What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Exhibition | Erwin Olaf, 'Against Time' at Baró Galeria, Palma, Spain

Baró Galeria presents 'Against Time', an exhibition of Dutch photographer Erwin Olaf's still life photographs at its Next Door space in Palma, Mallorca, Spain. Opening on May 25, 2026, the show is part of the inaugural Mallorca PhotoFest, an international photography festival. The exhibition focuses on Olaf's small-format flower photographs made between 2006 and 2021, exploring themes of time, finitude, and photography as a trace of disappearance. An essay by Esmeralda Gómez Galera accompanies the show.

2026 Future Fair: Everything You Need To Know About the Art Fair Before It Opens Next Month

Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.

He Who Permeates Exhibition at Tao Art Gallery Explores Myth, Identity and Visual Culture

The exhibition 'He Who Permeates' is currently on view at Tao Art Gallery in Mumbai, curated by Mihir Thakkar. It features contemporary artists Jayesh Sachdev and NFN Kalyan, exploring how imagery and symbols are reinterpreted across cultural contexts in a hyper-visual age. The show runs daily from 11 am to 6:30 pm until May 28, 2026, and marks NFN Kalyan's first presentation in India.

In Minor Keys: The 61st Biennale di Arte Venezia Opens Under Koyo Kouoh (1967–2025).

The 61st Biennale di Arte Venezia opens under the posthumous curatorial vision of Koyo Kouoh (1967–2025), the late Cameroonian-born curator who reshaped contemporary African and diasporic art discourse. The central exhibition, spanning the Giardini and Arsenale, features 111 participants including artists, collectives, and artist-led organizations from across the Global South, with works in textiles, film, sculpture, and performance that interrogate colonialism, migration, and ecological repair. The Biennale is also marked by a pronounced presence of African and diasporic narratives across national pavilions, including several first-time pavilions from the African continent.

The Politics of In-action: Review of In-action: Viennese Actionism and the Passivities of Performance Art

Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.

What Does the Future Hold for Female Collectors? We Got a Sneak Peek.

CULTURED Editor-in-Chief Sarah Harrelson hosted a panel discussion at Christie’s Rockefeller Center with collectors Tiffany Zabludowicz, Sophia Cohen, and Victoria Rogers, exploring the evolving role of women in the art market. The event coincided with Christie’s Marquee Week sales, which included a record-breaking $1.1 billion night, and featured works from the collections of legendary female patrons such as Agnes Gund, Marian Goodman, Lorinda de Roulet, and Marilyn Arison. Guests viewed masterpieces on display and received remarks from Christie’s Senior Vice President Isabella Lauria, who is leading the 21st Century Sale on May 20.

How a Remote California Artists’ Retreat Inspired Vhernier’s Latest Ring Collection

Italian jewelry maison Vhernier has collaborated with artist Pae White to create a 10-design limited-edition ring collection inspired by White's childhood memories of Sea Ranch, a remote artists' retreat in Sonoma County, California. The collection translates the architecture of crustaceans and abalone into precious materials, using sapphires, diamonds, and rock crystal set in white or rose gold, with only two versions of each design produced.

Multimedia arts project wins Sycamore Gap tree commission after public vote

A community arts charity, Helix Arts, and George King Architects have won a public vote to create 'The People's Tree', a multimedia artwork using preserved wood from the illegally felled Sycamore Gap tree in Northumberland. The National Trust commission, announced in September 2025, will transform the tree into a 'living archive' featuring participatory storytelling, a national sound archive, seed pods for digital recordings, a soundscape from growth rings, and a sound sculpture near the original site. The project is expected to begin public engagement in summer 2026 and be completed by autumn 2027.

Giant glacier painting disappears from Argentina’s presidential palace after new law passes loosening protections for these icy regions

Days before Argentina’s Congress approved an amendment to the glacier law that weakens protections for glacial regions to facilitate mining, President Javier Milei’s government removed a monumental painting of the Perito Moreno Glacier from the Casa Rosada presidential palace. The work, Helmut Ditsch’s photorealist *The Triumph of Nature* (2006), had been on loan and on display since 2012. The government cited “maintenance reasons” and “structural damage,” but the artist says he was not notified and has contacted lawyers. A portrait of Juan Domingo and Evita Perón was also removed the same day, with the same vague explanation.

Stonewall Monument Named Among Most Endangered Sites in the US

The Stonewall National Monument in Manhattan has been named one of the most endangered places in the US by the National Trust for Historic Preservation, marking the first time the site has appeared on the annual list. The designation comes amid the Trump administration's efforts to control LGBTQ+ history, including the National Park Service's removal of references to transgender individuals from the monument's official website and the removal of the rainbow pride flag from the site. Activists and the Gilbert Baker Foundation fought back, with the foundation filing a lawsuit that led to a settlement allowing the pride flag to be flown again, though the NPS has not restored the original website text.

