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Plan Your Visit to Pissarro's Impressionism

The Denver Art Museum has announced ticketing and visitor details for its upcoming exhibition "The Honest Eye: Camille Pissarro's Impressionism," running from October 26, 2025, to February 8, 2026. The show features over 100 paintings by the Impressionist master, including works from the Nelson-Atkins Museum of Art, Joslyn Art Museum, Philadelphia Museum of Art, and Ordrupgaard. Tickets are now on sale, with timed entry every ten minutes; adult nonmember tickets start at $27, while members pay $5 and children's tickets are also $5. The museum provides practical guidance on parking, entry points, audio guides in English and Spanish, and recommends quieter visiting times such as Tuesday evenings.

Christie’s expects Elaine Wynn’s collection to bring $75m, while her record-breaking Bacon triptych goes to Lacma

Christie’s will auction more than a dozen jewels from the collection of the late billionaire and philanthropist Elaine Wynn this autumn in New York, with total estimates exceeding $75 million. Highlights include Lucian Freud's *The Painter Surprised by a Naked Admirer* (2005) and Richard Diebenkorn's *Ocean Park #40* (1971), each estimated at $15–$25 million, alongside works by Joan Mitchell, J.M.W. Turner, Wayne Thiebaud, and others. Meanwhile, the crown jewel of Wynn’s collection—Francis Bacon’s 1969 triptych *Three Studies of Lucian Freud*, which she bought for a record $142.4 million at Christie’s in 2013—has been bequeathed to the Los Angeles County Museum of Art (Lacma) and will debut in its new David Geffen Galleries building next April.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

Ten surprises at the National Gallery’s five-star Van Gogh exhibition

The National Gallery in London opened its exhibition "Van Gogh: Poets & Lovers" (14 September 2024–19 January 2025) to five-star reviews, attracting a record 335,000 visitors. The article reveals ten surprising details about individual paintings on loan from around the world, including a self-portrait that once hung in the American ambassador's residence in Regent's Park, a painting executed on a dish towel when Van Gogh ran out of canvas, and the revelation that casino mogul Steve Wynn owns The Trinquetaille Bridge. Other surprises include a stark white replica frame for Roses, inspired by frames designed by Dr. Paul Gachet, and the fact that The Public Garden, Arles is owned by a foundation set up by Bernard Arnault, the world's third richest person.

The new U-Haul Art Fair is pulling up in Chelsea

A new art fair called U-Haul Art Fair will take place in Chelsea, New York, from September 5-7, 2025, with ten exhibitors presenting work from the backs of rented U-Haul trucks parked streetside. Organized by James Sundquist and Jack Chase of the nomadic U-Haul Gallery, the fair features galleries including Nino Mier Gallery, Hexton Gallery, and Autobody Autobody, with each participant paying $2,500 in fees. The exact location is being kept secret but will be between 10th and 11th avenues and 20th and 30th streets.

An expert’s guide to Indigenous Australian art: five must-read books on the subject

Kelli Cole, lead curator of Tate Modern's Emily Kam Kngwarray survey, and academic Jennifer Green recommend five essential books for understanding Indigenous Australian art. The selections range from Wally Caruana's concise survey 'Aboriginal Art' (2025) to John Kean's 'Dot, Circle and Frame' (2023), which details the origins of the Papunya Tula art movement. The recommendations come amid major international exhibitions spotlighting Indigenous Australian art, including Tate Modern's Kngwarray show and the National Gallery of Art's 'The Stars We Do Not See'.

Frieze Seoul’s fourth edition takes on tariffs and a tough market

The fourth edition of Frieze Seoul (3-6 September) will host around 120 galleries at the Coex convention centre in Gangnam, including mega-galleries like Gagosian, Hauser & Wirth, Pace, David Zwirner, and White Cube. The fair welcomes about 20 new exhibitors, such as 10 Chancery Lane Gallery and de Sarthe from Hong Kong, The Breeder from Athens, Carvalho from New York, Make Room from Los Angeles, and Ota Fine Arts from Tokyo. However, more than 40 galleries are not returning, including Karma, Mariane Ibrahim, Michael Werner, and Neugerriemschneider. The event unfolds amid significant political and economic turbulence in South Korea, including the impeachment of former president Yoon Suk Yeol after a martial law declaration, the election of new President Lee Jae Myung, and ongoing tariff negotiations with the United States, all contributing to a climate of uncertainty.

