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palestinian artist samia halaby wins munch museum award 1234751978

The Munch Museum in Oslo has awarded the second Munch Award to Palestinian artist Samia Halaby, recognizing her long-standing courage and integrity in artistic expression. The prize, worth 300,000 Norwegian krones (about $30,000), honors Halaby's decades-long commitment to protesting injustices related to class, gender, and race, as well as her vocal criticism of censorship in the arts. The jury included Munch director Tone Hansen, artist-curator Wanda Nanibush, Yvette Mutumba of Contemporary And, Cosmin Costinas of Haus der Kulturen der Welt, and Munch curator Tominga O’Donnell.

nicholas galanin pulls out smithsonian syposium 1234751712

Artist Nicholas Galanin withdrew from a symposium tied to the Smithsonian American Art Museum exhibition “The Shape of Power: Stories of Race and American Sculpture,” alleging that organizers asked him not to record the event or share footage on social media. The symposium, a private event not publicly listed on the Smithsonian’s website, also included curator Hamza Walker, artists Titus Kaphar and Miguel Luciano, and critic Aruna D’Souza. Galanin stated on Instagram that the request effectively censored participants, though a Smithsonian spokesperson denied censorship, citing that not all participants consented to recording. The exhibition was previously singled out by President Donald Trump in an executive order criticizing the Smithsonian for promoting “divisive, race-centered ideology.”

amy sherald american sublime the baltimore museum of art 1234750817

Amy Sherald's exhibition "American Sublime" will now open at the Baltimore Museum of Art (BMA) in November, after the artist canceled its planned iteration at the Smithsonian's National Portrait Gallery in July over censorship concerns. The show, which features some 50 works and is one of the largest presentations of Sherald's work, was originally organized by the San Francisco Museum of Modern Art and is currently on view at the Whitney Museum through August 10. Sherald, who attended the Maryland Institute College of Art and previously served on the BMA's board, called the BMA presentation a homecoming.

trump lonnie bunch meeting smithsonian 1234750481

President Donald Trump had lunch with Lonnie G. Bunch III, secretary of the Smithsonian Institution, on Thursday, according to the New York Times. This meeting comes amid ongoing tensions between the Trump administration and the Smithsonian, including a White House list denouncing specific artworks—such as a painting of refugees at the US-Mexico border and Amy Sherald’s portrait of a Black trans woman as the Statue of Liberty—and an executive order claiming the institution has been influenced by “divisive, race-centered ideology.” Trump has also called for a legal review of Smithsonian displays, though his authority over the institution is unclear. The lunch was described as “productive and cordial” by a White House spokesperson, but no details of the discussion were released.

amy sherald speaks out government censorship at the smithsonian 1234749864

Amy Sherald, the painter who canceled her exhibition “American Sublime” at the Smithsonian’s National Portrait Gallery in July due to censorship issues, has broken her silence in a MSNBC article. Sherald canceled her September show after the museum considered removing her painting *Trans Forming Liberty* (2024), depicting model and performance artist Arewà Basit as a Black transgender Statue of Liberty. In her op-ed, Sherald explains that institutional fear shaped by political hostility toward trans lives played a role, and she cannot comply with a culture of censorship targeting vulnerable communities.

white house smithsonian artworks list refugees fauci 1234749773

The White House published an article on its website denouncing a range of artworks, exhibitions, and objects at the Smithsonian Institution, continuing President Donald Trump's protest against the museum network. The list included previously criticized shows, such as one about sculptures as signifiers of power at the Smithsonian American Art Museum, and the National Museum of African American History and Culture's displays on 'white dominant culture.' It also named new targets: a painting of a Black trans woman as the Statue of Liberty by Amy Sherald (which was pulled from a National Portrait Gallery show due to alleged censorship), Rigoberto A. González's 2022 painting 'Refugees Crossing the Border Wall into South Texas,' a stop-motion portrait of Anthony Fauci commissioned by the National Portrait Gallery, and a papier-mâché Statue of Liberty from a workers' rights protest. The administration also objected to wall texts at the National Museum of the American Latino and the National Museum of American History's LGBTQ+ History display.

trump slavery museums smithsonian comments meaning 1234749760

President Donald Trump posted on Truth Social criticizing the Smithsonian and museums nationwide, claiming they focus excessively on negative aspects of U.S. history such as slavery. He described these institutions as the last remaining segment of 'WOKE' culture. The article counters his remarks by highlighting the National Museum of African American History and Culture (NMAAHC), which presents both the horrors of slavery and themes of survival, liberation, and perseverance through objects like Harriet Tubman's handkerchief and artworks by Jacob Lawrence and Alison Saar. It also references the 2022 exhibition 'Afro-Atlantic Histories' at the National Gallery of Art, which balanced depictions of violence with messages of freedom and resilience.

