Klimt portrait sets new modern art record at $236.4 million New York auction

Gustav Klimt's portrait *Bildnis Elisabeth Lederer* (1914–1916) sold at Sotheby's New York on November 18 for $236.4 million, becoming the second most valuable artwork ever sold at auction and the most valuable modern work. The painting was the highlight of the Leonard Lauder collection sale, which totaled over $600 million. After a 20-minute bidding war, the portrait hammered at $205 million before fees, surpassing its $150 million estimate. The work, stolen by the Nazis during World War II, was acquired by Lauder in the 1980s.

Jacksonville-born Whitney Oldenburg with exhibition at hometown museum

The Museum of Contemporary Art Jacksonville (MOCA) will open "Whitney Oldenburg: left behind" on November 20, 2025, the first institutional survey of the artist's paintings and drawings. The exhibition features 23 sculptures and 19 drawings exploring the complex relationship between humans and objects in contemporary culture, and will remain on view through April 19, 2026. Oldenburg, a Jacksonville-born artist now based in New York, incorporates repurposed consumer items, personal belongings, and craft materials into her work, which challenges viewers to question their attachments to material possessions.

Quilts by local artist stitch together pieces of Miami

Miami International Airport has opened a new art exhibition titled "Curious Geometries" at the Gate D31 Gallery, featuring large-scale quilted artworks by local textile artist Regina Durante Jestrow. The exhibition, on view until March 9, 2026, showcases sewn compositions and free-form art quilts made from repurposed fabrics sourced from various Miami locations, including the airport itself. Jestrow employs improvisational dyeing and piecing techniques inspired by Gee's Bend quilters, Anni Albers, Rosie Lee Tompkins, and Gego, blending organic geometry with tropical color palettes to explore the relationship between craft and fine art.

Torggler Celebrates African American Artists And Their Stories

The Mary M. Torggler Fine Arts Center in Virginia will present two new exhibitions this fall: "Gateways: African American Art from the Key Collection" and "Transcendence" featuring works by Norfolk artist Luisa Adelfio. "Gateways" showcases ninety works from the collection of Eric Key, a Smithfield native who began collecting African American art in the 1990s as a means of exploring his identity and supporting Black artists, including pieces by Henry Ossawa Tanner, Jacob Lawrence, and Elizabeth Catlett. "Transcendence" presents Adelfio's paintings, drawings, and sculptures from the last five years, blending Classical architecture, Renaissance panel painting, and Surrealism, with a series titled "Corona Chronicles" that juxtaposes domestic objects with pandemic-era headlines.

Work in progress: Martin Jennings chosen to create statue of Queen Elizabeth II

The UK government has selected sculptor Martin Jennings to create a statue of Queen Elizabeth II for St James’s Park in London, as part of a larger memorial designed by Norman Foster's architecture firm. The memorial will also include a figurative sculpture of the Queen alongside Prince Philip at Birdcage Walk and a Prince Philip gate. Jennings, known for his bust of the Queen Mother and his coin effigy of King Charles III, describes the project as a work in progress, with a provisional construction budget of £23m–£46m. Final design details are expected next year.

Review | The Stanley Museum of Art’s new exhibit traces the legacy of Iowa Arts

The Stanley Museum of Art at the University of Iowa has opened a new exhibition titled “In the Studio: Art at Iowa in the 1940s,” running from August 26, 2025 to January 25, 2026. The show features works by influential artists connected to the university’s arts program, including Grant Wood, Mauricio Lasansky, Philip Guston, Elizabeth Catlett, James Dallas Parks, and Hayward Oubre. Highlights include a rarely seen oil painting by Wood of a boy in football apparel, and an unfinished 1944 oil painting by Guston of his wife and daughter, originally displayed at the Iowa Memorial Union. The exhibition also traces the legacy of Lasansky, who founded the Iowa Print Group and elevated the university’s printmaking reputation.

