The Incredible Story of Edmonia Lewis, America’s First Black and Indigenous International Art Star

The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.

Artemisia Gentileschi Masterpiece Goes to Auction—Without Its Face

The Dorotheum auction house in Vienna is set to auction a rare, autograph replica of Artemisia Gentileschi’s 'St. Mary Magdalen' (c. 1620) that is missing its central focus: the saint's face. Discovered in a private German cellar in 2011 and likely mutilated during the looting of postwar Berlin, the fragment has been authenticated by experts Roberto Contini and Riccardo Lattuada. Despite the missing section, infrared analysis confirms Gentileschi’s hand, and the work is estimated to fetch between $120,000 and $170,000.

Wilhelm Sasnal review – his wild juxtapositions are almost obscene

Polish artist Wilhelm Sasnal's new exhibition at Sadie Coles HQ in London presents a disorienting array of paintings. The works juxtapose disparate and often disturbing images, including a grotesque depiction of the Oval Office, portraits of his family, album art for the industrial band Throbbing Gristle, and a forest scene linked to the Holocaust, creating a deliberate sense of fragmentation and broken connections.

Candidates Announced for the 2026 Cannes Film Festival (Again No Italians, Just Like at the Biennale)

Annunciati i candidati al Festival di Cannes 2026 (pure qui niente italiani, come alla Biennale)

The 79th edition of the Cannes Film Festival has unveiled its official selection for 2026, scheduled to run from May 12 to 23. Led by President Iris Knobloch and General Delegate Thierry Frémaux, the festival will open with Pierre Salvadori’s 'La Vénus électrique,' a romantic comedy set in 1928 Paris centered on a painter who loses his inspiration. The competition lineup features a global array of heavyweights, including new works by Pedro Almodóvar, Ryusuke Hamaguchi, Hirokazu Kore-eda, and Asghar Farhadi.

Theme and artists announced for British Art Show 10

The 10th edition of the British Art Show, titled 'A Chorus of Strangers,' has announced its theme and a roster of over 30 participating artists. Curated by Ekow Eshun and organized by Hayward Gallery Touring, the exhibition will explore the relationship between the individual and the 'other' through three thematic lenses: 'Moments of Being,' 'Ways of Living,' and 'States of Nature.' The show is scheduled to launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead.

Jimmy Tsutomu Mirikitani, a New Sort of Street Artist, Rises from Art History’s Margins

Jimmy Tsutomu Mirikitani, a late Japanese American collagist who lived and worked as a street artist in New York City, is the subject of a new solo exhibition at the Spencer Museum of Art in Kansas City, on view through June. Co-curators Maki Kaneko and Kris Imants Ercums organized the show thematically rather than chronologically, reflecting Mirikitani's fragmented life—from surviving the atomic bombing of Hiroshima and incarceration at Tule Lake to arriving in New York in the 1950s. The exhibition draws on years of research, including visits to the parks where he lived and to Hiroshima, and builds on Linda Hattendorf's 2006 documentary *The Cats of Mirikitani*.

'You Must Change Your Life' at GRIMM, New York, United States on 26 Jun–7 Aug 2026

GRIMM gallery in New York presents "You Must Change Your Life," a group exhibition curated by Tom Morton, running from June 26 to August 7, 2026. The show features an international roster of painters and sculptors including Alexander Tovborg, Elinor Stanley, Sophie Ruigrok, Sara Rossberg, Jhonatan Pulido, Ken Kiff, Matthew Day Jackson, Ted Gahl, Gabriella Boyd, Anderson Borba, Kinga Bartis, Mahesh Baliga, and Charles Avery. The exhibition takes its title from the final line of Rainer Maria Rilke's poem "Archaic Torso of Apollo" (1918), exploring themes of how the past speaks to the present, the animation of materials, the fragment as synecdoche, and the transformative power of visual contemplation.

