French senators have adopted a bill to facilitate the restitution of art looted during the colonial era, moving towards fulfilling a 2017 promise by President Emmanuel Macron. Meanwhile, Switzerland has appointed former president Simonetta Sommaruga to head a new independent panel examining claims for artworks looted during the Nazi era and colonial period.
2025年重庆市美术家协会“送欢乐、下基层”文艺惠民活动暨中国画艺委会“子庄精神——书画名家进校园”走进永川子庄小学
The Chongqing Artists Association, in collaboration with local government and cultural bodies, organized a cultural outreach event at Yongchuan Zizhuang Primary School. The event, part of the "Bringing Joy to the Grassroots" initiative, featured a calligraphy and painting exchange where artists from the city and district levels created works alongside teachers and students, culminating in a collaborative Chinese ink painting titled "Spring Garden." The program also included the donation of 100 art books to the school and the appointment of a prominent artist as an external art education counselor.
Claude Zervas has opened a new exhibition titled 'Pond Water' at Western Washington University's Art Gallery in Bellingham, featuring works in oil paint, wood, concrete, video, fiberglass, stone, and electronics created over multiple years, some dating back to 2005. The show opened on January 15, with a reception on January 22 drawing students and community members, and marks Zervas' second appearance at the gallery following his 2015 exhibit 'Middle Fork'. New gallery director Kelly Lindner, who started on the same day, praised Zervas as a Bellingham native who has achieved regional and national recognition.
A coalition called Health Workers 4 Palestine has organized an art auction, Seeds of Solidarity, to support medical professionals in Gaza. Taking place on 1 February at the Savoy hotel in London, the auction features works donated by 21 visual artists including Antony Gormley, Brian Eno, Mona Hatoum, Lisa Brice, Caroline Walker, and Hassan Hajjaj. Proceeds will benefit the Gaza Medics Solidarity Fund, which provides stipends to doctors, supports mobile clinics, and helps reconstruct maternity wards in the enclave. The sale is curated by Zayna Al-Saleh, known for her Voices of Palestine auctions that have raised over $1.4 million.
Art Karlsruhe returns for its 23rd edition from February 5–8, 2026, at Messe Karlsruhe in Rheinstetten, Germany. The fair brings together roughly 180 galleries from 18 countries, spanning 120 years of art history with dedicated halls for classical Modernism and contemporary art. New participants include Boston's Chase Young Gallery and Tehran's Maryam Fasihi Harandi Gallery, alongside a strong German contingent. Special sculpture areas feature works by Robert Schad, Martin Hollebecq, Koloman Wagner, and Sonja Edle von Hoeßle.
A 36-foot-tall stainless steel sculpture by Jaume Plensa, titled *Endless*, collapsed outside the Raclin Murphy Museum of Art at the University of Notre Dame on December 10, 2024. The work was found broken into two pieces after standing for nearly three years; no injuries occurred and only minor damage to the surrounding concrete was reported. Museum director Joseph Becherer stated the cause remains unknown, with no evidence of external force, and the remaining portion was dismantled as a precaution. The sculpture, installed in 2023 as a permanent outdoor commission, was donated by alumnus Charles Hayes and reflects Plensa's signature motif of letters exploring language and shared humanity.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is presenting *Theresa Hak Kyung Cha: Multiple Offerings*, the first survey of the late conceptual artist’s work in over two decades. Running from January 24 to April 19, the exhibition draws on BAMPFA’s substantial holdings of Cha’s art and archives, showcasing her multidisciplinary practice—including concrete poetry, mail art, textiles, ceramics, performance, and film. Curator Victoria Sung, alongside curatorial associate Tausif Noor, aims to de-emphasize Cha’s best-known work, *Dictée*, and instead highlight the fluidity of her process, revisiting themes across different media from the early 1970s to the early 1980s. The show features a recreation of her 1980 film *Exilée*, documentation of performances such as *Réveillé dans la Brume* (1977), and early ceramics and textiles never before shown publicly.
Archaeologists in Fano, Italy, have unearthed the remains of a 2,000-year-old Roman basilica during redevelopment work on Piazza Andrea Costa. The rectangular structure, bordered by eight columns on the long side and four on the shorter sides, matches the precise measurements and layout described by the ancient Roman architect Vitruvius in Book V of his treatise *De Architectura*. This is the first time a physical building has been attributed to Vitruvius, whose writings have long been studied but whose structures had never before been found.
Centre LGBT+ and several faith communities in Centre County, Pennsylvania, are partnering for a new art exhibition called “Rainbow Creation,” inviting local artists to submit original works exploring and celebrating LGBT+ identity. Submissions are open until March 15, with no fee required, and works by children, youth, and adults in any medium are welcome. Selected pieces will be displayed from April 12 to June 30 at Centre LGBT+’s community center and multiple faith spaces across State College and the Centre Region. Participating congregations include Unitarian Universalist Fellowship of Centre County, St. Luke Lutheran Church, Congregation Brit Shalom, Grace Lutheran Church, St. Paul’s United Methodist Church and Wesley Foundation, University Baptist and Brethren Church, State College Friends Meeting, and State College Presbyterian Church.