Euan Uglow monograph offers a fresh perspective through memoirs, papers and contributions

Andrew Lambirth's new book, *The Uglow Papers*, takes an unconventional approach to the monograph on British painter Euan Uglow (1932-2000). Instead of a traditional narrative, Lambirth compiles around 30 personal memoirs, papers, and contributions from friends, students, and colleagues—gathered through interviews, phone calls, emails, and letters. These firsthand accounts, paired with a concise introduction and a glossary of names, offer intimate recollections of Uglow's rigorous studio practice, his teaching methods, and his social life, including details about his Sunday night open houses and shared meals. The book also traces Uglow's artistic development from his studies at Camberwell School of Arts and Crafts and the Slade School of Fine Art, through his mentorship under William Coldstream, to his own distinctive geometric and emotionally charged works like *The Diagonal* (1971-77) and *Pyramid* (1993-96).

Longtime Grounds for Sculpture resident artist Clifford Ward has first exhibition on view there

Clifford Ward, a longtime artist-in-residence at Grounds for Sculpture in Hamilton Township, New Jersey, has opened his first solo exhibition at the venue, titled 'I'll Make Me A World.' The show, on view in the Museum Building through January 11, 2026, features his 'Animism' series—24 large-scale figures standing six to nine feet tall, created over twelve years using plaster bandage. Ward, who began his art career around age 40 and has been at Grounds for Sculpture since 1997, draws inspiration from indigenous cultures, the African diaspora, Native American traditions, and the Māori people of New Zealand.

UL’s Hilliard Art Museum showcases permanent collection

The Hilliard Art Museum at the University of Louisiana at Lafayette is showcasing its permanent collection for the first time in over a decade through the exhibition "Tides, Times and Terrain: Floyd Sonnier and the Evolving Cultural Landscape." The show features more than 41 artists from southwest Louisiana, including the prominently displayed 1844 painting "Woman In Tignon," which was once misidentified as Marie Laveau. Executive Director Molly Rowe and Curator-at-Large Aaron Levi Garvey are rotating pieces from the museum's 2,000-work collection throughout its 11,000 square feet of gallery space, emphasizing the importance of placing historical works in contemporary context.

Oasis Fever Hits Sotheby's: 'Liam + Noel' Portrait Set to Fetch $2 Million USD

Elizabeth Peyton's 1996 double portrait of Oasis brothers Liam and Noel Gallagher, titled *Liam + Noel (Gallagher)*, is set to be auctioned at Sotheby's contemporary art sale in London on June 24. The painting is expected to fetch between £1.5 million and £2 million GBP ($2.03–$2.71 million USD). Created at the peak of the band's fame following their historic Knebworth Park shows, the portrait captures the brothers in a tight embrace, with Sotheby's specialist Antonia Gardner noting the "quiet tension" that foreshadowed their 2009 breakup. The work will be on public view at Sotheby's London galleries from June 18–24.

‘All the electrifying paintings I wish I’d bought’: New York restauranteur Keith McNally recalls his art wins and regrets as memoir debuts

New York restaurateur Keith McNally, known for founding Balthazar and the Odeon, discusses his art-buying habits and regrets in a new memoir titled *I Regret Almost Everything*. In an interview with The Art Newspaper, McNally recounts his first serious purchase—a $500 painting by Albert Montmerot in 1989—and his most recent acquisitions, including works by Élisabeth Ronget and Walter Steggles. He describes his instant attraction to paintings, his tendency to agonize over purchases just beyond his budget, and the persistent regret of not buying certain works he now covets.

A new ‘anti-biography’ rips apart the myth of Leonardo as a solitary genius

Stephen J. Campbell, a professor of art history at Johns Hopkins University, has published a new book titled *Leonardo da Vinci: An Untraceable Life*, which he frames as an "anti-biography." The book aims to dismantle the mythology surrounding Leonardo da Vinci, arguing that the fragmentary archival record has led to speculative and often outlandish theories that portray him as a solitary genius ahead of his time. Campbell repositions Leonardo within the artistic and intellectual context of late 15th- and early 16th-century Europe, critiquing how media, the art market, and popular culture have commercialized his legacy.

