Artist couple Janis Provisor and Brad Davis transformed an indoor swimming pool in their Connecticut ranch house into a studio, prioritizing their creative work over leisure. The article explores how they adapted the unconventional space to suit their artistic practices.
Dutch artists Lonneke Gordijn and Ralph Nauta of Studio Drift have installed their kinetic light sculptures along Venice’s Grand Canal, bringing their work outdoors for the first time during the Venice Biennale. The installation transforms the iconic waterway with moving, illuminated forms that interact with the surrounding architecture and water.
Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.
Colombo’s skyline has undergone a radical transformation into a forest of glass and steel towers, epitomized by projects like the Lotus Tower and Port City. This rapid urbanization, driven by a state ambition to create a 'world-class city' following decades of civil war, has resulted in the displacement of local neighborhoods and the burial of historical layers under new infrastructure.
The Complex, a major multi-artform venue in Dublin, was evicted from its warehouse building in January 2026 after its lease expired. A public campaign to save it, supported by politicians and cultural officials, failed due to a lack of legal mechanisms to protect grassroots cultural organizations. This closure follows a pattern of similar artist-led spaces folding in Ireland, most recently Ormond Studios.
San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.
Portland, Oregon's Converge 45 triennial has announced the participating artists for its upcoming exhibition titled “Here, To you, Now.” Curated by Lumi Tan, the triennial draws inspiration from Ursula K. Le Guin's 1985 novel Always Coming Home, which explores the impermanence of spoken language. Featured artists include Trisha Baga, Ricky Bearghost, Aaron Cunningham, Jacqueline Kiyomi Gork, and sidony o'neal, among twenty-three others, with seventeen new commissions. Venues include Barn Radio, the Hoffman Gallery at Lewis & Clark College, the Native Arts and Cultures Foundation, Oregon Contemporary, and the Pacific Northwest College of Art.
Arts Collective will open a new arts center in Northampton, England on May 1st, following a £5.2m renovation of the city's municipal offices and town hall annex. The complex will feature 17 artist studios, community spaces, a gallery, and "The Northampton Rooms," a series of public spaces designed by artist Giles Round as a "living work of art." The inaugural exhibition will showcase Northamptonshire-born artist Rose Finn-Kelcey.
Tutta la poesia del cielo in mostra nel grand hotel di Roma per ricordarci la nostra stessa complessità
Artist Giovanni Ozzola has opened a solo exhibition titled 'Il Cielo Dentro' (The Sky Within) at the Galleria Continua's space within The St. Regis hotel in Rome. The show features works centered on the sky as a metaphor for the vastness both outside and within the human experience, exploring the tension between internal and external horizons through light and abandoned architectural spaces like bunkers.
Isabel Adair recounts her visits to commercial art galleries in London and Cambridge, describing the experience of viewing Eva Pade's exhibition at Galerie Thaddeus Ropac in Mayfair and the abstract works at Byard Art near King's College. She highlights the contrast between the polished, elite atmosphere of a high-end Mayfair gallery and the more accessible, profit-driven local gallery, while noting the freedom and openness of these spaces to the public.
Ukrainian artist Nikita Kadan, in an interview with Frieze, reflects on his practice and the ongoing psychological and physical toll of war, questioning whether conflict ever truly ends. He discusses his recent works, which grapple with the persistent state of war in Ukraine, the transformation of urban spaces, and the collective trauma that outlasts active hostilities.
Artist Aki Sasamoto has opened a new solo exhibition at Studio Voltaire in London. The show features her signature blend of performance and sculptural objects, with the central motif emerging from a beach-house grill, grounding the work in personal narrative and physical process.
The article announces a series of May art exhibitions across multiple galleries in Key West, Florida. The Studios of Key West opens four solo shows: Tim Marshall Curtis's "Giants Among Us" featuring towering sculptures, Carole Faye's "Reverence/Irrelevance" with works made from scavenged materials, Andree B. Carter's "Roots of a City" textile paintings, and Wayne Garcia's "Once There Was a Railroad" hand-carved reliefs. Other venues include the Key West Collective featuring Steve Bikis and Brad Gruss, Harrison Gallery showcasing Santa Fe artist Melinda K. Hall, Gallery on Greene honoring Peter Vey, and Shade and Shutter Gallery highlighting Mark Klammer's pottery.