amy sherald trans forming liberty the new yorker cover 1234748747

Amy Sherald's portrait of a Black transgender Statue of Liberty, titled *Trans Forming Liberty* (2024), has appeared on the cover of *The New Yorker* after the artist canceled a planned iteration of her traveling survey at the Smithsonian's National Portrait Gallery, alleging censorship. Sherald said museum leadership objected to the painting and proposed replacing it with a video discussion that would include anti-trans views. The work is currently on view at the Whitney Museum, where her survey 'American Sublime' runs through August 10. The Smithsonian later stated it sought to contextualize rather than replace the work, while the Trump administration praised the removal as a 'principled and necessary step' amid broader scrutiny of the institution's exhibitions.

khaled sabsabi reinstated for venice biennale 1234746757

Creative Australia has reinstated Lebanese-born artist Khaled Sabsabi and curator Michael Dagostino as the representatives for Australia's pavilion at the 2026 Venice Biennale, following an independent review and months of public backlash. The pair were initially removed in February after a column in The Australian criticized Sabsabi's 2007 video installation "You," which includes manipulated footage of Hezbollah leader Hassan Nasrallah, accusing the artist and curator of favoring boycotts of Israel. The abrupt removal prompted resignations from senior Creative Australia staff and board members, widespread condemnation from the art community, and an open letter from shortlisted pavilion candidates demanding reinstatement.

civil rights photographer bob adelman obituary 455654

Photographer Bob Adelman was found dead in his Miami home at age 85, with head injuries likely from a fall. Adelman began his career photographing New York jazz clubs, studied under Harper’s Bazaar art director Alexey Brodovitch, and became a protégé of presidential photographer Jacques Lowe. He earned a master’s degree in philosophy from Columbia and was a member of the Congress of Racial Equality (CORE), using his camera to document the Civil Rights movement—including sit-ins, the Selma-to-Montgomery march, and Martin Luther King Jr.'s "I Have a Dream" speech. He also photographed cultural figures such as Andy Warhol, Roy Lichtenstein, Samuel Beckett, and Jim Morrison.

harriet tubman river raid exhibition 2658336

A new exhibition at the Gibbes Museum of Art in Charleston, South Carolina, titled “Picturing Freedom,” highlights Harriet Tubman’s role in the Combahee River Raid of 1863, where she guided Union troops to free 756 enslaved people in a single night. The show features works by Jacob Lawrence, Aaron Douglas, Elizabeth Catlett, and Faith Ringgold, alongside contemporary artists, and includes multimedia elements such as audio interviews with descendants, a video reenactment, and landscape photographs by J. Henry Fair. Guest curated by Vanessa Thaxton-Ward of Hampton University Museum, the exhibition is based on Edda L. Fields-Black’s Pulitzer Prize-winning book "COMBEE."

klaus biesenbach american art scene political correctness 1234744529

Curator Klaus Biesenbach, now director of the Neue Nationalgalerie in Berlin, gave a lengthy interview to Der Spiegel in which he explained his decision to leave the American art scene, citing what he described as an oppressive climate of "political correctness." He claimed that DEI (diversity, equity, inclusion) initiatives in U.S. museums had become "unbearable" quota requirements, and recounted a story about mandatory Zoom meetings after George Floyd's murder where he felt pressured to share personal experiences of discrimination. He also referenced the resignation of SFMOMA curator Gary Garrels over "reverse discrimination" comments and acknowledged his own controversial tenure at MOCA Los Angeles, which saw two high-profile resignations and a leadership restructuring.

pacita abad archives stanford university 2650508

Stanford University's libraries and Cantor Arts Center have acquired the archives of Filipina American artist Pacita Abad, who died in 2004 at age 58. The 120-foot-long collection, a gift from her estate managed by her husband Jack Garrity, includes correspondence with artists like Faith Ringgold, photographs from her childhood in Manila, and materials from her global travels and exhibitions. The acquisition comes with a donation to support processing, and is seen as a homecoming for Abad, who left the Philippines in 1969 after student protests and later settled in the Bay Area, where she studied and began her art career.

whitney museum paused independent study program censorship 2651955

The Whitney Museum of American Art has suspended its storied Independent Study Program (ISP) for the 2025–2026 academic year, following widespread outcry over the censorship of a performance titled "No Aesthetic Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance, scheduled for May 14, was canceled by museum leadership after reviewing a video in which Tbakhi made demands that supporters of Israel or America leave the venue. Director Scott Rothkopf informed the ISP community of the pause in an email, citing the need to search for a new director. The museum also confirmed that Sara Nadal-Melsió, hired in 2024 as the ISP's first associate director, will not retain her position. The cancellation drew condemnation from free speech advocates, including the National Coalition Against Censorship (NCAC), which likened the museum's actions to an authoritarian approach.

