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A Venice Biennale in Protest

Hundreds of protesters, led by the Art Not Genocide Alliance, blocked the entrance to the Israeli pavilion at the Venice Biennale on May 6, waving Palestinian flags and accusing Israel of operating a "genocide pavilion." Activists from Pussy Riot and FEMEN also staged a pink smoke-filled protest against Russia's participation. Meanwhile, the Biennale jury suddenly resigned, and Israeli pavilion artist Belu-Simion Fainaru made legal threats against the Biennale alleging antisemitism and discrimination. The article also covers exhibitions in Upstate New York, a tribute to Beat Generation icon Jack Kerouac, and obituaries for performance art champion Steven Durland, artist Georg Baselitz, cartoonist Nicole Hollander, and arts patron Doris Fisher.

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An exhibition titled "Before the Americas," originally scheduled to open at the Art Museum of the Americas in Washington, D.C., was canceled after the Trump administration deemed it a DEI program and cut its funding. The show, which surveys work by Afro-Latino, Caribbean, and African American artists from the Greater Washington area, has now opened at Gillespie Gallery at George Mason University School of Art in Fairfax, Virginia, thanks to about 50 to 60 private donors who stepped in to fund it. Curated by Cheryl Edwards, the exhibition features 39 artists from 17 countries, including Amy Sherald, Renee Stout, Alma Thomas, Elizabeth Catlett, and Alonzo Davis, and runs through November 15 before traveling to the University of Maryland Global Campus.

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The Palais de Tokyo in Paris removed Cameron Rowland's artwork "Replacement" (2025) just one day after it went on view in the exhibition "ECHO DELAY REVERB." The piece replaced the French flag above the museum with the flag of Martinique, adopted in 2023, and included a wall text criticizing French colonial rule and quoting the Martinican independence movement. The museum appended a new label stating the work "could be considered illegal" and was no longer included. Neither the Palais de Tokyo nor Rowland's representative commented.

art criticism cameron rowland anne imhof

The article reviews several notable art events and exhibitions from 2025, beginning with Cameron Rowland's controversial work "Replacement" at the Palais de Tokyo in Paris, where the French flag was replaced with the flag of Martinique, leading to the artwork being deemed potentially illegal. It also covers Johanna Fateman's review of Rowland's "Properties" at Dia Beacon, Ross Simonini's reflection on Joseph Beuys and the Eaton fire in Los Angeles, John Vincler's critiques of Cady Noland at Gagosian and Nicole Eisenman at 52 Walker, and Fateman's year-end roundup including figures like Anne Imhof, Laura Owens, and Jack Whitten.

art arne glimcher pace 125 newbury interview

Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.

art ambera wellmann company hauser and wirth

Ambera Wellmann is preparing for two concurrent New York exhibitions opening on September 5, one at Company gallery and her debut at Hauser & Wirth's Wooster Street space. The shows mark a new joint representation model where the artist works with both a smaller, queer-focused gallery and a mega-gallery simultaneously. Wellmann's hallucinatory, collage-like paintings feature bodies, sex vignettes, and semi-mythic imagery, though she recently considered moving away from figuration due to frustrations with the "queer figuration" trend and its market co-optation.

Hungary’s New Minister of Culture Vows to Restore Artistic Freedom, Turner’s Famous ‘Self-Portrait’ Called Into Doubt, and More: Morning Links for May 14, 2026

An expert claims that the iconic self-portrait of J.M.W. Turner, which hangs in Tate Britain and appears on British £20 notes, was not actually painted by Turner. James Hamilton, a Turner scholar, argues the work was misattributed when it entered the Turner Bequest and may instead be by Turner contemporary John Opie. Meanwhile, Hungary’s new Minister of Culture, Zoltán Tarr, vows to restore artistic freedom and dismantle political control over cultural institutions following the election of Prime Minister Peter Magyar. The Trump administration is proceeding with construction of a contested Triumphal Arch and a White House ballroom, and a former Louvre employee has been charged in a ticket fraud scandal.

Diedrick Brackens’s Tapestries Beckon the Light of Freedom

Diedrick Brackens presents his first solo exhibition in the Bay Area, "gather tender night," at Yerba Buena Center for the Arts in San Francisco. Guest-curated by Eungie Joo, the show features 15 tapestries from 2020 onward and three new works from 2026, including the immersive installation "clearing (2026)." Brackens, a Black queer artist and CCA professor, uses hand-dyed cotton and acrylic yarn to weave narratives of personal memory, myth, and the natural world, drawing from West African weaving, California fiber art, European tapestry, and Gee's Bend quilting. His approach, influenced by the "sloppy craft" ethos of his mentor Josh Faught, embraces unfinished edges and visible process as acts of refusal against polished traditions.

