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The San Francisco Museum of Modern Art (SFMOMA) has received a landmark gift of 31 paintings, sculptures, and drawings from the Pamela J. Joyner and Alfred J. Giuffrida Collection, which focuses on abstract works by artists of the African diaspora. The donated pieces, created by 20 American artists born before 1930—including Elizabeth Catlett, Beauford Delaney, Norman Lewis, and Richard Mayhew—are intended to fill historical gaps in the museum's collection. Joyner, who became an SFMOMA trustee in 2020, selected works that represent the earliest generation of artists in her collection, aiming to support a more inclusive art-historical narrative.

Remembering Axel Burrough, Kazumasa Nagai, and Éliane Radigue

This week's obituary column honors the recent passing of twelve significant figures from the global art and culture world. The list includes French experimental composer Éliane Radigue, Japanese graphic designer Kazumasa Nagai, British architect Axel Burrough, Indigenous Australian muralist Elizabeth Close, and Upper East Side gallerist Gertrude Stein, among other artists, patrons, and illustrators.

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Jackie Amézquita, a Los Angeles-based artist originally from Guatemala, has developed a unique brick-making process using soil and masa de maíz (corn dough) mixed with organic materials like blue pea flower, cocoa, cochineal, and charcoal to create vibrant, colorful bricks. Her work, including the 2023 installation *El suelo que nos alimenta* commissioned by the Hammer Museum for the Made in L.A. biennial, uses soil from each of LA's neighborhoods to explore themes of migration, memory, and colonial legacies. Amézquita's practice is deeply personal, drawing on her family's migration history—her mother moved from Guatemala in 1987, and her grandmother fled Mexico during the Cristero War—and her own eight-day walk from Tijuana to LA, during which she collected soil samples as an archive of memory.

OSCAR MURILLO: PAINTING AS A WELL OF ACCUMULATION

ÓSCAR MURILLO: LA PINTURA COMO POZO DE ACUMULACIÓN

The article profiles Colombian-born artist Oscar Murillo and his expansive, socially-engaged practice. It details his rise to international prominence in the early 2010s with large-scale paintings that incorporate text, textiles, and studio detritus, and highlights his ongoing, collaborative project 'Frequencies,' which involves students from over thirty countries creating works on canvases attached to school desks. The piece also references his major solo exhibitions, including 'El pozo de agua' at kurimanzutto in Mexico City (2026), 'Masas' at WIELS in Brussels (2024), and 'The flooded garden' at Tate Modern (2024).

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Independent 20th Century, the art fair focused on 20th-century works, has announced the 30 exhibitors for its fourth edition, running September 4–7 at Casa Cipriani in New York's Battery Maritime Building. The fair emphasizes single-artist presentations, spotlighting underknown figures such as Raymond Jonson, Gertrude Greene, Elda Cerrato, and Bruce Richards, alongside established names like Picasso, Munch, and Judy Pfaff. Notable collaborations include Nahmad Contemporary and Skarstedt Gallery on Georges Rouault, and presentations of self-taught artists like the Florida Highwaymen and Balraj Khanna.

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Hilda Trujillo Soto, the former longtime director of the Museo Frida Kahlo (Casa Azul), has alleged that numerous artworks by Frida Kahlo are missing from the museum's collection and may have been sold at auction in the U.S. to private collectors. In a blog post, she accused the Casa Azul board of ignoring evidence of missing art uncovered during her 18-year tenure, and claimed that the sale or transfer of works from the Diego Rivera inventory would violate both the artist's bequest to the people of Mexico and Mexican law. Several missing works, including the painting *Peoples' Congress for Peace* (1952), which sold for $2.66 million at Sotheby's in 2020, appear to have passed through Mary-Anne Martin Fine Art in New York.

