The Procession as a Form of World: Latin American Artists at the Diriyah Biennale

LA PROCESIÓN COMO FORMA DE MUNDO: ARTISTAS LATINOAMERICANOS EN LA BIENAL DE DIRIYAH

The third Diriyah Contemporary Art Biennale, titled 'In Interludes and Transitions,' is open until May 2nd in Saudi Arabia's historic Diriyah district. Curated by Nora Razian and Sabih Ahmed, the exhibition features 68 artists from over 37 countries and frames the world as a multitude of processions, using movement as its central theme and methodology. The exhibition design by Formafantasma encourages a fluid, nomadic journey through four thematic movements and site-specific 'arenas' within the repurposed industrial halls of the JAX creative district.

WAYS OF REMEMBERING YAHUARCANI AND MUNOZ AT MASP

The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.

‘We are trying to preserve the memory of our people’: archaeologists create map tracking damage to Iran heritage sites

Iranian archaeologists Sepideh Maziar and Mehrnoush Soroush have launched an interactive online map to document and geolocate cultural heritage sites in Iran damaged by military strikes. The map, hosted by the University of Chicago's CAMEL Lab, currently lists 69 verified sites, including the historic Sa'dabad Palace complex in Tehran, and is updated as new information becomes available.

Clutch City Craft at Houston Center for Contemporary Craft, Houston

The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.

The language of termites: Liss Fenwick’s The Colony – in pictures

Artist Liss Fenwick has created a photobook titled 'The Colony' by feeding a collection of historical Australian novels, described as 'settler fan fiction,' to a colony of termites. The insects consumed the books over several years, leaving behind hollowed, sculptural remains that Fenwick photographed. The resulting work documents this process of organic transformation, where the physical texts are digested and reshaped.

Pearl Fryar, a Picasso of Plants, Dies at 86

Pearl Fryar, the visionary self-taught topiary artist who transformed his yard in Bishopville, South Carolina, into a world-renowned botanical masterpiece, has died at age 86. Starting in the 1980s with no formal training, Fryar used a gas-powered hedge trimmer to sculpt salvaged plants into gravity-defying, abstract geometric forms that drew thousands of international visitors to his three-acre property.

Everything You Need to Know to Start a Garden

The New York Times has published a comprehensive guide aimed at aspiring gardeners, detailing the essential steps required to cultivate and maintain a successful green space. The resource covers foundational gardening knowledge, from soil preparation and plant selection to long-term maintenance strategies for various types of outdoor environments.

Rare Books Stolen From a Jesuit Archive in Rome Are Returned to Italy

A collection of rare 17th-century books, written in Chinese by Jesuit missionaries and stolen from the Jesuit Historical Institute in Rome, has been returned to Italy. The books, which cover astronomy and other scientific topics, were recovered by the Carabinieri art squad after being illegally exported to the United States.

QUESTIONING POWER AND COLONIAL STRUCTURES CINTHIA MARCELLE INTERVENES AT SERRALVES

Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition rather than linear progression. Drawing inspiration from the Quilombola philosopher Nêgo Bispo, the installation challenges Western colonial structures and highlights the importance of ancestral knowledge and Indigenous cosmologies.

QUESTIONING POWER AND COLONIAL STRUCTURES CINTHIA MARCELLE INTERVENES AT SERRALVES

Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão and curated by Inês Grosso, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition. Drawing inspiration from the philosopher and Quilombola leader Nêgo Bispo, the installation challenges Western linear conceptions of time and highlights the persistence of colonial structures in modern social organization.

OPEN CALL – CIMAM Travel GRANTApply for a CIMAM Travel Grant: International Open CallOPEN CALL – CIMAM Travel GRANT

CIMAM (International Committee for Museums and Collections of Modern Art) has launched an open call for its 2026 Travel Grant Programme. The grants will fund museum professionals, curators, and researchers from emerging and developing economies to attend the organization's 58th Annual Conference in Harare, Zimbabwe, under the theme 'Museums Beyond Limits: Imagining Repair Across Cultures, Ecologies and Knowledges.'

Missoula Art Museum opens new exhibit on buffalo’s tribal significance Friday

The Missoula Art Museum has launched "Buffalo Is Our Good Medicine," a collaborative exhibition by artists Aspen and Cameron Decker. The show features a diverse array of media, including traditional ledger art, sculpture, hide paintings, and multimedia installations that center on the buffalo's vital role within tribal communities. Many of the works utilize hides harvested from the Yellowstone herd, blending historical storytelling with contemporary artistic practices.