CalArts President Booed During Commencement Speech

California Institute of the Arts (CalArts) President Ravi S. Rajan was loudly booed by students during the school's commencement ceremony on May 15, as they held signs reading “Hold the Admin Accountable” and “Save Our Faculty & Staff.” The protest stemmed from ongoing financial turmoil at the esteemed art school, including a multi-million-dollar budget deficit, significant staff and faculty layoffs, and a decline in enrollment from 1,500 to roughly 1,200. Despite Rajan's attempts to redirect focus to the graduates, the booing persisted, and board chair Charmaine Jefferson unsuccessfully appealed for calm. The incident follows a broader crisis at CalArts, where over 75% of staff sought to unionize in 2024, and faculty held a “Chop from the Top” rally in March against proposed $5 million in cuts.

Israeli organisation threatens legal action against Canadian Museum for Human Rights over Palestine exhibition

The Israeli organization Shurat Hadin has threatened legal action against the Canadian Museum for Human Rights (CMHR) in Winnipeg over its upcoming exhibition "Palestine Uprooted: Nakba Past and Present," scheduled to open on June 27. The group sent a legal letter to the museum's board and leadership, alleging the exhibition promotes a one-sided narrative that could fuel antisemitism and violate Canadian federal law, and calling for an independent review. The CMHR is reviewing the letter but declined further comment, while supporters like Independent Jewish Voices argue the museum is right to tell the story of the Nakba from the perspective of Palestinian victims.

Trial Begins in Brent Sikkema Murder-For-Hire Case

Opening statements and witness testimony began on Tuesday in a Manhattan court for the murder-for-hire trial following the 2024 killing of New York art dealer Brent Sikkema. Alejandro Triana Prevez, a Cuban national, was arrested shortly after Sikkema was found murdered in his Rio de Janeiro apartment, and claims that Sikkema's ex-husband, Daniel Carrera Sikkema, offered him $200,000 to commit the crime. Carrera Sikkema was charged in February 2025 with hiring Prevez. Prosecutors presented evidence including phone records, financial transactions, and witness testimony, while the defense argued the case relies on circumstantial evidence and that Carrera Sikkema's statements were made amid a contentious divorce.

Preemptive Listening review – artist’s film about sirens is buzzing with sonic ideas

The Guardian reviews Aura Satz's art film "Preemptive Listening," which explores the cultural and political meanings of sirens as warning devices. The film features a drone shot of a siren in a residential area, a soundtrack by composer Laurie Spiegel, and commentary from British-Egyptian actor Khalid Abdalla on sirens during the 2011 Arab Spring protests. It also covers sirens on Nakba day in Palestine, a US activist linking emergency vehicle lights to danger for Black women, clocks frozen at the time of the Fukushima disaster, and a Maori activist discussing environmental catastrophe. The reviewer finds the film's ideas interesting but notes it lacks coherence as a feature-length experience, suggesting it would be better suited to a gallery setting.

Bard President Leon Botstein (Finally) Resigns, Following Epstein Revelations

Leon Botstein, president of Bard College since 1975, announced his retirement on Friday following the release of an independent report by the law firm WilmerHale, commissioned by Bard's board of trustees. The report found that Botstein had not been "fully accurate" in his public accounts of his relationship with convicted sex offender Jeffrey Epstein, revealing visits to Epstein's private island, personal messages, a joint watch purchase worth $56,000, and invitations to campus. While no illegal conduct was identified, the report raised serious concerns about Botstein's leadership and judgment. Botstein will step down on June 30 but remain at Bard as a professor.

Historic Monument Honors New York's First Arabic-Speaking Community

New York City unveiled its first commemorative public artwork under Mayor Zohran Mamdani's administration on April 30, honoring the historic "Little Syria" neighborhood in Manhattan's Financial District. The monument, titled "Al Qalam (The Pen): Poets in the Park," is a mosaic installation and sculpture by French-Moroccan artist Sara Ouhaddou, created over the past decade. It celebrates nine members of the enclave's literary community, including Lebanese-American poet Khalil Gibran, who co-founded the writers' association Pen Bond in 1920. The $1.6 million artwork sits in Elizabeth H. Berger Plaza, within the blocks where immigrants from Greater Syria settled in the late 19th century before being displaced by tunnel construction in the 1940s.

Ada: My Mother the Architect review – illuminating profile of brilliant builder balances work and family

Architect-turned-filmmaker Yael Melamede directs a documentary portrait of her mother, Israeli architect Ada Karmi-Melamede, who co-designed the Supreme Court of Israel building in Jerusalem in the early 1990s with her brother Ram Karmi and later created Ben Gurion Airport. The film explores Karmi-Melamede's architectural philosophy of "architecture of the ground and of the sky," her departure from her brother's brutalism, and a painful family split when she left her husband and children in New York after being denied tenure at Columbia University.

Row Over Russia’s Return to the Venice Biennale Deepens

Newly leaked emails reveal that the Venice Biennale has been secretly coordinating with Russia since last summer to facilitate its return to the 2025 edition, despite ongoing international sanctions. The correspondence, published by Italian outlets Open and La Repubblica, shows Biennale president Pietrangelo Buttafuoco, director Andrea Del Mercato, and Russian commissioner Anastasia Karneeva working together on visa issues, pavilion logistics, and a legal strategy to bypass E.U. sanctions prohibiting collaboration with state-backed Russian entities. Russia's pavilion will be open during preview days with performers activating the space, while footage will play for the public from a closed pavilion thereafter.