isp alumni open letter whitney museum palestine performance 1234744083

On Monday, Whitney Museum director Scott Rothkopf announced via email that the museum would "pause" the 2025–26 academic year of its Independent Study Program (ISP), citing a lack of a director and strained operations. The announcement coincided with an open letter from high-profile ISP alumni—including artists Emily Jacir, Andrea Fraser, Mark Dion, and others—denouncing the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The performance was canceled two days before it was to be part of an ISP curatorial exhibition, after the museum accused the artists of "valorizing specific acts of violence" and singling out community members based on belief systems. The letter also referenced the earlier demotion of ISP director Gregg Bordowitz in February.

whitney museum cancels palestine performance independent study program 2646893

The Whitney Museum of American Art canceled a performance piece titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" scheduled for May 14 as part of the Independent Study Program's exhibition "A Grammar of Attention." The performance, by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi, was grounded in the struggle for Palestinian freedom. The museum cited a zero-tolerance policy for harassment after reviewing a video of a previous iteration where an artist called for anyone who believes in Israel or America to leave the audience and valorized specific acts of violence. Participants and the program's associate director accuse the museum of censorship and seeking greater control over the historically autonomous program.

femen stage protest musee dorsay 1908260

The feminist activist group FEMEN staged a topless protest at Paris's Musée d'Orsay on Saturday, September 12, 2020, after the museum barred a woman named Jeanne from entering the galleries unless she covered up her low-cut dress. About 20 activists gathered in the sculpture gallery, removed their shirts, and painted slogans such as "obscenity is in your eyes" and "this is not obscene" on their torsos, standing alongside classical nude statues. They chanted in protest and later moved outside the museum. The museum issued an apology to Jeanne but did not address accusations of sexism or discrimination.

fort worth police return photographs seized from sally mann exhibition 1234739889

Fort Worth police have returned photographs by Sally Mann that were seized from the Modern Art Museum of Fort Worth in January. The artworks were taken from the group exhibition “Diaries of Home” following complaints from locals and elected officials who characterized Mann’s work as “grossly inappropriate” and “child porn.” The seizure sparked national condemnation, with the National Coalition Against Censorship (NCAC), the Foundation for Individual Rights and Expression (FIRE), and the American Civil Liberties Union of Texas (ACLU of Texas) intervening to demand the works’ return. Charges against the museum were dropped, and the photographs have now been returned, bringing closure to the investigation.

Story of enslaved boy featured in 1748 Joshua Reynolds portrait emerges in new study

A research project by the National Trust, the National Gallery in London, and Royal Museums Greenwich has uncovered new details about the identity of an enslaved boy known only as “Jersey,” who appears in a 1748 portrait by Sir Joshua Reynolds. The painting, which hangs at Saltram in Devon, depicts Jersey with his enslaver, naval officer and MP Paul Henry Ourry. Through admiralty records, muster books, and baptismal certificates, researchers identified the boy as “Boston Jersey,” later baptised as George Walker, and found evidence of his naval service and possible path to freedom.

‘An open letter to the nation’: National Gallery of Art reckons with America at 250

The National Gallery of Art in Washington D.C. has launched "Dear America: Artists Explore the American Experience," a major exhibition marking the United States' 250th anniversary. Featuring over 100 works on paper by 95 artists, the show eschews traditional patriotic tropes in favor of a nuanced, self-critical look at the nation's history. Organized around the themes of land, community, and freedom, the exhibition juxtaposes iconic imagery from artists like Roy Lichtenstein and Thomas Moran with provocative contemporary perspectives from Zanele Muholi and Carrie Mae Weems.

Shoplifting, sex shows and sheepdog-breeding: great artists and the side-hustles they did to get by

The article explores the unconventional and often illicit side jobs that famous artists historically took to support their creative pursuits. It details examples like Jean Genet's specialized book theft, Jean-Luc Godard's pilfering of books and cash, Chantal Akerman's ticket-skimming at a porn theater, and Kathy Acker's simulated sex show performances, highlighting how financial necessity drove them to inventive, sometimes desperate, measures.

Chief Curator Julian Cox to Depart Beleaguered Art Gallery of Ontario

Julian Cox will step down as deputy director and chief curator of the Art Gallery of Ontario on April 13, concluding an eight-year tenure. The AGO's director praised Cox's impact on exhibitions, collection growth, and scholarship, stating his departure is not connected to recent institutional turmoil.

