Prize commemorates Henrike Naumann – MMK takes over estate

Preis erinnert an Henrike Naumann – MMK übernimmt Nachlass

A new prize named after the late artist Henrike Naumann has been established by the Institut für Auslandsbeziehungen (ifa) and the Zeit Stiftung Bucerius, coinciding with her posthumous presentation at the German Pavilion of the Venice Biennale. The €15,000 Henrike-Naumann-Preis für Bildende Kunst, plus €5,000 in production funds, will be awarded regularly starting this year to early- to mid-career artists whose work engages with social transformation, political fault lines, or transnational contexts. Meanwhile, the Museum für Moderne Kunst Frankfurt (MMK) has acquired Naumann's estate, which will be catalogued and made publicly accessible to ensure her work receives long-term scholarly and curatorial attention.

Le CMN perd le Mont-Saint-Michel

The article reports on several developments in the art world: the Centre des Monuments Nationaux (CMN) loses management of Mont-Saint-Michel; the Venice Biennale opens amid controversy; a law on the restitution of cultural property looted during colonization is definitively adopted; the V&A East museum targets younger audiences; in Giverny, the Monet legacy does not benefit everyone; and the market for the Nabis artists is becoming more structured.

À Nîmes, la peinture sans entrave de Tursic & Mille envahit le Carré d’art

The article covers the retrospective exhibition of French artist duo Ida Tursic and Wilfried Mille at the Carré d'art in Nîmes. Titled "Dissonances à géométries variables," the show traces their career from student works at the École nationale supérieure d'art de Dijon to recent paintings, featuring a critical, humorous, and materially rich approach to figurative painting. The duo draws from press images, internet sources, art history, and archives, disrupting reproductions with paint splatters and odd details, and the exhibition is organized thematically from "happiness" to "melancholy."

Ça bouchonne à Venise

The latest issue of Le Journal des Arts (No. 677, May 15, 2026) leads with the opening of the Venice Biennale amid a tense climate. Other top stories include the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, tensions in Giverny over the uneven economic benefits of Monet's legacy, and a market analysis showing the structuring of the Nabis art market.

Boats and trains, not planes: reflections on a greener—but sometimes greenwashed—Venice Biennale

The article recounts the author's train journey from London to Venice for the 61st Venice Biennale, highlighting the environmental benefits and pleasant experience of traveling by rail versus flying, despite higher costs and longer duration. It then focuses on the Biennale's central exhibition "In Minor Keys" curated by the late Koyo Kouoh, which foregrounds environmental themes through works that engage with earth, nature, and ecological stakes, featuring artists like Otobong Nkanga, Célia Vasquez Yui, Theo Eshetu, Linda Goode Bryant, and Annalee Davis.

Art in America’s Summer “New Talent” Issue Names 20 Artists to Watch

Art in America, the sister publication of ARTnews, has announced its Summer 2026 "New Talent" issue, featuring 20 emerging artists selected by the magazine's editors. The list includes international artists working across various mediums, such as Joeun Kim Aatchim, Jenny Calivas, Kiah Celeste, Malo Chapuy, Mitchell Charbonneau, Isaiah Davis, Elizabeth Glaessner, Juliana Halpert, Craig Jun Li, Kinlaw, Koyoltzintli, Kyung-Me, Chyrum Lambert, Terran Last Gun, Satchel Lee, Claudia Pagès Rabal, Ren Light Pan, Emma Safir, Frank Wang Yefeng, and Alexa West. Profiles of each artist appear in the print edition and will be published online in the coming weeks.

‘It’s like a Ouija board – I listen to the painting’: the supernatural art of Sanya Kantarovsky

Russian-born, New York-based artist Sanya Kantarovsky presents his new exhibition "Basic Failure" at Venice's Institute of Sciences, Letters and Arts, timed to coincide with the Venice Biennale. The show features his signature dishevelled, otherworldly figures—including a pallid boy with a cigarette, a child spinning in innocence, and a glass bust of a young boy with a dead spider under its eye—that explore tension, alienation, and the supernatural. Kantarovsky describes his process as listening to the painting like a Ouija board, and the exhibition includes works that confound narrative expectations, such as a scruffy toy panda and a recreation of Antonello Gagini's 16th-century sculpture.