Art Blooms Across South Korea in September, Despite an Uneasy Market

South Korea's Ministry of Culture, Sports and Tourism is promoting a month-long Korea Art Festival in September 2025, featuring scores of events including design, craft, and calligraphy biennials across the country. The centerpiece is the concurrent staging of Frieze Seoul (fourth edition, over 120 exhibitors) and Kiaf (24th edition, some 175 galleries) at the Coex convention center in Gangnam, with a single ticket granting access to both fairs. International galleries have been opening local outposts in Seoul, and a Centre Pompidou branch is planned, as the city builds its reputation as an art capital.

Fragments of Home: A Dual Review of New Exhibitions at the Amarillo Museum of Art

The Amarillo Museum of Art is hosting two concurrent exhibitions: "Home, Love, and Loss" (May 31 – September 14, 2025) and "Jeri Salter: Rugged Beauty of the Texas Panhandle" (June 20 – September 28, 2025). The first, organized in partnership with the Amon Carter Museum of Art, features over 60 works by artists including Thomas Hart Benton, Rania Matar, and Francisco Delgado, exploring family dynamics, identity, and belonging. The second showcases Jeri Salter's pastel landscapes of the Texas Panhandle alongside miniature studies by 19th-century artist Frank Reaugh.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

79th Juried Members’ Exhibition opens at Museum of Art

The 79th Juried Members’ Exhibition has opened at the Museum of Art, showcasing works selected from member artists through a competitive jury process. The exhibition highlights a diverse range of media and styles, reflecting the creative output of the museum's artist community.

Something from Everything leads current excellent array of exhibitions at Utah Museum of Contemporary Art

The Utah Museum of Contemporary Art (UMOCA) is presenting five exhibitions, including an outdoor public art installation, with the highlight being "Something from Everything" (on view through Jan. 3, 2026). This exhibition features works from 19 artists that use mundane, discarded, and overlooked materials, exploring the evolving medium of sculpture. Key pieces include Lee Bontecou's 1959 "Untitled" relief (on loan from the Art Bridges Foundation) and Charlotte Posenenske's modular "Vierkantrohre (Square Tubes)" from 1967, alongside contemporary works by Nolan Flynn, Patrick Durka, Ricardo Rendón, and Leonardo Drew.

How Banksy’s Stenciled Satire Took the Aughts by Storm

Four screenprints by Banksy from the 2000s are featured in Artnet Auctions’s Contemporary Editions sale, running through August 28, 2025. The lots include 'Bomb Love (Bomb Hugger)' (est. $25,000–$35,000), 'Welcome to Hell (Pink)' (est. $30,000–$50,000), and 'Morons (Sepia)' (est. $25,000–$35,000), tracing the artist’s rise from Bristol street graffiti to international fame. The article highlights key milestones: his 2002 Los Angeles show 'Existencilism,' his counterfeit £10 notes featuring Princess Diana, and the Oscar-nominated documentary 'Exit Through the Gift Shop.'

This Week at LACMA

LACMA announces a week of programming from August 18–24, headlined by the opening of *Now Showing: Youssef Nabil’s I Saved My Belly Dancer*, an exhibition featuring the artist’s 2015 video starring Tahar Rahim and Salma Hayek, alongside related photographs and Egyptian movie posters. Member previews run August 21–23 before the public opening on August 24. Other highlights include a mindful evening with Buddhist art tied to the ongoing exhibition *Realms of the Dharma: Buddhist Art Across Asia*, plus concerts, workshops, and family programs.

National Museum of Asian Art Presents “Korean Treasures: Collected, Cherished, Shared”

The Smithsonian's National Museum of Asian Art will present "Korean Treasures: Collected, Cherished, Shared" from November 8, 2025 to February 1, 2026, marking the first U.S. exhibition of masterpieces from the Lee Kun-Hee Collection. Featuring over 200 works including a dozen Korean National Treasures, the exhibition spans 1,500 years of Korean art—from ancient Buddhist sculptures and ceramics to Joseon dynasty furnishings and 20th-century modern paintings. The collection, donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, comprises more than 23,000 works accumulated over 70 years. The exhibition is co-organized by the Art Institute of Chicago, the National Museum of Korea, and the National Museum of Modern and Contemporary Art, Korea, with additional loans from the Leeum Museum of Art shown exclusively in Washington, D.C.

A brush with… Jane and Louise Wilson—podcast

Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).

