Photographer Jon McCormack captured a striking image of the Remarkable Rocks on Kangaroo Island, Australia, framing the Southern Ocean through a naturally eroded granite hollow. The photograph, taken at sunset, emphasizes the graphic simplicity and sculptural quality of the ancient rock formations, which have been shaped by wind and salt over 10,000 years of isolation.
DE LAS MINOR KEYS AL ESTRUENDO: LA CRISIS DE LA BIENAL DE VENECIA
The 61st Venice Biennale is engulfed in a structural crisis, marked by geopolitical tensions over the inclusion of Russia (amid its invasion of Ukraine) and Israel (amid the Gaza genocide). The Biennale Foundation, led by Pietrangelo Buttafuoco, defended their participation on legalistic grounds, sparking outrage from over 200 artists, curators, and cultural workers who demanded Israel's exclusion, aligning with Art Not Genocide Alliance (ANGA). The international jury, chaired by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, resigned collectively on April 30 after deciding not to award prizes to countries whose leaders face International Criminal Court arrest warrants. This led to the cancellation of the traditional Golden and Silver Lions, replaced by audience-voted "Visitor Lions," with awards deferred until November. The European Commission suspended a €2 million subsidy over Russia's participation, and Italian Culture Minister Alessandro Giuli notably skipped the May 9 opening.
On May 6, 2026, the first day of previews at the Venice Biennale, hundreds of pro-Palestine activists led by the Art Not Genocide Alliance (ANGA) blocked the entrance to the Israeli pavilion, demanding its immediate closure. Protesters waved Palestine flags and banners reading "No Artwashing Genocide" and "No Genocide Pavilion at Biennale," chanting accusations of genocide against Israel. The demonstration temporarily shut down access to Belu-Simion Fainaru's exhibition "Rose of Nothingness" for about half an hour. The protest followed a letter signed by over 200 artists urging the Biennale to exclude Israel, which instead moved the pavilion to an alternative location in the Arsenale due to renovations. Separately, Pussy Riot and FEMEN rallied outside the Russian pavilion, which will only open during preview days due to sanctions. Venice cultural workers plan a 24-hour strike on May 8 in solidarity with Palestinians, potentially disrupting the Biennale's schedule.
Author Bruce Pascoe and a new generation of Australian chefs are leading a movement to rediscover and commercialize native Indigenous ingredients like kangaroo grass, Kakadu plums, and wattleseeds. By revisiting historical archives and journals from 19th-century explorers, Pascoe’s research in his book *Dark Emu* challenges the colonial narrative that Indigenous Australians were solely nomadic hunter-gatherers, revealing instead a sophisticated history of permanent settlements, irrigation, and organized agriculture.
Max Giermann sucht mit seiner Malerei nicht nach Anerkennung
German comedian and actor Max Giermann has launched his first Berlin art exhibition, titled "Figuring Out," at the Janinebeangallery. The showcase features large-scale acrylic paintings on canvas depicting figures, heads, and body fragments, including a final tribute to Klaus Kinski, whom Giermann famously parodied throughout his comedy career. Although he grew up in a household of art educators and began drawing as a child, this exhibition marks a significant return to painting after a 20-year hiatus.
The 61st Venice Biennale preview week, opening to press and professionals ahead of its May 9 public launch, has been engulfed by protests and institutional crises. On May 5, around 60 artists from Koyo Kouoh's exhibition “In Minor Keys” staged a Solidarity Drone Chorus outside the Giardini, drawing on Gazan composer Ahmed Muin's Drone Song (2025) to highlight victims of warfare. On May 6, the Art Not Genocide Alliance (ANGA) organized protests outside Israel's pavilion at the Arsenale, leading to a security-enforced closure, while Pussy Riot and FEMEN demonstrated outside the Russian pavilion. The jury resigned on April 30 after controversy over award eligibility tied to ICC arrest warrants, prompting the Biennale to scrap Golden Lions and transfer prize voting to the public. Iran withdrew its pavilion on May 4, and Russia's will close on May 9, with only exterior video projections remaining. ANGA and Italian unions have announced a 24-hour strike on May 8.
The international jury for the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," has issued a statement declaring their intention to exclude from consideration any countries whose leaders are currently charged with crimes against humanity by the International Criminal Court. The jury, chaired by Solange Farkas and including members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, was selected by artistic director Koyo Kouoh to award the Golden and Silver Lions among the 110 artists in the exhibition.
