A cycle of eleven paintings commissioned in 1772 for the Chapelle Saint-Louis at the École Militaire in Paris, depicting the life of Saint Louis, has been rediscovered. The chapel was built under Louis XV by architect Ange-Jacques Gabriel, and the paintings were executed by Jean-Baptiste-Marie Pierre following a carefully devised iconographic program. The discovery sheds new light on a major decorative ensemble from the Ancien Régime.
Indonesian artist Natasha Tontey is the subject of an interview discussing her film series *Macho Mystic Meltdown*, which debuted at the Venice Biennale. The series includes chapters *Oikoumenē* (2025), *Monster, She Wrote* (2026), and *The Phantom Combatants* (2026), exploring Minahasan cosmology, the Permesta rebellion, and the mythologized figure of female combatant Len Karamoy. Tontey uses speculative fabulation, collage, and unstable bodily forms to challenge patriarchal norms and official histories.
Masonicare Hospice & Palliative Care has launched "Completing the Journey: The Art of Hospice Care," an art exhibit featuring works created by patients in hospice care across its senior living communities in Connecticut. The exhibit, the first of its kind from Masonicare in over 15 years, includes small artworks on self-standing screens, accompanied by portraits of the artists and brief statements about their creative process. It opened at the Hartog Activities Center in Wallingford on April 28 and will travel to other Masonicare facilities, including Rocky Hill, after previous stops in Chester and Mystic. The project was funded by the Masonic Charity Foundation of Connecticut.
Mark Seidenfeld, a Hamptons-based abstract painter, will present a solo exhibition titled "Uncharted Waters" at the newly renovated Corwith Homestead Tractor Barn, part of The Bridgehampton Museum in New York. The show runs from June 4 to June 21, 2026, and features paintings that transition from representational work into fully realized abstraction, exploring themes of depth, gesture, and discovery through layered and revised compositions.
Two new exhibitions will open at the Brno House of Arts on Tuesday, 28 April, with a public vernissage at 6pm. The first, 'Distorted Image: Chapters from the Beginnings of Video Art', is an international show examining how artists in Czechoslovakia, Poland, and Hungary from the 1960s to the 1990s manipulated analogue and digital images to question truth in media, featuring experimental films, early animations, and independent video magazines. The second, 'Words of Dalibor Chatrný', is a retrospective marking the centenary of the Czech artist's birth, focusing on his 'word works' that explore language and the interplay between reading and seeing, while retaining painterly qualities.
Jessica Helfand, an artist, has purchased and moved into a loft in an industrial building, beginning a new chapter in a space with a layered history. The article details how she transformed the loft to suit her artistic and personal needs, blending its industrial past with her creative vision.
The Indianapolis Contemporary (ICon) has officially opened its doors in a transformed 40,000-square-foot former dairy barn, signaling a bold new chapter for the city’s arts scene. This non-collecting institution aims to dismantle the traditional, often sterile museum experience by integrating live music, social spaces, and a rotating roster of site-specific installations that prioritize community engagement over historical preservation.
La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film
Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.
Interior design che dialoga con gli elementi naturali. Si chiama Fòco il nuovo progetto di Studiopepe e Archiproducts
Archiproducts Milano has unveiled "FÒCO. Living notes by Studiopepe," the final chapter of a four-part curatorial series exploring natural elements. Located in the Via Tortona showroom, the project features over 50 invited brands integrated into twenty distinct environments unified by a warm, burnished color palette. Designed by Studiopepe’s Arianna Lelli Mami and Chiara Di Pinto, the installation moves beyond a literal interpretation of fire to explore its symbolic power as both a creative spark and a communal hearth.
The Palais Galliera in Paris will host the exhibition "A Wardrobe of One’s Own: Dissident Femininities in the 19th Century" from September 26, 2026 to February 14, 2027. Featuring over 350 works—including clothing, paintings, photographs, and fashion posters—the show explores how 19th-century women appropriated men’s wardrobes, from Amazonian costumes and trousers to suits, ties, and top hats, as a means of emancipation and identity reshaping. Iconic figures such as Marie-Antoinette, George Sand, Rosa Bonheur, and Natalie Clifford Barney are highlighted alongside anonymous subjects from amateur photographs.
