Consequences of Being and the Process of Becoming.

Deborah Roberts’s solo exhibition, 'Consequences of Being,' at The FLAG Art Foundation showcases a significant evolution in her practice, featuring new large-scale paintings, works on paper, and her debut in ceramic sculpture. Her signature collage-based figures are presented as fragmented, composite bodies that challenge fixed notions of Black identity and subjecthood. By blending archival imagery with vernacular signage, Roberts explores how colonial legacies and historical narratives continue to influence the perception of Black bodies across the globe.

Forest Tales: Lélia Demoisy's exhibition at Domaine de Chamarande

Lélia Demoisy presents 'Forest Stories' (Récits de forêts), a solo contemporary art exhibition at the Domaine départemental de Chamarande in Essonne, France, from May 10 to August 30, 2026. The exhibition features sculptures and installations across the orangery, park, and domain spaces, using materials such as wood, fibers, organic fragments, hides, charcoal, and animal tracks to explore the forest as a living network of relations, traces, and transformations. Key works include 'Laissés sur la rive', 'Le Foyer', 'Les chairs froides', 'Cedrus deodara – Forêts futures', and 'Créature'.

Al Museo Egizio di Torino ora c’è un centro di ricerca per studiare la scrittura dell’Antico Egitto attraverso tremila anni di storia

The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.

Student-curated exhibition to explore ‘The Shape of Being’ at Washington Gallery

A student-curated exhibition titled 'The Shape of Being' opens Friday at Washington Gallery in Waco, Texas. Organized by Baylor University senior Aleah Burns, the show features work from five female Baylor student artists, each contributing three pieces plus a collaborative installation centered on hands. The exhibition focuses on figurative painting, exploring themes of identity, memory, human connection, and technology-mediated relationships. Featured works include Kate Swayze's 'Left Unsaid,' which uses layered materials like reused painting rags, and Burns' own 'Unstable Connection,' depicting fragmented figures embracing through screens.

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.

Exhibition | Dini Nur Aghnia, 'What Gathers, What Holds' at Gajah Gallery, Yogyakarta, Indonesia

Indonesian artist Dini Nur Aghnia presents her solo exhibition 'What Gathers, What Holds' at Gajah Gallery in Yogyakarta, opening April 25, 2026. The exhibition features a new body of work exploring landscape through layered compositions of clay, resin, and patchwork textiles, moving away from a totalized vista to focus on fragments and accumulative change.

Dual Exhibitions at Emami Art Kolkata Explore Memory, Materiality, and City Life

Emami Art in Kolkata is set to launch two concurrent exhibitions on March 20, 2026, titled "Nothing Twice" and "Chance Remains of Another Time." "Nothing Twice," a group show curated by Ushmita Sahu, features nine emerging women artists exploring themes of impermanence and domesticity through diverse media including textiles, ceramics, and video. Running alongside it is a solo presentation by Kolkata-based artist Suman Dey, whose new polyptych works utilize abstract fragments to mirror the complexities and decay of contemporary urban life.

Vhils: the street artist presents his exhibition “L'interstice” at the Danysz Gallery in Paris

Portuguese street artist Vhils, also known as Alexandre Farto, presents his latest solo exhibition titled "L'interstice" at the Danysz Gallery in Paris from May 22 to June 20, 2026. The exhibition features works crafted from materials sourced in the capital, including fragmentary posters, metal structures from political billboards, subway doors, and ceramic tiles, exploring Paris as a "fragmented experience" centered on public transport and daily transitions.

Pictures: Emma Lamb opens Dartmoor-inspired 3D art exhibition near Ivybridge

Emma Lamb, a South Devon-based 3D mixed-media artist, has opened a new exhibition titled *Long Live the Wilderness Yet* at Lukesland Gardens near Ivybridge. The show features two of her major series, *Reviving Mires* and *Fragmented Forest*, both inspired by Dartmoor’s fragile ecosystems. Lamb uses handmade paper, natural fibers, pigments, and experimental techniques such as inks made from air pollution to create works that explore peatlands and temperate rainforests. The exhibition runs until early June, and Lamb will also host a workshop in June teaching participants to create collages using natural materials.