Fernando Botero (1932–2023) returns to Seoul with his largest retrospective in Asia, opening this Friday at the Hangaram Art Museum, Seoul Arts Center. Curated by Lina Botero and organized with the Fernando Botero Foundation, the exhibition features over 112 works, several never before exhibited. The show, titled "Fernando Botero: The Triumph of Form," runs through August 30, 2026, and highlights the Colombian master's signature visual language of volume, sensuality, irony, and humanity.
The Lucas Museum of Narrative Art in Los Angeles has announced details for its inaugural exhibition "Star Wars in Motion," set to open on September 22. The show will feature props, costumes, and vehicle designs from the first six Star Wars films, including Luke's Landspeeder and General Grievous' Wheel Bike, as part of a broader lineup of about 20 inaugural exhibitions spanning visual storytelling from ancient art to modern film. The 300,000-square-foot museum, founded by George Lucas and Mellody Hobson, will display over 1,200 artworks across 100,000 square feet of gallery space, with additional galleries dedicated to comic art, manga, children's literature, and works by artists such as Thomas Hart Benton, Beatrix Potter, Jack Kirby, Alison Bechdel, Frank Frazetta, Norman Rockwell, Diego Rivera, Dorothea Lange, and Gordon Parks.
The international jury of the 61st Venice Biennale art exhibition resigned just over a week before the May 9 prize ceremony, after announcing they would not consider artists from countries whose leaders face International Criminal Court charges—an apparent reference to Russia and Israel. The jury included president Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. In response, the Biennale established two Visitors’ Lions to be awarded by ticket-holder vote, postponed the awards to November 22, and reaffirmed that all national participations remain eligible, effectively reinstating Russian and Israeli artists.
The international jury of the Venice Biennale resigned en masse just nine days before the opening of the world's oldest contemporary art fair, amid a dispute over Russia's participation and the panel's decision to bar prizes for countries accused of crimes against humanity by the International Criminal Court. The jury, comprising president Solange Farkas and members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, stepped down without explanation, following tensions that also involved Italy's Culture Ministry cutting €2 million in EU funding over Russia's presence and sending inspectors to the Russian Pavilion.
The article announces the East Coast debut of the 'Art of Manga' exhibition at the Brooklyn Museum. This marks the first time the show, which explores the history and cultural impact of Japanese manga, is presented on the East Coast of the United States.
The "Yokai Immersive Experience Exhibition Tokyo" has opened at Warehouse Terrada, utilizing projection mapping and 3D technology to bring over 300 supernatural creatures from Japanese folklore to life. The exhibition features digital recreations of historical emaki scrolls and ukiyo-e prints by masters such as Utagawa Kuniyoshi and Katsushika Hokusai, alongside contemporary works from the Yokai Art Museum in Shodoshima.
The Lucas Museum of Narrative Art (LMNA) has announced its inaugural exhibition schedule, curated by founder George Lucas himself. Opening on September 22, the museum will feature over 30 galleries and more than 1,200 works, exploring human history and the human condition through narrative art forms including illustration, sequential art, and cinema. The exhibitions will showcase production designs, props, and costumes from the Lucas Archives, alongside works by iconic artists such as Frank Frazetta, Boris Vallejo, Maxfield Parrish, N.C. Wyeth, Beatrix Potter, Jack Kirby, Alison Bechdel, Frank Miller, and Mœbius, spanning adventure, fantasy, sci-fi, children's literature, and comics.
The Lucas Museum of Narrative Art, set to open on September 22, 2026, in Los Angeles's Exposition Park, has announced its inaugural exhibition schedule curated by George Lucas. The museum will showcase a wide range of narrative art, from Americana works by Thomas Hart Benton and Norman Rockwell to documentary photography by Gordon Parks, Dorothea Lange, and Robert Capa, as well as public murals by Diego Rivera and Judith F. Baca. The collection also includes production designs, props, and costumes from the Lucas Archives, alongside illustrations by Frank Frazetta, Maxfield Parrish, and N.C. Wyeth, children's literature art by Beatrix Potter and Jacob Lawrence, and comics and manga by Jack Kirby, Alison Bechdel, and Mœbius.
