An original Andy Warhol exhibition poster from 2021 is being offered for sale by Baldwin gallery, with locations in London, Miami, and Dubai. The offset lithograph on paper measures 19.7 × 27.6 inches, is in mint condition, unsigned, and includes a Certificate of Authenticity. Priced at £650, the work ships from London with domestic shipping at £45 and international at £55, and is covered by the Artsy Guarantee.
A researcher at the Van Gogh Museum, Joost van der Hoeven, has revealed that Paul Gauguin's erotic ceramic, the Cleopatra Pot (winter 1887-88), was used as a flower vase by Vincent van Gogh's family. Gauguin brought the pot to Arles when he stayed with Van Gogh in 1888, and after Van Gogh's ear incident, Gauguin gave the pot to Vincent's brother Theo as a gift. The pot later remained with Theo's widow, Jo Bonger, and a photograph from 1925-26 shows it on her piano holding flowers, surrounded by still-life paintings.
An exhibition titled "Charley Toorop: Love for Van Gogh" opens at the Kröller-Müller Museum in the Netherlands (24 May-14 September), showcasing 60 works by Charley Toorop (1891-1955), one of the first female painters deeply influenced by Vincent van Gogh. The show, curated by Renske Tervaert, draws on the museum's extensive Toorop and Van Gogh collections, supplemented with loans, and highlights how Van Gogh's work shaped Toorop's art, particularly in the early 1920s. A key focus is her 1924 portraits of patients at the Willem Arntsz Medical Asylum for the Insane in Utrecht, where she painted three powerful works after a traumatic marriage to Henk Fernhout, who had been institutionalized there. The exhibition also explores personal connections: Van Gogh's brother Theo was treated and died at the same facility, and Toorop's still lifes echo Van Gogh's motifs, such as her use of knives alluding to domestic strife.
Milan's art scene is currently anchored by a series of high-profile exhibitions coinciding with the Miart fair, featuring a diverse range of international talent. Highlights include Joy Labinjo’s vibrant figurative paintings at Tiwani Contemporary, which explore Black domesticity and sisterhood, and Cao Fei’s multimedia investigation into the intersection of technology and global agriculture at Pirelli HangarBicocca. Other notable presentations include Anselm Kiefer’s monumental tributes to female alchemists and historical figures, marking a significant moment for contemporary art in the city.
Why Beatriz González’s Haunting Paintings Are More Relevant Than Ever
A major retrospective of Colombian artist Beatriz González, "Beatriz González: A Retrospective," is touring internationally, with recent stops at the Pérez Art Museum Miami and the Museo de Arte Miguel Urrutia in Bogotá. The exhibition, the largest of her 60-year career, showcases over 150 works, including her iconic paintings that appropriate and rework images from art history and mass media to critique political violence, social inequality, and cultural memory in Colombia.
Nadine Khoury, a Dubai-based collector, curator, and art adviser, founded the Young Collectors Circle in 2023 to engage Millennial and Gen Z professionals in the Gulf region with the local art scene. The initiative offers free events such as studio visits, suppers with established collectors, and group outings to exhibition openings, aiming to make art collecting accessible and educational. Khoury, who previously worked at Green Art Gallery, started the circle with friends and grew it through social media and word-of-mouth, limiting attendance to 15 people to foster a friendly, barrier-free environment.
The 2026 Photography Show, organized by AIPAD, opened to VIPs on April 22 at the Park Avenue Armory with record attendance and strong early sales. Featuring 80 domestic and international galleries, the fair showcased works ranging from early photographic experiments to contemporary digital and installation-based practices, with notable acquisitions by the Museum of the City of New York. AIPAD executive director Lydia Melamed Johnson reported a broad demographic of collectors, from established connoisseurs to first-time buyers.
Artist and illustrator CK Reed provides a visual and narrative account of the inaugural Neighbors Boutique Art Fair in Chicago. Founded by Mirka Serrato and curated by Jonny Tana, the fair transformed a historic residence on Astor Street in the Gold Coast into an intimate, domestic exhibition space. The event focused on a "non-conforming cultural proposal," deliberately platforming underrepresented communities and galleries within a setting that prioritized human connection over the typical commercial whirlwind of larger fairs.
British artist Celia Paul makes her debut at Gladstone Gallery with 'Innervisions,' a solo exhibition of new paintings in New York. The body of work continues Paul’s career-long exploration of her London studio—a space she has occupied for decades overlooking the British Museum—transforming the domestic environment into a vessel for temporal and psychological reflection.
The article surveys the art world's turbulent 2025, beginning with devastating Los Angeles wildfires that destroyed artworks and the political shockwaves of Donald Trump's re-election. Trump's administration targeted the National Portrait Gallery, whose director Kim Sajet resigned after threats of firing, while immigration crackdowns, tariffs on art imports, and attacks on diversity initiatives chilled the art community. The year also saw Venice residents protest Jeff Bezos's lavish wedding, Trump's gilded Oval Office renovations, and a major Veronese exhibition at the Prado that drew parallels between historical extravagance and decline.
