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Santina Semadar Panetta, a progenitor of Neo-Pointillism, recently exhibited her vibrant, brushstroke-driven works at Art Miami. In an interview with Artnet News, she discussed her debut at the fair, showing two key pieces—'Souls Connection' (2022) and 'Ciel et Terre' (2023)—chosen to reflect Miami's dual nature of boldness and introspection. She also described her practice as 'emotional architecture,' evolving to engage more deeply with classical art philosophy and contemporary themes like identity and the fluidity of time.

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A new exhibition at the Pompeii Archaeological Park, titled “Being a Woman in Ancient Pompeii,” aims to correct centuries of historical neglect by highlighting the lives of real women from the ancient city. Through frescoes, artifacts, inscriptions, and an interactive app, the show presents the stories of entrepreneurs, priestesses, innkeepers, artisans, sex workers, and slaves—including Clodia Nigella, a public pig-keeper; Faustilla, a pawnbroker; Asellina, a tavern owner who employed bar workers and sex workers; Julia Felix, an independent property owner who rented out her bathhouse; and Eumachia, a businesswoman. Co-curated by archaeologist Francesca Ghedini, the exhibition uses archaeological evidence to reconstruct the personalities and daily activities of these women, whose roles have long been obscured by male-dominated historical narratives.

‘A constant quiet terror’: Getting lost in Irish folklore – in pictures

Maria Lax's photobook *Stray Sod* draws on Irish folklore and archival accounts from the Irish National Archives to explore the phenomenon of the 'stray sod'—enchanted patches of earth said to disorient and lead travelers astray, especially at night. Her images reimagine rural Irish landscapes as sites of sudden confusion, where familiar landmarks vanish and fog or mist descends, evoking a sense of 'constant quiet terror'.

Basel Abbas & Ruanne Abou-Rahme: Archivists and Activists

New York- and Ramallah-based Palestinian artists Basel Abbas and Ruanne Abou-Rahme present *Prisoners of Love: Until the Sun of Freedom* (2025), an hour-long four-channel film installation at The Bell/Brown Arts Institute in Providence. The work layers psychedelic imagery of figures in nature with spoken and written testimonies from Palestinians formerly detained by Israeli authorities, exploring themes of incarceration, surveillance, and resistance through fragmented montage and poetic text. The exhibition also includes drawings by Abou-Rahme’s father and printed screenshots of reflections on the genocide in Gaza.

morocco debuts national pavilion at the venice biennale with monumental asǝṭṭa installation

Morocco will debut its first-ever national pavilion at the 2026 Venice Art Biennale, presenting a monumental installation titled "Asǝṭṭa" by multidisciplinary artist Amina Agueznay. Curated by Meriem Berrada, the project is housed in the Arsenale's Artiglierie and explores themes of traditional craftsmanship, shared memory, and the symbolic threshold (âatba). The installation, which involves 166 Moroccan artisans and two Venetian collaborators, is conceived as a porous, liminal space that engages with the Biennale's theme "In Minor Keys," curated by Koyo Kouoh.

December Exhibitions

Les Yeux du Monde presents 'GROUNDING,' the final show of 2025 featuring new oil paintings by Annie Harris Massie that explore light, memory, and place through landscapes and botanical studies of her Lynchburg, Virginia surroundings. Other December exhibitions include Randall Stoltzfus's 'To Hold The Light' at Angelo Jewelry, Judith Ely's paintings at Botanical Fare, and 'All That Glitters' by Natalie Darling at C’ville Arts Cooperative Gallery. The Fralin Museum of Art at UVA hosts three shows: 'Haiti’s Time' from the Sullivan collection, 'In Feeling: Empathy and Tension Through Disability,' and 'The World Between: Egypt and Nubia in Africa.' The Kluge-Ruhe Aboriginal Art Collection features works from the Spinifex Arts Project and Robert Fielding, while the Jefferson School African American Heritage Center presents 'Finally Remembered: The Black Patriots of Central Virginia.'

Barbican Immersive announces 2026 exhibition from Liam Young

Barbican Immersive, the touring exhibition arm of London's Barbican Centre, has announced its 2026 exhibition "In Other Worlds," the first UK solo show by artist, director and BAFTA-nominated producer Liam Young. The exhibition will debut at the Barbican Centre from 21 May to 6 September 2026 as part of the Barbican's Summer season, before touring internationally. It features films, costumes, props, miniature models, comics, tapestries, and soundscapes that imagine hopeful futures amid environmental and technological challenges. Highlights include the world premiere of Young's film "World Machine" (2026), which envisions an AI-powered planetary supercomputer, alongside earlier works such as "Planet City" (2021), "The Great Endeavour" (2023), and "After the End" (2024).