The international jury for the 61st edition of La Biennale di Venezia, titled “In Minor Keys” and curated by Koyo Kouoh, has resigned as of April 30, 2026. The jury members—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cite their earlier Statement of Intention issued on April 22, 2026, as the basis for their collective resignation.
New reports reveal that Israeli Pavilion artist Belu-Simion Fainaru issued legal threats against the Venice Biennale, alleging antisemitism and discrimination after the awards jury decided to exclude Israel and Russia from consideration due to human rights charges. The jury, which included Elvira Dyangani Ose, Zoe Butt, Marta Kuzma, Giovanna Zapperi, and Solange Farkas, initially stated on April 22 it would not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court. Fainaru filed legal warnings with the Biennale, the Italian Ministry of Culture, and the Prime Minister's office. The jury abruptly resigned eight days later, leading the Biennale to scrap the Golden Lion awards and institute "Visitor Lions" decided by public vote. Reports indicate the Biennale's legal department warned jurors could be personally liable for damages, and Italian Culture Minister Alessandro Giuli promised to promote Fainaru's work.
Two group exhibitions, *Prakriti: A Quiet Continuum* and *Living Lineages*, have opened in Hyderabad, showcasing a mix of contemporary and folk artists. *Prakriti* features artists like Lal Bahadur Singh, Sumanto Chowdhury, Roy K John, and K. Sudheesh, each exploring nature as both external landscape and inner state through personal lenses. *Living Lineages* brings together indigenous and folk artists including Bhuri Bai, Balu Jivya Mashe, Saroj Venkat Shyam, and Venkat Raman Shyam, highlighting traditions such as Warli, Bhil, Gond art, and Cheriyal scrolls from Telangana. Gallerist Rekha Lahoti notes the exhibitions are designed to create a dialogue between contemporary and living traditions, addressing collector curiosity about their differences.
"Meine Kunst lädt ein, gegen die Zustände zu rebellieren"
The iconic, communist Kangaroo from Marc-Uwe Kling’s popular literary series has transitioned into the world of contemporary art. After accidentally wandering into a gallery opening while under the influence of liquor-filled chocolates, the marsupial decides to launch a career as an artist, viewing the white cube as a new frontier for its anti-capitalist rebellion.
Sous pression, le jury de la Biennale de Venise démissionne et est remplacé par un vote du public
On April 30, just days before the Venice Biennale's public opening on May 9, the entire international jury responsible for awarding the Golden and Silver Lions resigned. The jury—comprising Solange Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—had been caught in a escalating controversy after Biennale president Pietrangelo Buttafuoco reinstated Russia, which had been excluded since the 2022 invasion of Ukraine. The European Union threatened to suspend or cancel its €2 million subsidy if Russia remained included. The jury attempted to exclude countries whose leaders face International Criminal Court arrest warrants, effectively targeting Russia and Israel, but ultimately resigned under pressure from both external diplomatic turmoil and internal institutional opposition to any discrimination between pavilions.
Southern Guild, a Cape Town-based gallery, opened a permanent location in New York's Tribeca district on Friday, marking a major expansion for the gallery and a milestone for contemporary African art's international visibility. The inaugural exhibitions feature South African painter Mmangaliso Nzuza's "Ballad of the Peacock" and conceptual artist Usha Seejarim's "Used," both on view until May 17. Co-founder Trevyn McGowan described the 371m² space in a historic cast-iron building as both instinctive and strategic, following the closure of the gallery's Los Angeles outpost, which served as a testing ground for American audiences.
Silverlens Manila is set to debut two distinct exhibitions in April 2026: a solo show by Is Jumalon titled "Topographies of Seeing" and a group exhibition titled "PLAY." Jumalon’s work utilizes mixed media to reimagine landscapes through the lens of her childhood memories of Zamboanga’s rock formations, blending natural beauty with an underlying sense of danger. Meanwhile, "PLAY" features artists Jenifer K Wofford, Jake Verzosa, and Aze Ong, focusing on the concept of place-making and postcolonial spatial realities, specifically highlighting the cultural significance of basketball courts across the Philippines.
French street artist Kaldea has unveiled a major solo exhibition titled "Identity" at Espace Cinko in Paris’s 2nd arrondissement. Hosted by Galerie Roussard, the immersive show transforms a 200-square-meter former printing press into a reconstructed Japanese landscape complete with sakura blossoms and paper lanterns. The exhibition features approximately forty works across five thematic narratives, ranging from porcelain animal figures to reimagined manga icons like Godzilla and Pikachu, blending Art Deco, futuristic, and Asian influences.
