dara birnbaum video artist dead wonder woman 1234740430

Dara Birnbaum, a pioneering video artist known for subverting mainstream media through her re-edited television clips, has died at age 78. Her longtime representative, Marian Goodman Gallery, confirmed her death but did not disclose a cause. Birnbaum rose to prominence in the late 1970s and 1980s by pirating TV programs and resequencing their images to disrupt passive viewing. Her most famous work, *Technology/Transformation: Wonder Woman* (1978–79), loops clips of Lynda Carter as the superhero, exposing hidden politics and questioning the show's brand of feminism. The piece is now regarded as a landmark in both feminist art and video art.

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US artists Spencer Finch and Lindsay Adams have been commissioned to create new installations for the Obama Presidential Center in Chicago, which is set to open in early 2026. Finch will produce a 70-foot-long tiled mural for the Forum building's lobby, inspired by Barack Obama's memoir *Dreams from My Father*, while Adams will adapt a 2024 painting into fabric panels for the center's public café. The commissions are led by museum director Louise Bernard and curator Virginia Shore, who are building a collection of approximately 20 public artworks for the campus, including pieces by Julie Mehretu, Richard Hunt, and Maya Lin.

Georg Baselitz, German artist who turned figurative painting on its head, has died, aged 88

Georg Baselitz, the influential German painter and sculptor, died on 30 April at age 88. Born Hans-Georg Kern in 1938 in Deutschbaselitz, he grew up amid the ruins of Nazi Germany and later adopted his surname from his birthplace. Expelled from the East Berlin Academy for "sociopolitical immaturity," he moved to West Berlin, where he rejected both gestural abstraction and Expressionism. His first solo exhibition in 1963 was shut down for obscenity. In 1969 he pioneered his signature inverted paintings, turning subjects upside down to sever image from representation. He also created large carved sculptures using axes and chainsaws. His later series, from 2014 onward, are considered his most astonishing work, culminating in a sustained focus on his wife, artist Elke Kretzschmar.

Chernobyl 40 years on, Paula Rego at Munch in Oslo, Gluck’s flower painting—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three distinct exhibitions. Host Ben Luke discusses the 40th anniversary of the Chernobyl nuclear disaster with organizer Olha Kovalevska, whose exhibition at Nikolaikirche in Potsdam runs until 27 April. He also explores a new show at Munch in Oslo, 'Paula Rego: Dance Among Thorns', with curator Kari J. Brandtzæg, focusing on Rego's engagement with Edvard Munch. Finally, the episode features 'Convolvulus' (1940) by Gluck as the Work of the Week, part of the group exhibition 'Handpicked: Painting Flowers from 1900 to Today' at Kettle's Yard in Cambridge, discussed with co-curator Naomi Polonsky.

Endemic leaking problems at Frank Lloyd Wright's Fallingwater finally come to an end

A three-year, $7 million conservation project at Frank Lloyd Wright's Fallingwater is scheduled for completion in April, finally addressing the building's endemic leaking problems and structural vulnerabilities. The project focuses on replacing waterproofing assemblies, repairing roofs, exterior walls, terraces, windows, and doors to protect the house from water infiltration and a changing climate, all while preserving its original aesthetic.

Here’s How Stars at the 2026 Met Gala Nodded to Art History

The 2026 Met Gala, themed "Fashion Is Art," saw celebrities and fashion figures wearing outfits directly inspired by or referencing iconic artworks and art historical movements. Notable nods included Chloe Malle in a gown referencing Frederic Leighton's *Flaming June*, Lauren Sánchez Bezos in a Schiaparelli dress echoing John Singer Sargent's *Madame X*, and Hunter Schafer channeling Gustav Klimt's portrait *Mäda Primavesi*. Other attendees like Anne Hathaway, Hailey Bieber, and Karan Johar also drew from specific paintings, sculptures, and poems, while stylist Law Roach wore a hand-painted piece by Gabonese artist Naïla Opiangah.

$102 Million Verdict Over Robert Indiana Artwork May End Years-Long Legal Battle

A Manhattan federal jury awarded $102 million in damages to the Morgan Art Foundation in its lawsuit against art publisher Michael McKenzie, finding him guilty of making and selling unauthorized Robert Indiana artworks. The verdict, delivered on April 23, follows a complex legal battle that began just before Indiana's death in 2018, involving accusations of exploitation, fraud, and copyright infringement. McKenzie and caretaker Jamie Thomas were also accused of taking advantage of the elderly artist. The case has cast doubt on the authenticity of some late Indiana works and affected his market, with his auction record remaining at just over $4 million since 2011.