Vancouver Art Gallery's "Future Geographies" Exhibit Explores How Art Responds to Climate Change

The Vancouver Art Gallery has opened "Future Geographies: Art in the Century of Climate Change," an exhibition curated by Eva Respini, the gallery's interim co-CEO and curator at large. Featuring over 30 artists and 35 works—including sculptures, paintings, video installations, and photographs—the show explores climate change through themes of living knowledge, consumed earth, speculative worlds, and material memory. Highlights include Brian Jungen's whale-skeleton sculpture made from plastic chairs and Clarissa Tossin's multimedia weaving of Amazon boxes. The exhibition also incorporates sustainability in its organization, using recycled cardboard for labels, overland shipping for loans, and commissioning local artists.

Interview with the frontier gallerist who opened his space in Vasto, Abruzzo

Intervista al gallerista di frontiera che ha aperto il suo spazio a Vasto in Abruzzo

Sangallo Fine Art, a modern art gallery located in Vasto, Abruzzo, Italy, is profiled in an interview with its founder Giorgio di Michele Marisi. The gallery, born from a chance encounter and a passion for 20th-century art, has carved out a distinctive space in the periphery of the art world. It is currently presenting the exhibition "Permanenza della materia espansa" (2026), curated by Lorenzo Madaro, which exemplifies its commitment to critical rediscovery and experimental display. Despite being geographically distant from traditional art hubs, the gallery has built a loyal clientele of knowledgeable collectors and international buyers, relying on direct relationships and participation in art fairs.

Singapore Art Museum at 30: tough decisions

The Singapore Art Museum (SAM) is celebrating its 30th anniversary while navigating the challenges of its 2022 relocation to Tanjong Pagar Distripark, a remote industrial building that has drawn mixed reactions—some visitors find it too inaccessible, while younger audiences applaud the move away from the colonial civic district. Director and CEO Eugene Tan defends the decision, citing the building's high ceilings and flexible spaces as ideal for contemporary art, and announces a fifth gallery opening by 2026 that will bring total exhibition space to 3,800 square meters. The museum also plans to experiment with open-air exhibition techniques in the new space, aiming to reduce energy demands.

Romanesco in a Max Mara Coat

Romanesco im Max-Mara-Mantel

Evelyn Taocheng Wang's first institutional solo exhibition in Italy, "Sweet Landscape," opens at the Museion in Bolzano. The Chinese-born, Rotterdam-based artist presents silk paintings, pastel canvases, and painted garments that probe the region's complex history beneath its idyllic Alpine scenery. Works such as "Frog Princess Checks Her Smartphone in front of Window of August Macke’s Hat Shop" (2026) and "Ancient Roman bust for Sale" (2026) blend local food motifs, cultural translation, and hybrid identity, questioning who gets to write history and how landscapes are perceived through secondhand experiences.

Three Dinosaur Fossils Are Up for Grabs at This New York Art Gallery

Amanita, a New York art gallery, is presenting three Maiasaura dinosaur fossils alongside a John Chamberlain sculpture in an exhibition titled "Land Before Time: Three Dinosaurs and a Gondola" at its Bowery location through August 9. The fossils, sourced from Tucson-based Granada Gallery, include an 85 percent complete adolescent, a 68 percent complete adult, and a 62 percent complete juvenile—marking the first time a full Maiasaura growth cycle has been displayed. The Chamberlain piece, "Gondola Marianne Moore" (1982), was procured with help from Hauser and Wirth. Only the fossils are for sale, with prices undisclosed.