Julie Mehretu Captures Our Contemporary Chaos in Shimmering Abstract Paintings

Julie Mehretu has established herself as a preeminent voice in contemporary abstraction by creating dense, multilayered canvases that synthesize architectural drawings, maps, and media imagery. Her work is characterized by a meticulous accumulation of marks that transform sociopolitical data and historical events into ethereal, gestural compositions. By layering information until it reaches a point of abstraction, she explores how individual and collective identities are shaped by the built environment and global shifts.

In Memoriam: Melvin Edwards (1937–2026)

Renowned sculptor Melvin Edwards, a pioneer of the Black Art Movement who transformed welded steel into powerful explorations of African American identity, has passed away at the age of 88. Edwards was best known for his "Lynch Fragments," a series of over 300 compact, wall-mounted assemblages that utilized industrial materials like chains, meathooks, and barbed wire to evoke the history of racial violence and the struggle for civil rights. His career spanned over six decades, beginning with a breakout solo show at the Santa Barbara Museum of Art in 1965 and a landmark exhibition at the Whitney Museum of American Art in 1970.

Gala Porras-Kim: Future spaces replicate earlier spaces

Gala Porras-Kim presents her first exhibition at kurimanzutto in Mexico City, titled "Future spaces replicate earlier spaces," running from April 11 to June 13, 2026. The show brings together works that examine how museums and conservation institutions reclassify objects removed from their original contexts, using reconstruction and resituating to explore their spatial, material, and temporal conditions. Central to the exhibition is the installation "The motion of an alluvial record" (2024), which recreates the humid marshland atmosphere of the Yucatán Peninsula inside the gallery, contrasting with the controlled climates of museums. Other works include drawings replicating wall decorations from the Techinantitla complex in Teotihuacan, which were fragmented and sold on the black market, and graphite drawings of objects by artist Brígido Lara, whose "original interpretations" of Totonac ritual clay objects were mistakenly catalogued as Pre-Hispanic artifacts in major museums.

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

Genti Korini on Representing Albania at the 61st Venice Biennale

Artist Genti Korini will represent Albania at the 61st Venice Biennale with a new moving-image installation titled 'A Place in the Sun.' Curated by Małgorzata Ludwisiak, the project utilizes 'Zaum'—a transrational language from the Russian Futurist movement—to explore themes of performance, puppetry, and animation. The work investigates Albania’s historical position as a 'somewhere place' often defined by external exoticism and orientalist perceptions rather than its own internal voice.

New exhibition ‘Personal Structures – Confluences’ to open in Venice in May 2026

The European Cultural Centre Italy has announced the eighth edition of its biennial contemporary art exhibition, 'Personal Structures – Confluences,' set to run from May 9 to November 22, 2026, in Venice. Spanning Palazzo Bembo, Palazzo Mora, and the Marinaressa Gardens, the massive showcase will feature 175 artists from over 40 countries, including high-profile figures like ORLAN, Rashid Al Khalifa, and Hirohiko Araki. This edition introduces 'PS Design,' a new section dedicated to the intersection of art and architecture, and will host the national pavilions of El Salvador and Seychelles alongside a significant collaboration with the Palestine Museum US.

In London, you can discover an unpublished Luigi Ghirri in an exhibition made of photographs and words. Review

A Londra si può scoprire un Luigi Ghirri inedito in una mostra fatta di fotografie e parole. Recensione

A new exhibition titled "Felicità" at Thomas Dane Gallery in London presents previously unseen works by Italian photographer Luigi Ghirri (1943–1992). Curated by Alessio Bolzoni and filmmaker Luca Guadagnino, the show features unpublished photographs, fragments of atlases, postcards, posters, and mirrors, exploring Ghirri’s unique vision of everyday life as visual discovery. The exhibition spans two gallery spaces on Duke Street, juxtaposing interior and exterior scenes, and includes works by conceptual artists Félix González-Torres and Giorgio Morandi. A bilingual book, "Luigi Ghirri. Felicità" (MACK), accompanies the show, collecting the exhibited works and three essays by the artist.

