Klimt, Modigliani, and Freud Lead $200M Lewis Collection at Sotheby’s London

Sotheby’s London will auction a collection of 50 masterpieces from billionaire Joe Lewis and his daughter Vivienne in June 2025, expected to exceed $200 million. Highlights include Gustav Klimt’s 1902 portrait of Gertha Felsőványi (estimate £20–30 million), Lucian Freud’s never-auctioned *Woman in a Grey Sweater* (1988), and Amedeo Modigliani’s *Homme à la Pipe* (1918), making its auction debut after 45 years unseen. The sale follows a successful March auction of School of London works from the same collection, which brought $47.7 million.

Comment | The slopification of political art

The article critiques the rise of AI-generated political imagery, such as Donald Trump depicted as Jesus and viral Lego videos of the Iranian Revolutionary Guard Corps, arguing that these shallow, generic visuals fail to provide meaningful or lasting cultural commentary on current conflicts. The author contrasts this with the inventive, humorous resistance seen during the 2013 Gezi Park protests in Istanbul, which later influenced a generation of Turkish artists.

Venice Bound? Here’s All the News You Need to Know About This Year’s Biennale

The 61st Venice Biennale is embroiled in geopolitical controversy over Russia's return to the event in 2026, which has sparked widespread backlash. Nearly 10,000 artists and cultural leaders signed an open letter opposing Russia's participation, and the European Union withdrew €2 million in funding for the 2028 edition. Leaked emails reveal Biennale officials worked with Russian pavilion commissioner Anastasia Karneeva to circumvent EU sanctions, while Italy's culture minister Alessandro Giuli plans to boycott the opening week. Meanwhile, activists continue to push for Israel's removal from the Biennale, though Israel will be accommodated in the Arsenale this year.

Wildenstein dispute over Monet work highlights art market opacity

A long-running dispute involving the Wildenstein art dynasty has resurfaced over a 2004 transaction for Claude Monet's *Adolphe Monet Reading in a Garden* (1867). The painting was acquired by Guy Wildenstein through a €4.5m deal that included works by Pierre Bonnard and Alfred Sisley, among them Monet's *Marine, Amsterdam* (1874). That work was later resold via Christie's, but a 2020 sale attempt revealed that the original canvas had been lost during a transfer process, significantly reducing its value. Court-appointed specialists concluded in 2024 that the alteration predated the transaction and that the gallery likely knew of the damage. The sellers have filed a claim alleging "vitiated consent" under French law, with a court date set for 7 May in Rouen. The disputed Monet now reportedly belongs to billionaire Larry Ellison.

‘The doorbell went at 5am. Six masked men were outside’: Belarus Free Theatre bring totalitarian terror to the Venice Biennale

Belarus Free Theatre (BFT), an exiled troupe based in London, is presenting its first major visual art project, titled 'Official. Unofficial. Belarus.', at the Venice Biennale. The installation, masterminded by the founders' daughter Daniella Kaliada, features contributions from former political prisoners, painters, sculptors, composers, and world-renowned chef Rasmus Munk, who created a dish evoking detention under an authoritarian regime. The work includes a giant ball of banned books, surveillance cameras attached to an iron crucifix, and a custom scent of a freshly dug grave, all reflecting the terror of life under Belarusian dictator Alexander Lukashenko.

Inside the Inaugural Edition of Art Cologne Palma Mallorca

The inaugural edition of Art Cologne Palma Mallorca took place from April 9–12, 2026, attracting 88 galleries from 20 countries and over 10,000 visitors to the Mediterranean island. The fair, held at the Palau de Congressos Convention Centre, reported strong sales and sold-out weekend days, with Artistic Director Daniel Hug praising the high level of engagement and positive response from both exhibitors and attendees. A second edition has already been scheduled for April 1–4, 2027.

Newsmakers: Nalini Malani Lets the Walls Speak with a New Installation in Venice

Nalini Malani's latest installation, *Of Woman Born*, opens at the Magazzini del Sale in Venice during the Venice Biennale. Commissioned by the Kiran Nadar Museum of Art, the work projects hand-drawn animations onto the crumbling brick walls of a 15th-century salt warehouse, creating a cave-like environment where images flicker like ancient cave paintings. The installation draws on tens of thousands of drawings and incorporates mythology, literature, and sound, with a central focus on the myth of Orestes to explore themes of violence, displacement, and gender politics. Malani has also extended her recurring 'Skipping Girl' figure across Venice via posters and public signage to guide viewers to the exhibition.

