The Williamson Art Gallery & Museum in Birkenhead has announced the largest-ever retrospective of the influential 20th-century British artist Leonard McComb. Titled "Leonard McComb: Nature and Humanity," the exhibition will feature over 60 works, including the monumental 10-meter drawing "Rock and Sea Anglesey" on loan from Oriel Môn, alongside pieces from Manchester Art Gallery and the Royal Academy.
A 66-million-year-old Triceratops skeleton, nicknamed Trey, sold for $5.55 million at the online auction platform Joopiter. The fossil, excavated in 1993, had been on continuous public display at the Wyoming Dinosaur Center for three decades and represents the first dinosaur skeleton sold by Joopiter, a platform founded by Pharrell Williams.
The Fondation Louis Vuitton in Paris has launched "Calder: rêver en équilibre," a massive retrospective featuring over 300 works by the American modernist Alexander Calder. The exhibition spans the artist's entire career, from his early engineering-influenced "Circus" performances and hand-wrought jewelry to his iconic suspended mobiles and monumental outdoor sculptures. Notably, the show marks the first time the Frank Gehry-designed institution has installed artworks on its exterior lawns, creating a dialogue between Calder’s geometric forms and the building's avant-garde architecture.
The Blanton Museum of Art in Austin has launched 'Run the Code: Data-Driven Art Decoded,' a major exhibition featuring over 20 digital artworks produced between 2004 and 2022. On loan from the Thoma Foundation, the collection includes pieces by prominent figures such as teamLab, Leo Villareal, and Marina Zurkow that utilize coding, real-time data, and generative AI. The show highlights the evolution of digital practice in the "post-social media era," ranging from interactive installations to algorithmic critiques of environmental and social issues.
Canadian artist Steven Shearer will present a major exhibition of new figurative oil paintings, drawings, and significant loans at David Zwirner’s London gallery in June 2026. The showcase marks Shearer’s first solo presentation in the city since 2007, highlighting his unique ability to blend canonical art history with contemporary subcultures. His work frequently explores classical subjects like the artist’s studio and the Rückenfigur through a modern, often visceral lens.
The Wrightwood 659 museum in Chicago has launched "Martin Wong: Chinatown USA," the first major monographic exhibition of the artist's work since 2017. Featuring over 100 paintings, sculptures, and drawings, the show explores Wong’s complex relationship with his Chinese-American identity, his life in New York’s Lower East Side, and his fascination with urban landscapes, sign language, and queer intimacy. The exhibition includes significant loans such as the triptych "Tai Ping Tien Kuo" and the record-breaking "Portrait of Mikey Piñero at Ridge Street and Stanton."
The Philadelphia Museum of Art and the Pennsylvania Academy of Fine Arts (PAFA) have launched a massive joint exhibition titled "A Nation of Artists," featuring over 1,000 works spanning from 1700 to 2026. The collaboration utilizes a chronological approach at the Philadelphia Museum of Art and a thematic framework at PAFA, showcasing a diverse array of objects including colonial teapots, a New Mexican "death cart," and works by masters like Georgia O'Keeffe and Horace Pippin. The project also incorporates significant loans from the private collection of Philadelphia Phillies owner John Middleton.
The National Art Museum of Belarus in Minsk has opened a special exhibition featuring Marc Chagall’s 1917 masterpiece, "The Walk." On loan from the State Russian Museum in St. Petersburg, the painting is being showcased alongside a VR tour developed by students from the Minsk Hlebau Art College. The exhibition, which runs until July 6, focuses on this singular programmatic work that depicts the artist and his wife, Bella Rosenfeld, in a gravity-defying expression of love.
The Detroit Institute of Arts (DIA) has launched a long-term exhibition titled 'Guests of Honor,' featuring significant loans of Jewish ceremonial objects from the Jewish Museum in New York. Running through January 2027, the display includes intricate items such as Torah crowns, pointers, menorahs, and spice boxes sourced from Europe, the Middle East, and North Africa. The objects are integrated into various galleries, including the Arts of the Islamic World section, to highlight shared aesthetic motifs and historical connections between different cultures.
The Weston Loan Programme with Art Fund has announced its tenth round of support, facilitating 15 exhibitions at regional museums across England, Scotland, and Wales through 2027. This initiative funds the logistical costs—including transport, insurance, and security—required to move masterpieces from major national institutions like the Tate, the National Gallery, and the V&A to smaller local galleries. Notable upcoming highlights include the return of Joseph Wright’s 'An Experiment on a Bird in the Air Pump' to Derby for the first time in eight decades and a landmark Leonard McComb exhibition in Birkenhead.
