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Comment | Catherine Opie shows us that in dark times, looking for joy can be radical

The artist Catherine Opie is currently the subject of a major three-decade portrait survey, 'To Be Seen', at the National Portrait Gallery in London. The exhibition highlights Opie’s career-long commitment to representing the LGBTQ+ community, specifically the leather dyke scene in Los Angeles, through a lens that balances defiance with playfulness. Even her most provocative works, such as the 1993 self-portrait featuring a domestic scene carved into her back, are revealed to contain elements of humor and historical allusion that counter the despair of the AIDS crisis and personal heartbreak.

Jasper Johns Keeps Looking

Jasper Johns’s latest exhibition at Gagosian, 'Between the Clock and the Bed,' serves as a profound meditation on the artist's career-long investigation into the 'things the mind already knows.' By revisiting his signature motifs—including flags, targets, and crosshatch patterns—the show highlights Johns’s rejection of Abstract Expressionist spontaneity in favor of a deliberate, analytical process using encaustic and collage. The works document a transformation where familiar symbols are rendered into a complex visual language that bridges the gap between memory and physical presence.

robert longo pace gallery review

Artist Robert Longo presents a new exhibition at Pace Gallery, featuring his signature large-scale, hyperrealistic drawings that address themes of brutality, conflict, and protest. The show is a revised version of a 2023 exhibition at the Milwaukee Art Museum, with works based on media images of events such as the war in Ukraine, Black Lives Matter protests, and migrant crises. The article critically examines several pieces, including "Untitled (Ferguson Police, August 13, 2014)" and "Untitled (Refugees at Mediterranean Sea, Sub-Saharan Migrants, July 25, 2017)," arguing that Longo's manipulations of source photographs result in melodramatic and dishonest representations.

lorna simpson met museum painting survey review

Lorna Simpson's paintings are the subject of a new survey exhibition at the Metropolitan Museum of Art in New York, titled "Source Notes," on view through November 2. The show features over 20 paintings created between 2014 and 2024, marking the first exhibition to survey Simpson's output in this medium. Curated by Lauren Rosati, the exhibition aims to provide an overview of her painterly practice while connecting it to her collage work, with two vitrines displaying her collages to illustrate the fluidity between the two practices. Simpson, best known for her photography from the 1980s, debuted her paintings at the 2015 Venice Biennale organized by the late curator Okwui Enwezor.

lutz bacher retrospective oslo brussels

The article reviews the first posthumous retrospective of the elusive artist Lutz Bacher, titled "Burning the Days," at the Astrup Fearnley Museum in Oslo. Bacher, who died in 2019 and whose real name was never revealed, is known for her use of found photographs and a pseudonym that led many to mistake her for a German man. The exhibition opens with her work "The Lee Harvey Oswald Interview" (1976–78), in which she discusses photography and perception by using Oswald as a stand-in, and includes other pieces such as "Jackie & Me" (1989) and "Men at War" (1975), all exploring how images and narratives produce meaning.

Anne Hardy’s Hollow Humanoids

British artist Anne Hardy presents a suite of floor-based installations and assemblage sculptures titled "Interloper" at Visual. The exhibition features a series of "Beings"—twisted, life-size humanoid entities constructed from rusted wire, crushed cans, soil, and the artist’s own cast body parts and clothing. These figures, often posed in yoga-like positions or meditative stances, appear as hollow, faceless outlines that blend a sense of vitality with physical disintegration.

The Robots Were Never the Problem

The New Museum has reopened with 'New Humans: Memories of the Future,' a massive survey featuring over 150 contributors including Hito Steyerl, Precious Okoyomon, and H.R. Giger. Spanning 13 sections across the museum's new 5,500 square-meter extension, the exhibition traces the intersection of art, technology, and the human body from the early 20th century to the present. It juxtaposes interwar European works, such as Hannah Höch’s photomontages and Bauhaus ballets, with contemporary installations like Simon Denny’s sculpture of an Amazon worker's cage.

10 Art Books for Your Spring Reading List

Hyperallergic has published a curated list of ten art books recommended for spring reading. The selection emphasizes historical retellings through an artistic lens, featuring works such as a memoir by activist-artist Susan Simensky Bietila, a chronicle of the Jewish Bund by Molly Crabapple, and the first major catalog on artist Theresa Hak Kyung Cha in 25 years. The list also includes exhibition catalogs like "Chicano Camera Culture" and a monograph on painter Ewa Juszkiewicz.

15th Shanghai Biennale Review: Code Switching

The 15th Shanghai Biennale, titled 'Code Switching,' has opened at the Power Station of Art (PSA). The exhibition, centered on the theme of what hears and what can be heard, features immersive installations like Allora & Calzadilla's floating yellow synthetic flowers in the atrium, which create a striking yet artificial environment that visitors eagerly photograph. The experience is framed by promotional gestures, such as free manuka honey samples, blurring lines between art, commerce, and audience participation.