Holocaust Museum LA will reopen as part of the new $70-million Goldrich Cultural Center

Holocaust Museum LA, the first survivor-founded and oldest Holocaust museum in the United States, will reopen after a 10-month closure as part of the new $70-million Goldrich Cultural Center in Pan Pacific Park. The 70,000-square-foot campus, debuting June 14, doubles the museum's original footprint and includes three pavilions, a 200-seat theater, exhibition galleries, a rooftop garden, and a Holocaust-era boxcar. The center is named after the late Jona Goldrich, a Holocaust survivor and co-founder of the museum, and was designed by architect Hagy Belzberg.

What Portland’s First New York Art Gallery Means for the City

Portland art gallery ILY2 (“I Love You Too”) has opened a permanent outpost in New York City, marking the first time a Portland gallery has established a permanent space in the city. The new gallery, located between Chinatown and Tribeca, inaugurated its space with the second installment of the group show SOFT PINK HARD LINE, which originally started at ILY2’s Portland gallery in the Pearl District. The expansion was conceived by philanthropist Allie Furlotti, who founded ILY2 during the pandemic as a series of pop-up residencies to support local artists.

Alphabet of bread and love for animals. Uri Aran's exhibition at the Museo Madre in Naples

Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli

Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.

From the Aral Sea to Milan: Uzbekistan tells its story between craftsmanship and climate crisis

Dal Mar d’Aral a Milano: l’Uzbekistan si racconta tra artigianato e crisi climatica

Uzbekistan made its official debut at the Milan Design Week with the exhibition 'When Apricots Blossom' at Palazzo Citterio. Curated by Kulapat Yantrasast and promoted by the Uzbekistan Art and Culture Development Foundation, the immersive show presents contemporary reinterpretations of Uzbek craft, organized around three pillars of Karakalpak culture: textiles, food, and dwelling. It features installations by international designers like Bethan Laura Wood and a deconstructed yurt by WHY Architecture.

Five-Minute Tours: "Blank" at the Grackle Art Gallery, Fort Worth

The Grackle Art Gallery in Fort Worth, Texas, is hosting "Blank," a group exhibition curated by the artist duo Kickpigeon Kids (Cosmo Jones and Max Marshall) from May 2–30, 2026. The show features works by twelve artists including Amber Zora & Lee Strubinger, Carmen Menza, and Elizabeth Sciore-Jones, who were asked to submit artwork alongside an object representing "blankness" as a metaphor for possibility. The curators transform the exhibition into a collaborative installation, blending the artists' pieces with their chosen objects and ephemera.

See Norwich artist Dan Topalis' new exhibition at Dada Post

An exhibition featuring the work of Norwich artist Dan Topalis has opened at Dada Post in Norwich, Connecticut. Titled "Dan Topalis: Interchanges & Intersections," the show runs every Saturday through July 1 and presents two series: the "Crazy Clown Series" from 2022, depicting clowns performing feats of agility, and the ongoing "Dots" series of 2026, featuring colorful, two-color patterned compositions. Topalis, a Norwich native and 1973 graduate of Norwich Free Academy who also studied at the Philadelphia College of Art, works primarily in acrylic on canvas.

parties cultured china magazine launch

Cultured magazine hosted a launch party for its new Chinese edition, CULTURED China, at The Blond in SoHo, New York. The event brought together fashion, art, and design insiders including designers Prabal Gurung and Bach Mai, gallery directors Lucy Liu and Rachel Uffner, artists Wes Aderhold and Jonathan Gardenhire, and cultural commentator Wesley Breed. A musical performance by Zhang Xiaoqing entertained guests, who received complimentary copies of the September issue.

Gallery famous for Fakes and Forgeries exhibition celebrates 20-year anniversary

The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.

New Gallery Exhibit at CU Anschutz Honors Son's Legacy

A new photo exhibition and speaker series titled "Love, Anything: 28 Expressions for 28 Luminous Years" has opened at the Fulginiti Pavilion for Bioethics and Humanities on the University of Colorado Anschutz campus. The show features 28 photographs and journal entries by the late photographer Ryyan Chacra, who died by suicide in May 2024 at age 28 while struggling with obsessive-compulsive disorder (OCD). The opening reception on April 10 drew over 120 attendees, including family, friends, and university faculty.