The Angel of History Is Stuck in Jerusalem

The Jewish Museum in New York's exhibition 'Paul Klee: Other Possible Worlds' is missing its central artwork, Paul Klee's 'Angelus Novus' (1920). The original, owned by Walter Benjamin and normally housed at the Israel Museum in Jerusalem, is absent due to "current conditions affecting international transport," a likely reference to the Israel-Hamas war. A reproduction stands in its place, alongside Benjamin's famous 'Angel of History' text, which interprets the angel as a figure witnessing the catastrophic pile-up of history.

art international artists to watch 2026 biennials

Cultured magazine has published a preview of artists to watch in 2026, focusing on the upcoming biennial season. The article features insights from a dozen industry insiders, including Diya Vij of Powerhouse Arts, who highlights Guadalupe Maravilla's healing-focused practice; Allan Schwartzman, who champions Yoko Ono's underrecognized legacy; Hans Ulrich Obrist, who anticipates Koo Jeong A's multisensory exhibitions; and Victoria M. Rogers, who spotlights Akinsanya Kambon's politically charged ceramics. Major events in 2026 include the 61st Venice Biennale (opening after the death of commissioner Koyo Kouoh), new Art Basel and Frieze fairs in Qatar and Abu Dhabi, and expansions at LACMA and the New Museum.

art collectors atlanta art fair

Cultured magazine profiles a cross-section of Atlanta art collectors as the Atlanta Art Fair returns for its second edition, highlighting the city's growing art scene. The article features Esohe and George Galbreath, who discuss their collection of about 200 works focused on emerging Atlanta artists, their annual art party ARTiculate ATL, and how their tastes have evolved from figurative works responding to cultural moments to smaller pieces that allow for greater diversity.

art criticism contemporary art crisis trump gaza

The article, written by an art critic for Cultured, opens by describing recent U.S. government actions under Executive Order 14253, including the National Park Service's restoration of a monument to Confederate General Albert Pike and a White House letter to Smithsonian Secretary Lonnie G. Bunch III ordering a review of Smithsonian programming to align with a directive to "celebrate American exceptionalism." The critic notes Bunch's balancing act of cooperating while asserting the Smithsonian's independent authority. The piece then pivots to the state of art criticism, referencing Domenick Ammirati's essay on the perpetual "crisis in criticism," and highlights Marco Brambilla's exhibition "Limit of Control" at bitforms gallery as the year's most under-appreciated show, praising its use of AI to explore political violence and protest.

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

goodman gallery drops artists gabrielle goliath pavilion 1234769839

Artist Gabrielle Goliath was dropped by her South African representative, Goodman Gallery, before the cancellation of her proposed Venice Biennale pavilion, according to a report by Daily Maverick. Goliath was one of around a dozen artists who exited the gallery between last fall and the present. The gallery clarified that it did not end representation because of her pavilion, citing a structural business review and market contraction. Goliath had been with the gallery for over a decade and will continue to be represented by Galleria Raffaella Cortese. After her representation ended, South African culture minister Gayton McKenzie canceled her pavilion, which was to address killings of women and queer people in South Africa, a genocide in Namibia, and Israel’s war in Gaza. McKenzie denied censorship, claiming interference by an unnamed foreign country, later reported by Ynetnews to be Qatar.

lucia di luciano painter dead 1234768776

Lucia Di Luciano, an Italian painter associated with the 1960s Arte Programmata movement, has died at age 93. Her death was announced by her Milan gallery, 10 A.M. Art, without specifying a cause. Di Luciano was known for her hand-painted, gridded black-and-white abstractions that mimicked computer-generated patterns, made with house paint and acrylic. Despite painting for nearly eight decades, she only gained wider international recognition in 2022 when her work was included in the main exhibition of the Venice Biennale, curated by Cecilia Alemani. Her career saw a late surge, with appearances at Tate Modern's "Electric Dreams" exhibition, art fairs like Frieze Masters and Independent 20th Century, and a solo show at Herald St. in London. The Maxxi museum in Rome is organizing a retrospective set to open in 2027.

gary tyler quilts la show book release 2711545

Fiber artist Gary Tyler, who spent nearly 42 years on death row in Louisiana's Angola prison after being falsely convicted as a teenager, has published a memoir titled "Stitching Freedom" and opened his first Los Angeles gallery show, "Illuminations from a Captured Soul," at Official Welcome in MacArthur Park. The exhibition, on view through December 20, features quilts Tyler learned to make while working in the prison's hospice program, depicting scenes from his life and symbols of freedom like butterflies and birds.