The article is a comprehensive listing of current and upcoming art exhibitions in Cairo, Egypt. It details numerous shows across various venues, including the "Disruption" senior exhibition at the Sharjah Art Gallery, the "Beyond Van Gogh" immersive experience in New Cairo, and group and solo shows at galleries like Mashrabia Gallery of Contemporary Art and Picasso Zamalek.
The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.
The Musée National Picasso-Paris has launched a major exhibition dedicated to American artist Henry Taylor, running from April 8 to September 6, 2026. The showcase features approximately 100 works, including portraits, sculptures, and installations that explore African American social realities, collective memory, and urban struggles. Developed in collaboration with the artist, the exhibition spans 13 galleries and places Taylor’s expressive, human-centric practice in direct dialogue with the legacy of Pablo Picasso.
Toyota Tsusho Corporation and its subsidiary CFAO SAS have announced the five inaugural winners of the Toyota Tsusho CFAO African Art Award. Zimbabwean mixed-media artist Moffat Takadiwa received the Grand Prize, while Gosette Lubondo and Unathi Mkonto were honored with Distinguished Awards. The selection process involved 35 international art professionals who nominated 100 artists, eventually narrowing the field to 12 finalists before selecting the five winners across various categories including painting and photography.
The National Portrait Gallery in London has unveiled a new family portrait of Sir Elton John, his husband David Furnish, and their two sons, captured by the acclaimed American photographer Catherine Opie. Taken at the family's home in Old Windsor, the image depicts the group in their library alongside their pet Labradors. The work is a centerpiece of Opie’s major retrospective, "Catherine Opie: To Be Seen," which opens this week.
The Monterey Museum of Art is hosting "Landscape ReEnvisioned," a group exhibition featuring six contemporary photographers who move beyond traditional West Coast landscape traditions. Curated by Helaine Glick, the show presents works by Debra Achen, Tony Bellaver, Adrienne Defendi, Charlotte Schmid-Maybach, Brian Taylor, and Vincent James Waring. These artists utilize diverse mediums—including cyanotypes, gum bichromate prints, tapestries, and sculptures—to address the urgent realities of climate change, wildfires, and environmental degradation.
Pittsburgh’s art scene is set for a diverse series of openings this March, ranging from historical sports photography to contemporary textile art. Highlights include Michael Zagaris’s 60-year retrospective of NFL photography at the Western Pennsylvania Sports Museum, the first U.S. solo exhibition for English photographer Ajamu X at Silver Eye Center for Photography, and solo shows by Nicole Renee Ryan and Abby Franzen-Sheehan. The month also features collaborative exhibitions like "What We Carry," which pairs Penny Mateer’s political quilts with Dante Campudoni’s psychological paintings.
This article is a curated guide to ten art exhibitions taking place across Upstate New York in February. It highlights a diverse range of shows, including Kim Tateo's abstract paintings at Context Collective, Barbara Todd's politically charged textile works at Opalka Gallery, Michael Salomon's photographic landscapes, and group shows celebrating creative courage and Hudson Valley artists. Other featured exhibitions include Sita Gómez's paintings of women at Hudson Hall and photography shows by Ocean Vuong and Nona Faustine at the Center for Photography at Woodstock.
Naomi Campbell has contributed an essay to an upcoming exhibition of Pablo Picasso's paintings staged by Nahmad Contemporary at Tarmak22 gallery in Gstaad, Switzerland, from 14 February to 15 March. The show features 14 works from Picasso's Le Peintre et son modèle series (1963–1965), which explore the dynamic between artist and model. Campbell, drawing on her decades as a supermodel, offers a personal perspective on the power dynamics of being looked at, comparing the painter-model relationship to that of photographer and model.
Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.
The Newport Art Museum is reviving its Members Annual Juried Exhibition, titled "Springboard," on January 22, after discontinuing the tradition years ago. The show features 140 works by 112 artists, including local Newport figures like brothers Rupert and Sandy Nesbitt, Natasha Harrison, and James Baker, as well as international participants such as Salvadoran artist Oscar Molina, who will represent his country at the 2026 Venice Biennale. The museum is also launching a companion watercolor exhibition by longtime member Pamela Granbery and inaugurating its 97-year-old Winter Speakers Series on January 24 with stone carver Nick Benson.
At this year's Paris Photo, the MUUS Collection presented "Looking Out, Looking In: Larry Fink and Rosalind Fox Solomon with Lisette Model," an exhibition that placed the work of photographers Larry Fink (1941-2023) and Rosalind Fox Solomon (1930-2025) in dialogue with that of their teacher, Lisette Model (1901-83). The MUUS Collection, founded by Michael W. Sonnenfeldt, owns the archives of Fink and Solomon, acquired in 2024 and 2021 respectively, and partnered with the French gallery baudoin lebon to include Model's prints. The presentation was organized by Anne E. Havinga, curator of photography at the Museum of Fine Arts, Boston, and highlighted Model's pedagogical legacy as a teacher at the New School for Social Research who emphasized personal vision and creative independence.
