Robert Therrien Estate Leaves Gagosian After Nearly Three Decades and Joins David Zwirner

The Robert Therrien estate has left Gagosian after nearly three decades and joined David Zwirner, a rival mega-gallery. The move follows a major survey of the late sculptor's work at the Broad museum in Los Angeles, which featured 120 works and was the largest exhibition of his career. Therrien, who died in 2019, is best known for monumental sculptures of domestic objects, such as Under the Table (1994), and his towering plate columns held by institutions including the Tate and Glenstone.

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Israeli artist Doron Langberg is launching his first New York exhibition in seven years at Jeffrey Deitch’s Tribeca gallery, marking a significant shift in his practice. Known primarily for "New Queer Intimism" and domestic portraits, Langberg’s new body of work pivots toward monumental landscapes that grapple with his Jewish identity and the destruction in Gaza. The exhibition features works inspired by his family’s Holocaust history in Ukraine, used as a lens to process current geopolitical violence.

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The art world saw significant roster changes and leadership appointments this week, including Roberts Projects announcing representation of Esmaa Mohamoud and Cristin Tierney adding Debbi Kenote. Notable institutional moves include Charles Chemin being named Artistic Director of the Watermill Center and Julia Siemon stepping into a newly created Deputy Director role at the Bard Graduate Center. Additionally, the mid-season auction market showed unexpected strength, highlighted by Jeff Koons’s 'Winter Bears' selling for $7.6 million at Christie’s.

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Sotheby’s Hong Kong concluded its fall auction series with a robust $426 million total, headlined by a record-breaking $25 million sale for Yoshitomo Nara. Amidst this market momentum, Nara’s upcoming LACMA retrospective was announced to travel to Shanghai’s Yuz Museum. Meanwhile, the New York art scene is bracing for major institutional milestones, including the Metropolitan Museum of Art’s 150th-anniversary plans and the imminent public opening of MoMA’s $450 million expansion.

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This article explores the growing trend of artist-made furniture, which blurs the line between functional design and fine art. It highlights how artists like Salvador Dalí, Isamu Noguchi, Donald Judd, Tracey Emin, and the duo Les Lalanne have created pieces that invite physical interaction—such as sitting or touching—while retaining high art status. Gallerist Massimo de Carlo notes that collectors are drawn to this merging of art and life, and that such works offer both conceptual depth and investment value. The article also notes market disparities, with editions of furniture costing far less than unique works, though some pieces, like a François-Xavier Lalanne rhinoceros desk, have sold for nearly $20 million at auction.

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Alison Knowles, a pioneering artist of the Fluxus movement, died at age 92 in New York on October 29. Her gallery, James Fuentes, announced her passing but did not specify a cause. Knowles was best known for works like *Make a Salad* (1962) and *The Identical Lunch*, which used everyday materials and simple text-based instructions to create participatory art. Her most famous piece, *Make a Salad*, consists only of its title as a directive, allowing performers to interpret it freely; it has been staged at venues from Art Basel to Tate Modern. Knowles was a key figure in Fluxus, a movement formalized in 1963 by George Maciunas that rejected traditional art in favor of performance and accessible materials.

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At 92 years old, Puerto Rican artist Carmen De Monteflores has emerged as a breakout star of the 2026 Whitney Biennial. Her inclusion in the prestigious exhibition was facilitated by her daughter, renowned performance artist Andrea Fraser, who urged curators to view her mother's vibrant, shaped canvases that had been sitting in storage for decades. De Monteflores, who studied at the Art Students League and the École de Beaux-Arts, abandoned her painting career in 1969 due to the lack of opportunities for women, eventually becoming a psychologist and novelist.

Isaac Julien review – Gwendoline Christie meets a cyborg starfish in a pleasure-seeker’s postmodern parlour

A new film by artist Isaac Julien, featuring actors Sheila Atim and Gwendoline Christie as science-fiction deities, is on view at the Cosmic House in London. The 25-minute work, which incorporates themes from Octavia E. Butler's novel *Parable of the Sower*, explores concepts of change, interconnectedness, and fluid identity through a visually rich, postmodern lens.