Danielle McKinney's first solo museum exhibition in the United States, 'Danielle McKinney: Tell Me More,' has opened at the Rose Art Museum at Brandeis University in Waltham, Massachusetts. The show features 13 intimately scaled paintings created between 2021 and 2025, depicting Black women in dimly lit domestic interiors—lounging, reading, or smoking—often nude or in robes, with saturated colors and cinematic compositions. McKinney, born in Montgomery, Alabama, and based in Jersey City, began her career as a photographer and earned an MFA from Parsons School of Design before turning to painting in 2020 during the pandemic. The exhibition is curated by Gannit Ankori, the museum's director and chief curator, and runs from August 20, 2025, to January 4, 2026.
Frieze Seoul 2025 is spotlighting queer and female artists through two major exhibitions: “off-site 2: Eleven Episodes” at Kukje Gallery K2, organized in partnership with Art Sonje Center, and “UnHouse” at the new Frieze House space. The former features works by 11 emerging Korean female and genderqueer artists exploring non-normative bodies and identities, including photography by Hong Ji-young, video by duo Yagwang, and an experimental piece by Kwak So-jin. The latter reimagines domestic space through a queer lens with 14 artists such as Anne Imhof, Catherine Opie, and Xiyadie.
Arrival, a new art fair, launched its inaugural edition on June 12 at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors from across the US. The biennial fair, running through June 15, includes panels, talks, and off-site programming at nearby museums. Galleries set up in hotel rooms, creating an intimate, domestic atmosphere. Founders Yng-Ru Chen, Sarah Galender Meyer, and Crystalle Lacouture—who together bring 60 years of art-world experience—aim to offer a respite from conventional convention-center fairs. Early sales included works by Hayal Pozanti, Chelsea Ryoko Wong, and Pae White, and the Williams College Museum of Art acquired three works from the fair.
Houston-area museums and art spaces have announced their upcoming summer exhibitions, including immersive installations, figurative group shows, and presentations addressing environmental issues. Highlights include A.A.Murakami's "Floating World" at the Museum of Fine Arts, Houston (MFAH), the first solo U.S. museum presentation for the artist duo; Francesca Fuchs's "The Space Between Looking and Loving" at the Menil Collection, which explores a personal connection between the artist's father and John de Menil; and "Figurative Histories" at the Moody Center for the Arts, featuring works by Black Texas artists examining sociopolitical histories.
Do Ho Suh's major new exhibition "Walk the House" has opened at Tate Modern's Blavatnik Building, featuring large-scale fabric constructions that recreate architectural fragments from homes the South Korean artist has lived in across Seoul, New York, London, and Berlin. The centerpiece, "Nest/s" (2024), is a monumental sewn passageway made from polyester using a historic Korean fabric technique, incorporating fine details like logos on air vents and light switches. The show also includes "Rubbing/Loving: Seoul Home" (2013-22), a 1:1 paper-and-graphite rubbing of his childhood home, alongside models, drawings, and film that explore memory, migration, and domestic space.
Slip House, a new gallery co-founded by Ingrid Lundgren and Marissa Dembkoski, will open to the public on May 9, 2025, during Frieze Week. Located in a 1,000-square-foot, three-story former carriage house at 246 East 5th Street in New York's East Village, the gallery's inaugural exhibition features a multigenerational roster of artists, including historic works by Jack Whitten and Claude Viallat alongside contemporary pieces by Anne Hayden Stevens, Lizzy Gabay, Max Guy, and others. Former Sprüth Magers Director Jessica Draper co-curates the debut presentation. The space includes a second-floor fireplace and kitchen, and a third-floor live/work area that will host a rotating artist residency, with co-founder Dembkoski living onsite during the first year.
Parker Gallery in Los Angeles mounted its final exhibition, “Bowls, Boxes, Plates & Vessels,” at its longtime home in the Los Feliz neighborhood from February 1 to October 19, 2025. The show featured an intergenerational group of artists—including Magdalena Suarez Frimkess, Nancy Shaver, Ruby Neri, Shio Kusaka, Zachary Leener, and Daisy Sheff—who had previously exhibited at the gallery, invited back to explore the theme of the container as form. Works in ceramic ranged from small hand-held bowls to large-scale sculptures, displayed within the domestic space of founder Sam Parker’s home, adding intimacy and resonance.
The Solomon R. Guggenheim Museum is hosting "Contours of a World," a retrospective dedicated to Gabriele Münter, a co-founder of the Blue Rider group. The exhibition moves beyond the shadow of her long-time partner Wassily Kandinsky, showcasing her distinct approach to German Expressionism through photography, intimate domestic scenes, and vibrant landscapes. Unlike her contemporaries who leaned toward total abstraction, Münter utilized bold outlines and layered compositions to create a dynamic, phenomenological experience of seeing.