Dallas Museum of Art acquires six works at 2026 Dallas Art Fair

The Dallas Museum of Art acquired six works from the 2026 Dallas Art Fair, held April 16–19 at the Fashion Industry Gallery in the Dallas Arts District. The acquisitions, made possible by the Dallas Art Fair Foundation + Dallas Museum of Art Acquisition Fund, include pieces by Nicole Eisenman, Gloria Klein, Caroline Monnet, Hasani Sahlehe, and Raymond Saunders. Selections were made by DMA curators including Dr. Vivian Li, Ade Omotosho, Dr. Emily Friedman, Dr. Nicole R. Myers, and director Brian Ferriso. This marks the tenth year of the fund, which has added 78 works to the museum's permanent collection since 2016 through over $1 million in donations.

Gagosian Relocates to Ground Floor at Historic 980 Madison Avenue

Gagosian gallery has relocated to a new street-level space at 980 Madison Avenue in New York, opening on April 25, 2026. Designed by architect Jonathan Caplan of Caplan Colaku Architects, the 12,000-square-foot ground-floor gallery replaces the previous upstairs headquarters, offering direct public access from the street and featuring a restaurant, Kappo Masa, on the lower level. The inaugural exhibitions focus on Marcel Duchamp, including works from his 1960s readymades produced with Arturo Schwarz, and a selection of early Robert Rauschenberg pieces from the Cy Twombly Foundation.

Ursula Launch: Celebrating Firelei Báez and Issue 16 with Casa Dragones

Hauser & Wirth is hosting a launch event during the opening weekend of Firelei Báez's solo exhibition 'Feet squelching on wet grass, nourished by uncertainty' at its 22nd Street gallery in Chelsea, celebrating the release of Ursula issue No. 16. The issue features a portfolio by Báez titled 'The Earth That Remains,' a cover story on collector Eileen Harris Norton, and contributions on Elsa Schiaparelli, Christopher Harris, Alice B. Toklas, and LACMA director Michael Govan. The free event includes Casa Dragones tequila and access to Báez's exhibition alongside 'Carol Rama. I See You You See Me.'

Ruth Asawa: Retrospective

A major retrospective of the Japanese-American artist Ruth Asawa is touring internationally, organized through a partnership between SFMOMA and MoMA. The exhibition spans six decades of her career, featuring her iconic suspended looped-wire sculptures alongside tied-wire pieces, bronze casts, drawings, and archival materials. The show traces her journey from her formative years at Black Mountain College to her influential role as an arts advocate and educator in San Francisco.

FOG Design + Art Delivers Strong Sales and Institutional Momentum in San Francisco

FOG Design + Art opened its 2026 edition on January 21 with a gala benefit for SFMOMA's education initiatives, drawing strong attendance and sales. The fair, which blends contemporary art and collectible design, featured 85 works acquired by SFMOMA, including pieces by Ruth Asawa, Michael Armitage, Firelei Báez, Dorothea Lange, Gabriel Orozco, and Indigenous artists such as Jaune Quick-to-See Smith and Kay WalkingStick. Galleries like Wendi Norris presented ambitious, institution-worthy works, with a focus on visionary artists and the intersection of art, science, and spirituality.

Van Gogh in 2025: Record prices, memorable shows and the first Korean acquisition

The article reviews the Van Gogh year in 2025, highlighting several key developments. The Van Gogh Museum in Amsterdam faces potential closure unless the Dutch government increases its annual building subsidy from €8.5m to €11m, leading the museum to file a legal complaint. At auction, two Van Gogh paintings sold, with "Parisian Novels" (1887) fetching $62.7m at Sotheby's, a record for his Paris period, and eight drawings were sold, including "Sower in a Wheatfield with setting Sun" (1888) for $11.2m. Acquisitions included "Tarascon Stagecoach" (1888) given to LACMA via the Henry and Rose Pearlman Foundation, and "Head of a Peasant" (1885) bought by Korean-born gallery owner Hong Gyu Shin, marking the first known Van Gogh acquisition by a Korean.