Diana Eusebio’s 'Field of Dreams' exhibit at MOCA is rooted in culture

The Museum of Contemporary Art North Miami (MOCA) has opened three new exhibits as part of its 30th anniversary programming, including 'Field of Dreams,' the first solo exhibition for Miami-based fashion designer and multidisciplinary artist Diana Eusebio. The 27-year-old artist presents 38 works that draw on her Indigenous Peruvian-Quechua and Afro-Dominican heritage, using textiles and fabrics sourced from Miami, Peru, and the Dominican Republic, along with ancestral dyeing techniques and materials native to Miami.

In Kelantan, 'After Monsoon: Tera-Kota' project connects art with local community

The National Art Gallery of Malaysia, in collaboration with Art Matters Trading, launched the 'After Monsoon Project: Tera-Kota' exhibition series from October 24–30 at Pantai Pulau Kundur in Kota Baru, Kelantan. Themed 'Tanah, Tubuh, Tapak' (Land, Body, Site), the site-specific event featured clay sculptures, a community art feast (bekwoh), cultural performances, and a traditional ceramic firing facility (gok), engaging local residents—nearly 90% of whom practice traditional crafts like batik, pottery, and weaving—alongside students from Universiti Malaysia Kelantan.

On Parkinson’s: Three Artists’ Journeys- Kristin Rehder, C. David Thomas, and Torrance York

The Richard F. Brush Art Gallery at St. Lawrence University is hosting an exhibition titled "On Parkinson’s: Three Artists’ Journeys" from October 20 to December 11, featuring works by Kristin Rehder, C. David Thomas, and Torrance York. Each artist uses photography and printmaking to explore their personal experiences with Parkinson’s disease: York’s "Semaphore" project uses metaphorical photographs to document her diagnosis in 2015; Thomas’s "FINDING PARKINSON’S, Doing Battle with My Brain" combines MRI scans, selfies, and lithographs; and Rehder’s "TREMOR" employs a slow shutter to transform her body’s tremors into creative energy.

MASP Contested Narratives Between Replica and Weaving

MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING

The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.

‘Cultural innovation comes from the margins’—tales of artists pushing boundaries in 1960s New York

J. Hoberman, the longtime Village Voice film critic, has published a new book titled *Everything Is Now: The 1960s New York Avant-Garde—Primal Happenings, Underground Movies, Radical Pop*. The book expands his focus from cinema to a broad array of artists, poets, theater makers, musicians, and other figures in New York City's 1960s arts scene, including Andy Warhol, Barbara Rubin, Edie Sedgwick, Yoko Ono, and Jonas Mekas. Hoberman emphasizes collective and marginal cultural innovation, tracing how these figures influenced each other and responded to events of the era, such as Robert Moses's urban redevelopment plans.

“Conspiracies” Aby Warburg Institute / London by Frank Wasser

The exhibition “Conspiracies” at the Warburg Institute in London, curated by Larne Abse Gogarty, brings together works by Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha alongside panels from Aby Warburg’s Bilderatlas Mnemosyne. Through sculpture, drawing, collage, installation, and sound, the show resists the idea that conspiracy can be solved by exposure or critique, instead constructing unstable relations between historical images, speculative narratives, and material processes. Key works include Heinemann’s drawings reimagining Ted Kaczynski as “Theodora” and Keogh’s large-scale collage referencing medieval tapestries and surveillance systems.

A Napoli c’è una mostra ispirata a Emily Dickinson dove è la luce a creare le opere

Diego Perrone's exhibition "There's a certain Slant of light" opens at Galleria Umberto Di Marino in Naples, taking its title from an Emily Dickinson poem. The show features new photographic and painted works born from the artist's observation of light passing through domestic glass objects in Naples, where architecture and daily life are shaped by an interplay of light and shadow. Photographs are enclosed in hand-molded glass frames, while large surfaces created with airbrush, charcoal, and chalk present shadow fields on white backgrounds, forming a visual sequence that unfolds like a film in black and white.

