Dealer Yves Bouvier to stand trial in Paris over missing Picassos

Swiss dealer Yves Bouvier has been ordered to stand trial in a Paris criminal court over the alleged disappearance of dozens of works by Pablo Picasso from a storage unit. The unit was rented by Picasso's stepdaughter, Catherine Hutin, from Bouvier's company. Bouvier faces charges of concealing stolen goods and laundering, while his business partner, Olivier Thomas, is charged with breach of trust, embezzlement, and laundering. The investigation, triggered by Hutin's 2015 complaint, found that nearly 70 works went missing, with some, including two portraits and 60 drawings, later discovered to have been sold by Bouvier to Russian collector Dmitri Rybolovlev for €36 million.

The Guardian view on anonymity in art: the ‘unmasking’ of Banksy and Ferrante should stop | Editorial

A Reuters investigation this week identified street artist Banksy as 52-year-old Robin Gunningham, reigniting a long-running public debate about the unmasking of anonymous artists. This follows a recent hoax announcement of novelist Elena Ferrante's death, which similarly targeted her carefully guarded identity.

Artist Qualeasha Wood Says Viral ‘BedRot’ Performance Copied Her Work

Artist Qualeasha Wood has publicly accused another artist, known as Aphex Redditor, of copying her performance art piece. Wood staged a performance called 'Attention Economy' in March 2025 at London's Pippy Houldsworth Gallery, where she lay in bed scrolling through her phone for an extended period, a concept the gallery's release described as 'bed rotting.' A similar performance by Aphex Redditor, titled 'BedRot,' went viral on social media after she scrolled through Instagram Reels for 24 hours at Montreal's Eastern Bloc art center.

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L, an artist known for spiritually charged sculptures and paintings, has died at age 41 or 42. Their passing was announced by galleries that represented them, though a cause of death was not confirmed. Born Jason Metcalf in Salt Lake City, L created works using objects suspended in mineral oil, which they called "spells," and exhibited at major institutions including Documenta and the Getty Center, as well as galleries such as Marlborough Gallery, 56 Henry, and the Ranch. L was also a spiritual practitioner and neurodivergent, and their career included early performances like "Original Skin" and a notable 2015 show at the LA alternative space JOAN.

Toronto Biennial of Art announces 2026 artists and theme

The Toronto Biennial of Art has unveiled the artist list and thematic framework for its 2026 edition, titled "Things Fall Apart." Curated by Allison Glenn, the exhibition will feature over 30 artists and collectives, including 17 new commissions that explore themes of syncopation, rupture, and the connective power of global waterways. For the first time, the biennial will expand its physical footprint beyond the Greater Toronto Area to include site-responsive projects in Detroit, New York, and Anchorage.

Nature Morte, 1982–1988 at Ehrlich Steinberg

Ehrlich Steinberg gallery in Los Angeles is presenting the group exhibition "Nature Morte, 1982–1988," featuring works by a significant roster of artists including Alan Belcher, Gretchen Bender, Sherrie Levine, Louise Lawler, and Laurie Simmons, among others. The show runs from February 24 to April 18, 2026, and focuses on artworks created within that specific six-year period.

Exhibitions Coming to Houston Institutions in Summer 2026

Art museums and institutions across the Greater Houston area are opening a series of new exhibitions for summer 2026. Highlights include the Czech Center Museum Houston's solo show of travel photography by Clarice Marik Snokhous; Art League Houston presenting Marisol Valencia's installation "No Longer, Not Yet" and Juvana Soliven's "Subject to Surviving"; Houston Center for Photography featuring Simon Silva's "Madre Patria"; the Contemporary Arts Museum Houston launching the first survey of Mary Ellen Carroll's work; and the Moody Center for the Arts at Rice University hosting Masako Miki's first Texas exhibition.

"Transformations" Art Exhibit at Wilton's browngrotta arts Explores Inventive Uses of Materials in Art

Wilton gallery browngrotta arts will present "Transformations: Dialogues in Art and Material" from May 9-17, 2026, a Spring exhibition exploring how artists transform materials such as clay, silk, steel, bark, seaweed, bamboo, and horsehair. The show features nearly three dozen international artists, including Kiyomi Iwata, John McQueen, Marian Bijlenga, Toshiko Takaezu, and Kay Sekimachi, whose works demonstrate what curator Glenn Adamson calls "material intelligence"—a deep understanding of material properties and possibilities. Co-curator Tom Grotta notes that artists often start with the same material yet arrive at remarkably distinct outcomes, revealing how artistic vision reshapes substance itself.