The Untold Story of Peter Hujar and Paul Thek’s Intimate—and Complex—Bond

Andrew Durbin’s new dual biography, *The Wonderful World That Almost Was*, explores the profound and volatile relationship between photographer Peter Hujar and artist Paul Thek. Spanning from their meeting in the late 1950s to their deaths from AIDS-related complications in the 1980s, the book details how their shared experiences—most notably a 1963 visit to the Capuchin Catacombs in Palermo—fundamentally shaped their artistic trajectories. While Hujar captured the mummified remains in haunting photographs, Thek translated the encounter into his visceral "meat pieces" and wax effigies.

The Philosopher Who Predicted Our Post-Literate Art Moment

Art critic Martha Schwendener has released a new book titled 'The Society of the Screen: Vilém Flusser’s Radical Prescience,' exploring the prophetic theories of the late philosopher Vilém Flusser. Flusser, a Prague-born thinker who lived in Brazil and Europe, argued in the 1980s that society was transitioning from a text-based culture to one dominated by 'technical images,' a shift he believed would fundamentally alter human consciousness and the function of the 'apparatus' in daily life.

Jeweled Snuffboxes Stolen in Brazen Paris Heist Go on Display

Jeweled Snuffboxes Stolen in Brazen Paris Heist Go on Display

Two 18th-century jeweled snuffboxes, stolen in a 2024 axe-wielding heist at Paris's Musée Cognacq-Jay, have been restored and will go on display at London's Victoria and Albert Museum. The boxes, part of the Rosalinde and Arthur Gilbert Collection, were among seven luxury objects stolen; five were later recovered after an insurance payment, but a third snuffbox remains missing.

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Gustav Klimt's final portrait, 'Dame mit Fächer (Lady With a Fan),' sold for £85.3 million ($108.4 million) at Sotheby's London, setting a new record for the most expensive work of art ever auctioned in Europe. The painting, which was still on Klimt's easel when he died in 1918, surpassed its pre-sale estimate of over £65 million after a ten-minute bidding war.

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This week's art industry news includes Art Basel appointing Egyptian artist Wael Shawky as artistic director of its first Middle East fair, Art Basel Qatar, running February 5–7, 2026. A new fair called Loading… debuts in Hudson, N.Y., during Upstate Art Weekend, while Vienna Contemporary names Abaseh Mirvali as artistic director. Bonhams offers material from Roy Lichtenstein's Hamptons home, and a legendary Le Birkin handbag sells for €8.5 million at Sotheby's Paris. Galleries see Hollis Taggart adding two artists, Adam Lindemann closing Venus Over Manhattan, and Berlin's Meyer Riegger and Paris's Galerie Jocelyn Wolff opening a joint Seoul gallery. Museums include the Zayed National Museum opening in Abu Dhabi, Shamim M. Momin named director of the Bronx Museum, and the Baltimore Museum of Art acquiring 150 new works. The Art Bridges Foundation and Crystal Bridges acquire 90 Indigenous artworks, and the Schirn Kunsthalle Frankfurt opens a temporary location. In legal news, DHS officials visited the National Museum of Puerto Rican Arts and Culture in Chicago.

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Thomas Hoving recounts his decision to pursue art history graduate school after military service, rejecting his father's demand that he join the family business and attend business school instead. He describes a cross-country road trip with his wife Nancy and their dog Whiskey, including a failed gambling attempt in Las Vegas and mechanical troubles in Missouri.

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Performance artist Marina Abramović is being sued by her former creative and romantic partner Frank Uwe Laysiepen, known as Ulay. Ulay alleges that Abramović violated a 1999 contract by failing to share royalties and credit for collaborative works they created together. He claims Abramović has omitted his name from attributions and provided inaccurate sales statements, paying him only four times in 16 years. Abramović's lawyer has dismissed the allegations, and the case may be heard in Amsterdam district court.