Angela de la Cruz Breaks the Frame

The art world is witnessing a significant shift toward the 'one-work exhibition,' a format that rejects the traditional gallery model of high-volume displays in favor of singular, immersive encounters. By isolating a single masterpiece or installation, institutions are encouraging 'slow looking' and recasting the act of viewing as a deliberate spatial experience. This trend serves as a direct response to the digital age's relentless pace and the overwhelming 'glut' of contemporary visual culture.

Man who pocketed tiles from medieval priory as boy returns them 60 years later

Simon White, now 68, returned three fragments of medieval clay tiles he took as a nine-year-old from Wenlock Priory in Shropshire during a family outing in the late 1960s. The tiles, dating from the late 13th to early 14th century, were discovered in an old toffee tin during a house move. White contacted English Heritage, which confirmed the provenance using family diaries and historical analysis. One fragment features a previously unknown dragon motif, exciting medievalists.

At the 2026 Venice Biennale, Spain transforms its Pavilion into a museum of accumulation with artist Oriol Vilanova

Alla Biennale Arte 2026 la Spagna trasforma il suo Padiglione in museo dell’accumulo con l’artista Oriol Vilanova

Spain has announced its participation in the 61st Venice Biennale Arte 2026, selecting Catalan artist Oriol Vilanova to represent the country in its newly renovated national pavilion. The project, titled "Los restos," transforms the pavilion into a pseudo-museum of accumulation, featuring Vilanova's vast personal archive of postcards collected over twenty years from flea markets and secondhand circuits. The installation presents these ephemeral fragments as an infinite, non-narrative mural, exploring themes of accumulation and loss. Curated by Carles Guerra, the project also includes a performative intervention titled "Il fantasma della libertà" (2026), which will unfold across the Giardini and Arsenale during the Biennale.

Il duo di artisti internazionali Gawęda/Kulbokaitė sono a Roma per la prima volta con una mostra su identità e percezione

The international artist duo Dorota Gawęda and Eglė Kulbokaitė present their debut exhibition in Rome, titled "Spit and Image," at the Basement gallery. The show, on view until July 10, 2026, features sculptures, installations, and videos that explore identity construction in the digital age, using mirrors, fragmented bodies, and olfactory elements. Works like "Yield (twinning)" (2025) and "Spit and Image 1 and 2" (2025) evoke surveillance, metamorphosis, and duplication, while the Slavic vampire figure of the upiór serves as a metaphor for fluid, non-binary identities.

In Salento c’è una residenza che mette gli artisti in contatto con territorio e storia della Puglia. Intervista

In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.

Literature Today: The Crisis of the Novel as a Symptom of Social Change

La letteratura oggi: la crisi del romanzo come sintomo di un cambiamento sociale

The article examines the perceived crisis of the novel as a literary form, tracing its historical rise alongside the bourgeoisie in the 17th and 18th centuries. It argues the novel functioned as a mirror for a coherent social class with shared values, serving as a device for collective representation. The form's foundational premise of a recognizable community began to fracture in the 20th century, particularly after World War II, as societies atomized and grand ideological narratives collapsed.

Vulnerability Seen Through the Eyes of Two Artists on Display in Romagna

La vulnerabilità vista dallo sguardo di due artiste in mostra in Romagna

The Galleria d’Arte Contemporanea Vero Stoppioni in Santa Sofia is hosting "Corpi invisibili, fuori controllo" (Invisible Bodies, Out of Control), a dual exhibition featuring artists Claudia Amatruda and Carla Giaccio Darias. Part of the broader "Un Problema del Genere" festival, the show explores the concept of vulnerability through contrasting artistic methods. Amatruda utilizes photography, sculpture, and video to depict bodies in risky, natural environments that highlight relational dependency, while Giaccio Darias uses archival imagery and painting to present fragmented, anatomical forms that challenge the viewer's gaze.

Five-Minute Tours: Mark Wade at Andrew Durham Gallery, Houston

Andrew Durham Gallery in Houston is presenting "Long Division," a solo exhibition of works by artist Mark Wade, on view from March 28 to May 23, 2026. The show features Wade's mixed-media pieces that explore historical fault lines in the United States, particularly the American Indian Wars, using fragmented and reconstructed materials to question how national narratives are formed and suppressed.

Fragments of Belonging in ‘Black Bricolage’.