Hyeree Ro: What Bears

Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.

The Order of Symbolism, Signs and Sensibility

The Museum of Modern Art of Rio de Janeiro (MAM Rio) is hosting a major retrospective titled 'Rubem Valentim: a ordem do sensível,' featuring approximately 180 works spanning four decades. Curated by Raquel Barreto and Phelipe Rezende, the exhibition showcases Valentim’s unique fusion of modernist abstraction with the spiritual symbols of Afro-Brazilian and Indigenous cosmologies. The presentation includes paintings, reliefs, and sculptures, culminating in monumental works like 'Templo de Oxalá.'

Suman Dey’s new solo in Kolkata gives form to the abstract notions around us

Artist Suman Dey presents his second solo exhibition, titled *Chance, Remains of Another Time*, at Emami Art in Kolkata. The show features large-scale works on wood and other materials that explore abstract notions of memory, time, and nature through fragmented forms, textures, and narrative. Key pieces include a series of frames capturing everyday surface textures and a work titled *Journey* that uses boat shapes to depict transformation. The exhibition runs until May 9.

Corban Clause Williams to debut solo show at Melbourne Art Fair 2026

Emilia Galatis Projects, a Perth-based gallery focusing on Western Australian First Nations artists, will present the first Melbourne solo exhibition by Corban Clause Williams at Melbourne Art Fair 2026, running February 19-22. The show will debut 15 new paintings and design works extending Williams' Manyjilyjarra Country and culture into sculptural and textile forms, accompanied by a Martu Wangka artist talk with Anya Judith Samson. Williams, born in 1994 and based in Parnngurr Community, has gained rapid acclaim for canvases weaving ancestral knowledge with contemporary visual language, and was named an inaugural Creative WA Fellowship recipient in late 2025.

What Brakes Through: “Teresa Tyszkiewicz. Stories That Tell Themselves” at Profile Foundation.

Teresa Tyszkiewicz's exhibition "Stories That Tell Themselves" at Profile Foundation in Warsaw showcases the Polish artist's process-driven practice spanning video, performance, and relief-like paintings made with pins, nails, metal plates, ropes, and fabrics. Curated by Bożena Czubak, the show highlights Tyszkiewicz's use of the body as a medium—often naked and immersed in organic materials—to explore emotions, intuition, and unconscious desires, as seen in works like the 1980 film "Grain." The artist, who began her career in the late 1970s alongside Polish neo-avantgarde filmmakers but rejected their conceptual tendencies, developed a tactile, laborious approach that invites sensory engagement.

For the 2026 Venice Biennale, the RojoNegro duo brings a collective ritual to the Mexico Pavilion

Per la Biennale Arte 2026 il duo RojoNegro porta nel Padiglione del Messico un rituale collettivo

The article announces that the RojoNegro collective, formed by María Sosa and Noé Martínez, will represent Mexico at the 61st Venice Biennale in 2026 with a project titled "Actos invisibles para sostener el universo." Curated by Jessica Berlanga Taylor, the installation combines organic materials, sound, video, and performance to create a ritualistic space that invokes invisible presences, memories, and energies. The work draws on decolonial perspectives, centering Indigenous and Afro-descendant cosmogonies as living knowledge systems, and aims to activate a dialogue between situated ritual practices and the global context of the Biennale.

New exhibition showcases 20 years of work by Welsh artist

Artist Anthony Shapland has opened a solo exhibition titled "Liar Liar" at Aberystwyth Arts Centre, just one month after the publication of his debut novel, "A Room Above a Shop." The show spans twenty years of his practice, featuring works in text, sculpture, books, print, audio, and film, with the earliest piece dating from 2005 and the most recent created within the last month. The exhibition blurs the lines between writing and visual art, drawing on hidden filmmaking techniques such as props, filters, light, and sound, while also exploring themes of rural queerness, passing, and the malleability of landscape. Key works include the films "A Setting" (2007), "A Sign," "FiftytwoSundays" (2018), "Between the Dog and the Wolf" (2019), "Centre A Sound not Meant to be Heard," and the new montage "Seven Starling" (2025).

M’barek Bouhchichi: Hands That Remember

Moroccan artist M’barek Bouhchichi presents 'Les mains des poètes' at Foundation H in Antananarivo, Madagascar, running until 17 October 2026. The exhibition stems from a residency in Madagascar where Bouhchichi collaborated with local artisans—blacksmiths, weavers, ceramists, and musicians—to create works that resist singular authorship. Central to the show is the revival of sorabe, the Arabico-Malagasy script, treated as an embodied, gestural practice rather than fixed writing.