A Piece of the Eiffel Tower Is Heading to Auction

A historic section of the original Eiffel Tower staircase is set to be auctioned by Artcurial in Paris on May 21. The nearly nine-foot-tall segment consists of 14 spiral steps that once connected the monument's second and third levels before being dismantled in 1983 to make way for elevators. Estimated to fetch between $140,000 and $175,000, the piece has been held in a private collection for over forty years.

Art for Our Age of Chaos

The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.

Remembering Melvin Edwards (1937–2026)

The art world mourns the passing of Melvin Edwards, a pioneering American sculptor who died on March 30, 2026. Known for his mastery of steel, iron, and barbed wire, Edwards rose to prominence in the 1960s with works that balanced formal abstraction with the heavy symbolism of chains and industrial materials. His career was marked by significant milestones, including being the first African American sculptor to have a solo exhibition at the Whitney Museum in 1970 and his long-standing presence in the permanent collection of the Museum of Modern Art.

Tour LACMA’s new David Geffen Galleries – a radical departure

The Los Angeles County Museum of Art (LACMA) has unveiled the first look at its new David Geffen Galleries, a radical horizontal structure designed by Pritzker Prize-winning architect Peter Zumthor. Scheduled to open to the public in May 2026, the sinuous concrete and glass building is elevated thirty feet above the ground, spanning Wilshire Boulevard. The interior departs from the traditional "white cube" museum model, featuring 27 non-linear galleries that utilize natural light and custom-designed metallic curtains to showcase the museum's encyclopedic collection in a fluid, interdisciplinary environment.

Multimedia Art Exhibitions

The Institute of Contemporary Art, Miami, has launched "Perfect Nonsense," a comprehensive survey of Harmony Korine’s multidisciplinary career. Curated by Alex Gartenfeld, the exhibition features a vast array of works spanning film, painting, installation, and digital media, marking the artist's first major museum survey in the United States. The presentation highlights Korine’s experimental visual language, blending analog techniques with gaming aesthetics and contemporary digital culture across several gallery spaces.

Museum diplomacy in action at ICOM UK 2026: museums in a changing world

ICOM UK hosted its 2026 annual conference in Oxford, bringing together delegates from over 20 countries to explore the theme of 'Museum Diplomacy.' Keynote speaker Dr. Sascha Priewe of the Aga Khan Museum and ICOM Canada framed the current geopolitical moment as a 'GZERO World,' where no country is willing or able to lead globally, and discussed how sanctions, export controls, and shifting alliances are straining international museum collaborations. Sessions featured case studies from the Science Museum Group and International Arts & Artists, emphasizing that trust and networks, not grand gestures, are essential for enduring partnerships.

At the Venice Biennale there is also Taiwan. With a collateral event on melancholy

Alla Biennale di Venezia c’è anche Taiwan. Con un evento collaterale sulla malinconia

Taiwan will present a collateral event at the 2026 Venice Biennale titled "Screen Melancholy," curated by Raphael Fonseca and featuring artist Li Yi-Fan. The exhibition, organized by the Taipei Fine Arts Museum, will be held at Palazzo delle Prigioni and run until November 22, 2026. It explores anxieties of the digital age through a site-specific installation combining a single-channel video and monumental human sculptures, reflecting on information overload, fragmented perception, and the limits of human knowledge.

A Faceless Mary Magdalene by Artemisia Gentileschi Goes to Auction

Va in asta una Maria Maddalena di Artemisia Gentileschi senza volto

The Viennese auction house Dorotheum has announced the sale of a rare, fragmented painting of Mary Magdalene by the Baroque master Artemisia Gentileschi. Dating from the artist's influential Florentine period (1615–1618), this autograph version of a work held in Palazzo Pitti is notably missing its central element: the head and shoulders of the saint have been physically cut from the canvas. Despite this dramatic mutilation, which experts speculate may have occurred in post-war Berlin, the work is estimated to fetch between €100,000 and €150,000 at the Old Masters auction on April 28, 2026.

A New Antonello da Messina Discovered. It Will Go to Auction in June: Could Sicily Step Forward to Buy It This Time?