The Best Art Shows Around the World in 2025

Hyperallergic's editors and contributors have compiled their favorite art exhibitions of 2025, spanning cities across the United States, Europe, and Asia. Highlights include shows by Nan Goldin, Noah Davis, Stan Douglas, Yoko Ono, Tishan Hsu, Felix Gonzalez-Torres, and a group exhibition on Japanese American women artists at the Smithsonian American Art Museum. The list also features the Louvre's presentation of Cimabue, Fra Angelico's frescos in Florence, a durational performance by Pussy Riot founder Nadya Tolokonnikova in Los Angeles, and works by Cara Romero, Ruth Asawa, Huguette Caland, and H. C. Westermann.

Five Groundbreaking Postwar Women Artists Lead New York’s Fall Art Season

New York's fall art season features five major exhibitions dedicated to groundbreaking postwar women artists, timed with the November auctions. Shows include Louise Bourgeois at Hauser & Wirth, a Joan Mitchell focus at David Zwirner, and MoMA's long-awaited Ruth Asawa retrospective. The article cites the 2025 Art Basel and UBS Report showing women artist representation in galleries rose to 41% in 2024, with sales growth correlating to higher representation. Artnet data notes 13 women among the top 100 auction sellers in early 2025, up from 10 the prior year.

8 Must-See Exhibitions in Tokyo Right Now

Art Week Tokyo returns for its fourth edition from November 5–9, 2025, co-hosted by over 50 venues across the city. Instead of a traditional art fair, visitors can use free shuttle buses to explore participating galleries, museums, and nonprofit spaces, including Pace, Perrotin, Kaikai Kiki Gallery, the Mori Art Museum, and the Museum of Contemporary Art Tokyo. Highlights include a curated Focus exhibition titled “What Is Real?” by documenta 14 artistic director Adam Szymczyk, a survey show “Prism of the Real” co-curated with M+, a mid-career retrospective for Aki Sasamoto, and special programming such as a guided tour of micro homes by architect Kazuyo Sejima and a pop-up bar designed by Ichio Matsuzawa with a menu by Michelin-starred chef Shinobu Namae.

An exhibition on the potato in art? Only Van Gogh could pull it off

The Noordbrabants Museum in 's-Hertogenbosch, Netherlands, opens a focused exhibition titled "Van Gogh and the Potato" on 11 October, running until 1 February 2026. The show features five Van Gogh paintings, two drawings, and a print centered on the potato motif, including "Still life with Potatoes" (autumn 1886), which has been newly identified as depicting "rat's back" potatoes. A key highlight is the study "Head of a Woman (Gordina de Groot)" (March-April 1885), acquired by the museum last year for €8.6 million. The exhibition also includes a lithograph of "The Potato Eaters" and explores Van Gogh's shift from peasant subjects to flower still lifes after moving to Paris.

Hyperallergic Fall 2025 New York Art Guide

Hyperallergic has published its comprehensive Fall 2025 New York Art Guide, recommending over 80 exhibitions across all five boroughs. Major highlights include the reopening of the Studio Museum in Harlem after a seven-year renovation, the debut of the new New Museum on the Bowery, and multiple exhibitions marking the 100th anniversary of Robert Rauschenberg's birth at the Guggenheim and the Museum of the City of New York. The guide also features shows by Monet at the Brooklyn Museum, Renoir at the Morgan, and Ruth Asawa and Wifredo Lam at MoMA, along with public art installations by Mika Rottenberg and Lady Pink on the High Line and MoMA PS1 facade.

What’s on now at San Francisco museums, July 2025

The article provides a roundup of current and upcoming exhibitions at San Francisco museums and galleries in July 2025. Highlights include 'People Make This Place: SFAI Stories' opening July 26 at SFMOMA, 'Jess Young: Return' at 500 Capp Street, and 'Ferlinghetti for San Francisco' at the Legion of Honor. Shows closing soon include 'Yuan Goang-Ming: Everyday War' at the Asian Art Museum and 'Wayne Thiebaud: Art Comes from Art' at the Legion of Honor. The gallery scene is covered with mentions of Voss Gallery, Incline Gallery, and Hosfelt Gallery, along with ongoing exhibitions like 'Kunié Sugiura: Photopainting' and 'Ruth Asawa: Retrospective' at SFMOMA.