Behind the scenes of assembling SAM's large-scale Ai Weiwei exhibition

The Seattle Art Museum (SAM) team faced an extraordinary challenge installing the retrospective “Ai, Rebel: The Art and Activism of Ai Weiwei,” which required handling eight tractor-trailers of artwork—far more than the usual two—within just three weeks. The exhibition features 130 complex works, including a giant tree sculpture, a life-size jail cell replica, and a Lego rendition of the Mueller report, many arriving without instruction manuals and requiring creative assembly by a 12-person crew led by lead preparator Joshua Gosovich.

August 2025 Opportunities: Open Calls, Residencies, and Grants for Artists

The article compiles a list of open calls, residencies, and grants for artists with deadlines in August through October 2025. Opportunities include the Wave Hill Sunroom Project Space in New York City, Sculpture by the Sea in Cottesloe, Australia, the Hunt Museum Open Submission Exhibition in Ireland, New Voices 2026 at Print Center New York, and the Moons, Castles, Trees exhibition for The Wrong Biennale in Copenhagen. Grant opportunities include the Ellis-Beauregard Project Grants in Maine, the Seattle Art Museum Betty Bowen Award for Northwest artists, and the Hornsby Art Prize in Australia, among others.

Fancy a date at the Tate? London galleries are staying open later to fuel surging Gen Z interest

Tate Modern will resume regular late-night openings until 9pm every Friday and Saturday starting September 26, responding to a surge in younger visitors. The decision follows a record-breaking 25th birthday weekend in May, where 70% of the 76,000 attendees were under 35. The gallery has also run monthly Tate Late events since 2016, and the new extended hours aim to make the museum more accessible for working people and cash-strapped Gen Zers, offering free cultural date nights. Other London institutions like the National Gallery, V&A, and British Museum have similarly reinstated late hours post-pandemic.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

Seattle mural festival, shows that make you think and more visual arts

Seattle's visual arts scene remains vibrant after the Seattle Art Fair, with a packed schedule of exhibitions and events. Highlights include the politically charged "Latin American Land/Escapes" at SOIL Gallery, featuring 14 Mexican artists whose names were withheld due to immigration concerns; "Hugh Hayden: American Vernacular" at the Frye Art Museum, the artist's first solo museum show on the West Coast; a new mural by Charlene Liu at the Henry Art Gallery; and the ongoing "Ai, Rebel: The Art and Activism of Ai Weiwei" at the Seattle Art Museum. The Belltown Mural Festival also returns for a second year, with live painting performances starting Aug. 4.

Bill Viola’s complete moving-image works and a William Dobson self-portrait: the latest museum acquisitions

Tate and the National Portrait Gallery in London have jointly acquired William Dobson's rare self-portrait (circa 1635-40) for £2.4 million, supported by the National Lottery Heritage Fund. The painting will debut at Tate Britain in November before touring the UK. Separately, the George Eastman Museum in Rochester, New York, will digitize the complete moving-image works of Bill Viola, following a donation of over 200 works by the Viola-Perov Trust. Crystal Bridges Museum of American Art has acquired a monumental Tiffany Studios stained-glass window by Agnes F. Northrop, originally installed in a San Antonio chapel, for its campus expansion opening in 2026.

‘Fearless exploration’: visionary Australian artist Janet Dawson gets her first retrospective aged 90

The Art Gallery of New South Wales (AGNSW) has opened 'Janet Dawson: Far Away, So Close,' the first-ever retrospective for Australian artist Janet Dawson, now aged 90. The exhibition spans over six decades of her career, from her teenage years at the National Gallery of Victoria Art School—where she was the only child student accepted by realist painter H. Septimus Power—through her abstract period in Europe, her defiant practice in conservative 1960s Melbourne, and her later retreat to rural NSW. The show includes major works, photos, and ephemera, arranged chronologically across four rooms, highlighting Dawson's evolution from tonal realism to abstraction and her 1973 Archibald Prize win for a portrait of her husband, theatre director Michael Boddy.

Art Meets Open Sky: NDMC Brings Srijan Gallery To Life

The New Delhi Municipal Council (NDMC) inaugurated the revamped Srijan Art Gallery at Nehru Place on Friday, transforming the former Srijan Artists' Corner into a modern open-air exhibition space. The upgraded gallery features a dedicated entry gate, curated display areas, landscaped gazebos, improved seating, and an expanded open area of approximately 15,225 square meters. NDMC chairman Keshav Chandra announced plans for a sculpture park in Nehru Park and weekly Sunday gatherings where painters, sculptors, and other artists can create and showcase their work. The event included live painting sessions by Padma awardees such as Rameshwar Broota, Biman Bihari Das, Jai Prakash Lakhiwal, and Harsh Vardhan Sharma.