“It’s about how to speak the unspeakable”: artist Lotus Kang's new work explores absence as an opportunity

Artist Lotus L Kang has created a new installation titled 'The Face of Desire is Loss' for the inaugural Bulgari Pavilion at the 61st Venice Biennale. The pavilion, located at the Giardini entrance, features Kang's signature use of light-sensitive photographic film that reacts to the environment, suspended from steel joists with large holes inspired by the lotus root motif. The work draws on a line by poet Lara Mimosa Montes and explores themes of absence, loss, and the void, with the film changing color over time from deep purple to hues resembling bruise, blood, and bile.

In Minor Keys A Cacophony At 61st Venice Biennale – Miranda Carroll

The 61st Venice Biennale, titled 'In Minor Keys,' opened with a central exhibition curated by the late Koyo Kouoh, who died in 2025. The show features 110 artists and collectives, realized by a team of five curators known as 'la squadra di Koyo.' The exhibition spans the Giardini and Arsenale venues, with works including Otobong Nkanga's living facade installation, Theo Eshetu's dying olive tree, and Nick Cave's vibrant sculptures. Poems and quotes by Refaat al-Areer, Etel Adnan, Toni Morrison, and Ben Okri punctuate the spaces, encouraging visitors to pause and reflect.

'It keeps me in touch with life': The London artist still working at 103

London painter Anthony Eyton, who turned 103, is preparing to exhibit new works at the 258th Royal Academy Summer Exhibition, the world's oldest open-submission exhibition. A figurative painter and Royal Academician since 1976, Eyton has shown at Tate Modern, Tate Britain, and the Imperial War Museum. He continues to paint daily, finding satisfaction in the act of creation, and has embraced social media with his daughter Sarah, posting regularly on Instagram to reach a global audience.

Yoo Young-kuk’s inner landscapes spotlighted in Seoul retrospective

The Seoul Museum of Art (SeMA) has opened its largest-ever retrospective of pioneering Korean abstract painter Yoo Young-kuk, titled "Yoo Youngkuk: A Mountain Within Me," marking the 110th anniversary of his birth. Running through Oct. 25 at SeMA's Seosomun branch, the exhibition brings together 178 works, including 115 oil paintings, drawings, photographs, archival materials, and previously unseen pieces, as well as BTS RM's collection "Mountain." Rather than a chronological format, the show begins in 1964—the year of Yoo's first solo exhibition—and moves backward and forward through time, highlighting his geometric compositions and bold primary colors inspired by the mountains and sea of his hometown Uljin.

The National Gallery x hololive DEV_IS ReGLOSS’s Juufuutei Raden Announce a World-First Crossover Collaboration, Launching May 20 | NEWS

COVER Corporation has announced a collaboration between hololive DEV_IS ReGLOSS VTuber Juufuutei Raden and The National Gallery, London, launching May 20, 2026. Titled “When Raden Meets Art – A Shared Art Journey”, the project features three masterpieces selected by Raden—J.M.W. Turner’s “Rain, Steam, and Speed – The Great Western Railway”, Vincent van Gogh’s “Sunflowers”, and Claude Monet’s “The Water-Lily Pond”—reimagined into exclusive merchandise including fragrance mists, scarves, and cup sets. Raden, a certified curator in Japan, also recorded an audio guide highlighting 20 works from the Gallery, and the entire ReGLOSS team visited the museum for a behind-the-scenes experience.

“Voglio porre domande che non avranno mai risposte”. Intervista all’artista Ndayé Kouagou in mostra a Reggio Emilia

Ndayé Kouagou, an artist from Montreuil (1992) based in Paris, presents his first solo exhibition in Italy, "Heaven's truth," at Collezione Maramotti in Reggio Emilia, running until July 26, 2026. The show features his video installation "A coin is a coin" (2022) and is part of the 21st edition of Fotografia Europea 2026, themed "Fantasmi del quotidiano." During the opening, Kouagou performed with poet and actress Salber Lee Williams, composing and deconstructing phrases into the expression "Please Be Yourself." The exhibition will travel to Heidelberger Kunstverein from September 3, and new works co-produced with the institution will appear at the 18th Lyon Biennale (September 19 – December 13, 2026). In an interview, Kouagou discusses his background as a self-taught visual artist and performer, having worked as a motion designer in advertising and as a DJ, and emphasizes writing as his central expressive medium, comparing himself more to a writer than a visual artist.