Gustav Klimt’s "Portrait of a Lady" has returned to the Ricci Oddi Gallery of Modern Art in Piacenza following a successful loan exhibition at the My Art Museum in Seoul. The masterpiece resumes its permanent display just as the gallery prepares to unveil a comprehensive renovation of its 22 exhibition rooms. Designed by Lissoni & Partners, the redevelopment project has modernized over 1,000 square meters of the institution's floor space.
Tutto Boetti 1966–1993
Magazzino Italian Art has announced a major survey exhibition titled "Tutto Boetti 1966–1993," scheduled to run from April 2026 through April 2028. The show features approximately 30 works tracing Alighiero Boetti’s career from his early industrial material experiments in Turin to his later collaborative embroideries and graph paper works. The exhibition draws from the museum’s permanent collection, the Boetti estate, and private loans, and will be launched alongside a scholarly symposium organized with the Fondazione Alighiero e Boetti.
Ukrainian President Volodymyr Zelenskyy has issued a decree imposing sanctions on five Russian cultural figures involved in the Russian Pavilion for the 2026 Venice Biennale. The sanctioned individuals include pavilion commissioner Anastasia Karneeva, former culture minister Mikhail Shvydkoy, and three performers from the Intrada Ensemble. Ukrainian officials argue that these figures use international art platforms to legitimize Russian aggression and spread state propaganda, specifically citing past activities in occupied territories like Crimea and Donetsk.
The Barjeel Art Foundation has officially broken ground on its first permanent museum in Sharjah, United Arab Emirates, with a scheduled opening for January 2028. Founded by Sultan Sooud Al Qassemi, the 38,750-square-foot facility will be designed by Abdelmoneam Essa of Architecture Corner Consultants, featuring a design inspired by the traditional architecture of the Al Rigga neighborhood.
Thai artist and filmmaker Chantana Tiprachart has been awarded the 2026 Southeast Asian Video Art Production Grant by the Han Nefkens Foundation. The prize provides $15,000 for the production of a new moving-image work over a nine-month period, which will subsequently tour several international institutions including the Rockbund Art Museum in Shanghai and Nottingham Contemporary. The jury selected Tiprachart for her ability to locate social and political narratives within quiet, everyday spaces, praising her commitment to reflection in an era of information overload.
The New Mexico Museum of Art has launched "Rooted Strong: Visions of America from New Mexico," an exhibition timed to coincide with the United States semiquincentennial in 2026. Co-curated by Alexandra Terry and Katie Doyle, the show features 86 objects primarily drawn from the museum’s permanent collection, supplemented by key loans. The exhibition is organized into four thematic sections—Community, Land, Domestic Life, and Celebration—and exclusively features artists who have lived in the state for at least a decade, including figures like Nikesha Breeze, Sabra Moore, and Luis Tapia.
The Cafesjian Art Trust Museum in Shoreview has launched "Abstraction and Ourselves," an ambitious exhibition that bridges the gap between contemporary abstract painting and monumental glass sculpture. Curated by Jill Ahlberg Yohe, formerly of the Minneapolis Institute of Art, the show pairs the museum’s renowned glass collection—including works by Stanislav Libenský and Jaroslava Brychtová—with significant loans such as a Georgia O’Keeffe oil painting and works by Dyani White Hawk.
Maine-based environmental painter Janice Kasper will headline the first Bartlett Art Talk of the 2026 season at Bartlett Woods Retirement Community on April 22. The event coincides with the exhibition "Chickadees, Alligators and Stonehenge," which features Kasper’s work alongside pieces by Cicely Aikman and Dirk McDonnell, all on loan from the Caldbeck Gallery. Kasper, whose work is held in major collections like the Portland Museum of Art, is known for dramatic oils that explore the tension between wildlife and human technology.
Detroit-based artist Elonte Davis and Hungarian curator Kriszti Sarusi are among several creatives reflecting on the personal and social impact of their recent projects. Davis highlighted his 2026 community-centered initiatives, including his solo exhibition 'Homeroom: Detroit Taught Me First' and workshops at the Detroit Institute of Arts, while Sarusi discussed 'Floating Reality,' an exhibition series designed to provide space for underrepresented artists through a collaborative collective.