Scoperto un nuovo Antonello da Messina. Andrà in asta a giugno: stavolta potrebbe farsi avanti la Sicilia per l’acquisto?

A newly discovered small wooden panel painting, depicting the face of a young beardless saint, has been attributed to the Renaissance master Antonello da Messina. The work, a fragment of a lost composition, will be auctioned on June 16 by Parisian auction house Ader alongside a signed early work by Peter Paul Rubens. Both come from an anonymous collector who purchased them in France decades ago.

Exhibition | Daniel Crews-Chubb, 'The Belt of Venus' at Patricia Low Contemporary, Venezia, Venice, Italy

Daniel Crews-Chubb presents 'The Belt of Venus,' an exhibition of six new monumental paintings at Patricia Low Contemporary in Venice. The works draw inspiration from the atmospheric phenomenon of the same name, using its ethereal pinkish glow as a color palette. Crews-Chubb explores pareidolia—the brain's tendency to see faces in abstract forms—pushing his long-standing interrogation of the human figure into increasingly abstract territory. The paintings reference classical mythology, including the Roman goddess Venus, and incorporate fragmented forms reminiscent of ancient statuary, serving as memento mori.

GaHee Park: The Exhaustion of Distance

GaHee Park's solo exhibition "Half-Looking, Half-Seen" is on view at Perrotin New York from April 24 to May 30, 2026. The show presents paintings that destabilize perception, using light and shadow to fragment figures and objects, with works like "Seafood Heaven," "Wetland at Dusk," and "Creeping Shadow" exploring themes of visibility, identity, and temporal collapse. The exhibition marks a trajectory toward Park's institutional debut at Yerba Buena Center for the Arts.

Delhi Gallery District: Defence Colony Emerges As City’s First Art Hub

The Defence Colony neighborhood has officially transformed into Delhi’s first dedicated gallery district, housing 11 distinct art spaces within a compact, walkable circuit. Anchored by established institutions like Vadehra Art Gallery and Akar Prakar, the area has seen a recent influx of contemporary spaces including GALLERYSKE, PHOTOINK, and the newly opened Gallery Dotwalk. This concentration of venues has birthed a new cultural ritual in the city: late-night art walks where collectors, curators, and younger audiences move seamlessly between openings.

What Remains of Democracy? The Answers of Contemporary Art

Che cosa resta della democrazia? Le risposte dell’arte contemporanea

The article is a cultural essay examining how contemporary art reflects and responds to the perceived global crisis of democracy. It argues that recent socio-political accelerations—including rising nationalism, wars, and unchecked capitalism—have eroded the substantive content of democracy, reducing public space to an extension of individual, screen-mediated identity.

Leonardo Madriz’s Monuments to the Precarity of Now

Artist Leonardo Madriz presents his solo exhibition 'Do Not Be Afraid' at Parent Company, featuring five totemic sculptures constructed from rope, resin, and found objects. These works, which Madriz calls 'sentinels,' use materials like rebar, barbed wire, a fake Rolex, and a fragment of a US flag made in Vietnam to create anthropomorphic forms that appear weary and burdened.

Monika Baer at Kölnischer Kunstverein

The Kölnischer Kunstverein in Cologne is hosting a solo exhibition by German artist Monika Baer titled "Defection." Running from February 27 through May 3, 2026, the presentation features new and recent works supported by Greene Naftali and Trautwein Herleth. The exhibition continues Baer’s long-standing exploration of the boundaries of painting, utilizing her signature blend of technical precision and surrealist-inflected imagery.

What is it like to be a young artist in Milan today? Denise Ceragioli answers

Com’è oggi essere una giovane artista a Milano? Risponde Denise Ceragioli

The article features an interview with young Milan-based artist Denise Ceragioli, who discusses the challenges and realities of sustaining an artistic practice in the city after graduating from the Brera Academy. She details her journey of finding a studio, the evolution of her painting from figurative to highly material-based work involving wax, and the importance of building relationships within Milan's art ecosystem of institutions, galleries, and independent spaces.