May we suggest the art you need to see this May?

Lifestyle Asia has published a curated list of art exhibitions and events to see in May, offering recommendations for art enthusiasts looking to explore new shows and installations during the month. The article serves as a guide to notable cultural happenings, likely highlighting both emerging and established artists across various venues.

Comment un père et sa fille ont dupé le marché de l’art avec de faux Picasso et Banksy

A Polish father-daughter duo, Erwin Bankowski (50) and Karolina Bankowska (26), orchestrated a major art forgery scheme between 2020 and 2025, selling over 200 fake artworks attributed to Andy Warhol, Banksy, Pablo Picasso, Andrew Wyeth, and others through top auction houses and galleries in New York and across the United States. They pleaded guilty in federal court in Brooklyn to conspiracy to commit wire fraud and misrepresentation of Native American goods, facing up to 20 years in prison, with sentencing set for August 5. The fakes, produced by an unidentified Polish artist, were sold for at least $2 million, with the highest known sale being a fake Richard Mayhew landscape that fetched $160,000 at DuMouchelles in Detroit.

Elle Peréz Gets Personal with the Next-Gen Collectors Changing the Art World

Elle Peréz, a photographer and co-chair of the Young Collectors Council (YCC) at an unnamed museum, discusses the group's activities in an interview. The YCC meets twice a year to acquire artworks through a transparent process involving curator presentations and studio visits, with members voting on acquisitions. Peréz highlights the party celebrating Diane Severin Nguyen's commissioned piece, noting the seamless integration of music, art, and aesthetics, and emphasizes that the acquisition meetings are the core of the group's appeal.

2026 Sondheim Art Prize semifinalists to exhibit work at Reginald F. Lewis Museum

The Reginald F. Lewis Museum of Maryland African American History & Culture will host an exhibition of works by 16 semifinalists for the 2026 Janet & Walter Sondheim Art Prize, on view from May 21 through June 21. The show features a range of mediums including oil paintings, archival prints, video narratives, 3D sculptures, and multimedia installations. An opening reception on May 21 is free and open to the public. The five finalists—Thea Canlas, Leigh Davis, Brandon Donahue-Shipp, Curran Hatleberg, and Danni O’Brien—will exhibit separately at the Walters Art Museum from June 25 to September 13, with the $30,000 prize winner announced in August.

The Metropolitan Museum of Art Unveils Its Fashion Galleries, Highlighting Fashion’s Place in Museums

The Metropolitan Museum of Art has unveiled the new Condé M. Nast Galleries, a nearly 12,000-square-foot suite of exhibition spaces designed by Brooklyn-based architecture firm Peterson Rich Office. Located adjacent to the museum's Great Hall, the galleries relocate fashion exhibitions from a previously tucked-away basement space to one of the museum's most visible and architecturally significant locations. The new spaces debuted with "Costume Art," an exhibition organized by The Costume Institute and curated by Andrew Bolton, which places roughly 200 garments and accessories in dialogue with 200 artworks from the museum's collection, exploring themes such as "The Classical Body," "The Aging Body," and "The Disabled Body." The design, by architects Miriam Peterson and Nathan Rich, uses a restrained material palette of grey marmorino plaster and oak doors framed by limestone arches to create permanent-feeling yet flexible spaces that harmonize with the museum's historic Beaux-Arts architecture.