The National Museum of Korea in Seoul reported a dramatic increase in annual visitors, rising from 3.8 million in 2024 to 6.5 million in 2025. This surge included a record 230,000 international visitors, marking the first time the museum has surpassed 200,000 foreign attendees in a single year.
The article explores the curious public fascination with high-profile heists, using two recent examples as a springboard: the theft of 12 tons of Formula 1-themed KitKats from a truck in Italy and the robbery of paintings by Renoir, Cézanne, and Matisse from a museum in northern Italy. The author notes that such stories reliably go viral, not due to outrage but because people find them thrilling and even amusing, especially when the victims are large corporations or when the crime feels audacious and tangible.
A remarkably complete 154-million-year-old theropod fossil, nicknamed Juliasaurus, has made its public debut at the Hollytrees Museum in Colchester, U.K. Discovered in Wyoming’s Morrison Formation in 2020 and sold by the David Aaron gallery to a private collector, the 20-foot-long specimen is currently part of the “Discover: Museum Wonders” exhibition. While initially thought to be an Allosaurus or Marshosaurus, unique anatomical features in its skull and pelvis suggest it may represent an entirely new species.
John Middleton, the majority owner of the Philadelphia Phillies, and his wife Leigh have publicly debuted their private collection of blue-chip American art. The couple has lent a significant selection of works for a dual-venue exhibition in Philadelphia, coinciding with the city's preparations for the 250th anniversary of the United States.
The 2026 Bosch Parade will return to the Dommel river in ’s-Hertogenbosch from June 18 to 21, featuring nineteen new floating artworks inspired by the theme "Powered by Defects." This biennial event pays tribute to the surrealist legacy of Hieronymus Bosch, the city's most famous son, by inviting international artists to create fantastical aquatic installations. The program includes the "Garden of Earthly Delights," an open-air studio at the Citadel where visitors can interact with artists as they develop their contemporary interpretations of Bosch’s fascination with human imperfection and the absurd.
The Vantaa Art Museum Artsi has launched "Empathy," a multifaceted exhibition exploring the psychological, social, and technological dimensions of emotional connection. The show features diverse works that examine how facial expressions and gestures communicate feelings, while also addressing the power dynamics of who is allowed to tell their story. A central highlight is Ali Akbar Mehta’s immersive installation, which utilizes an archive of 30,000 video clips and XR technology to analyze how digital algorithms and visual overexposure to violence affect human compassion.
Sotheby’s has reported a return to profitability in 2025, posting a $53 million pre-tax profit following a significant $190 million loss the previous year. Driven by a 20 percent increase in sales totaling $7.1 billion, the auction house benefited from a broader 4 percent recovery in the global art market. Despite these gains, the company is navigating complex financial pressures, including a $10.2 million commission lawsuit from Cushman & Wakefield and the need to refinance $765 million in debt by 2027.
The Museum of Fine Arts St. Petersburg has launched two major exhibitions: a career-spanning survey of Iranian-born artist Ali Banisadr and a site-specific installation by Ward Shelley and Douglas Paulson. Banisadr’s exhibition, "The Alchemist," features nearly 20 years of work including large-scale paintings that blend abstraction with intricate, emerging figures. Accompanying this is "The Last Library IV: Written in Water," a life-sized library constructed from corrugated cardboard that explores the fragility of the written word and the impact of censorship and AI on language.
The National Horseracing Museum in Newmarket is set to host a new free exhibition titled "We Give You The Horse," running from April 29 to May 21. The showcase features paintings and sculptures by prominent members of the Society of Equestrian Artists, including a special loan of an original work by the renowned Sir Alfred Munnings from the Munnings Art Museum.
OpenAI is shutting down its Sora text-to-video generation platform, discontinuing both its consumer app and its internet service for creatives. The closure, announced via a company statement on X, marks a strategic reversal after the platform's 2024 launch and the subsequent release of Sora 2 in late 2025.
Des précisions sur les œuvres des musées français à Abu Dhabi
French museums and cultural institutions, including the Louvre, Versailles, the Centre Pompidou (Beaubourg), and the Musée d'Orsay, are refusing to disclose which specific artworks from their collections are currently on loan and on display at the Louvre Abu Dhabi. This lack of transparency occurs despite heightened regional security risks, including the threat of Iranian strikes. The French Ministry of Culture claims it is in close contact with UAE authorities to ensure the protection of the loaned works.