5 Artists to See at Converge 45

New York curator Lumi Tan has organized the 2026 Converge 45 triennial in Portland, Oregon, titled "Here, To You, Now." Running from August 27 across more than 15 venues, the triennial prioritizes performances and time-based artworks over traditional gallery exhibitions, featuring both local and visiting artists. Tan, whose background includes stints at the Kitchen, Luna Luna, and Frieze New York, selected five standout artists: Lex Brown (presenting an operatic video and installation), Trisha Baga (a 3D video installation about AI and parenting), Rose Salane (archival works involving Princess Diana’s shoes), and Linda K. Johnson (a choreographer mapping Portland’s dance network).

Courtney Love inspires Liza Jo Eilers New York exhibition

Liza Jo Eilers presents her first solo exhibition in New York, 'Starland Silver Sash', at Grimm gallery, running through 1st November. The show features paintings that splice together scenes from a Hole concert, including the work 'The trickle down effect (mint)', which explores the relationship between frontwoman Courtney Love and her fans. Other cultural icons such as Nina Simone and Gena Rowlands appear in split-screen paintings, reflecting Eilers' interest in pop culture's double bind regarding representations of women. The artist, who earned her MFA from the School of the Art Institute Chicago and works with hydrochromic and thermochromic inks, discusses themes of gender, performance, and societal beauty standards.

Zero Art Fair Isn’t Selling Art—It’s Giving It Away, With Just a Few Caveats

Zero Art Fair, debuting its second edition at the FLAG Art Foundation in New York City from July 10 to 12, offers a radical alternative to traditional art fairs: attendees can take home selected artworks for free. The fair uses a "store-to-own" contract developed by artist William Powhida, NYU professor Amy Whitaker, and artist-attorney Alfred Steiner. Participants commit to a five-year vesting period before ownership transfers, during which artists retain rights to sell or borrow the work. After transfer, artists receive 50 percent of any sale price and a 10 percent royalty on subsequent resales. The fair was conceived by Powhida and artist Jennifer Dalton, rooted in their experiences with unsold work and structural gaps in the art market.

NEXT in the Gallery: July art is a ‘time capsule of medieval Pittsburgh’

NEXTpittsburgh's July gallery guide highlights a range of new exhibitions and events across Pittsburgh. Featured shows include Nathan Van Patter's 'Medieval Pittsburgh' at Irma Freeman Center for Imagination, which reimagines the city's modern figures and landmarks in a medieval fantasy style; 'Five on Five' at Spinning Plate Gallery presenting new works by five local painters; Ben Schonberger's 'Hi-NRG' at 707 Penn Gallery, drawing from gay underground visual culture and disco music; and Ashley Andrykovitch's 'LAN Party' at UnSmoke Systems Artspace, inspired by 1990s local area network gaming gatherings.

London Gallery Weekend, Brazil’s National Museum, Jane Austen at the Morgan—podcast

The latest episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories: the fifth edition of London Gallery Weekend, which opens amid a sluggish global art market; the National Museum of Brazil's planned partial reopening after a devastating 2018 fire; and the Morgan Library & Museum's new exhibition 'A Lively Mind: Jane Austen at 250', featuring a miniature portrait of the author. Host Ben Luke speaks with gallerists Ananya Mukhopadhyay and Jeremy Epstein about the weekend's potential market impact, interviews museum director Alexander Kellner on the recovery efforts, and discusses the Austen portrait with curator Juliette Wells.

NEXT in the Gallery: June art brings John Lennon, the Fiberart International and a moral compass

NEXTpittsburgh's June gallery guide highlights a packed month of art events across Pittsburgh, including the Dollar Bank Three Rivers Arts Festival (June 5-8) with 191 artists, a Juried Visual Arts Exhibition at SPACE Gallery, and a rare photography exhibit by May Pang documenting John Lennon's "lost weekend" at Atithi Studios. Other openings include ceramicist Philip Soucy's solo show, painter Caroline Heckman's portraits at Revel, Stephanie Gonzalez's cosmic "Nebulas" at BoxHeart Gallery, the Fiberart International 2025 triennial at Contemporary Craft and Brew House Arts, and Natalie Westbrook's "Corners of My Mind" at ZYNKA Gallery.