‘She rips your heart out’: This Japanese artist’s fiery red installation swallows this S.F. museum

The article describes a fiery red installation by Japanese artist Yayoi Kusama that has taken over a San Francisco museum. The immersive work, characterized by its intense red color and engulfing presence, is noted for its emotional impact, with the artist described as someone who 'rips your heart out.' The installation is a major draw for the museum, offering visitors a visceral experience.

The great artist Remo Salvadori has died. He was 79 years old

È morto il grande artista Remo Salvadori. Aveva 79 anni

Italian artist Remo Salvadori has died at age 79. Known for his rigorous, independent practice, Salvadori explored matter, energy, science, philosophy, and spirituality through sculpture, installations, and site-specific works. Born in Cerreto Guidi, he studied at the Accademia delle Belle Arti di Firenze and moved to Milan in the early 1970s, where he participated in the experimental scene without joining any movement. His career included solo shows in Milan galleries from 1971, appearances at the Venice Biennale (1982, 1986, 1993) and Documenta in Kassel (1982, 1992), and works held in major museums worldwide. In 2019 he received the Premio Presidente della Repubblica for sculpture. A major retrospective in 2025 at Palazzo Reale, Museo del Novecento, and San Gottardo in Corte in Milan showcased over 50 works from 1969 to 2025.

This Family Made Gin on Zoom During Covid. Here’s How It Became an Art World Staple.

During the pandemic, the Mordant family—Simon, Catriona, Brielle, and Angus—began making gin from wild juniper on their Umbria property, splitting operations between Italy, London, and upstate New York. After enrolling in a master gin-making course and refining recipes via Zoom, they entered their creation into the World Gin Awards, earning a triple-gold medal with a score of 97 out of 100. Despite initially producing only 502 bottles not intended for sale, global demand prompted them to scale up commercially, leading to Quattro Gatti becoming the official gin of the Venice Biennale.

7 new art and culture books in bookstores. Maps of the present: between art, work, memory and forms of perception

7 nuovi libri d’arte e cultura in libreria. Mappe del presente: tra arte, lavoro, memoria e forme della percezione

This article from Artribune presents a curated selection of seven new art and culture books recently released in Italy. The featured titles range from a theoretical lexicon for 21st-century arts edited by Nicolas Martino, which redefines key terms like 'author,' 'AI,' and 'care,' to a poetic pop-up book by Japanese designer Katsumi Komagata titled 'Piccolo Albero,' which uses paper engineering to narrate the cycle of life. Other works explore themes of labor, memory, domestic space (Giorgio Morandi), inner labyrinths (Andrea Bocconi), and direct testimony from Gaza, all aiming to provide new frameworks for understanding a fractured present.

Provincia Cosmica. Interview with Giuseppe Stampone, the artist who chose Gran Sasso as his home

Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa

Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.

Art bartering: artists start viral social media trend to fight cost of living crisis

Artists worldwide are using social media platforms like Instagram and TikTok to barter their artwork for goods and services instead of money, in a viral trend responding to the cost of living crisis. Participants trade paintings for items such as handmade clothes, jewelry, tattoos, accommodation, meals, and professional services like video editing or framing, with some simply inviting offers. Artists like Lin Snow, Oli Fowler, and Andrea Mongenie cite economic pressures and anti-capitalist motivations, viewing bartering as a way to build community and bypass financial systems that leave creatives struggling.

This is fucking Disneyland

"Das ist fucking Disneyland"

The article surveys recent German cultural commentary, highlighting three main stories: art historian Bénédicte Savoy's warning in the FAZ about the physical decay of German universities, particularly the Technical University of Berlin, as a threat to democratic culture; Berlin artist Charlie Stein's essay on anxiety as a pervasive contemporary condition and art's role in making it visible; and critic Rachel Wetzler's harsh review of the Venice Biennale in Artforum, calling it an overwhelming 'theme park' version of the art world. Additionally, Nikolaus Bernau defends expert juries in the Tagesspiegel, using the Biennale's jury crisis as a case study.