Poly Auction Hong Kong Spring Auctions 2026 concluded on a high note

Poly Auction Hong Kong's Spring 2026 season concluded with a total of HKD 255 million in sales, representing a 23% increase over the previous autumn cycle. The auction was headlined by Liu Wei’s 1995 painting "You Like Pork?", which fetched HKD 27.6 million, followed by a Ming Dynasty 'Grapes' foliate-rim dish that sold for HKD 24.6 million. The event saw participation from collectors across 17 countries, with significant growth in the Modern and Contemporary Art and Jewels and Watches sectors.

Art Problems: WTF Is an A-Corp?

The article explains the concept of an Artist Corporation (A-Corp), a new business structure for artists introduced in a bill before the Colorado state legislature, originally proposed by entrepreneur Yancey Strickler. It allows artists to form a legally recognized business entity without hiring a lawyer, simply by filling out a form, and provides liability protection by separating personal assets from business assets. The bill is expected to reach the governor's desk by mid-May and be enacted within six months, with five or six other states, including New York, expressing interest.

What Did the Golden Lion Die Of? On Judgment and Disavowal at the Venice Biennale

The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.

Sands China Celebrates Grand Opening at Hong Kong's Art Central

Sands China has officially debuted its Sands Gallery booth at Art Central 2026, Hong Kong's prominent international art fair. The exhibition features contemporary works by three emerging Macao artists—Lei Ieng Wai, Leong Chi Mou, and Dor Lio Hak Man—paired with historical artifacts from the Iec Long Firecracker Factory. This marks the first time a Macao integrated resort operator has participated as an Associate Partner at the fair, signaling a significant push to elevate Macao's local art scene on a global stage.

New York City provides long-term support to five local arts organisations

The New York City Department of Cultural Affairs (DCLA) has inducted five new members into its Cultural Institutions Group (CIG), an exclusive program that provides long-term operational subsidies to private arts organizations operating on public land. The new members—Bric (Brooklyn), Pregones/Puerto Rican Traveling Theater (Manhattan), the Bronx Children’s Museum, the Noble Maritime Collection (Staten Island), and the Louis Armstrong House Museum (Queens)—represent each of the city’s five boroughs. This is the largest expansion of the program, now totaling 39 members, since the 1970s. A celebratory event was held at Bric on September 30, featuring remarks from DCLA Commissioner Laurie Cumbo and Deputy Mayor Adolfo Carrión Jr., along with musical performances by each institution.

francis gallery rosa park casa francis

Rosa Park, founder of Francis Gallery, has opened Casa Francis, a new exhibition space in her former family home in Los Angeles. The inaugural show, “Have You Eaten Today?,” features nine Korean and LA-based artists exploring themes of care and sustenance, with artworks displayed alongside home objects like silk floor cushions and ceramics. The space operates by appointment only and enforces a strict no-social-media policy, emphasizing an intimate, offline viewing experience.

Social Malpractice in the Age of Cultural Compliance

Artist Ed Woodham reflects on the evolution and co-option of socially engaged art, using his own projects like 'The Keepers' protests and the Art in Odd Places initiative as examples. He describes a troubling trend where the language and strategies of social practice art, once used to challenge systems, are now being adopted by developers, corporations, and institutions for branding, place-making, and community engagement initiatives that often operate within the very economic structures driving displacement and eroding public space.

FYI Calendar: Traveling exhibition “Painting the Arkansas Parks” is on display at Arts On Main

A traveling exhibition titled "Painting the Arkansas Parks" is on display at Arts On Main in Van Buren, Arkansas, through June 27. The show features artworks created outdoors that highlight the natural beauty and character of Arkansas's landscapes. The article also lists numerous other events and exhibitions in the region, including "In Full Color" showcasing pastel works, "Peeking Inside the Imagination" featuring student art from Southside High School, and "Soul Taking Shape" by Arkansas Living Treasure Longhua Xu at the Fort Smith Regional Art Museum. Additionally, the calendar includes theater performances, culinary classes, a plant swap, and a cycling festival.