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The Institute of Contemporary Art, Philadelphia will present the exhibition “A World in the Making: The Shakers” starting January 31, co-organized with the Vitra Design Museum, the Milwaukee Art Museum, the Wüstenrot Foundation, and the Shaker Museum. The show explores the design legacy of the Shakers, a religious sect founded by Ann Lee that built egalitarian communes across the American Northeast and Midwest, through furniture, clothing, tools, architectural pieces, gift drawings, and a dance performance choreographed by Reggie Wilson. The Shaker Museum is also planning a new campus in Chatham, New York, designed by Selldorf Architects, set to open in 2028, and artist Suzanne Bocanegra and actor Frances McDormand will open a related show at Hauser & Wirth Downtown Los Angeles on November 20.

Quatre Moreau le Jeune pour Versailles

The French state has preempted four drawings by Jean-Michel Moreau le Jeune at a Christie's Paris auction, securing them for the Palace of Versailles. The works, sold in two lots, depict the festivities in Paris following the birth of the Dauphin Louis Joseph in autumn 1781, including the arrival of the Queen at the Hôtel de Ville and a fireworks display. The drawings were commissioned by the City of Paris and were intended to be engraved, marking a high point of public commissions under the ancien régime. The preemption was made possible through the support of the Friends of the Louvre, echoing a similar acquisition of Hubert Robert works from the same Veil-Picard sale.

‘We refuse_d’: rehearsing refusal as method, memory, and possibility.

Marking the fifteenth anniversary of Mathaf: Arab Museum of Modern Art, the traveling exhibition ‘we refuse_d’ has opened at M HKA in Antwerp. Curated by Nadia Radwan and Vasif Kortun, the project draws on the intellectual lineage of Hannah Arendt’s reflections on displacement and the historical precedent of the Salon des Refusés. The exhibition features a constellation of works by artists including Khalil Rabah, Barış Doğrusöz, and Nour Shantout, exploring refusal not as a simple negation, but as a complex strategy for survival, dignity, and the preservation of memory.

Metropolitan Museum receives $23m to endow internship programme

On 30 April, the Metropolitan Museum of Art announced a $23m pledge from the Rubio Butterfield Foundation, led by newly elected trustee Jennifer Rubio and her husband Stewart Butterfield, to permanently endow the museum's internship program. The internships, offered for nearly 30 years with 100 participants annually, have only been paid since 2021. The article also explores broader trends in museum philanthropy, featuring insights from former directors Gary Vikan, Gary Tinterow, and Maxwell Anderson on how donors are often guided to fund endowments for curatorial positions, operations, or awards rather than art acquisitions.

Rosy Simas on Creating a Space for Peace in Minneapolis

Minnesota-based interdisciplinary artist Rosy Simas opened a contemplative installation titled "A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind)" at the Walker Art Center on the same day that Trump-appointed border czar Tom Homan announced the end of Operation Metro Surge, a federal immigration enforcement operation in the Twin Cities. The installation features salt bottles made from woven corn husks, each honoring one of Simas's relatives, and is inspired by the teachings of Handsome Lake (Ganyodaiyo’), her fifth great-grandfather’s half-brother, who promoted the Seneca concept of a "good mind." The exhibition, on view through July 5, is part of a two-part project that also includes performances in May. Simas, known primarily for choreography, has increasingly gained recognition as a visual artist, recently receiving a Creative Capital Award.

Venice Biennale Jury Resigns in the Wake of Controversial Prize Ban

The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.

Venice Biennale Jury Resigns En Masse, Organizers to Award “Visitors’ Lions” in November

The jury for the 2026 Venice Biennale has resigned en masse, announcing the decision via e-flux's Instagram account on April 30 without providing a reason. The five-member jury, including president Solange Oliveira Farks, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had previously stated they would not consider national pavilions from countries charged with crimes against humanity by the International Criminal Court, directly affecting Israel and Russia. In response, the Biennale postponed the awards ceremony from May to November 22 and replaced the Golden Lions with two "Visitors' Lions" voted on by the public.