KABARIN-JAVAKANTO: Speaking in Many Tongues

Fondation H in Antananarivo, Madagascar, presents 'Kabarin-javakanto: A Reading of the Fondation H Collection,' an exhibition curated by Abdellah Karroum that reinterprets the foundation’s international holdings through the Malagasy oratorical tradition of kabary. Rather than a conventional display, the show activates works from Africa and its diasporas across three galleries, emphasizing dialogue, community, and relational viewing.

Asian-American artists shine at US fair amid ongoing anti-immigrant rhetoric

At the San Francisco Art Fair in April, held at Fort Mason Centre’s Festival Pavilion, organizers, curators, and gallerists centered Asian-American and Pacific Islander voices through a curated group exhibition titled “Da Da Daam” and a pop-up design store featuring over 70 Asian diaspora artists and brands. The fair’s 14th edition, directed by Kelly Freeman, responded to ongoing anti-immigrant rhetoric in the US by celebrating the strength of the immigrant community in a city where nearly 35% of the population identifies as Asian.

Northside artists sow seeds of ancestral wisdom in Arboretum exhibit

An art exhibit titled "Where the Seed Remembers: A Celebration of Earth, Lineage and Memory" opened on March 29 at the University of Minnesota’s Landscape Arboretum’s Reedy Gallery in Chaska, featuring 10 artists of color. Co-curated by Northside artist Joshua Gillespie (Brotha Aśe), the show includes works by Ron Brown, Ayolanda Evans, Imani Mansfield, and Allena Sweats, among others, and opened with a libation ceremony by Vusumuzi Zulu and Mariama Imani. The exhibition runs through May 17.

Studio Art MFA Thesis Exhibition Pushes Art's Boundaries

American University's Studio Art MFA candidates will present their thesis exhibition, titled "If That Makes Sense," at the AU Museum from April 18 to May 17, 2026. The show features nine artists—Rob Balsewich, Michael Dodson, Julia Fouser, Ryan Kennedy, Kelvin He Hao Low, Lexi Moser, Austin Remetta, Brenay Spencer, and Sarah Bell Wilson—whose works span painting, sculpture, textiles, sound, and installation, exploring themes of memory, identity, materiality, and collective experience.

We’ve Been at the Tapestry Studio Since the 90s

An exhibition at Salt Beyoğlu titled 'We’ve Been at the Tapestry Studio Since the 90s' explores the art education practices of the Tapestry Studio, part of the Painting Department at Mimar Sinan Fine Arts University (MSGSÜ). The show presents a collage of collective productions, individual works, archival materials, and personal testimonies from artists who have passed through the studio, tracing its physical and conceptual evolution since its founding in the early 1990s. It highlights the studio's unique pedagogical approach, which combines tapestry weaving with contemporary art, collaborative learning, and open programs that challenge academic hierarchies and gendered norms.

Emerging Artist Prithveer Jain Explores Identity and Inner Landscapes in Mumbai Solo Show

Emerging 18-year-old Indian artist Prithveer Jain is presenting his second solo exhibition, “Circus: The Late Arrival,” at IF.BE in Mumbai from July 31 to August 3, 2025. The show features paintings that blend portraiture with emotional cartography, exploring themes of identity, selfhood, and psychological delay through stylized, surreal figures and symbolic imagery such as ropes, curtains, and hats.

Palmer Museum exhibition to feature vital works of contemporary African art

The Palmer Museum of Art at Penn State is hosting the exhibition 'Insistent Presence: Contemporary African Art from the Chazen Collection,' featuring 40 works by 22 living artists from across Africa and its diaspora. The show, organized into three thematic sections exploring the presence and absence of the human body, opened on February 7 and includes sculpture, painting, ceramics, printmaking, and photography.

Between Here and Elsewhere: A New Generation Steps Forward

The Javett Art Centre at the University of Pretoria will host 'Between Here and Elsewhere,' an exhibition featuring the Top 10 artists from the 2025/26 Tlhagella Incubation Programme. Curated by Puleng Plessie, the show opens on 1 May 2026 and presents works that explore themes of presence, memory, and belonging through a polyphonic, multi-perspectival approach.