The Broad museum in Los Angeles has opened a major retrospective, "Robert Therrien: This is a Story," dedicated to the late artist Robert Therrien. The exhibition, featuring over 120 works from five decades, aims to move beyond Therrien's most famous piece—the monumental "Under the Table" sculpture—to present the full scope of his obsessively iterative practice, which transformed personal memories into universal forms.
Beaux Arts Magazine presents a feature on ten artworks that celebrate labor, from ancient Egyptian frescoes to modern depictions of workers. The article highlights pieces such as Pieter Brueghel the Elder's "The Harvesters" (1565), Diego Velázquez's "The Spinners" (c. 1657), and Johannes Vermeer's "The Milkmaid" (c. 1660), examining how artists have elevated peasant, artisan, and domestic work from background detail to central subject. The feature coincides with the Musée d'Orsay's nationwide initiative "100 œuvres qui racontent le travail" (100 Works That Tell the Story of Work), which explores the history and representation of labor in art.
La « Tavolo con ruote » de Gae Aulenti : une icône radicale comme sur des roulettes
Gae Aulenti’s 1980 'Tavolo con ruote' (Table with wheels) remains a definitive icon of postmodern design, characterized by its radical simplicity. Created during Aulenti's tenure as artistic director of FontanaArte, the piece features a thick glass slab bolted to four industrial trolley wheels, a concept inspired by the factory carts used to transport glass. The table's enduring popularity is highlighted by its recent corporate history, as FontanaArte was acquired by Nemo Lighting in 2024 and subsequently integrated into the Spanish group Kettal in early 2026.
Auguste Renoir en 2 minutes
Pierre-Auguste Renoir remains a cornerstone of Impressionism, celebrated for his transition from porcelain painting to becoming a master of figure and light. While he initially pioneered plein air techniques alongside Claude Monet, Renoir eventually pivoted toward a more classical study of 18th-century masters, focusing on portraits, domestic scenes, and nudes. His career was marked by iconic works like 'Bal du moulin de la Galette' and a persistent drive to paint even as severe rheumatism physically debilitated him in his final years at Cagnes-sur-Mer.
Entertainment executive Hassan Smith has curated a deeply personal art collection in his North Atlanta home that bridges historical mastery with contemporary Black identity. His holdings range from a 17th-century Rembrandt drawing in the kitchen to iconic photography by Gordon Parks and contemporary works by artists like Ferrari Sheppard and Derek Fordjour. The collection is characterized by its integration into daily family life, featuring a Basquiat-inspired aesthetic that begins at the front door.
Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.
The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, moves beyond the traditional geographic borders of the United States to explore 'the greater United States.' Drawing inspiration from historian Daniel Immerwahr, the exhibition features artists from occupied territories, military outposts, and nations impacted by American intervention, including Okinawa, Chile, and Palestine. The show shifts the focus from identity politics to the material reality of infrastructure, examining how global systems of finance, energy, and empire operate and often fail.
Tate Modern, the world's most visited modern and contemporary art museum, reported a budget deficit six months ago, prompting critics to blame its programming and curatorial strategies for declining foot traffic. While domestic attendance has recovered to 95% of pre-Covid levels, international visitors have dropped significantly—down 39% at Tate Modern, 32% at Tate Britain, and nearly 40% at Tate St Ives. Tate Liverpool remains closed until 2027. Research from The Art Newspaper's annual visitor report, however, points to external factors such as Brexit, socioeconomic shifts, and the cost-of-living crisis as key drivers of the decline, particularly among young European visitors aged 16 to 24.
Kaari Upson's posthumous retrospective "Dollhouse" has opened at the Louisiana Museum in Copenhagen, Denmark. The exhibition features works such as "Trespass" (2012), a simulated chain-link fence coated in flesh-toned acrylic, and "The Grotto" (2008-09), a faux-rock formation with water features and video projections of sex-doll-like figures. The show explores themes of voyeurism, transgression, and the blurring of public and private boundaries, drawing from Upson's acclaimed "Larry Project" (2005-12), which involved breaking into a neighbor's abandoned home.
German installation artist Henrike Naumann has passed away at the age of 41 following a battle with cancer. At the time of her death, Naumann was preparing for the pinnacle of her career: representing Germany at the upcoming 61st Venice Biennale. The German pavilion organizers have confirmed that they will work closely with her studio team to realize her finalized artistic vision for the exhibition as planned this May.
Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.
Miriam Cahn presents a new exhibition, "STILL LEBEN," at Galerie Jocelyn Wolff in Paris. The show features a recent body of work, produced largely in the past few months, which marks a distinct shift from her previous focus on the human body and overt brutality. The new pieces center on objects, everyday domestic situations, and interiors, exploring what the artist terms 'le ménage' (housekeeping).