At the VIP preview of Nada Miami, dealers reported brisk sales of paintings, with galleries like Hawkins Headquarters, Shrine, Burnaway, the Locker Room, and Baker—Hall showing works by artists including Jackson Markovic, Angela China, Alex Hutton, Clare Torina, Eric Diehl, and Thomas Bils. Nightlife themes were prominent, with Markovic's fluorescent nightclub photographs and Raffi Kalenderian's painting of Mac's Club Deuce dive bar. The Pérez Art Museum Miami acquired works by Bils, Sheroanawe Hakihiiwe, and Pallavi Sen through its Nada Acquisition Gift programme.
Maxwell Rabb's article highlights five standout exhibitions at small galleries in December 2025, featuring artists Marco Emmanuele at LABS Contemporary Art in Bologna, Anuk Rocha at Nibelungen Gallery in Antwerp, and a group show titled "The Beautyful Ones" at DADA Gallery in Lagos, among others. Emmanuele uses a spatula and glass-sand mixtures for textured paintings, while Rocha's figurative works focus on clothing as identity markers, and the Lagos show presents Black artists' visions of a hopeful future.
The second week of November 2025 marks Lagos Art Week, featuring the 10th edition of Art X Lagos, West Africa’s leading international art fair, and the 15th edition of Lagos Photo Festival, now a biennial. A new symposium, Re: assemblages, hosted by the Alliance Française de Lagos and organized by the Guest Artists Space and Yinka Shonibare Foundations, brought together cultural practitioners from across Africa and the diaspora to discuss African and Afro-diasporic art archives. Key takeaways include the importance of archives as living tools for shaping the future, concerns about restricted access to the archives of late curators Okwui Enwezor and Bisi Silva, and the need for restitution efforts to incorporate African knowledge systems and language, not just the return of objects.
Art Week Tokyo is underway, and this article highlights five must-see exhibitions across the city. Featured shows include Phung-Tien Phan's debut solo exhibition in Japan at Misako & Rosen, where she presents fabric-wrapped sculptures made from found objects; ChimPom from Smappa! Group's environmental-themed show "A Hole Within a Hole Within a Hole" at Anomaly; the group exhibition "The Clearing" at space Un, organized by curator Ekow Eshun, featuring five emerging African diaspora artists; the "Jam Session" pairing new works by Chikako Yamashiro and Lieko Shiga with the Ishibashi Foundation Collection at Artizon Museum; and Eiki Mori's photographic series "Moonbow Flags" at Ken Nakahashi gallery.
San Francisco's Museum of the African Diaspora (MoAD) has reopened its renovated ground-floor lobby to mark its 20th anniversary, alongside two new exhibitions. The larger show, "Unbound: Art, Blackness & the Universe" (on view until 16 August 2026), explores Blackness and the cosmos through painting, photography, sculpture, and installation. Curated by MoAD's first full-time curator Key Jo Lee, the exhibition features 17 artists including Torkwase Dyson, Barkley L. Hendricks, Lorna Simpson, Oasa DuVerney, and Mikael Owunna, organized under three themes: "Geo-Cartographic," "Religio-Mythic," and "Techno-Cyborgian." The $500,000 renovation also upgraded lighting and HVAC systems.
The article, written by Chenoa Baker, critiques the art world's labeling system that categorizes artists as emerging, mid-career, or established. It argues that these labels are particularly harmful to Black artists, who are often kept in the "emerging" category for years despite significant achievements, collections, and decades of practice. The piece highlights the cases of Cheryl Miller, a self-taught analog photographer whose work is held by major institutions yet who had to "re-emerge" after relocating, and Ifé Franklin, a queer Black artist whose career was sidelined by systemic erasure and who is now being honored as an "elder" artist. The article connects these labels to ageism, lack of access to elite schools and galleries, and the undervaluing of self-taught artists and those working outside traditional art centers.
The Ford Foundation Gallery in New York presents "Body Vessel Clay: Black Women, Ceramics & Contemporary Art," opening September 10, 2025. The exhibition features over fifty works across ceramics, film, photography, and archives, bringing together three generations of Black women artists. It highlights the legacy of Nigerian potter Ladi Dosei Kwali (1925-1984) and traces how Black women artists have transformed ceramics over seventy years. Curated by Dr. Jareh Das, the U.S. debut includes new works by Adebunmi Gbadebo, Simone Leigh, and Anina Major, following critical acclaim at Two Temple Place in London and York Art Gallery in 2022.
The Art Museum of South Texas is presenting "Home, Love & Loss," the third exhibition from a partnership between the Amon Carter Museum of American Art and the Art Bridges Foundation Cohort Program. The show brings together artworks from five institutional collections, organized into four themes: Home, Family, Honor, and Loss. Featured works include Raymond Bonilla's "Escuchas" (2009), a diptych about Puerto Rican family traditions; Terry Evans's aerial photograph of Fourth of July gatherings; Earlie Hudnall, Jr.'s intimate portrait of Black children; Ave Bonar's stark image of Border Patrol detainees; and Francisco Delgado's serigraph referencing immigration politics. After closing in Corpus Christi, the exhibition will travel to the Amarillo Museum of Art and the Ellen Noël Art Museum in Odessa.