Five Independent Souls: The Signers from New Jersey

Morven Museum & Garden in Princeton, New Jersey, is presenting "Five Independent Souls: The Signers from New Jersey," an exhibition opening May 3, 2026, through January 17, 2027. The show examines the lives of five lesser-known signers of the Declaration of Independence—Abraham Clark, John Hart, Francis Hopkinson, Richard Stockton, and John Witherspoon—through over 100 historic artifacts including manuscripts, paintings, furniture, and personal objects. It confronts the paradox that these men fought for liberty while enslaving people, and also addresses the impact of American independence on New Jersey's indigenous population. Highlights include the painting "Congress Voting Independence" (1796-1817), the first known American depiction of the vote for Independence.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

Israel’s foreign ministry accuses Venice Biennale's jury of ‘politicising’ exhibition

Israel’s foreign ministry has accused the Venice Biennale's jury of politicizing the exhibition after jurors announced they would not consider for prizes countries whose leaders face International Criminal Court charges for crimes against humanity. The jury’s statement, which did not name specific nations, is broadly understood to apply to Israel and Russia, both returning to the Biennale for the first time since the Gaza war and the Ukraine invasion, respectively. The Israeli ministry posted on X that the jury had decided to 'boycott' Israeli sculptor Belu-Simion Fainaru, calling it 'a contamination of the art world.' The Biennale distanced itself from the jury’s announcement, stating the jury acts autonomously, while the Russian pavilion is reportedly set to open only for a limited pre-opening period due to budget constraints amid sanctions.

Mexican Cultural Workers Denounce Pedro Reyes Sculpture at LACMA

A group of nearly 80 Mexican cultural workers, including artists, critics, and academics, has signed an open letter denouncing the display of Pedro Reyes's sculpture "Tlali" at the Los Angeles County Museum of Art (LACMA). The colossal lava stone head, unveiled earlier this month at LACMA's new building, echoes a controversial 2021 public commission by Reyes that was scrapped by Mexico City's government after protests from feminist and Indigenous advocates. The signatories accuse LACMA of ignoring the previous activism against the artist's work in Mexico, calling the museum's decision to legitimize a new version of the polemic sculpture "deceiving." Reyes has not responded to requests for comment.

MoMA PS1’s “Greater New York” Is Gritty, Stunning, and Gutting

MoMA PS1 has launched the sixth edition of "Greater New York," a quinquennial survey featuring over 50 artists living and working in the city. Coinciding with the museum’s 50th anniversary, the 2026 iteration focuses on artists in the formative stages of their careers, emphasizing a gritty, raw aesthetic over the polished, market-driven surfaces often found in major biennials. The exhibition highlights photography and installation work that reflects the city's complex immigrant narratives and evolving urban identity.

Chicago’s Neighbors and Barely fairs show the strengths of smaller, alternative formats

Chicago’s art week is being defined by the success of alternative, small-scale satellite fairs like Barely Fair and Neighbors, which offer an intimate counterpoint to the massive Expo Chicago. Barely Fair, located in a storefront in McKinley Park, features 32 exhibitors presenting works in 20-inch-square miniature booths. This format encourages rigorous curation and creative risk-taking from a mix of artist-run spaces and established galleries, with price points ranging from $20 to $8,000.

1,000-year-old Toltec altar with four human skulls found in Mexico

Archaeologists from Mexico’s National Institute of Anthropology and History (INAH) have discovered a 1,000-year-old Toltec altar during salvage work for a new high-speed rail line between Mexico City and Querétaro. The stone structure, known as a momoztli, dates back to AD 900-1150 and was found with four human skulls and leg bones arranged at its base, suggesting ritual or sacrificial use. Located near the ancient site of Tula Chico, the find also included ceramic objects and obsidian artifacts within a compound likely belonging to the local elite.

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Researchers at the Fitzwilliam Museum have discovered that ancient Egyptian scribes used a primitive form of correction fluid to amend errors on papyrus scrolls. While preparing a 3,300-year-old copy of the Book of the Dead for the tomb of the scribe Ramose, conservators noticed white lines of huntite and calcite mixed with yellow orpiment used to slim down a painted jackal. This 'ancient Wite-Out' was specifically blended to match the cream-colored tone of fresh papyrus, concealing revisions made during the artistic process.

Art Market Minute: March 9

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The Gulf region’s art market is navigating a period of significant instability as escalating geopolitical tensions between the U.S., Israel, and Iran threaten the upcoming Art Dubai fair. Long considered a safe haven for global culture and commerce, the United Arab Emirates now faces questions regarding its perceived insulation from regional conflict just weeks before its major international art event.