At Home at Hong Kong Art Week

During Hong Kong Art Week, beyond the dominant Art Basel Hong Kong fair, a series of intimate interventions and installations across the city explore the boundaries between art, design, and everyday life. One notable event is a 'Listening Session' organized by Guangzhou's Vitamin Creative Space in a private home in the New Territories, where Lebanese artist-composer Tarek Atoui debuted two new 'instruments' that transform the living room itself into an interactive sound sculpture. The gathering of about 30 people, mostly in town for art week, blurred the lines between performance, installation, and domestic space.

Comment | Catherine Opie shows us that in dark times, looking for joy can be radical

The artist Catherine Opie is currently the subject of a major three-decade portrait survey, 'To Be Seen', at the National Portrait Gallery in London. The exhibition highlights Opie’s career-long commitment to representing the LGBTQ+ community, specifically the leather dyke scene in Los Angeles, through a lens that balances defiance with playfulness. Even her most provocative works, such as the 1993 self-portrait featuring a domestic scene carved into her back, are revealed to contain elements of humor and historical allusion that counter the despair of the AIDS crisis and personal heartbreak.

Mother Exhibition Palazzo Reale Milan

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Milan’s Palazzo Reale has launched "The Great Mother," a massive exhibition exploring the evolution of motherhood and female power throughout the 20th and 21st centuries. Curated by Massimiliano Gioni and produced by the Nicola Trussardi Foundation, the show features over 400 works by 127 international artists, including Louise Bourgeois, Cindy Sherman, and Rineke Dijkstra. The exhibition spans 29 halls, juxtaposing avant-garde historical works with contemporary installations to examine how gender roles and the maternal image have been constructed, challenged, and reclaimed.

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Artist Victoria Dugger has launched her third solo exhibition, "Freak Flags," at Sargent’s Daughters in New York. The show features six mixed-media works that reimagine the American flag through a maximalist, Southern Gothic lens, utilizing materials like gingham, glitter, nipple tassels, and barbed wire. Drawing inspiration from Jasper Johns’s iconic flag paintings, Dugger’s versions replace traditional colors with hot pinks and bright greens, with several displayed upside down to signal national distress.

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David Hockney, the legendary British artist, turns 88 on July 9, and Artnet News reflects on his seven-decade career of rule-breaking. The article highlights eight key moments of defiance, including his openness about his homosexuality before decriminalization in the U.K., his public smoking habit that led to a Paris Metro ad being pulled, and his controversial "Hockney-Falco thesis" arguing that Old Masters used optical tools like the camera lucida. Hockney currently ranks third on the Artnet Intelligence Report for best-selling and most bankable postwar artists, and his largest-ever exhibition is on view at the Fondation Louis Vuitton in Paris.

Celeste Dupuy-Spencer, Artist Who Confronted Injustice, Dies at 46

Acclaimed painter Celeste Dupuy-Spencer has passed away at the age of 46 in Los Angeles, just days before a scheduled solo exhibition at Jeffrey Deitch’s gallery. Known for her visceral and politically charged figurative works, Dupuy-Spencer gained national recognition for her contributions to the 2017 Whitney Biennial and the 2018 Made in LA biennial. Her practice often deconstructed American mythologies, the rise of domestic fascism, and global human rights issues, including a high-profile stance against the conflict in Gaza.

Tracing the Arc of British Sculpture From Modernism to Today

A new exhibition titled “Modern British: Modern & Contemporary British Sculpture” has opened at Bowman Sculpture in London, tracing the evolution of British sculpture from Modernism to the present day. The show features iconic figures such as Henry Moore, Eduardo Paolozzi, and Lynn Chadwick alongside emerging talents like Rufus Martin and Joanna Allen, creating cross-generational dialogues. Highlights include Moore’s *Small Seated Figure* (ca. 1936) and Paolozzi’s *Richard Rogers as Newton* (1990). The exhibition runs through May 29, 2026, and reflects the gallery’s shift from focusing on Modern masters to embracing contemporary voices.

“Nature Morte, 1982–1988” at Ehrlich Steinberg, Los Angeles

“Nature Morte, 1982–1988” at Ehrlich Steinberg, Los Angeles

A new exhibition at Ehrlich Steinberg gallery in Los Angeles presents "Nature Morte, 1982–1988," a focused survey of still-life paintings from a pivotal period in recent art history. The show brings together works from the 1980s by a generation of artists who reinvigorated the traditional genre during a decade defined by explosive art market growth and the rise of Neo-Expressionism.