'The museum is not a space for the elite': Portuguese building firm’s new museum puts workers first

A new museum called Muzeu—Thought and Contemporary Art DST has opened in Braga, northern Portugal, housed in a former courthouse and built by the DST Group, a Portuguese industrial conglomerate. The inaugural exhibition, titled "Let Us Be Realistic, Let Us Demand the Impossible," features over 100 works by 96 artists including Alex Katz, Francesco Clemente, Franz West, and Nan Goldin. The museum prioritizes workers, opening first exclusively for company employees on 24 April, then to the public on Freedom Day (25 April), with free admission for the first week and closure on International Workers' Day (1 May).

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Joshua Johnson, born into slavery in Maryland around 1763, emerged in the late 18th century as the first documented Black professional artist in the United States. After gaining his freedom in 1782, Johnson established himself in Baltimore as a self-taught portraitist, advertising his services in local newspapers and catering to the city's prominent families. His body of work, consisting of approximately 83 attributed paintings, is characterized by a distinct flatness and three-quarter profile compositions typical of early American folk art.

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Artists in the United States are facing heightened repression, including censorship, funding cuts, and deportation threats, during the first 100 days of Donald Trump's second presidential term. The administration's executive orders have targeted cultural institutions, with a campaign to purge the Smithsonian of 'improper ideology' and the gutting of the Institute of Museum and Library Services. Funding for arts grants, particularly those focused on underserved communities, has been canceled or left in limbo, creating a climate of fear and uncertainty.

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Ai Weiwei has accused Lego of refusing to supply a bulk order of bricks for a politically charged artwork destined for the National Gallery of Victoria. The artist announced the refusal via Instagram, claiming Lego cited an inability to approve the use of its products for political works. Ai linked the decision to Lego's business interests in China, noting the announcement of a Legoland in Shanghai during President Xi Jinping's UK state visit. Lego denied political motivation, stating it sold its Legoland division years ago and that it declines bulk orders when political context is involved. Supporters have launched a Facebook page to donate bricks, and Ai has accepted the offers.

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Lego has reversed its policy on bulk orders after facing international backlash for refusing to sell toy bricks to Chinese dissident artist Ai Weiwei. The artist had sought the bricks to create politically sensitive portraits of dissidents for an exhibition at the National Gallery of Victoria in Melbourne. Lego initially cited a policy against selling bricks for political statements, but after Ai Weiwei's social media campaign—including Instagram posts and a global donation drive—the company announced it will no longer ask bulk customers about their intended use.

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A trustee at the Art Gallery of Ontario (AGO), Judy Schulich, advised the museum's acquisitions committee not to acquire a Nan Goldin video installation, *Stendhal Syndrome* (2024), due to Goldin's pro-Palestine statements and criticism of Israel's war in Gaza. The AGO had planned to purchase the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the AGO withdrew after internal concerns were raised. The controversy led to the resignation of two committee members and one curator, and the museum promised a review of its acquisition process.

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The Art Gallery of Ontario (AGO) chose not to acquire Nan Goldin's 2024 video "Stendhal Syndrome" due to the artist's comments on Israel's war in Gaza, according to a report by the Globe and Mail. The work, which shows blurred images of semi-nude figures and sculptures, was instead purchased by the Vancouver Art Gallery and the Walker Art Center in Minneapolis. An AGO acquisitions committee voted against the acquisition, with internal memos citing Goldin's past statements—including her description of the war as a "genocide" and her criticism of weaponized antisemitism—as the reason. The decision led to the resignation of curator John Zeppetelli and two unnamed committee members, and prompted director Stephan Jost to call for a review of the committee's processes.

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Nan Goldin used the opening of her retrospective “This Will Not End Well” at Berlin’s Neue Nationalgalerie to deliver a forceful 14-minute speech condemning the Israel-Gaza war and criticizing Germany’s censorship of pro-Palestinian voices. She called for a phone-free moment of silence for the dead in Palestine, Israel, and Lebanon, and framed her exhibition as a test case for artistic freedom. The event drew a large crowd, police presence, and was widely shared on social media by figures like Ai Weiwei and Wolfgang Tillmans.