Revealed: how Van Gogh's nephew exchanged two of the artist's drawings for butter and bacon

In early 1945, during the Dutch 'Hunger Winter' at the end of World War II, Vincent van Gogh's nephew, Vincent Willem van Gogh, exchanged two of the artist's drawings for 35 packets of butter and some bacon. The swap was arranged with the help of artist Charley Toorop and involved the cheese business Visser Kaas in Heiloo. One of the drawings, *Head of a Peasant Woman, left profile* (December 1884–May 1885), is now being offered at Sotheby's on 25 June with an estimate of £400,000–£600,000, suggesting the pair would be worth around £1 million today. The nephew's family was suffering from starvation and tragedy, including the execution of his eldest son by German forces.

Art Basel 2025: Masterpieces, new galleries, and swimming the Rhine

Art Basel 2025 will feature a large-scale public artwork by Katharina Grosse transforming Basel's Messeplatz, along with a new sector called Premiere for mid-career galleries, the inaugural Art Basel Awards, and 20 first-time exhibitors. Director Maike Cruse highlights major works on offer, including a late-career Pablo Picasso painting at Pace, a Joan Mitchell abstract at Pace, Helen Frankenthaler's 'Swan Lake I' at Yares Art, Leonora Carrington's rare triptych at Di Donna Galleries, and a Heidi Bucher latex imprint at Lehmann Maupin. The Unlimited sector will present 67 monumental works, including Martin Kippenberger's 'Transportable Subway Entrance' and daily performances by Cairo-based dance collective nasa4nasa.

Korea’s first privately owned Van Gogh unveiled at newly opened museum

Hong Gyu Shin, a New York-based gallery owner originally from Ulsan, South Korea, became the first named Korean to purchase a Van Gogh when he acquired *Head of a Peasant* (January-March 1885) at Sotheby’s in May 2024 for $787,000—well below its estimate. The painting has now gone on display at the newly opened KAIST Art Museum (KAM) in Daejeon, South Korea, as part of Shin's exhibition *The Vault of Masterpieces* (until 30 August). The show features 49 works from his personal collection, including a recreation of his New York apartment, and marks the first time a Van Gogh has been exhibited on loan from a Korean collector.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

How did a 16th-century European basin end up as a sacred object in West Africa?

The Aya Kese, a massive 16th-century northern European brass basin, is currently on display at the British Museum while its complex history remains under scrutiny. Looted by British officer Robert Baden-Powell in 1896 from the Asante kingdom’s royal mausoleum in present-day Ghana, the object was long sensationalized by colonial accounts as a vessel for human sacrifice. Recent scholarship and historical records from Asante King Prempeh I contest these claims, asserting the basin’s sacred role as a spiritual repository for the souls of the Asante people.

Dallas Art Fair Foundation Art Acquisition Fund 2026 Prizes Announced

The Dallas Museum of Art (DMA) has selected several new works for its permanent collection through the Dallas Art Fair (DAF) Foundation Art Acquisition Fund. During the 2026 edition of the fair, curators and donors chose pieces by artists including Hasani Sahlehe, Caroline Monnet, Gloria Klein, Raymond Saunders, and Nicole Eisenman. The acquisitions span a variety of media, from large-scale abstract paintings and triptychs made of industrial materials to wood reliefs and works on paper.

New York Galleries: Openings and Closings (02/02-02/08)

A flurry of gallery activity is scheduled for the week of February 2-8, 2026, in New York City. Numerous exhibitions are opening, including "Interstice: Whirled Music" at Kiang Malingue, "Everything She Touches" by Alix Vernet at Eric Firestone Gallery, and "Anima" by Felipe Baeza at Print Center New York. Concurrently, many shows are in their final days, such as "A Retrospective by Ruth Asawa" at the Museum of Modern Art, "FDR Drive Musel, 1984" by Keith Haring at Martos Gallery, and "West Coast Women of Abstract Expressionism" at Berry Campbell.