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Artist and activist Michele Pred has opened a solo exhibition at Nancy Hoffman Gallery in New York, showcasing a body of work that addresses the erosion of civil and reproductive rights. The exhibition features her signature electroluminescent wire-stitched vintage handbags, sculptures made from found objects like wooden gavels and disarmed bullets, and large-scale inflatable abortion pill sculptures. Pred’s practice, rooted in her upbringing between California and Sweden, utilizes approachable domestic objects to deliver urgent political messages regarding bodily autonomy and social justice.

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Artnet News celebrates Pride Month by spotlighting queer artists featured on the Artnet Gallery Network. The article highlights five artists: Kyle Dunn, whose intimate paintings blend smooth and photorealistic surfaces; Tom of Finland, the iconic queer artist known for hyper-masculine, erotic illustrations; David Hockney, whose early work depicts an intimate bedroom scene; Anthony Goicolea, whose photography and paintings explore sexuality and adolescence; and Michela Griffo, an activist and artist whose work examines queer desire and domestic unease.

Ten London Art Exhibitions Not To Miss Opening in March 2026

London’s spring art season kicks off this March with a diverse array of high-profile exhibitions across the city's major institutions. Highlights include the Serpentine Galleries hosting concurrent shows by David Hockney and Cecily Brown, while the National Portrait Gallery presents the first major UK museum survey of American photographer Catherine Opie. Other notable openings include a George Stubbs focus at the National Gallery and a comprehensive look at the Baroque architecture of Sir John Vanbrugh at the Sir John Soane’s Museum.

Art market 2026 predictions: underwhelming rebound and another Frieze fair

The article presents five predictions for the art market in 2026, following a relatively improved but still cautious end to 2025. Key forecasts include a subdued market rebound, a shift toward smaller and cheaper artworks, the continued expansion of Frieze fairs (possibly into India), a consolidating Art Basel, and a resurgence of London's art-world clout. The predictions are informed by trends such as declining demand for art as investment, gallery closures and geographic pruning, and the thematic direction of the 2026 Venice Biennale, curated by the late Koyo Kouoh under the title "In Minor Keys."

Saudi Arabia Museum of Contemporary Art Gets $490 M. from Powerful Real Estate Firm

The forthcoming Saudi Arabia Museum of Contemporary Art has received a $490 million construction grant from Diriyah Company, a real estate firm chaired by Crown Prince Mohammed bin Salman. Designed by Dubai-based Godwin Austen Johnson, the museum will span 883,000 square feet—larger than the Louvre in Paris—and will be located in Diriyah, with additional exhibitions in Riyadh. The grant supports Saudi Arabia's Vision 2030 plan to diversify the economy away from oil.

The Artist Whose Shimmering Obelisks Are Cropping Up All Over the World

Artist Gisela Colón is currently the subject of a major retrospective at the Museo de Arte Contemporáneo de Puerto Rico (MAC), showcasing her signature "monoliths" and iridescent obelisks. These monumental sculptures, which have appeared in global locations ranging from the Great Pyramids of Giza to the Saudi Arabian desert, utilize advanced aerospace carbon fiber and site-specific minerals to create shifting, phenomenological experiences. The exhibition tracks her evolution from 1996 to the present, highlighting her unique ability to blend high-tech materials with ancient totemic forms.

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Artist Camille Henrot has premiered her first new film in nearly a decade, titled "In the Veins" (2026), at the newly reopened New Museum in New York. The 35-minute work, which is featured in the exhibition "New Humans," explores the intersection of domestic caretaking and the global climate crisis. Through Henrot's signature associative editing style, the film juxtaposes scenes of children growing up with footage from wildlife rehabilitation centers, highlighting the cognitive dissonance of raising children surrounded by animal imagery while facing mass extinction.

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Hundreds of artists, gallery owners, and collectors staged coordinated sit-ins at major Spanish museums, including the Museo Reina Sofía, to protest the country's 21 percent Value Added Tax (VAT) on art sales. Demonstrators gathered around Richard Serra’s 'Equal-Parallel/Guernica-Bengasi'—a replica of a work that famously vanished from storage—to symbolize the potential disappearance of the Spanish art sector under current fiscal pressures. The protests included demands for the resignation of the culture and finance ministers and calls for tax parity with European neighbors.