A series of diverse art exhibitions are opening across Seattle in May. Highlights include a show exploring the influence of Japanese woodblock prints on Northwest artists at the Cascadia Art Museum, a site-specific installation in a private garage gallery called Double Garage, and a large-scale display of drawings on sticky notes by Clare Johnson at Gallery 4Culture. Other featured shows include Emma Bergman's surreal multimedia installation at Specialist Gallery and a landmark retrospective of light artist Tom Lloyd at the Frye Art Museum.
Ngununggula, the Southern Highlands regional art gallery, has opened a major all-women exhibition titled 'Old Days, New Days | Arlta-imankinya, Arlta-errama.' The show features works from artists associated with Tangentyere Artists and Yarrenyty Arltere Artists, alongside celebrated artist Thea Anamara Perkins. It includes paintings, sculptures, video, textiles, and works on paper, exploring the role of women in family and community life across generations, and will be on view until June 14.
A 125-year-old dairy barn converted into a contemporary art museum will open May 1 in Indianapolis's Garfield Park neighborhood. The Contemporary Art Museum of Indianapolis (CAMi), founded by Big Car Collaborative co-founders Jim Walker and Shauta Marsh, spans 40,000 square feet and includes six exhibition spaces, 18 artist studios, five storefronts for creative businesses, a performance space, a cafe, and a culinary arts area. The museum will be free to the public, with its inaugural exhibition featuring Puerto Rican painter Ivelisse Jiménez in the Jeremy Efroymson Gallery. CAMi aims to offer a welcoming, barrier-free environment—no security guards, no stern signage—and will focus on paying artists to create work rather than acquiring a permanent collection.
Alexandria Contemporary Art Days launches from October 9th to 16th, 2025, transforming the Egyptian city into an open-air gallery. The festival features site-specific works by local and international artists across venues including the French Institute, Behna Warehouse, El Garage Cultural Space, and the Bibliotheca Alexandrina. Highlights include a performance connecting breath and sound by dancer Salma Salem and trombonist Simon Petermann, a drawing-based installation by Mohamed Adel Dessouki, and Tiana Kader's evolving participatory installation 'The House of the Fat Lady'. The programme also includes exhibitions, live performances, workshops, talks, and guided walks such as 'Art on Foot'.
Contemporary Art Month (CAM) in San Antonio has announced the open call for its 40th anniversary CAM Perennial exhibition, inviting Texas artists to apply. The 2026 edition will be curated by Casie Lomeli and Leslie Moody Castro, both CAM Board Members, and will take place citywide at multiple artist-run spaces during March. The exhibition is not limited to local artists; past Perennial curators will also nominate artists from cities including El Paso, Dallas, Las Cruces, and Mexico City. Studio visits are planned for fall 2025, and the application deadline is September 26.
ArtReview Podcast episode 6 features artist Hyeree Ro, who speaks with associate editor Jenny Wu about her practice, including her attraction to objects with ambiguous functions. Ro discusses her work *Niro* (2024), a skeletal car installation exploring her relationship with her late father, and her upcoming exhibition at the Korean pavilion for the 61st Venice Biennale. The episode also touches on gardens and maintaining friendships as artists, with references to the Soswaewon garden and Hua Hsu's memoir *Stay True*.
The article promotes taking mothers to art museums and galleries for Mother's Day weekend, highlighting several venues in the Lowell, Massachusetts area. It features the Fitchburg Art Museum's centennial free admission, with events including a curator talk, a members' mixer with artist Tara Sellios, and a drumming workshop. The New England Quilt Museum in Lowell offers a storytelling event with An Marshal and Luana Rubin tied to its exhibition "Soul Stories: Threads of Existence." The Whistler House Museum of Art is noted for being featured in Artscope Magazine, and the 21st annual Doors Open Lowell event provides access to historic buildings, alongside an opening reception at the Arts League of Lowell Arts Gallery.
A comprehensive listing of current and upcoming visual art exhibitions, events, and installations in Athens, Georgia, is provided. The guide includes shows at venues ranging from the Georgia Museum of Art and the Lamar Dodd School of Art galleries to local breweries, coffee shops, and community centers. Featured exhibitions highlight work by students, local members, and established artists like Beverly Buchanan and Julie Green, alongside new murals and public art projects.
Musician Jack White has debuted a visual art exhibition at Newport Street Gallery in London. The show presents a collection of his own artworks, marking his first formal foray into the gallery world and expanding his creative practice beyond music.