Sharjah Biennial Lines Up 109 Artists for 2027 Edition, Titled ‘What Remains, Sits Restive’

Towering homage to Bamiyan Buddhas rises over Manhattan’s High Line

A new public sculpture by Vietnamese American artist Tuan Andrew Nguyen has been installed on the High Line Plinth at Hudson Yards in Manhattan. Titled "The Light That Shines Through the Universe" (2026), the 27-foot-tall sandstone monument pays homage to the Buddhas of Bamiyan, the 6th-century colossi destroyed by the Taliban in 2001. The work features carved sandstone forms with two monumental steel hands cast from melted-down artillery shells sourced from Afghanistan, making gestures of fearlessness and compassion. It will remain on view through autumn 2027 and is accompanied by monthly lectures and meditation sessions.

Final book in trilogy asks: What is the future of the art world?

Cultural strategist András Szántó has published the third and final volume of his trilogy on the future of museums, titled *What Is the Future of the Art World?*. The book features dialogues with a wide range of art-world figures—including gallerists José Kuri and Atsuko Ninagawa, collectors Alain Servais and Sylvain Levy, artists William Kentridge and Holly Herndon & Mathew Dryhurst, curator Fatoş Üstek, network scientist Albert-László Barabási, former Art Basel director Marc Spiegler, and Sheikha Al-Mayassa Al Thani—who discuss topics such as the definition of the art world, its rules, and its future trajectory. Szántó notes that there is no consensus on whether the art world is still expanding or entering a phase of slowdown, with different regions moving on divergent paths.

How Art Firms Are—or Should Be—Using A.I. Right Now

Art firms are increasingly experimenting with artificial intelligence, but concrete use cases remain limited and industry-specific tools are still in their infancy. A new partnership between Bonhams and tech company ARTDAI aims to apply AI to market analytics, valuation, and specialist research, while companies like Artsy and Artnet are integrating AI capabilities into their platforms. Industry experts, including former Art Basel chief Marc Spiegler, note that the art market's small size has historically discouraged tech development, but AI now makes high-performance tools accessible to smaller businesses.

Collector Julia Stoschek Closes Down Berlin Exhibition Venue After 10 Years In Favor of International Projects

Julia Stoschek, a leading art collector and ARTnews Top 200 figure, is closing her Berlin exhibition venue after a decade of operation. The 3,000-square-meter space in the former Czech Cultural Center, which opened in 2016, will shut at the end of October 2026, having hosted 22 exhibitions and attracted 450,000 visitors. The Stoschek Foundation will maintain its Düsseldorf venue, while Stoschek shifts focus to international projects, such as the recent Los Angeles exhibition “What a Wonderful World: An Audiovisual Poem,” curated by Udo Kittelmann.

Venice Biennale’s Prize Ban on Israel and Russia Falls Short for Critics

The jury of the 2026 Venice Biennale has ruled that Israel and Russia will be ineligible for the Golden and Silver Lion prizes, citing International Criminal Court charges of crimes against humanity against their leaders. The decision follows years of activism and political pressure, with the European Union withdrawing €2 million in funding from the event in protest of Russia's participation. While groups like Art Not Genocide Alliance praised the move as an unprecedented step, critics argue it falls short of a full ban on participation. Israel's artist representative, Belu-Simion Fainaru, condemned the policy as discriminatory, and an open letter signed by 70 artists and curators called for excluding all regimes committing war crimes, including the United States.

The Tabloids Are Fouling Mayor Mamdani Over His Knicks Art. Here’s the Story

Artist Tom Sanford loaned his hand-painted wooden "Knicks Cutout" portraits of legendary New York Knicks players to New York City Hall at the invitation of Mayor Zohran Mamdani, intended to celebrate the team's playoff run. Tabloid media, including the New York Post and New York Times, framed the gesture as a "curse" on the team, suggesting fans blamed the mayor for the Knicks' losses. Sanford defends the artwork as a sincere, community-driven tribute rooted in New York street-corner cutout traditions, not a cheap stunt.

The tiniest event can tear a hole. Sara MacKillop by Margaret Kross

Sara MacKillop's exhibition "The Cutaway View" at Good Weather in Chicago presents sculptures made from humble analog materials like blank wall calendars, empty shopping bags, and gift wrapping. The London-based artist alters these objects with minimal interventions—such as surgically cut holes in shopping bags to accommodate vinyl records—drawing attention to the ephemera and texture of retail culture. Her series "Calendar Houses" (2021–ongoing) uses archive boxes and wall calendars to create miniature modernist dwellings that critique systems of order and self-optimization.