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The Smithsonian’s National Air and Space Museum will reopen its newly renovated Flight and Arts Center in July 2026 with a major exhibition devoted to Robert Rauschenberg. Titled “The Ascent of Rauschenberg: Reinventing the Art of Flight,” the show features 30 works by the American Pop artist, some never before exhibited, tracing how aviation and space exploration themes permeated his six-decade career. Highlights include his lithograph *Sky Garden (Stoned Moon)*, inspired by the Apollo 11 mission, and works from his “Combines” series. The exhibition draws loans from the Hirshhorn Museum, the Smithsonian American Art Museum, the National Gallery of Art, and the Robert Rauschenberg Foundation.

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Yoko Ono's retrospective "Music of the Mind" at the Museum of Contemporary Art Chicago showcases over 200 works, including word scores, ephemera, and performances from the 1960s and early '70s. Central to the show is Ono's aesthetic of refusal, exemplified by pieces like *Strip Tease for Three* (1966), where empty chairs await a dancer who never arrives, and *Smoke Painting* (1961), which instructs viewers to burn a canvas. The exhibition, which first appeared at Tate Modern in 2024 and travels to the Broad in Los Angeles after closing in Chicago on February 22, challenges viewers to find meaning in absence and denial.

south africa cancels gabrielle goliath gaza venice biennale 1234769311

South Africa selected a work by artist Gabrielle Goliath for its Venice Biennale pavilion, then rescinded the decision on January 2, just eight days before the finalization deadline. The culture ministry, led by Minister Gayton McKenzie, objected to a section of Goliath's "Elegy" series that included words by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. The pavilion's selection committee publicly disagreed with the cancellation, calling it censorship and highlighting a history of mismanagement.

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Newly uncovered documents from the Museum of Modern Art’s archives confirm that the Franco regime in Spain attempted to censor Robert Motherwell’s painting *Elegy to the Spanish Republic No. 35* (1954–58) before its scheduled 1958 exhibition in Madrid. The painting was part of MoMA’s traveling show “The New American Painting,” which introduced Abstract Expressionism to Europe. Spanish authorities demanded Motherwell remove the phrase “Spanish Republic” from the title, but the artist refused, leading to the work’s exclusion from the exhibition. The documents, reviewed by *El País*, also reveal that Catalan artist Antoni Tàpies boycotted state-sanctioned shows, calling the regime’s cultural propaganda “scandalous.”

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Texas State University (TXST) canceled a scheduled appearance of the Black History 101 Mobile Museum at its San Marcos campus for Black History Month 2026, prompting a First Amendment challenge from the American Civil Liberties Union (ACLU) of Texas. The museum's founder, Khalid El-Hakim, had been invited by a campus activities director on October 13, 2025, but the invitation was rescinded on October 28 after consultation with supervisors and leadership. The ACLU's letter to TXST president Kelly Damphousse cited a 2023 Texas Senate bill banning DEI programs at public universities and the state's political climate as reasons for the cancellation, though the university denied the DEI ban was the cause.

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Qatar has unveiled a new museum dedicated entirely to the late Indian Modernist artist M.F. Husain, titled Lawh Wa Qalam: M.F. Husain Museum. Located in Doha's Education City, the museum houses over 150 artworks spanning from the 1950s to his death in 2011, including paintings, poetry, photography, tapestries, sculptures, and installations. The museum, opened on November 28 by the Qatar Foundation chaired by Sheikha Moza bint Nasser, fulfills a long-held dream of the artist, who was granted Qatari citizenship in 2010 after self-imposed exile from India. The building was designed by architect Martand Khosla based on a sketch Husain himself created for his envisioned museum.

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Anonymous Was a Woman, a grant-making organization supporting woman-identifying artists, has announced 15 recipients of its $50,000 grants for 2025. The winners include Candida Alvarez, Park McArthur, Lola Flash, Kunié Sugiura, and Sonya Kelliher-Combs, among others. Founder Susan Unterberg, who initially remained anonymous, revealed herself in 2018 and named the organization after a Virginia Woolf quotation. The grants are primarily for artists over 40, and the organization has recently expanded to fund environmentally minded projects.

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The Stedelijk Museum in Amsterdam has opened "Erwin Olaf—Freedom," a major retrospective of the late Dutch photographer Erwin Olaf, who died in 2023 at age 64. The exhibition spans over a dozen rooms, showcasing his diverse output from subcultural documentation and commercial work to staged tableaux, self-portraits, and club ephemera, alongside video and sculpture. It juxtaposes formally refined portraits, such as Queen Máxima, with provocative early works like "Joy" (1985), refusing to impose a single narrative on his career.