Hilma af Klint - all exhibitions and events about the artist

The Grand Palais in Paris has announced a major monographic exhibition dedicated to the Swedish pioneer Hilma af Klint, running from May 6 to August 30, 2026. This comprehensive retrospective aims to showcase the artist's visionary abstract works, which predated the recognized beginnings of the abstract movement by several years.

A Lush Textile Installation Springs to Life in Shanghai

Artist Hu Yuehua presented a large-scale textile installation titled "Weaving Nature" at the 13th edition of Design Shanghai. The work is a dense, wall-like garden composed of stitched and dyed cotton and linen elements in indigo and ochre, forming leaves, blooms, and growths that highlight the artist's hand through loose threads, raw edges, and pleats.

Millon Takes Over Pierre Bergé & Associés

Millon reprend Pierre Bergé & Associés

The Millon Auction Group has acquired Pierre Bergé & Associés (PBA), becoming the sole shareholder of the historic house founded in 2002. This acquisition follows a turbulent period for PBA, which was placed in receivership in 2023 and briefly owned by Alexandre Landre after being embroiled in a high-profile antiquities trafficking scandal. Under the leadership of Alexandre Millon and newly appointed Managing Director Marc Chochon, the firm plans to return to Drouot and focus on prestigious collections and rare books.

Adriana Ramić “Confusion model into a butterfly” at Kunstverein in Schwerin

The Kunstverein für Mecklenburg und Vorpommern in Schwerin is presenting Adriana Ramić's first institutional solo exhibition in Germany, titled "Confusion model into a butterfly." The exhibition features multimedia installations of video, sculpture, and language that explore hybrid identities and transcultural knowledge.

Tide of Returns: Reclaiming Memory Through Oceanic Ritual

Thyssen-Bornemisza Art Contemporary (TBA21) Academy has opened its 2026 program at Ocean Space in Venice with the exhibition 'Tide of Returns'. Developed by the Repatriates Collective, the show features artists, filmmakers, and Indigenous communities from across the globe, transforming the former Church of San Lorenzo into an immersive environment. It moves beyond conventional restitution debates by presenting repatriation as a living, tidal process expressed through ritual, memory, and community care, using materials like sand from Anindilyakwa Country and returned shell dolls.

Researcher Announcement: The Duke of Morny's Far Eastern Objects Collection

Annonce de chercheur : la collection d'objets extrême-orientaux du duc de Morny

A doctoral researcher at Sorbonne University, Anaïs Veyrac, is publicly seeking information to aid her thesis on the collection of Far Eastern objects assembled by the Duke of Morny (1811-1865). She is asking collectors, enthusiasts, or anyone with relevant correspondence, archives, or testimonies regarding Asian-origin objects that belonged to the Duke to come forward, as the collection was dispersed after his death and lacks comprehensive archival records.

Two Weeks, Full Access: Brooklyn’s Hello New York! Artist Programme.

The Curatorial Program for Research (CPR) has announced an open call for its 'Hello New York!' artist residency, an intensive two-week professional development program based in Brooklyn. Scheduled for April 2026, the residency will select up to 20 local and international artists to engage with the New York art ecosystem through workshops, studio visits, and mentorship from industry professionals. The program is tuition-free and prioritizes artists from underrepresented backgrounds or those addressing critical social and environmental themes.

LOG: PANAMA. CULTURE AND POLITICS IN THE FRAMEWORK OF A REGIONAL MEETING DRIVEN BY CAF

BITÁCORA: PANAMÁ. CULTURA Y POLÍTICA EN EL MARCO DE UN ENCUENTRO REGIONAL IMPULSADO POR CAF

Artishock Revista covered the CAF Festival 'Voces por nuestra región: Cultura que mueve el mundo,' held in Panama in January 2026. The event, organized by CAF – Banco de Desarrollo de América Latina y el Caribe, aimed to reposition Latin American and Caribbean culture as a strategic axis for sustainable development. It featured panels, sectoral forums, and co-creation spaces designed to activate alliances and strengthen regional networks for artists and cultural projects.

Virginia Museum Of Contemporary Art Opening New Building In Virginia Beach

The Virginia Museum of Contemporary Art (Virginia MOCA) has announced plans to relocate from its longtime home to a new, state-of-the-art facility in Virginia Beach. This move marks a significant expansion for the institution, aiming to modernize its exhibition spaces and enhance its capacity for community engagement and educational programming.

IN REVIEW: To be felt, not read — ‘Paper Trails: Unfolding Indigenous Narratives’ at IAIA MoCNA

A new exhibition titled 'Paper Trails: Unfolding Indigenous Narratives' has opened at the Museum of Contemporary Native Arts (MoCNA), part of the Institute of American Indian Arts (IAIA). The show features works by contemporary Indigenous artists who utilize paper as a primary medium to explore themes of history, memory, and cultural identity, moving beyond text-based narratives to create visceral, sensory experiences.