The Mangaweka Yellow Church Gallery in New Zealand, known for its annual Fakes and Forgeries exhibition, is celebrating its 20-year anniversary. Owner and artist Richard Aslett will host a high tea on Monday to mark the milestone. The gallery opened in 2006 and has since fostered emerging and established artists, hosted live music events, and added antiques and retro-curios to its offerings. Its most famous exhibition pays tribute to Karl Sim, New Zealand’s only convicted art fraudster, who was born in Mangaweka and known for his Charles Goldie forgeries.
The hit anime series BLEACH and renowned illustrator LAM have announced a collaborative nationwide exhibition tour titled “BLEACH×LAM -SOUL ART SHOWCASE-.” Launching in late April 2026, the showcase features new, highly stylized artworks by LAM that reinterpret iconic characters from Tite Kubo’s manga, including Ichigo Kurosaki and Grimmjow Jaegerjaquez. The exhibition will travel to galleries in Tokyo, Osaka, and Fukuoka, offering free admission and exclusive merchandise to the public.
La Biennale di Venezia più pazza di sempre: a una settimana dall’apertura si dimette la giuria (I Leoni li deciderà il pubblico!)
The entire international jury of the 61st Venice Biennale has resigned en masse just one week before the opening. The jury, chaired by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had publicly announced they would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court—effectively excluding Russia and Israel from the Golden Lion competition. This decision came amid ongoing tensions between Italian Culture Minister Alessandro Giuli and Biennale President Pietrangelo Buttafuoco over Russia's participation, as well as controversy surrounding Israel's presence. After a meeting with Buttafuoco, the jury resigned, leaving the Biennale without a key body to award its top prizes.
I futuri professionisti della cultura in Africa saranno formati da sei musei italiani
The fourth edition of the International School of Cultural Heritage (Scuola Internazionale del Patrimonio Culturale) is underway, with 23 cultural professionals from 12 African nations participating in a hands-on training program hosted by six Italian museums. After online modules and a week of lectures in Rome, the residential phase runs from April 27 to May 22, 2025, placing participants at the Museo delle Civiltà (MUCIV), the Archaeological Parks of Praeneste and Gabii, the National Archaeological Museum of Taranto (MArTA), the National Archaeological Museum of Naples (MANN), the National Archaeological Museum of Reggio Calabria (MArRC), and the National Archaeological Museum of Agro Falisco and Forte Sangallo in Civita Castellana. The program, titled "Managing Art Collections: from ancient to contemporary," focuses on collection management, conservation, and public programming, linking archaeological heritage with contemporary practices.
Per la Biennale Arte 2026 il duo RojoNegro porta nel Padiglione del Messico un rituale collettivo
The article announces that the RojoNegro collective, formed by María Sosa and Noé Martínez, will represent Mexico at the 61st Venice Biennale in 2026 with a project titled "Actos invisibles para sostener el universo." Curated by Jessica Berlanga Taylor, the installation combines organic materials, sound, video, and performance to create a ritualistic space that invokes invisible presences, memories, and energies. The work draws on decolonial perspectives, centering Indigenous and Afro-descendant cosmogonies as living knowledge systems, and aims to activate a dialogue between situated ritual practices and the global context of the Biennale.
Una biblioteca di sensazioni a Roma nella mostra di Gabriele Simei. L’intervista
Artist Gabriele Simei has transformed the VOLUME! art space in Rome into an immersive installation titled "LABiblioteca Sottotevere." Curated by Silvano Manganaro, the exhibition features metal sculptures shaped like books, alongside found objects such as old lace, blankets, and tools. Simei uses acid to etch the textures of leaves gathered from the banks of the Tiber River and vintage textiles onto iron and brass plates, creating a "library of sensations" that bridges the gap between nature and domestic memory.
The South African artist collective MADEYOULOOK has unveiled 'Mafolofolo' at Hangar – Centro de Investigação Artística in Lisbon. Curated by Margarida Mendes, the installation utilizes sound, oral histories, and liberation songs to map the complex relationships between land, memory, and dispossession in northern South Africa. The work, which originally debuted at documenta fifteen, has been reconfigured for this specific research-driven setting to explore themes of extraction and survival.