Photographer and writer Johny Pitts presents 'Black Bricolage' at MEP Studio, a visual essay spanning two decades of work documenting Black life across European cities like Paris, Lisbon, and Berlin. The exhibition utilizes a mix of photography, personal notes, and lived encounters to map the 'Afropean' experience, focusing on the quiet textures of daily life rather than grand spectacles.

59th Carnegie International, titled ‘if the word we,’ set to open Saturday

The 59th Carnegie International, titled 'if the word we,' is set to open this Saturday at the Carnegie Museum of Art in Pittsburgh. The exhibition, one of the oldest and most prestigious surveys of contemporary art in North America, will feature works by a diverse group of international artists, curated around themes of collective identity and language.

Monthlong celebration dedicated to museums, raising awareness of culture and the arts to kick off in May

South Korea's Ministry of Culture, Sports and Tourism announced a monthlong celebration called "2026 Museum Week," running from late April to May 31, 2026, to coincide with International Museum Day on May 18. A total of 310 museums will participate under the theme "Museums uniting a divided world," with programs divided into three sections: Museum X Encounter (highlighting stories behind artifacts), Museum X Enjoy (special exhibitions and performances), and Museum X Stroll (expanding cultural access beyond Seoul). The event is hosted by the ministry and ICOM Korea, organized by the Korean Museum Association.

Lamentation and Celebration

Quilt artist Lois Klassen presents her first Manitoba exhibition, "Lamentation and Celebration," featuring a series of collaged textile works that explore the duality of grief and beauty. The exhibition showcases Klassen’s signature style of juxtaposing found, recycled, and commercial fabrics with traditional needlework fragments to create complex visual patterns and textures.

Artist confronts experience as Sixties Scoop adoptee in Salmon Arm exhibition

Indigenous artist Scott Kwah is set to debut a deeply personal exhibition titled "A.R.E.N.A. babies" at the Salmon Arm Art Gallery, running from April 11 to June 16, 2026. The installation centers on 18 hand-cast concrete figures seated on vintage chairs that emit audio of fragmented, childlike voices questioning their origins and loss of language. The work directly confronts Kwah’s history as a survivor of the Sixties Scoop, specifically referencing the Adoption Resource Exchange of North America (ARENA) program that facilitated the cross-border displacement of Indigenous children.

Excerpt from the Iliad in a mummy's abdomen and gold tongues: rare discoveries made in Egypt

Extrait de l’Iliade dans l’abdomen d’une momie et langues en or : de rares découvertes effectuées en Égypte

Archaeologists working at the necropolis of Oxyrhynchus in Egypt have made a series of rare discoveries, the most significant being a fragment of papyrus from Homer's Iliad found inside the abdominal cavity of a Roman-era mummy. This marks the first time a Greek literary text has been found incorporated into the ancient Egyptian embalming process, suggesting a unique hybridization of funerary practices.

MARGARET WHYTE TURNS FRAGILITY INTO LANGUAGE AT THE 2026 VENICE BIENNALE

The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.

Friend of X. A Conversation with Raque Ford by Qingyuan Deng

Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.

‘Scattered Memories’: Fragments That Refuse to Fade

The Goethe-Institut Sudan, in collaboration with the Humboldt Forum Berlin, presents 'Scattered Memories,' a transcontinental exhibition at the Goethe-Institut Kairo from 1 to 3 May 2026. The show features Sudanese artists working across collage, film, music, performance, food, and storytelling to explore themes of loss, remembrance, and cultural memory. Public programs include discussions, guided tours, and a traditional coffee corner, transforming the exhibition into a space for communal gathering and exchange.

SCULPTURE IN THE GARDEN: THE STORYTELLERS

The article titled 'SCULPTURE IN THE GARDEN: THE STORYTELLERS' appears to be about a sculpture exhibition or installation set in a garden context, focusing on narrative-driven works. The text is heavily corrupted and unreadable due to encoding issues, but the title and fragmentary content suggest it covers a group of sculptors or a specific show where artworks function as storytellers within a natural setting.

Opening Reception of Anastasia Travieso-Diaz Solo Art Exhibition

Studio Russo Gallery, in collaboration with Artvocate, is hosting the opening reception of "Disintegration Regeneration," a solo exhibition by artist Anastasia Travieso-Diaz. The show features works that explore themes of rupture and renewal, using layered compositions and material experimentation to examine cycles of loss, resilience, and transformation.