Todd Gray Reframes Black Diasporic History

Todd Gray's exhibition "Portals" at Perrotin in Los Angeles features multi-paneled photo assemblages that juxtapose images of slavery with European art, architecture, and formal gardens, exploring the evolution of Black history and identity. The show coincides with the opening of his commissioned installation "Octavia's Gaze" (2025) at the new David Geffen Galleries of the Los Angeles County Museum of Art. Gray's works incorporate his own photographs alongside sources like Hubble Space Telescope imagery, creating layered visual puzzles that invite viewers to find connections and ask questions about African diasporic identity.

Zarina Brought the World to New York

The article reviews the exhibition "Beyond the Stars" at Luhring Augustine Gallery, showcasing the work of artist Zarina Hashmi (known as Zarina). It highlights her spare, post-minimalist prints and sculptures that explore themes of mapping, home, and migration, rooted in her peripatetic life from pre-Partition India to New York. The show features 32 works that demonstrate her unique visual language, embedded in Urdu, South Asian histories, and mysticisms.

Dean Sameshima review – did the neighbours really not know? The extreme LA sex clubs hidden in plain sight

A new exhibition at Soft Opening in London presents Dean Sameshima's "Wonderland" series, photographs taken in the mid-1990s that document the exteriors of queer sex clubs and bathhouses in Los Angeles's Silver Lake neighborhood. The images, shot in a stark, formal style during daylight, capture the unremarkable facades of these clandestine spaces, with only descriptive titles hinting at the activities within.

art guide new york exhibitions

The article reviews the joint exhibition "Hunks" at Bureau gallery in New York, featuring works by painter Julia Rommel and photographer Lucas Blalock. Rommel's post-minimalist abstract paintings, created through folding and stapling canvases, explore color and texture with a personal touch, while Blalock's digitally manipulated photographs blend studio effects and surreal editing. The show runs through February 21, 2026, at the gallery's 112 Duane Street location.

Tracey Emin’s Cult of the Self

A major retrospective of Tracey Emin's work, "A Second Life," is on view at Tate Modern in London. The exhibition presents the artist's deeply personal and confessional body of work, including iconic pieces like "My Bed" and "Exorcism of the Last Painting I Ever Made," which chronicle intimate experiences of love, trauma, and self-exploration through text, objects, and raw imagery.

V&A Rising Voices review – can decades of stunning global art really be squished into three rooms?

The V&A Museum in London has mounted an exhibition titled "Rising Voices" that attempts to summarize three decades of the Asia Pacific Triennial, a vast survey of contemporary art from Asia, Australia, and the Pacific organized by Queensland Art Gallery. The show crams works from multiple continents, island nations, and Indigenous cultures into just three rooms, featuring bark cloth paintings from Papua New Guinea, Indigenous Australian abstracts, shark sculptures from the Torres Strait, and Tahitian textiles. Many works address colonialism, political oppression, and tyranny, with artists like Elisabet Kauage, Pala Pothupitiye, and Svay Ken using art as resistance. The exhibition includes pieces by Maryam Ayeen, Abbas Shahsavar, Lila Warrimou, Pennyrose Sosa, Aline Amaru, Brenda V Fajardo, and Heri Dono.

Two Museums Take on Performative Masculinity, Looksmaxxing, Incels, and Other Macho Buzzwords That Don’t Belong There.

The Stedelijk Museum and Kunstmuseum St. Gallen have co-organized an exhibition titled "Beyond the Manosphere: Masculinities Today," which aims to critically examine contemporary masculinity and its online manifestations such as incels, looksmaxxing, and pickup artists. The show features works by artists including Reba Maybury and Richard Serra, and is curated by Melanie Bühler, with directors Rein Wolfs and Gianni Jetzer overseeing the project. The exhibition will travel from the Stedelijk to the Kunstmuseum St. Gallen later this year.

Martin Parr: Global Warning review – the great photographer in all his gluttonous, giddy glory

A major retrospective exhibition of photographer Martin Parr's work, titled 'Global Warning,' has opened at the Jeu de Paume museum in Paris. The show, which Parr helped plan before his death in December 2023, is on track to become the museum's most visited exhibition, showcasing his signature saturated, ironic, and unflinching observations of global tourism and consumerism.

cindy sherman office killer blu ray review

Vinegar Syndrome has released a new 4K UHD and Blu-ray restoration of 'Office Killer', the only feature film directed by renowned photographer Cindy Sherman. Originally released in 1997 to critical derision and box-office failure, the film follows a meek magazine editor who begins murdering her colleagues during a period of corporate downsizing. The restoration highlights Sherman's transition from her iconic 'Untitled Film Stills' to the more visceral, abject imagery of her 'Disasters' and 'Sex Pictures' series.

stephen shore early work mack

The article reviews Stephen Shore's book *Early Work*, which collects photographs he took between the ages of 13 and 18, from 1960 to 1965. Despite his youth, the images display remarkable sophistication, a feat Shore attributes to an atypical childhood that included early access to cameras and a copy of Walker Evans's *American Photographs*. The book includes a "pre-history" essay in which Shore reflects on his formative influences, including time spent at Andy Warhol's Factory and a friendship with headmaster William Dexter, who deepened his interest in photography. The earliest image in the book is a portrait of Dexter taking a photograph, which Shore describes as a metanarrative of a photographer photographing a photographer.