This article is a curated calendar of art and culture events in Delhi and Mumbai for May and June 2026. Highlights include a photography exhibition of Satyajit Ray by Nemai Ghosh at DAG, a documentary photography show by Jyoti Bhatt at Gallery Vayu in collaboration with LATITUDE 28, a candlelight concert tribute to A.R. Rahman at Le Méridien, a group exhibition titled 'Slow Rot' at Method Delhi exploring vulnerability and the grotesque, and a dance performance celebrating Rabindranath Tagore at NCPA.
The Ardsley Art Commission is presenting a unique exhibition featuring the works of mother-and-son artists Valda Hancock Wagner and Rich Wagner, spanning 75 years of artistic creation. The show includes oil and acrylic paintings, watercolors, drawings, etchings, and wood block prints, ranging from traditional realism to abstraction. Valda studied with notable artists such as Reginald Marsh, Robert Rauschenberg, and Robert Beverly Hale, and later taught art in inner-city New York. Rich studied at the Art Students League, the Royal Academy of Arts, and the Royal Drawing School, and has participated in over 80 exhibitions. The exhibition is on view at Ardsley Village Hall through October 1.
Adrian Ghenie's exhibition "Roman Campagna" at a Paris gallery presents a series of paintings and charcoal drawings that subvert the romantic cliché of an artist's transformative encounter with Rome. Ghenie populates landscapes inspired by the Appian Way with grotesque, alien-headed figures hunched over smartphones, urinating on monuments, or weeping at sunsets, using brown and grey tones punctuated by bright colors. The works reference Francis Bacon and William S. Burroughs, and include direct allusions to Bacon's reinterpretation of van Gogh's self-portrait, as well as a copy of a Pompeii mosaic. The show also features large charcoal drawings on paper that reveal Ghenie's process of constructing his contemporary, alienated figures.
Two simultaneous exhibitions at Almeida & Dale in São Paulo present contrasting visions: American artist Peter Halley's "The American Connection," curated by Antonio Gonçalves Filho, features his signature geometric abstractions using Roll-A-Tex and Day-Glo colors to critique digital confinement and post-industrial surfaces. Brazilian artist Maxwell Alexandre shows works from his "Clube" series, depicting Black bodies navigating exclusionary leisure spaces. The pairing is deliberate, not for aesthetic dialogue but to juxtapose an established international artist with a rising Brazilian talent, timed to coincide with SP-ARTE.
The article highlights the best galleries and cultural spaces in Colombo, Sri Lanka, which is emerging as a vibrant cultural hub in Asia. It features established venues like the Sapumal Foundation, founded by painter Harry Pieris, the Barefoot Gallery, and the Colombo National Museum, alongside newer spots such as the Museum of Modern and Contemporary Art Sri Lanka and Millennium Art Contemporary. Notable artists mentioned include Tilak Samarawickrema, Chamila Gamage, and the historic '43 Group, which includes George Keyt and Lionel Wendt. The article also spotlights Radicle, Colombo's newest gallery, which recently hosted Priyantha Udagedara's solo exhibition "Terra Nullius."
Tang Contemporary Art in Beijing is launching a massive retrospective titled '1985–2025: Chinese Modern Ink Art,' curated by Zou Jianping. Featuring over 120 works by 68 artists across two gallery spaces, the exhibition traces the forty-year evolution of ink painting from the '85 New Wave movement to the present day. The show highlights key figures such as Gu Wenda, Wang Tiande, and Liu Qinghe, showcasing how the medium transitioned from traditional brushwork to experimental forms including installation and digital media.
The Alexandria art scene is hosting a diverse array of exhibitions and events throughout April 2026, centered around the Torpedo Factory Art Center, Del Ray Artisans, and Nepenthe Gallery. Key highlights include Marcus Beauregard’s solo printmaking show "Paint to Print," a car-themed exhibition titled "Fast and Fabulous" curated by Kelly and Scott MacConomy, and a series of weekly receptions at Nepenthe Gallery featuring artists like Sweta Shah and the NOVA Plein Air Artists. Many of these events serve charitable purposes, with proceeds from specific sales at Del Ray Artisans being donated in memory of late local artists Donna Gallo and Rusty Lynn.
The Johns Hopkins University Bloomberg Center is launching a new exhibition titled "Artistic Generosity and the American Artist Abroad," showcasing four decades of American art commissioned for U.S. embassies worldwide. Opening April 7 at the Irene and Richard Frary Gallery, the show features site-specific commissions, prints, and photographs from the Foundation for Art and Preservation in Embassies (FAPE) collection, including works by Frank Stella, Ellsworth Kelly, and Julie Mehretu.