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The Frick Collection in New York, which recently reopened after a major expansion, does not own a single painting by John Singer Sargent, despite founder Henry Clay Frick's admiration for the artist. Sargent declined Frick's request for a portrait commission late in his career, and after Frick's death, his daughter Helen Clay Frick turned down an opportunity to purchase Sargent's iconic portrait of Lady Agnew of Lochnaw in 1922 because the museum's trustees were undecided about the institution's future. The painting now resides at the Scottish National Gallery in Edinburgh. However, the Frick will receive a study for Sargent's famous 'Madame X' as part of a promised gift from collectors Elizabeth and Jean-Marie Eveillard.

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Frank Uwe Laysiepen, known as Ulay, has died at age 76 in Ljubljana, Slovenia. The German-born artist was a pioneer of performance art, photography, and body art, best known for his collaborative works with former partner Marina Abramović, including the iconic "Relation Works" series and their 1988 walk along the Great Wall of China. Ulay had been recovering from lymphatic cancer; the cause of death has not been confirmed. He leaves behind the ULAY Foundation in Amsterdam and a project space in Slovenia.

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British artist Stuart Semple has been ordered by a French court to pay €16,000 ($18,200) in damages for selling a blue paint called Easy Klein, which he developed as a tribute to Yves Klein. The ruling, issued on what would have been Klein’s 97th birthday, sided with Klein’s estate and trademark holders—Blue Bay Limited, RUK (the company managing Klein’s copyrights), and Klein’s son Yves Amu Klein—who argued that Semple’s product unfairly capitalized on Klein’s legacy. Semple denies the claims and plans to appeal, stating that the packaging was a satirical riff on Calvin Klein perfume, not an attempt to confuse consumers.

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This week's art industry roundup covers major personnel changes at Phillips, with Cheyenne Westphal stepping down as global chairwoman and Jean-Paul Engelen departing for Acquavella Galleries, alongside promotions of Robert Manley and Miety Heiden. Auction results show mixed performance: Christie's Riggio collection brought $488.8 million, but Sotheby's and Phillips saw declines, while Marlene Dumas set a record for a living woman artist at Christie's. Other highlights include the launch of Derrick Adams' Scout Art Fair in Baltimore, Art Basel's inaugural awards, and the opening of Destinee Ross-Sutton's gallery in Stockholm.

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President Donald Trump has proposed eliminating the National Endowment for the Arts (NEA), and arts organizations across the U.S. are already feeling the impact. After a White House budget request in May that excluded the NEA, dozens of institutions received abrupt termination notices for their grant applications, with the NEA citing a shift in policy priorities to focus on projects reflecting the nation's artistic heritage as prioritized by the President. In protest, many senior NEA staff resigned or were asked to retire, leaving the agency in disarray. The cuts are part of broader federal efforts to defund cultural agencies, including the Kennedy Center, the Smithsonian, and the National Endowment for the Humanities, which has seen a 70-80 percent staff reduction and canceled over a thousand grants. Private foundations like the Mellon Foundation and the Helen Frankenthaler and Andy Warhol Foundations have launched emergency funding programs, but the consequences for artists, educators, and community organizations are immediate and destabilizing.

why leonora carringtons otherworldly sculptures are generating interest and controversy 2608664

Leonora Carrington, the British-born Surrealist artist, has seen a dramatic revival of interest in her work, with her paintings breaking auction records and her sculptures gaining new attention. However, a bitter dispute has emerged between supporters of her later bronzes and critics questioning their legitimacy, complicating her legacy. Carrington lived most of her life in Mexico and died in 2011 at age 94, but her reputation has soared posthumously, marked by a 2015 retrospective at Tate Liverpool, her influence on the 2022 Venice Biennale, and a current retrospective traveling from Palazzo Reale in Milan to Musée du Luxembourg in Paris. Her painting *Les Distractions de Dagobert* (1945) sold for $28.5 million at Sotheby’s New York in May 2024, setting a record for a British-born female artist, while her wooden sculpture *La Grande Dame (The Cat Woman)* (1951) fetched over $11.4 million in November 2024.

What Is a "Post-Duchamp" Art World?

Scholar Thierry de Duve discusses the legacy of Marcel Duchamp in conjunction with a new exhibition at the Museum of Modern Art (MoMA) featuring seven of the artist’s “boîtes-en-valise.” These portable miniature museums, created decades before Duchamp’s first formal retrospective, are framed as evidence of his genius in anticipating the institutional logic of the modern museum. The conversation explores how Duchamp’s provocative works, such as the readymade "Fountain," fundamentally altered the trajectory of art history and defined the "post-Duchamp" era.