Artist and curator Adam Heft Berninger is opening a new contemporary art gallery called Heft in New York City's Lower East Side on April 23, 2025. The gallery evolves from Berninger's curatorial project Tender into a permanent space, debuting with the group exhibition "Truth or" featuring generative art pioneers including Mario Klingemann, Katie Morris, Michael Mandiberg, and a collaboration between Edward Burtynsky and Alkan Avcıoğlu. The show runs through May 10, 2025, and includes works by Kevin Abosch, Gretchen Andrew, and others.
Anuar Maauad and Roger Muñoz have cocurated the exhibition "La Alegría de Vivir" at Estudio Anuar Maauad in Mexico City, featuring works by Jorge de León, Benjamin Orlow, Miguel Ángel Rojas, Berenice Olmedo, Miguel Ventura, Paul McCarthy, and Teresa Margolles. The show confronts themes of necropolitics and systemic violence through sculptures, photographs, and installations that depict war, state power, and human suffering as ongoing, normalized conditions.
The San Diego Museum of Art is marking its 100th anniversary with what it describes as its most ambitious exhibition to date. The show brings together a wide range of works from the museum's collection and loans, aiming to celebrate a century of artistic achievement and institutional history.
The Los Angeles County Museum of Art (LACMA) hosted a high-profile opening gala for its new David Geffen Galleries, drawing a massive crowd of celebrities, industry titans, and art world figures. The guest list spanned various sectors of influence, including Disney CEO Bob Iger, artist Jeff Koons, and director Alejandro González Iñárritu, all gathered to celebrate the completion of the museum's new centerpiece.
David Hockney’s 1965 painting "English Garden" is set to be auctioned at Sotheby’s London during its modern and contemporary evening sale on March 4. Estimated to fetch between £2.5 million and £3.5 million, the work is historically significant as the artist’s first foray into English landscape painting. Interestingly, Hockney painted the vibrant scene from memory and a photograph in American Vogue while he was living in Boulder, Colorado.
Gozo Yoshimasu has been awarded the inaugural Serpentine x FLAG Art Foundation Prize, a new biennial award providing £200,000 per recipient over ten years, totaling £1 million in artist support. The jury included Michelle Kuo, Venus Lau, Hans Ulrich Obrist, Jonathan Rider, and Rirkrit Tiravanija. Yoshimasu, born in Tokyo in 1939, is known for his interdisciplinary practice spanning poetry, performance, photography, and experimental moving image. As part of the prize, he will stage a solo exhibition at Serpentine North in autumn 2027, traveling to The FLAG Art Foundation in New York in spring 2028—his first major solo institutional presentations in Europe and the United States.
At the New Art Dealers Alliance (Nada) New York fair, running until 17 May, multiple artists are presenting works that heavily incorporate textiles to explore themes of culture, belonging, and history. Artists such as Keith Lafuente (with SoMad), Polina Osipova (with JO-HS), and Griselda Rosas (with Luis De Jesus Los Angeles) use fabric and sewing techniques to examine histories of inequality, migration, and labor. Rosas embroiders over painted paper using imagery from Mexican codices, Osipova prints family photos onto traditional Chuvash fabric, and Lafuente repurposes scraps from Oscar de la Renta to comment on global labor inequalities. Other participants like Ruth Owens (with Voltz Clarke Gallery) use textiles in lightbox works to tell personal stories of migration and abduction.
The article highlights standout booths at the Independent Art Fair, newly relocated to Pier 36 in Manhattan's Lower East Side. With 76 exhibitors, 26 of whom are presenting an artist's New York debut, the fair features notable presentations including Sprüth Magers' restaging of Gretchen Bender's 'TV Text & Image (PEOPLE WITH AIDS)', Omar Mismar's debut with abstract paintings on salvaged PVC banners referencing Lebanese protests, Carrie Schneider's large-format photographs from the Venice Biennale, and works by Kim Stolz and Raphael Egil at YveYANG. The fair runs through Sunday and aims for greater attendance and institutional influence.
The Association of International Photography Art Dealers (AIPAD) has announced the 45th edition of The Photography Show, scheduled to take place at New York’s Park Avenue Armory from April 22–26, 2026. The fair will feature 77 galleries, ranging from long-standing participants like Edwynn Houk Gallery to first-time exhibitors such as Galerie Sophie Scheidecker and Central Server Works. A significant addition to this year's programming is the debut of "Focal Point," a new sector dedicated exclusively to solo presentations that explore the experimental and evolving nature of lens-based media.
Artist Veronica Fernandez opened a solo exhibition titled "Prey" at the Anat Ebgi gallery. The show features a notable shift in her practice, moving from typically monumental canvases to smaller-scale paintings that explore themes of claustrophobia, survival, and the uneasy tension between comfort and foreboding in domestic and communal spaces.