An art gallery on Route 66 in New Mexico is working to support local art and culture

Double Six Gallery, operated by the Cibola Arts Council in Grants, New Mexico, is showcasing southwestern art on Route 66 ahead of the Mother Road's centennial celebration. Gallery director Debbie Doggett notes that visitors are often surprised to find such high-quality local artists in Grants. The gallery rotates artists every few months and currently features Gary Yazzie, John Boomer, Jonnie Head, and Joan Sheski.

Nine Fathom Deep charts new course for contemporary art

Nine Fathom Deep, a new gallery in Wellington, New Zealand, is opening its latest exhibition "Soft Cycle" on May 15, 2026. The group show features works by local artists Ruth Thomas-Edmonds, Noa Noa von Bassewitz, and Kate Woods. The gallery, directed by Susanna Bauer, operates on a model that does not seek exclusive artist representation, allowing for a more dynamic exhibition program that focuses on mid-career artists with established practices. Bauer, who has a background as an artist, academic, and arts advisor, emphasizes building genuine relationships, professional integrity, and creating a welcoming space for all visitors.

Tiny art gallery attracts miniature art in downtown Hammond

A tiny art gallery in downtown Hammond is drawing attention by showcasing miniature artworks, attracting both local artists and visitors. The gallery, which operates on a small scale, has become a hub for tiny art pieces, including paintings, sculptures, and mixed-media works, all created to fit the compact space. The initiative aims to make art accessible and engaging in a unique, intimate setting.

Painted Up: This vibrant exhibition challenges colonial perceptions of Aboriginal art

Artist and cultural practitioner Dean Biŋkin Tyson presents "CREATE EXCHANGE: Painted Up," a dual-venue exhibition at Redland Art Gallery that showcases his multidisciplinary approach to Quandamooka and Gurang traditions. Moving beyond stereotypical "dot art," Tyson utilizes canvas, animal skins, and carved artifacts to translate his background as a dancer and songman into visual form. The exhibition features large-scale murals, traditional tools like boomerangs, and "shadow boxes"—a unique craft form developed in Aboriginal missions during the 1970s.

Nature photography exhibit now open at Mason City art museum

The Charles H. MacNider Art Museum in Mason City has opened a solo exhibition titled "Ray Colby: Nature Photographer" in its Kinney-Lindstrom Gallery. The show features digital photographs printed on canvas, focusing on three specific themes: backyard insects and arachnids of the Midwest, urban birds from Minneapolis, and migrating Sandhill Cranes in Wisconsin. The works on display will be sold via auction to benefit the museum's programming.

Wadsworth Atheneum showcases Connecticut’s role in nation’s founding ahead of America 250

The Wadsworth Atheneum Museum of Art in Hartford is launching a series of major exhibitions to commemorate the 250th anniversary of the United States. Key highlights include the "Radical Roots" exhibition, which explores Connecticut’s pivotal role in the development of American democracy, and a collaborative project with the Amistad Center for Art and Culture titled "Framing American Democracy." These showcases utilize the museum's vast collection of 50,000 works to trace the nation's history from the 1600s to the present day.

‘Southeast Exchange’: New La Jolla mural showcases findings at Texas discount store

Artist Lizzie Zelter has installed a new large-scale mural titled "Southeast Exchange" in La Jolla, California, as part of the Murals of La Jolla public art initiative. The composition is based on the artist's observations of a discount store in Brownsville, Texas, featuring a dense array of consumer goods and reflective surfaces that explore themes of domestic arrangement and cultural artifacts. The work is designed to be read from right to left, mimicking the flow of pedestrian traffic and challenging traditional visual perspectives.

Persistent low attendance and funding cuts are forcing US museums to think local

A federal judge ruled on December 3 that all grants from the Institute of Museum and Library Services (IMLS) must be reinstated, offering relief to museum directors like Scott Stulen of the Seattle Art Museum, which lost $300,000–$400,000 in annual federal funding in 2025. The American Alliance of Museums (AAM) survey of 511 directors found that over half reported fewer visitors than in 2019, with 29% citing declines tied to weakened travel and economic uncertainty. However, some museums like the Toledo Museum of Art and the Art Institute of Chicago have seen local attendance rise, offsetting losses in international tourism.