sam gilliam sculpture textile fiber dublin ireland imma

The article reviews an exhibition of Sam Gilliam's work at the Irish Museum of Modern Art (IMMA) in Dublin, focusing on 23 works from the 1990s that highlight his use of sewing and stitching. Gilliam, a relentless experimenter who died in 2022, is known for moving from hard-edged stripe paintings to draped, unstretched canvases that blurred painting and sculpture. This show reveals a lesser-known aspect of his practice: patchwork-like assemblages of painted and printed canvas pieces held together by visible machine stitching, often incorporating photographic imagery of botanical forms. The works originated from a 1993 residency in Ballinglen, County Mayo, where Gilliam shipped pre-painted canvases from Washington, D.C., and had a seamstress sew them together.

the mastermind film review kelly reichardt josh oconnor

Kelly Reichardt's new film *The Mastermind*, starring Josh O'Connor as a carpenter and family man who turns art thief, premiered at the Cannes Film Festival and will be released by Mubi. The film follows O'Connor's character, J.B., as he plots a heist inspired by a real 1972 robbery of the Worcester Art Museum, targeting paintings by American modernist Arthur Dove. The movie blends suspense, humor, and meticulous visual storytelling, with Reichardt drawing on the aesthetic of 1970s America and the work of photographers Stephen Shore and William Eggleston.

rashid johnson guggenheim museum retrospective review

Rashid Johnson's mid-career retrospective, "Rashid Johnson: A Poem for Deep Thinkers," has opened at the Solomon R. Guggenheim Museum in New York, filling the rotunda with paintings, sculptures, photographs, and films. Curated by Naomi Beckwith and Andrea Karnes, with Faith Hunter, the exhibition includes Johnson's well-known "Anxious Men" works alongside lesser-seen films like *Threeness* (2005), which challenge viewers' expectations. The show features recurring target motifs, as seen in the outdoor sculpture *Black Steel in the Hour of Chaos* (2008), and explores themes of looking, being looked at, and the fluidity of Black identity.

25th Biennale of Sydney Review: From the Margins

The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.

‘The Secret Agent’ Finds Desire in the Archive

The article reviews the exhibition 'The Secret Agent' at the Institute of Contemporary Arts (ICA) in London, curated by artist and writer Hannah Gregory. The show features works by artists including Louise Lawler, Susan Hiller, and John Stezaker, exploring themes of desire, secrecy, and the archival impulse through photography, film, and installation.

The Making of a Maintenance Artist

A new documentary titled "Maintenance Artist" (2025) traces the decades-long practice of Mierle Laderman Ukeles, a pioneering artist who focused on marginal, unpaid, and feminine labor. The film covers her career from her 1969 "CARE" manifesto, through her role as artist-in-residence at the New York City Department of Sanitation, to her first retrospective at the Queens Museum in 2017. It highlights her critique of art-world gender biases and her efforts to recognize discounted labor in all fields.

Locating Luigi Ghirri

Fashion photographer Alessio Bolzoni and film director Luca Guadagnino have collaborated on 'Felicità', a new book and exhibition at Thomas Dane Gallery featuring 45 previously unseen color photographs by the late Italian master Luigi Ghirri. The project is divided into two portfolios: the first focuses on intimate, abstract details of found objects and surfaces in Modena, while the second expands into larger vistas and populated spaces across Italy during the 1980s.

Craig Jun Li: Scrapping the Camera

Artist Craig Jun Li's solo exhibition features collagist wall-works and installations that deconstruct photographic technology. Works like the 2025 silicone sheets incorporate altered dye-transfer prints, Polaroids, and actual camera parts like SX-70 film cartridge springs, redirecting focus from pictorial representation to the mechanical apparatus of image-making.

Nat Faulkner: The Stuff of Photography

Artist Nat Faulkner has opened a new exhibition at Camden Art Centre featuring works that explore the physical and chemical foundations of photography. The show includes large-scale photographic pieces like 'Aqua Fortis' and sculptural works such as 'Aperture (Iodine)', which uses iodine solution in skylight panels to bathe the space in amber light, alongside silver-plated 'Analogue' reliefs created through electroplating.

minnie evans legacy high museum whitney

The article reflects on the responsibility of critical art writing in the Southeast, sparked by the announcement that Art Papers, an international art magazine based in Atlanta, will sunset in 2026 after 50 years. The author recounts a debate among local art workers about reviewing the forthcoming Minnie Evans retrospective organized by the High Museum of Art and traveling to the Whitney Museum, which he initially declined due to a conflict of interest with curator Katherine Jentleson. He ultimately agrees to write, emphasizing the need for Black scholars to engage with self-taught Black artists. The piece examines how Evans's narrative has been mediated through the lens of white photographer and art historian Nina Howell Starr, questioning the power dynamics and what remains unknown about Evans's own agency.

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.