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The United States Pavilion at the upcoming Venice Biennale faces an uncertain future after a proposal by artist Robert Lazzarini and independent curator John Ravenal collapsed. The proposal, selected by the US State Department in early September, fell through when the University of South Florida’s Contemporary Art Museum declined to sign the contract, citing a shortened timeline and financial obligations. Ravenal attributed the breakdown to bureaucratic misalignment rather than ideological disagreement, while the State Department declined to comment. The selection process also shifted this year, with the National Endowment for the Arts excluding itself due to staffing transitions, leaving the State Department to handle it alone.

canceled samia halaby exhibition recreated qatar 1234759416

Mathaf: Arab Museum of Modern Art in Qatar has mounted a presentation of seven works by Palestinian artist Samia Halaby that were originally slated for a canceled survey at Indiana University’s Eskenazi Museum of Art in December 2023. The university cited “safety reasons” for the cancellation, which Halaby criticized as occurring amid the massacre of Palestinians in Gaza. The works are displayed in the first gallery of the exhibition “we refuse_d,” curated by Vasif Kortun, which also includes pieces by other artists whose shows were canceled, such as Jumana Manna. Halaby’s paintings span 1980 to 2024 and include the previously unseen “Worldwide Intifadah” (1989) and “Massacre of the Innocents in Gaza” (2024).

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Painter Amy Sherald has revealed in a "60 Minutes" interview with Anderson Cooper that she pulled out of her solo exhibition at the Smithsonian's National Portrait Gallery because the museum considered removing her painting of a Black transgender Statue of Liberty, titled "Trans Forming Liberty." Sherald stated that the Smithsonian secretary, Lonnie G. Bunch III, proposed replacing the painting with a video discussing trans issues that would include anti-trans views, which she deemed unacceptable censorship. The exhibition, "American Sublime," was originally organized by the San Francisco Museum of Modern Art and last shown at the Whitney Museum; it is now expected to open at the Baltimore Museum of Art on November 2.

leading artists call for nationwide resistance against authoritarian forces 1234757308

Visual artist Dread Scott, playwright Lynn Nottage, and dozens of cultural figures have launched "Fall of Freedom," a nationwide weekend of creative demonstrations scheduled for November 21–22, 2025, to protest rising authoritarianism under the Trump administration. The project invites arts communities to organize independent actions—such as storefront readings, pop-up performances, exhibitions, and workshops—at museums, galleries, classrooms, comedy clubs, or any community gathering space. Participating institutions include the Institute of Contemporary Art, Los Angeles, which will host a "Wear Your Rights" silk-screening workshop, and New York's Leslie-Lohman Museum of Art, which will turn a gallery into a library of queer art activism books. Other notable participants include artists Marilyn Minter, Robert Longo, and Amy Sherald, who recently canceled a Smithsonian exhibition after concerns over her painting of a Black transgender Statue of Liberty.

mika rottenberg says trumps smithsonian situation is fucked up 1234754705

Artist Mika Rottenberg, whose work is included in an upcoming show at the Smithsonian-run Hirshhorn Museum and Sculpture Garden, called the Trump administration's interference with the Smithsonian "fucked up" in a Vanity Fair article. She praised Amy Sherald for canceling a Smithsonian show, calling it "amazing." British artist Richard Long also expressed concern about the administration "strangling everything" at the institution. The article notes that many other artists with works slated for Smithsonian presentations—including Nick Cave, Paul Chan, Olafur Eliasson, Spencer Finch, and Rashid Johnson—declined to speak to Vanity Fair, reflecting a cautious environment. Dread Scott, however, has been vocal, calling for the regime to be driven from power and urging art institutions to support dissenting artists.

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Glenn Lowry, the longtime director of the Museum of Modern Art (MoMA), delivered a farewell speech in June 2025 at MoMA's Party in the Garden, implicitly addressing the Trump administration's attacks on cultural institutions. He urged the museum to defend values of pluralism, freedom of expression, and minority rights, warning that the coming years would present consequential choices not seen since World War II. The article notes that while Trump has not directly targeted MoMA, he has threatened the Smithsonian Institution, and artist Amy Sherald canceled a National Portrait Gallery survey alleging censorship. Under Lowry, MoMA mounted a 2017 exhibition critical of Trump's travel ban, but has otherwise avoided explicit political programming.