The new art conglomerate: Pace Gallery, Emmanuel Di Donna and David Schrader join forces

Pace Gallery, Emmanuel Di Donna, and David Schrader have announced a joint venture to launch Pace Di Donna Schrader Galleries (PDS), a new entity focused on secondary market sales. The partnership, revealed on the eve of Art Basel Miami Beach, will operate from a new headquarters on Manhattan's Upper East Side, with equal partnership among the three. PDS will leverage Pace's global network of galleries in cities including Los Angeles, London, Geneva, Berlin, Seoul, and Tokyo. Di Donna, founder of Di Donna Galleries and former Sotheby's vice chairman, brings expertise in Surrealist, Modern, and post-war art; Schrader, a former Sotheby's head of private sales, adds auction-house experience. The venture is set to begin operations in early 2025, with Di Donna's team moving to the new space in summer 2026.

Philadelphia Art Museum Announces Daniel H. Weiss as Director and CEO

The Philadelphia Art Museum has appointed Daniel H. Weiss as its George D. Widener Director and CEO, effective December 1, 2025. Weiss, former President and CEO of The Metropolitan Museum of Art (2015–2023), brings decades of leadership experience from major cultural and educational institutions, including presidencies at Haverford College and Lafayette College, and a recent role as Homewood Professor of the Humanities at Johns Hopkins University. The Board of Trustees, led by Chair Ellen Caplan, selected Weiss to guide the museum through at least 2028, providing stability during a transitional period.

Louvre’s €666m plans for new entrance ‘financially unsound’—and security should come first—auditor says

A report from the Cour des comptes, France's state auditing body, has deemed the Louvre's €666 million plan for a new entrance and subterranean complex around the Mona Lisa as "financially unsound." The report, released on November 6 by chairman Pierre Moscovici, criticizes the museum's management under director Laurence des Cars, highlighting severe delays in security upgrades—only 4% of an €83 million infrastructure budget has been spent since 2018. The audit follows an audacious heist of French crown jewels on October 19, which the report says was enabled by inadequate security. It urges the Louvre to prioritize a €450 million infrastructure plan over the grand renovation project, which has already seen a 45% cost overrun from its initial €450 million estimate.

Netherlands will return stolen ancient statue—featured at Tefaf art fair in 2022—to Egypt

The Netherlands will return a 3,500-year-old stolen Ancient Egyptian statue to Egypt after it was spotted at the Tefaf Maastricht art fair in 2022 by an eagle-eyed visitor. The stone statue, believed to depict a high official from the dynasty of Pharaoh Thutmose III, was flagged via an anonymous tip, leading the dealer to voluntarily surrender it. An investigation by Dutch police and the Information and Heritage Inspectorate confirmed it was likely plundered unlawfully and illegally exported. The statue will be handed to the Egyptian ambassador in The Hague later this year, in line with the 1970 Unesco convention against trafficking cultural property.

Spouses of PIF leaders visit Art Gallery

Spouses of Pacific Islands Forum (PIF) leaders visited the National Art Gallery in Honiara on Monday as part of the official program for the 54th Pacific Islands Forum Leaders Meeting. Hosted by Madam Jocelyn Manele, spouse of the Solomon Islands Prime Minister, the delegation toured exhibitions featuring shell money, wood carving, and lava-lava textiles, and engaged with local artisans demonstrating traditional crafts. Acting Curator Julie Fakaia noted that the exhibition showcased gallery collections and live demonstrations, including shell money making and weaving from Rennell and Bellona. The spouses also purchased handmade items from the Solomon Islands Artisans, with traditional gifts exchanged during the visit.

Art Basel unveils gallery list and key highlights for its 2025 Miami Beach show

Art Basel has announced the gallery list for its 2025 Miami Beach edition, featuring 283 premier galleries from 43 countries and territories. The fair, taking place December 5-7 at the Miami Beach Convention Center, includes 48 debut exhibitors and will debut the new Art Basel Awards, presented in partnership with BOSS. The event will highlight Latinx, Indigenous, and diasporic artistic positions, with a strong focus on the Americas, including galleries from New York, Los Angeles, and Latin America.