Across the Major Houses, Hong Kong’s March Sales Confirm a New Collecting Maturity

Hong Kong's major auction houses—Christie's, Sotheby's, and Phillips—concluded their March sales series with strong results, demonstrating resilience in the Asian art market. The sales were characterized by a high sell-through rate, robust bidding, and a notable shift towards collecting driven by deep knowledge and passion rather than pure speculation.

SOI NIWE THE SHIPIBO KONIBO CULTURAL COLLECTIVE AT CASA FUGAZ

The exhibition 'SOI NIWE' features the work of the Shipibo-Konibo Cultural Collective, a group of prominent Indigenous artists from various communities now residing in Lima's Cantagallo settlement. The show presents paintings that utilize the traditional geometric Kené patterns, expressing identity, memory, spirituality, and connection to the land. It is on view at Casa Fugaz in Lima until April 27.

Latefa Wiersch “Atlas Studios“ at Istituto Svizzero, Rome

Istituto Svizzero in Rome presents "Atlas Studios," the first solo exhibition in Italy by Swiss-based artist Latefa Wiersch. The show is specifically designed for the spaces of Villa Maraini and evokes the famous Atlas Studios film sets located on the edge of the Moroccan desert, which have been used by international film productions.

Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

Dataland, the world's first museum dedicated to AI arts, will open on June 20 in downtown Los Angeles. Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum anchors the $1-billion Frank Gehry-designed Grand LA complex. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses vast data sets from partners including the Smithsonian and London's Natural History Museum to immerse visitors in a machine-generated sensory experience of the Amazon rainforest. The museum features five immersive galleries, a 30-foot ceiling, and is powered by an open-access AI model called the Large Nature Model, which runs on Google Cloud servers using 87% carbon-free energy.

Sarzana failed to become Capital of Culture 2028 but relaunches: 'The dossier will be implemented anyway'

Sarzana non è riuscita a diventare Capitale della Cultura 2028 ma rilancia: “Il dossier sarà realizzato ugualmente”

Sarzana, a city in Liguria, Italy, failed to win the title of Italian Capital of Culture for 2028, which was awarded to Ancona. However, instead of shelving its candidacy dossier, the city has decided to implement its strategic cultural plan, titled "L'Impavida," as its official cultural governance program for 2026-2028. The plan treats culture as a permanent infrastructure, integrating urban planning, tourism, welfare, and economic development, and was developed through a decade-long process involving co-design with associations and citizens.

À Annecy, le cinéma d’animation célébré toute l’année grâce à l’ouverture d’un lieu hybride et ambitieux en juin

A new permanent home for animation cinema, the Cité internationale du cinéma d'animation, will open in Annecy, France, on June 19, 2025, just before the annual Annecy International Animation Film Festival. Housed in a restored 19th-century horse stable (haras) listed as a historic monument, the 54-million-euro project includes a 450 m² permanent museum, a 332-seat cinema, temporary exhibition spaces, educational workshops, artist residencies, and image-education facilities. The city of Annecy contributes 30 million euros, with additional funding from the Haute-Savoie department, the state, and the Auvergne-Rhône-Alpes region. Designed by architecture firm dd.a and landscape architect Philippe Deliau, the center aims to be a hybrid, year-round hub for animation, blending heritage, creation, and transmission.

Les vernissages cette semaine dans les galeries parisiennes

This week, several Parisian galleries are opening new exhibitions, with a concentration in the Marais district. Highlights include Olivier Kaeppelin's group show of four female painters at H Gallery, Mamma Andersson's works on paper at David Zwirner, Lucio Fontana's ceramics at Karsten Greve, Michel François's entropic ensembles at Art: Concept, and Anselm Kiefer's show at Thaddaeus Ropac in Pantin. Other notable openings include Linda Sanchez at Galerie Papillon, Chechu Álava at Galerie Xippas, and group exhibitions at Galerie Allen and Galerie The Pill.

A new director for the Smithsonian American Art Museum

Une nouvelle directrice pour le Smithsonian American Art Museum

Lynda Roscoe Hartigan, 75, has been appointed director of the Smithsonian American Art Museum (SAAM), succeeding Stephanie Stebich after a vacancy of nearly 17 months. Hartigan, who began her career at SAAM in the 1970s and rose to chief curator before leaving in 2003, most recently served as executive director of the Peabody Essex Museum, becoming its first woman to lead the institution. She will assume her new role on September 8.