Magdalena Suarez Frimkess at David Zwirner

David Zwirner in Los Angeles is presenting an exhibition of works by Magdalena Suarez Frimkess, organized by artist Shio Kusaka, running from April 11 to May 22, 2026. The show includes a press release, checklist, and venue details, with images courtesy of the artist and the gallery, photographed by Elon Schoenholz and Marten Elder.

Billboards celebrating peace will arrive in L.A. as part of the Broad's Yoko Ono exhibit

Yoko Ono will install seven digital billboards across Los Angeles bearing peace messages like "THINK PEACE" and "IMAGINE PEACE," as part of her upcoming exhibition "Yoko Ono: Music of the Mind" at the Broad museum opening May 23. The billboards echo her 1969 "WAR IS OVER!" campaign with John Lennon. Ancillary programming includes re-creations of her performance works "Cut Piece" (1964) and "Sky Piece to Jesus Christ" (1965), plus a concert series "Yoko Only" guest-curated by Yuka Honda featuring Yo La Tengo, Nels Cline, Sleater-Kinney, and others.

Collaged Denim Sculptures by Nick Doyle Unravel American Mythology

Brooklyn-based artist Nick Doyle creates large-scale wall sculptures using layered and bleached denim, exploring American mythology and its contradictions. His solo exhibition "Collective Hallucinations" at Perrotin features works such as stylized cacti, landscapes, tarot cards, and a fortune teller's shop, all rendered in denim. Doyle's practice began after finding a discarded roll of denim in 2018, which he saw as a metaphor for the complexities of American history, including slavery, masculinity, and Manifest Destiny.

Interview with Ramuntcho Matta: Brion Gysin: The Last Museum Musée d’Art Moderne de Paris

The article is an interview with Ramuntcho Matta about the exhibition "Brion Gysin: The Last Museum" at the Musée d’Art Moderne de Paris. It explores the life and work of Brion Gysin, a multifaceted artist associated with Surrealism, the Beat Generation, and the invention of the Dreamachine. The exhibition traces Gysin's career through his calligraphy, painting, and multimedia works, including collaborations with William S. Burroughs and Ian Sommerville. A complementary show, "Underwood 2246449-5 (Les diables de Brion)," organized by Matta at New Galerie, features Burroughs's typewriter and related instruments.

브루클린뮤지엄: 패션디자이너 아이리스 반 페르펜전 'Iris van Herpen: Sculpting the Senses'(5/16-12/6)

The Brooklyn Museum will present the North American debut of "Iris van Herpen: Sculpting the Senses" from May 16 to December 6, 2026. The exhibition features over 140 haute couture creations by Dutch fashion designer Iris van Herpen, displayed alongside contemporary art, design objects, and scientific artifacts. It explores her fusion of traditional craftsmanship with cutting-edge technology, sustainability, and themes from nature and science. The show first opened at the Musée des Arts Décoratifs in Paris in 2023 and has traveled to QAGOMA, ArtScience Museum Singapore, and Kunsthal Rotterdam. The Brooklyn presentation coincides with the museum's annual Brooklyn Artists Ball, where Van Herpen will be honored.

MONET TO MATISSE: DEFYING TRADITION to Launch at Art Gallery of South Australia

The Art Gallery of South Australia is set to launch a new exhibition titled 'MONET TO MATISSE: DEFYING TRADITION,' which will feature works by iconic modern artists such as Claude Monet and Henri Matisse. The show aims to highlight how these artists broke away from conventional artistic norms to pioneer new movements in art history.

How Tasmania became one of the world’s most exciting art destinations

Helen Ochyra reports on how Tasmania, particularly Hobart, has emerged as a leading global art destination, driven largely by MONA (Museum of Old and New Art). The privately funded museum, founded by art collector David Walsh, recently opened a $100 million AUD wing housing a towering concrete amphitheatre by German artist Anselm Kiefer. Beyond MONA, Hobart hosts the provocative winter festival Dark Mofo, the science-and-culture Beaker Street Festival, and the inaugural Island Readers & Writers Festival, cementing its reputation for cutting-edge arts and culture.