Art Basel Miami Beach to welcome 41 new exhibitors

Art Basel Miami Beach (ABMB) will return from December 5 to 7, 2025, with 285 galleries, including 41 first-time exhibitors—a significant increase from previous years. The fair will emphasize Latinx, Indigenous, and diasporic artistic currents, and will feature galleries from 44 countries, with over two-thirds operating in the Americas. New participants include New York galleries such as David Peter Francis, Candice Madey, and Margot Samel, as well as Erin Cluley Gallery from Dallas, Miami’s Nina Johnson, and Voloshyn Gallery, the first Ukrainian exhibitor at the fair. Returning mega-galleries include Gagosian, Hauser & Wirth, David Zwirner, Pace Gallery, and White Cube. The fair will also debut the Art Basel Awards, with gold medalists announced on December 4.

Don’t Miss These August Museum Exhibits in New Orleans

The article highlights several must-see museum exhibits in New Orleans for August 2025, part of the city's Museum Month program. Featured shows include "Louisiana Contemporary 2025" at the Ogden Museum of Southern Art, a juried exhibition of 53 works by 50 Louisiana artists; Vince Fraser's immersive Afro-surrealist installation "Ancestral Odyssey" at the New Orleans African American Museum; and Ben Depp's aerial photography series "Edge of Tomorrow: Aerial Views of Louisiana’s Changing Coastline" at The Historic New Orleans Collection.

Palestinian Museum seeks new ways to reach audiences as crisis escalates

The Palestinian Museum in Birzeit, West Bank, is adapting its operations amid the ongoing war in Gaza and escalating violence across occupied territories. Director General Amer Shomali, who began his role on October 8, 2023, describes how the museum has shifted focus to research, digital access, and international partnerships while protecting its collection. The museum closed for four months from October 2023 to February 2024, and has since moved artworks to safer locations, including keeping paintings exhibited in Europe abroad. It mounted a bold exhibition, "This is Not an Exhibition," featuring 335 works by 122 Gazan artists, at least five of whom have been killed, and collaborated on "Thread Memory: Embroidery from Palestine" at the V&A Dundee in Scotland.

This is BC: Renowned artists open Enderby gallery

Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.

CAM Raleigh to pause exhibitions amid financial and cultural challenges for small, local museums

The Contemporary Art Museum (CAM) in Raleigh, North Carolina, announced it will temporarily pause exhibitions and in-house programming starting June 15, 2025, as part of a strategic effort to reassess its role and operations. The museum cited rising operational costs, shifting donor trends, and increasingly competitive funding as challenges facing small museums nationwide. While the main galleries close, CAM will continue offsite programming and host the annual Raleigh Fine Arts Society’s NC Artists Exhibition in September. Two current exhibitions—'Look to the West' and 'Skin of the City' featuring works by Rigoberto Mena—remain on view through June 15.

A New Generation of Gallerists Is Redefining Artist Representation

A new generation of gallerists is rethinking traditional artist representation models, moving away from rigid exclusivity clauses and transactional relationships. Figures like Bryce Watanasoponwong of The Charoen AArt in Bangkok, Storm Ascher of Superposition, and Lorraine Han of Unveil Gallery are adopting flexible, collaborative approaches that reflect the realities of contemporary artists, who often juggle multiple roles and prefer non-exclusive arrangements. These gallerists emphasize open dialogue, shared responsibility, and long-term relationship-building over strict contracts, as seen in Ascher's seven-year support of artist Haleigh Nickerson, which culminated in a solo show at NADA New York 2025.

In Rome, the extension of the Galleria Borghese provokes a revolt

À Rome, l’extension de la Galerie Borghèse provoque une fronde

The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.

Kanal-Centre Pompidou sans tête

Yves Goldstein, the general director of the Brussels branch of the Centre Pompidou, has announced his departure just before the scheduled opening of Kanal-Centre Pompidou on November 28. Goldstein stated that his mission is nearly complete and that the museum's daily management phase requires a different leader. A call for applications will be launched by the board of directors, with the selection made by the board of the Fondation Kanal based on profiles proposed by a jury led by president Michèle Sioen. The new director will face immediate challenges, including negotiating a new management contract with the Brussels Region for 2029-2033 and securing an increased annual subsidy, currently set at €10 million, which is deemed insufficient.