Dib Bangkok, Thailand's first-ever international contemporary art gallery, opened on December 21 in a converted 1980s warehouse. Founded by businessman and art collector Purat 'Chang' Osathanugrah and designed by architect Kulapat Yantrasast, the 7,000-square-foot space features a neutral-toned interior with concrete, glass, and steel to create a meditative backdrop for art. The inaugural attraction is 'Straight Up', a light installation by James Turrell that includes his signature Skyspace, marking the artist's first full-scale work in Thailand.
David Walsh, the billionaire owner of the Museum of Old and New Art (Mona) in Tasmania, announced the opening of a major extension housing 'Elektra', a multilevel concrete amphitheatre by German artist Anselm Kiefer. The project, which cost over AUS$100 million, opened on December 19 with a performance featuring dancers Juliet Burnett and Cecilia Martin, bassist Nick Tsiavos, and vocalist Deborah Kayser. Kiefer, Walsh, and Walsh's wife Kirsha Kaechele attended the unveiling. Elektra is Kiefer's second permanent installation at Mona, joining his 2007 work 'Sternenfall/ Shevirath ha Kelim'.
The Louvre installed bars on the window through which thieves broke into the Galerie d’Apollon in October, stealing bejeweled objects that remain largely unrecovered. The window was secured on December 23, two days before Christmas, fulfilling a promise made by Louvre director Laurence des Cars, who had sought to resign after the heist but was denied. The museum also plans to add 100 security cameras and discuss securing other windows.
Feria Material, a satellite art fair to Mexico City's Zona Maco, is moving its venue just six weeks before its February 5–8 edition. The fair will relocate from Expo Reforma to Maravilla Studios, a renovated historic factory in Colonia Atlampa, because Expo Reforma is hosting "Stranger Things: The Experience," a Netflix immersive activation, through the end of February. Material cofounder Brett W. Schultz told ARTnews that the fair exhausted all options to stay at Expo Reforma but faced limited venue options and skyrocketing rental prices in Mexico City. Maravilla Studios offered a similar price and features a single-level layout with high ceilings, polished concrete floors, and outdoor spaces, which the fair's production team sees as an improvement over the previous two-floor, carpeted venue.
Banksy's Walled Off Hotel in Bethlehem has reopened for the first time since the October 7 attacks on Israel and the subsequent war in Gaza. The hotel, which opened in 2017 across from the West Bank barrier, functions as a guesthouse, museum, art gallery, bookstore, and spray-paint shop, with nearly every window facing the 30-foot-high concrete wall. Manager Wisam Salsaa described the reopening as a symbol of hope and a cultural platform carrying the narrative of Palestine, featuring more than 20 original Banksy works and accommodation ranging from $70 bunk beds to a $495 presidential suite.
Artist Kunel Gaur presents his solo exhibition "Signs of Life" at Method Delhi, running from December 11, 2025 to January 25, 2026. The show features immersive works that explore contemporary life through architectural materials like wood, concrete, metal, and acrylic, with series including "Colour Field Studies," "Interface Portraits," "KUMI," and "Tile Assemblies." Gaur's practice draws on graphic design, architecture, and brutalist influences to examine how identity, memory, and emotion are filtered through technology and industrial systems.
Artnet News has published a list of the ten most expensive female artists at auction, based on data from the Artnet Price Database. The article highlights recent record-breaking sales, including Frida Kahlo's *El Sueño (La Cama)* (1940), which sold for $54.7 million at Sotheby's, and Marlene Dumas's *Miss January* (1997), which realized $13.6 million at Christie's, making Dumas the most expensive living woman artist. The list features artists such as Rosemarie Trockel, Bridget Riley, Cindy Sherman, Vija Celmins, and Cady Noland, with auction records ranging from $4.9 million to $9.7 million.
The Weserburg Museum für moderne Kunst in Bremen has announced its 2026 exhibition program, featuring three major shows. The collection exhibition "The Way We Are" (February 21, 2026–January 30, 2028) presents an updated survey of contemporary art from the 1960s to the present, with new thematic areas exploring self-portraiture, power and empowerment, patriarchal structures, and representations of the body, featuring works by over 100 artists. A solo exhibition, "Anys Reimann: Mirrorball" (May 2–October 4, 2026), marks the first museum show dedicated to the Düsseldorf-born artist, known for her works addressing identity, Black womanhood, and postcolonial themes through collage-paintings, leather sculptures, and an immersive black garden installation. Additionally, "Edition S Press" (September 12, 2026–August 29, 2027) at the Centre for Artists’ Publications examines the experimental publisher's output of concrete poetry, Beat poetry, and acoustic art from 1970 to 2005, featuring works by over fifty artists including John Cage, Allen Ginsberg, and John Giorno.
Charisse Pearlina Weston, a rising artist known for transforming industrial materials like shattered glass and concrete into harmonious abstract works, is the subject of a profile highlighting her rapid ascent. Her first solo exhibition with Jack Shainman Gallery, titled "Mis-/Mé- (Squeeze)," opened in New York's Chelsea and runs through December 20, 2025. Weston, who gained attention with a solo presentation at Patron gallery during Frieze New York 2024, was awarded a Guggenheim Fellowship in April 2025 and has an installation at the Cecilia Alemani-curated SITE Santa Fe International. She will also have dual representation at Art Basel Miami Beach next month.