Vancouver Art Gallery's "Future Geographies" Exhibit Explores How Art Responds to Climate Change

The Vancouver Art Gallery has opened "Future Geographies: Art in the Century of Climate Change," an exhibition curated by Eva Respini, the gallery's interim co-CEO and curator at large. Featuring over 30 artists and 35 works—including sculptures, paintings, video installations, and photographs—the show explores climate change through themes of living knowledge, consumed earth, speculative worlds, and material memory. Highlights include Brian Jungen's whale-skeleton sculpture made from plastic chairs and Clarissa Tossin's multimedia weaving of Amazon boxes. The exhibition also incorporates sustainability in its organization, using recycled cardboard for labels, overland shipping for loans, and commissioning local artists.

Art Gallery of NSW to unveil landmark exhibition exploring the many forms of Vishnu

The Art Gallery of New South Wales will open 'Avatar: Forms of Vishnu' in June, its largest exhibition of South and Southeast Asian art in over two decades. Featuring more than 200 works spanning 1,500 years, the show includes ancient sculptures, paintings, textiles, photography, and contemporary installations from institutions such as the British Museum, Ashmolean Museum, and National Museum of Cambodia. Curated by Melanie Eastburn and Chaitanya Sambrani, the exhibition explores artistic interpretations of Vishnu and his avatars across cultural, political, and spiritual contexts, with new commissions by Desmond Lazaro and Sumakshi Singh, and works by Nalini Malani, Pushpamala N, Gulammohammed Sheikh, and Jumaadi.

Lenz Geerk’s Theatre of the Mind: painting as regulation of appearance

Fondazione Sandretto Re Rebaudengo in Turin presents "Theatre of the Mind," the first Italian institutional solo exhibition by German-born painter Lenz Geerk. The show features recent works from 2022 to 2024, exploring painting as a perceptual device where figures, objects, and domestic interiors exist in unstable, unresolved configurations. Installation views by Giorgio Perrottino accompany the exhibition, which runs at the foundation's space.

The Cosmos in a Drop: Interview with Wallace Chan

Wallace Chan, the Chinese artist known for his work across microscopic gemstone carving and monumental titanium sculpture, is presenting two concurrent exhibitions in Venice during the 61st Venice Biennale: “Vessels of Other Worlds” at the Pietà Chapel and “Mythos” at Scala Contarini del Bovolo. In an interview with ArtAsiaPacific, Chan discusses his artistic journey from traditional Chinese Buddhist carving to Western iconography, the spiritual resonance of the Pietà Chapel (where Vivaldi composed), and how his works explore themes of transformation, birth, growth, and rebirth through the lens of Buddhist philosophy and Catholic ritual.

Venice Biennale Jury Bars Israel and Russia from Official Prizes

The international jury of the 61st Venice Biennale announced on April 23 that it will not consider the Israeli and Russian pavilions for official prizes, including the Golden Lion for national participation. The five-member, all-women panel—comprising Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—said it would exclude countries whose leaders are currently charged with crimes against humanity by the International Criminal Court, a criterion that applies to Israel and Russia due to ICC arrest warrants for Benjamin Netanyahu and Vladimir Putin. The decision comes amid mounting controversy over the Biennale's decision to host both pavilions, with Russia returning after its artists withdrew in 2022 over the Ukraine invasion and Israel reopening after its 2024 pavilion remained closed pending a Gaza ceasefire. The European Commission had also threatened to suspend a €2 million grant over the Russian pavilion's reopening.

Adam Budak dismissed as director of MOCAK amid controversy

Adam Budak has been dismissed as director of the Museum of Contemporary Art in Krakow (MOCAK), effective from 12 May, with his employment ending on 30 June. The city of Krakow cited improper performance of duties related to work organization and team management, following an investigation triggered by a complaint signed by 37 employees. Budak disputes the decision, calling it baseless and made under time pressure, and is considering an appeal. Artists including Paulina Ołowska and Robert Knoke have rallied in support, with several artists withdrawing from MOCAK's 2026–27 programme in solidarity.

Dana Awartani on Representing Saudi Arabia at the 61st Venice Biennale

Dana Awartani, an artist based in Jeddah, will represent Saudi Arabia at the 61st Venice Biennale in 2026, with her pavilion located in the Arsenale under the theme 'Celebrating Visions.' In an interview with ArtReview, Awartani discusses her exhibition, which builds on her practice of foregrounding Arab cultural histories and preserving the region's material heritage. She connects her work to the Biennale's theme 'In Minor Keys' by focusing on repair, healing, and the quiet consequences of conflict, emphasizing craft as a form of quiet resistance against mechanization. The pavilion, she says, reflects the diversity of voices within Saudi Arabia's artistic community rather than a single national narrative.

81 artists withdraw from Venice Biennale competition