Why ‘devastating’ climate control rules for museum collections need a rethink

Museums are rethinking decades-old climate control standards that dictate strict temperature and humidity ranges for preserving collections. These guidelines, originally based on 1970s research for paintings in London, have been widely adopted globally despite being designed for temperate climates. Conservator Caitlin Southwick of Ki Culture argues this is a "big misunderstanding," as the standards were never intended for diverse collections like stone in Brazil or tapestries in Italy. Climate control systems now account for 60-70% of a typical museum's energy consumption, creating high costs and carbon footprints.

Hallie Ford Museum of Art showcases Oregon’s foremost Modernist painter with ‘C.S. Price: A Portrait’

The Hallie Ford Museum of Art in Salem, Oregon, has opened 'C.S. Price: A Portrait,' a retrospective exhibition of more than 40 works by Clayton Sumner Price, a Modernist painter who helped shape America’s view of the West. The show was organized by Roger Saydack, a retired attorney and self-taught scholar who first encountered Price’s painting 'The Fisherman' as a boy at the Detroit Institute of Arts and spent decades researching the artist. It runs through August 30 and is the first solo exhibition of Price’s work in over 25 years, accompanied by a 312-page catalog.

Joan Danziger Retrospective in Washington

The American University Museum at the Katzen Arts Center in Washington, D.C., will host the first career retrospective of artist Joan Danziger, titled "The Magical World of Joan Danziger," opening February 7, 2026. The exhibition spans six decades of her work, from abstract paintings to mixed-media sculptures, featuring over 100 pieces including 40 sculptures and 25 works on paper and canvas. A concurrent exhibition, "Ravens: Spirits of the Sky," showcases 24 large glass and metal raven sculptures, many never before exhibited. Danziger, who continues to work daily at age 91, traces her evolution from an abstract painter to a multimedia sculptor, with influences ranging from surrealists to Hieronymus Bosch.

Minneapolis Institute of Art will host a crop art exhibition after the State Fair wraps

The Minneapolis Institute of Art (Mia) will host a crop art exhibition titled "Cream of the Crop: A Minnesota Folk Art Showcase" opening September 6, 2025, after the Minnesota State Fair concludes on September 1. The show will feature 10 works of crop art, including winners of two new awards sponsored by Mia: best interpretation of an artwork at Mia and best interpretation of a Minnesota landmark, story or figure. A curatorial team from Mia, including director Katie Luber, will judge entries at the State Fair, and the winning pieces will be displayed in the museum's rotunda alongside eight additional notable works. The exhibition builds on Mia's history with crop art, including a 2004 show of portraits by crop art legend Lillian Colton and a 2015 centennial commission of a large-scale crop art field.

One Fine Show: “Ai, Rebel – The Art and Activism of Ai Weiwei” at the Seattle Art Museum

The Seattle Art Museum has opened "Ai, Rebel: The Art and Activism of Ai Weiwei," the largest-ever U.S. survey of the Chinese artist and activist. Featuring over 130 works spanning performance, photography, sculpture, video, and installation from the 1980s to the present, the exhibition includes iconic pieces like *Sunflower Seeds* (2010) and *Circle of Animals/Zodiac Heads (Gold)* (2010), as well as international debuts such as a LEGO recreation of the Mueller Report. The show runs through September 7, 2025.

Renewed Bern Kunsthalle works to reframe Switzerland's history

The Kunsthalle Bern has reopened after a year-long transformation led by director iLiana Fokianaki, marked by a new entrance designed by ALIAS architects and a trio of exhibitions by Black artists. The reopening follows a symbolic intervention by Ghanaian artist Ibrahim Mahama, who wrapped the building in jute sacks referencing the colonial history of Swiss cocoa extraction in Ghana, echoing Christo and Jeanne-Claude's 1968 wrapping of the same building. The inaugural shows feature solo exhibitions by Melvin Edwards, Tuli Mekondjo, and Tschabalala Self, with Edwards's retrospective traveling from the Fridericianum in Kassel to the Palais de Tokyo in Paris.