Russia's Venice Pavilion to Close to the Public in Compliance With Sanctions

Russia will return to the 61st Venice Biennale with its national pavilion, but the exhibition will only be physically open to the press and select guests during the vernissage dates of May 5–8. From May 9 onward, the pavilion will remain closed to the public, with multimedia documentation of performances displayed on screens at the windows. The arrangement follows leaked emails among Biennale Foundation President Pietrangelo Buttafuoco, General Director Andrea Del Mercato, and Russian Pavilion Commissioner Anastasia Karneeva, revealing efforts to comply with EU sanctions while still allowing Russia's participation after two consecutive absences since its invasion of Ukraine.

This is fucking Disneyland

"Das ist fucking Disneyland"

The article surveys recent German cultural commentary, highlighting three main stories: art historian Bénédicte Savoy's warning in the FAZ about the physical decay of German universities, particularly the Technical University of Berlin, as a threat to democratic culture; Berlin artist Charlie Stein's essay on anxiety as a pervasive contemporary condition and art's role in making it visible; and critic Rachel Wetzler's harsh review of the Venice Biennale in Artforum, calling it an overwhelming 'theme park' version of the art world. Additionally, Nikolaus Bernau defends expert juries in the Tagesspiegel, using the Biennale's jury crisis as a case study.

The 10 Best Venice Films

Die 10 besten Venedig-Filme

Monopol magazine has published a ranking of the ten best films set in Venice, timed to coincide with the opening of the Venice Art Biennale. The list includes titles such as Steven Spielberg's "Indiana Jones and the Last Crusade" (1989), Joseph L. Mankiewicz's "The Honey Pot" (1967), and Kenneth Branagh's "A Haunting in Venice" (2023), highlighting how the lagoon city serves as a central character in action films, comedies, and love dramas.

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

It's a Rollercoaster of Emotions

"Es ist ein Wechselbad der Gefühle"

Sung Tieu has been selected to represent Germany at the Venice Biennale with a solo exhibition in the German Pavilion. In an interview with Monopol, she discusses how her personal biography—as a Vietnamese-German artist—informs her practice, which examines Vietnamese migration to East Germany, the rise of right-wing extremism, and the cold, bureaucratic language of state power. The exhibition will bring these themes to an international audience in Venice.

The Art of the Chosen Family

Die Kunst der Wahlfamilie

Mike D, co-founder of the Beastie Boys, has co-curated an exhibition titled "Mishpocha. The Art of Collaboration" at the Jewish Museum Frankfurt. The show explores the concept of family beyond biological ties, featuring works such as Ira Eduardovna's video installation "The Library Room," which depicts a family packing for emigration, and immersive audiovisual spaces evoking techno, hip-hop, punk, and Riot Grrrl subcultures. The exhibition includes contributions from artist Jan Ove Hennig, photographer Jan Zappner, design studio Atelier Markgraph, and hospitality group Ima Clique, with Mike D serving as artistic director and ambassador.

In Venice, the Passion of Life and the Ghost of Art

The 2026 Venice Biennale, the world’s oldest art exhibition, has opened with a theme centered on vitality and the celebration of life. The edition is described as both a passionate embrace of energy and a reminder of art’s lingering ghosts, offering a mixed but compelling experience for visitors.

Nicole Hollander, Acerbic Feminist Cartoonist, Dies at 86

Nicole Hollander, the creator of the long-running comic strip "Sylvia," has died at the age of 86. For over three decades, she wrote and illustrated the strip, which centered on a tart-tongued, witty woman who freely expressed her many opinions, becoming a staple of feminist humor in American newspapers.

Huet Lost in the Clouds

Huet perdu dans les nuages

The Musée de la vie romantique in Paris has reopened after a major renovation, but its inaugural exhibition, focused on the 19th-century painter Paul Huet (1803-1869), has been met with harsh criticism. The show examines Huet's depictions of skies and compares his work to contemporaries, yet the reviewer finds it neither a proper retrospective nor a coherent thematic exhibition. The cramped galleries, uneven selection of works, cluttered hanging, and garish scenography are all faulted, with many comparative pieces outshining Huet's own paintings.

Changes at Manifesta as Hedwig Fijen steps down

Hedwig Fijen, founding director of Manifesta, the European Nomadic Biennial, will step down on October 5. Emilia van Lynden and Catherine Nichols will succeed her as general director and artistic director respectively, as announced by the supervisory board of the International Foundation Manifesta. Fijen, who was commissioned by the Netherlands Office for Fine Arts in 1991 to develop a pan-European platform, has led Manifesta through editions in Palermo, Pristina, Barcelona, and the upcoming 2026 edition in the Ruhr region. Van Lynden has served as deputy director since 2019, while Nichols, a Berlin-based curator, contributed as creative mediator for the 2022 edition and artistic board member for 2026. The new leadership will begin with Manifesta 17 in Coimbra, Portugal, in 2028.

From simple blue to haute couture suit: workwear studied at the Musée Postal

Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal

The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.