What’s on now at San Francisco museums, November 2025

San Francisco museums are presenting a wide array of exhibitions in November 2025, with several closing soon and others opening in the coming months. At SFMOMA, major shows include "Alejandro Cartagena: Ground Rules" (through April 19), "KAWS: Family" (through May 3, 2026), the photography exhibition "(Re)Constructing History" featuring Carrie Mae Weems, Nona Faustine, Carla Williams, and Dawoud Bey, and "Suzanne Jackson: What is Love," the artist's first retrospective. The Institute for Contemporary Art hosts "Midnight March" by Masako Miki and "stay, take your time, my love" by David Antonio Cruz, both closing Dec. 7. The Asian Art Museum presents "Rave into the Future: Art in Motion" closing Jan. 12, and the Legion of Honor will open "Drawn to Venice" from Jan. 24 to Aug. 2, 2026. The Murphy and Cadogan Contemporary Art Awards Exhibition, a collaboration with the San Francisco Foundation and SOMarts, closes Dec. 7.

San Francisco’s Museum of the African Diaspora marks 20 years with a show about Blackness and the cosmos

San Francisco's Museum of the African Diaspora (MoAD) has reopened its renovated ground-floor lobby to mark its 20th anniversary, alongside two new exhibitions. The larger show, "Unbound: Art, Blackness & the Universe" (on view until 16 August 2026), explores Blackness and the cosmos through painting, photography, sculpture, and installation. Curated by MoAD's first full-time curator Key Jo Lee, the exhibition features 17 artists including Torkwase Dyson, Barkley L. Hendricks, Lorna Simpson, Oasa DuVerney, and Mikael Owunna, organized under three themes: "Geo-Cartographic," "Religio-Mythic," and "Techno-Cyborgian." The $500,000 renovation also upgraded lighting and HVAC systems.

From Monet’s gardens to Kahlo’s bedroom — the best artists’ studios to visit

The article surveys several preserved or reconstructed artists' studios that are open to the public, including Francis Bacon's chaotic London workspace relocated to Dublin's Hugh Lane Gallery, Barbara Hepworth's serene Trewyn Studio in St Ives, Claude Monet's house and gardens at Giverny, and Frida Kahlo's Casa Azul. It also previews the National Gallery of Ireland's upcoming exhibition "Picasso: From the Studio" (October 2025–February 2026), which examines the key locations that shaped Picasso's life and art.

In pictures: following the thread at Frieze New York

Frieze New York 2025 features a strong textile and fiber art presence across multiple gallery stands. Highlights include Proyectos Ultravioleta's all-textile installation with embroidery by Edgar Calel and knitted crochet by Claudia Alarcón; Sonia Gomes's wrapped-wire sculptures at Mendes Wood DM; Carolina Caycedo's netted tribute to Zilia Sánchez at Instituto de Visión; Citra Sasmita's Kamasan canvas works at Yeo Workshop; Kyungah Ham's embroideries made in collaboration with North Korean artists at Kukje Gallery; Lee ShinJa's wearable fiber cape at Tina Kim Gallery; Grayson Perry's tapestries responding to Baroque works at Victoria Miro; and Małgorzata Mirga-Tas's fabric portraits at Frith Street Gallery. Prices range from $20,000 to $100,000.

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Collector Sasan Ghandehari has filed a lawsuit against Christie’s in the High Court of England & Wales, alleging the auction house failed to disclose that a Picasso painting he guaranteed was owned by a man convicted of drug-related charges. The work, Picasso’s *Femme dans un rocking-chair* (1956), was offered in a February 2023 London evening sale with a third-party guarantee from Ghandehari’s company, Brewer Management Corporation (BMC). Ghandehari claims Christie’s told him the owner was José Mestre Jr., but the painting actually belonged to his father, José Mestre Sr., who was sentenced to nine years in prison after 202 kilos of cocaine were found on a cargo ship in 2010. The lawsuit seeks to cancel the guarantee contract and recover a £4.8 million partial payment.