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Wafaa Bilal has been named the recipient of the 2025 ARTnews Award for Established Artist, recognizing his survey exhibition “Wafaa Bilal: Indulge Me” at the Museum of Contemporary Art, Chicago (February 1–October 19, 2025). The show is the first major retrospective for the Iraqi American artist, featuring works that put his body at risk, including the iconic performance *Domestic Tension* (2007), in which remote participants fired a paintball gun at him over the internet, and *Virtual Jihadi* (2008), a modified video game that blurs the lines between aggressor and victim. Curated by Bana Kattan, the exhibition restages elements of Bilal’s original performance and presents his ongoing critique of U.S. involvement in the Middle East, particularly the Iraq War and the use of drone warfare.

irans art market proving resilient andy warhol foundation names arts writers grant recipients and more morning links for december 4 2025 1234765016

Iran's domestic art market is proving resilient despite severe sanctions and economic hardship. In October 2025, Tehran Auction held a million-dollar sale at the Azadi Hotel in Tehran, totaling 134 trillion toman (roughly $1.5 million), featuring 120 works by leading modern and contemporary Iranian artists. The event, reported by The Art Newspaper, contrasts sharply with weak results for Iranian art at Sotheby’s and Christie’s in London, where Western demand has declined. Tehran Auction founder Ali Reza Sami-Azar notes that real domestic art spending continues to rise as more Iranians invest in art amid soaring inflation and currency collapse.

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President Donald Trump's tariffs on wood imports, introduced to support American manufacturers, have inadvertently disrupted the international trade in antiques and decorative arts. Memphis-based antique dealer Millicent Ford Creech notes that the tariffs unfairly penalize dealers specializing in pre-1800 pieces with no domestic equivalent, as fine art is exempt but collectible furniture and decorative items are not. Separately, the Fine Arts Museums of San Francisco (FAMSF) received a gift of 1,600 works from local collector Kirk Edward Long, rich in early modern European prints, paintings, antiquities, and decorative arts, as part of its multiyear 'Gifts of Art' initiative. Other news includes a rare jewelry box identified in Vermeer paintings, a Rembrandt drawing sold by Thomas S. Kaplan for conservation charity, and a popular 'Grumpy Guide' tour at Düsseldorf's Kunstpalast performed by artist Carl Brandi.

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Frank Lloyd Wright's Kalil House, a 1957 Usonian Automatic home in Manchester, New Hampshire, has been added to the National Register of Historic Places. Commissioned by Dr. Toufic and Mildred Kalil, the house was built using 2,580 concrete blocks and retains nearly all of its original Wright-designed furnishings. It is one of only seven such Usonian Automatic homes ever constructed and was purchased by the Currier Museum of Art in 2019.

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Sam Barsky, a self-taught knitter who learned from a library book in 1999 after dropping out of nursing school due to chronic illness, creates intricate pictorial sweaters entirely freehand without patterns. His sweaters depict landscapes and landmarks—such as Central Park, the London Bridge, and the Twin Towers—and he often photographs himself wearing them at the actual sites. His first museum solo exhibition, “It’s Not the Same Without You,” recently closed at the John Michael Kohler Arts Center in Wisconsin, and his work also appeared in the group show “R U Still Painting???” in Manhattan alongside artists like assume vivid astro focus and Uri Aran.

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The McNay Art Museum in San Antonio mounted the exhibition "Rasquachismo: 35 Years of a Chicano Sensibility" to mark the 35th anniversary of scholar Tomás Ybarra-Frausto's foundational 1989 essay theorizing rasquachismo. The show, curated by Mia Lopez and on view from December through March, featured works by major Chicanx artists including Yolanda M. López, Carmen Lomas Garza, Santa Barraza, Celia Álvarez Muñoz, Carlos Almaraz, Frank Romero, Patssi Valdez, Luis Jiménez, and younger artists like Ruth Buentello, Juan de Dios Mora, and Jimmy James Canales. Ybarra-Frausto credited Mi Tierra Cafe y Panaderia in San Antonio's Historic Market Square as a key influence on his critical eye, describing the restaurant as a "hotbed of rasquachismo."