Funun Arts Group, in collaboration with Novotel Sharjah Expo Center, launched the fourth chapter of its Epochs of Art series titled 'Light in Motion: Impressionism to Post-Impressionism' at the hotel in Sharjah, UAE. The exhibition runs from April 24 to June 24 and was inaugurated by artist-guests including Ahmed Al Awadhi, Abdul Jabbar Weiss, Majd Faraj, and Anjini Prakash Laitu, alongside Robin Solomon, General Manager of Novotel Sharjah Expo Center. The event featured an immersive meditative painting session and direct artist-visitor interactions, showcasing works by international artists exploring the interplay of light, movement, and emotion.
The article explores the Shekhawati region of northern Rajasthan, India, known as the world's largest open-air art gallery. It focuses on the 18th–20th century merchant havelis (mansions) hand-painted with intricate frescoes, many of which are now being restored as heritage hotels. The author recounts a personal stay at Malji Ka Kamra, a restored haveli in Mandawa, describing its blend of Italianate and Rajput architecture and the overwhelming frescoes covering every surface, depicting portraits, floral motifs, and scenes of daily life.
An exhibition titled "Ceija Stojka: Making Visible" at The Drawing Center in New York City highlights the persecution of Roma and Sinti people during the Holocaust, a lesser-known chapter of Nazi atrocities. The show features paintings and drawings by Ceija Stojka, a Romani artist, writer, and activist who survived the genocide and died in 2013 at age 79. Her works, described as acts of memory and imagination rather than documentary, depict her experiences and stories passed down to her, with the exhibition also including documentary films by Karin Berger and Stojka's writings, such as her 1988 memoir "We Live in Secrecy."
Graduate students at the Corcoran School of the Arts & Design, part of George Washington University, have created an interactive exhibition titled “American Made” to commemorate the United States’ 250th anniversary. The exhibit, on view at the Luther W. Brady Art Gallery until May 14, combines 21 traditional artworks from GW’s collection—including photographs, pottery, and textiles—with interactive elements such as a touchscreen map and audio components. The project was developed collaboratively by students in museum studies and interactive design programs, led by professors Laura Schiavo and Sam Shelton, as part of the school’s annual NEXT Festival. Featured works include Patricia Kennedy-Zafred’s contemporary quilt “Tagged,” which addresses the incarceration of Japanese Americans during World War II.
Atelier Gallery in Salmon Arm will host "Springing Forth," the first exhibition in the city from the Federation of Canadian Artists' Thompson Nicola Shuswap Chapter. The show runs from May 1 to May 16 and features works by artists from the Shuswap, Kamloops, and Okanagan regions, selected through a peer jury process.
Urban Sketchers Milano, a local chapter of the international Urban Sketchers community, recently held an event at Casa Galimberti, a notable Liberty-style building in Milan. The group, founded in 2007 by journalist and illustrator Gabriel Campanario in Seattle, brings together illustrators who draw urban scenes directly from life, on location. The Milan chapter, active since March 2008, is currently managed by Valentín Di Salvo, Stefano Ziffarelli, and Daniela Paglia, and organizes events such as a recent gathering at the garden of Via San Martino, which drew over 90 artists.
Gunjan Tyagi, a multidisciplinary visual artist based in Schenectady, New York, has been selected to exhibit at Pen + Brush, one of New York's oldest nonprofit galleries, during Women's History Month. Tyagi's work spans painting, sculpture, site-specific installation, nature art, video, photography, and mixed media, often incorporating unconventional materials like cow dung and found objects to explore identity, cultural exchange, and humanity's relationship with nature. She also serves as organizer of the India chapter of the Global Nomadic Art Project and as a jury member at the Biennale of Seychelles.
The Museum of Contemporary Art Detroit (MOCAD) has reopened after undergoing major upgrades. The glass facade, once a quiet mirror to Woodward Avenue, now actively draws visitors inside, marking a new chapter for the institution.
Seven senior artists from Moapa Valley High School presented their work in 'Seven Visions: Advanced Studies in Art,' an exhibition held in the school library on April 22. Led by art instructor Donna Swanson, the showcase featured drawing and ceramics by students Taylee Bunch, Mattingly Bradford, Emme Bowler, Erick Alfaro-Gonzalez, Jesse Evans, Sydney Dorsey, and Mitchell Stoker, each exploring personal themes developed over four years in the invitation-only program.