating.

We had to make difficult decisions

"Wir mussten schwierige Entscheidungen treffen"

Investor Andrew E. Wolff has stepped down as CEO of Artnet after orchestrating a merger of the company's US operations with Artsy, another major art market platform he recently acquired. Jeffrey Yin, previously the interim head of Artsy, has been appointed as the permanent CEO of the combined entity. The restructuring involves significant layoffs, the closure of Artnet's Berlin office, and a consolidation of management teams, though both brands will continue to operate with distinct editorial voices.

The Most Important Thing is That Art Remains Accessible

"Das Wichtigste ist, dass die Kunst zugänglich bleibt"

Gilles Neiens has been appointed as the first-ever artistic director of Art Düsseldorf, marking a strategic shift for the eight-year-old regional art fair. In his new role, Neiens aims to elevate the fair's profile by focusing on high-quality curation, thematic depth, and fostering closer collaborative relationships with participating galleries. This structural change signals a move away from purely organizational management toward a more distinct, content-driven identity.

Beautiful New Arts and Crafts Gallery at Shrewsbury Library

Shrewsbury Library has opened a new community gallery curated by Shrewsbury Arts and Crafts, founded by Jess Richards. The space features work from 24 local artists, a mural by Emma Williams, and was created after Richards faced the possible closure of her shop in Perches House. A collaboration with library manager Katherine Berry turned a small concession idea into a full gallery wall, enabling workshops and year-round creative programming.

Artnet et Artsy amorcent leur intégration

Artnet and Artsy, both acquired in 2025 by British fund Beowolff Capital, are beginning their integration under a shared management structure while maintaining separate brands and websites. The reorganization has already involved job cuts and aims to more closely align market data, online visibility, and transactions amid a fragile online art sales environment.

The Rapprochement Between Artnet and Artsy Takes Shape

Le rapprochement entre Artnet et Artsy prend corps

Artnet and Artsy, two major online art market platforms, have announced a strategic merger under the common ownership of British investment fund Beowolff Capital. The companies will retain their distinct brands and websites but will be led by a unified management team, with Artsy's CEO Jeffrey Yin taking the helm. The consolidation has already resulted in dozens of job cuts, particularly at Artnet News, and follows a period of economic strain for Artnet, which reported a 12% revenue drop in the first half of 2025.

The Textile Museum: A Frayed Project

Le Musée des tissus, un projet décousu

The renovation and expansion of the Musée des Tissus et des Arts Décoratifs in Lyon has stalled despite being acquired by the Auvergne-Rhône-Alpes Region seven years ago. Although architect Rudy Ricciotti revised his initial designs to satisfy local urban planning requirements and resident concerns, the project faces significant delays, with no building permit filed and a fluctuating budget that recently dropped from 60 million to 32 million euros. Tensions between the regional leadership and the City of Lyon have further complicated the timeline, leaving the museum closed to the public for four years.

Amandine Blier: 'Aura is the new name of Edeis Culture'

Amandine Blier : « Aura est le nouveau nom d’Edeis Culture »

Trévise Participations, the holding company of the Noisiez family, has consolidated its cultural activities by granting autonomy to its subsidiary Edeis Culture and rebranding it as Aura. Amandine Blier, a seasoned communications professional with experience at the City of Versailles and the opening of Citéco, has been confirmed as the head of the new entity, which manages eight cultural sites including venues in Nîmes and the recently won concession for the Villa Kérylos.

Management of Mont-Saint-Michel by the Centre des Monuments Nationaux Called into Question

La gestion du Mont-Saint-Michel par le Centre des Monument Nationaux remise en question

On May 20, the French newspaper La Lettre reported that Prime Minister Sébastien Lecornu has decided to transfer management of the Mont-Saint-Michel abbey from the Centre des monuments nationaux (CMN) to the Établissement public du Mont-Saint-Michel (EPMSM), which currently handles the bay, parking, and shuttles. The CMN, which administers the abbey and 110 other national monuments, has denounced the move as opaque and lacking impact studies or consultation. Unions including CGT-Culture and CFDT-Culture warn that losing the abbey's revenue—1.4 million annual visitors generating over 15% of CMN's income—would jeopardize maintenance of less profitable sites and restoration projects.