Art Publisher Owes $102.2 Million in Damages for Late Robert Indiana Works

A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.

Jordan Wolfson’s Newest Provocation Is a Creepy Prada Ad Campaign

Artist Jordan Wolfson has directed a new advertising campaign for Prada's Spring/Summer 2026 collection. The campaign, titled "I, I, I, I AM… PRADA," features unsettling, computer-generated birds and a bird-man hybrid alongside models including actors Carey Mulligan, Nicholas Hoult, Damson Idris, and Hunter Schafer, continuing Wolfson's signature style of disturbing digital avatars.

the stakes are high for emerging galleries at frieze some are selling others arent as lucky 1234757562

At Frieze London, emerging galleries in the Focus section face high financial pressure, with booth costs reaching £6,750 ($9,000). While some dealers reported strong sales—such as London's Ginny on Frederick, which sold out both works by Alex Margo Arden, and Brunette Coleman, which also sold out—others were reluctant to disclose results. Several unnamed dealers admitted to selling nothing or only a single work, highlighting a stark divide between success and struggle among smaller exhibitors.

How Well Do the Met Gala’s Attendees Know Their Art History? We Critique Looks by Madonna, Hunter Schafer, and More

The article critiques nine outfits from the 2026 Met Gala, which was held under the theme 'Fashion Is Art' in conjunction with the Costume Institute's new exhibition 'Costume Art' at the Metropolitan Museum of Art. It analyzes how attendees like Hunter Schafer, Lauren Sánchez Bezos, and Kylie Jenner referenced specific artworks—such as Gustav Klimt's *Mäda Primavesi* and John Singer Sargent's *Madame X*—in their fashion choices, evaluating the success of these art-historical allusions.

Barry X Ball’s Wild Sculptures Are Perfectly at Home at Venice’s Grand Basilica of San Giorgio Maggiore

New York-based artist Barry X Ball's exhibition "The Shape of Time" has opened at the Abbey of San Giorgio Maggiore in Venice, featuring 23 sculptures centered on the elaborate silver and gold piece *Pope Saint John Paul II* (2012–24). The show, organized by curator Bob Nickas, includes many works shown publicly for the first time, such as *Pietà* (2011–22) inspired by Michelangelo and *Saint Bartholomew Flayed* (2011–20). The sculpture of John Paul II, cast in collaboration with Italian jewelry house Damiani, contains hidden references to the pope's life, including his nemeses Hitler, Stalin, and Lenin, as well as a bullet from the 1981 assassination attempt.

See Photos from Archives of Nine Photographers Going to Center for Creative Photography

The Center for Creative Photography at the University of Arizona has acquired the archives of nine photographers: Laura Aguilar, Jack Dykinga, Jody Forster, Frank Gohlke, Mark Klett, Nathan Lyons, Stephen Marc, Patrick Nagatani, and Susan Wood. The collections include photographic prints as well as supporting materials like correspondence, notebooks, and working proofs that document the artists' creative processes.

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The Rijksmuseum in Amsterdam has officially authenticated a long-lost painting, 'Vision of Zacharias in the Temple' (1633), as a genuine work by Rembrandt van Rijn. The painting had been dismissed by scholars in the 1960s and remained in a private collection for over six decades until the owner approached the museum for a technical analysis. Using advanced imaging and material studies similar to those used on 'The Night Watch', experts confirmed that the pigments, signature, and date align perfectly with Rembrandt’s early Amsterdam period.

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A large-scale sculpture by Korean American artist Michael Joo collapsed during the opening reception of his solo exhibition at Space ZeroOne in Tribeca, New York. The artwork, titled 'Saltiness of Greatness' (1992) and composed of compressed salt blocks, reportedly fell after being disturbed by a visitor, resulting in minor injuries to four attendees including a curator, a gallerist, and a foundation board member. The gallery, operated by the Hanwha Foundation of Culture, has temporarily closed to review safety procedures following the incident.

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The article reports two major developments in the art world. First, the O-1B artist visa in the US is seeing a surge in applications from social media influencers and OnlyFans models, who use follower counts and digital earnings to demonstrate commercial success, a shift that immigration attorneys say is reshaping how artistic merit is defined. Second, the British Museum is hiring a specialist to recover hundreds of stolen artifacts from its Greek and Roman collections, with 654 of an estimated 1,500 missing items already recovered, while a criminal investigation into former curator Peter Higgs continues.