Lambeth Open 2025 will be happening on Saturday 4th and Sunday 5th October

Lambeth Open 2025 will take place on Saturday 4th and Sunday 5th October, from 10 am to 6 pm, transforming the borough into a free, public gallery. Artists and makers across Lambeth will open their studios and homes, inviting visitors to explore paintings, sculptures, design, and craft. The event, started in 2009, requires no tickets and features an interactive map on the Lambeth Open website to help plan routes.

Art on the Square returns for 24th year with art, food and entertainment

Belleville Art on the Square returns for its 24th year from May 15-17, 2026, in downtown Belleville. The festival features over 100 artists from more than 27 states and one international artist, showcasing works in multiple mediums. Highlights include artist demonstrations by the Gateway East Artists Guild, a high school art show with judged awards, a Children's Art Garden with interactive activities, live entertainment at the Wine Court, and food vendors offering a variety of cuisines. Admission is free, and the event runs Friday evening through Sunday afternoon.

Grackle Art Gallery presents "Blank" opening reception

Grackle Art Gallery is set to host "Blank," a group exhibition curated by the artist duo Kickpigeon Kids. Featuring works from students and affiliates of The Alternative Art School, the show explores the conceptual theme of blankness as a site of limitless potential and unsaid narratives. The curators, Cosmo Jones and Max Marshall, employ an experimental approach by integrating the artists' works with found objects and ephemera to create a singular, immersive installation.

Abstract painter Tom Wilson Jones featured at Provincetown gallery

Abstract Expressionist painter Tom Wilson Jones is the subject of a new exhibition at Larkin Gallery in Provincetown, Massachusetts. The show runs through June 9, with an opening reception on May 22. Jones, a Louisville native now living in Harwich Port, studied under Robert Henry, Bill Steeves, and at the Royal Museum of Brussels School.

Belfast’s murals are an open-air gallery of history and art

Belfast's murals, long used as tools of political expression and territorial marking during the Troubles, are gradually changing. Research shows that three-quarters of the most intimidatory murals in the loyalist Shankill area have disappeared since 1998. Newer murals commemorate figures like Queen Elizabeth II and King Charles III, while non-sectarian artistic murals—including tributes to murdered journalist Lyra McKee—are appearing across the city. However, some paramilitary-linked murals persist, and a 2024 incident saw a wall in north Belfast rebuilt and its threatening imagery repainted, reflecting ongoing tensions and the complex politics of 'conflict transformation' funding.

Cooperation and Collaboration: The Front Gallery Brings Art and Artists Together

The Front, an artist-run cooperative gallery in Montpelier, Vermont, operates on an equal-ownership model with 23 member artists. Founded by Glen Coburn Hutcheson after a pop-up studio gallery evolved into a collective space, the gallery is cooperatively managed, with members sharing rent and responsibilities while hosting solo and bi-monthly group shows, critiques, and community events.

Alliance for the Arts to open All Florida Exhibition, new gallery showcases in March

The Alliance for the Arts in Fort Myers will open its 40th Annual All Florida Exhibition on March 6, running through March 28. The juried show features 43 works by 39 artists selected from over 450 submissions, representing a wide range of styles and media from across the state. Concurrently, the venue will host 'Selected Works by Ralph Bigletti' in the Theater Gallery and 'Marilyn Hedlund’s Fine Art Acrylics Students’ Showcase' in the Member Gallery, with a free public opening reception on March 6.

Deux nouveaux tableaux français du XVIIIème siècle pour le Musée Fabre

The Musée Fabre in Montpellier has acquired two 18th-century French paintings at auctions held by Artcurial in September 2025. The first is an "Allégorie de la Poésie" (1774) by Élisabeth Louise Vigée Le Brun, purchased for €250,000 with support from the museum's corporate foundation and a special grant from the Fonds du patrimoine. The painting, which depicts the early struggles of the future portraitist, was previously owned by Henry and Catherine Robert and had been exhibited in a major retrospective at the Grand Palais a decade ago.