The Philadelphia Museum of Art is launching a new exhibition centered on the cultural legacy of the 'Rocky' film franchise and its iconic statue, which stands at the foot of the museum's famous steps. The show explores the intersection of cinema, public art, and Philadelphia's local identity, featuring a public event to celebrate the opening.
The Hong Kong International Cultural Summit returns on March 22-23, gathering cultural leaders from 14 countries in the West Kowloon Cultural District to discuss how institutions can reimagine their relationship with communities. Key figures like M+ Museum Director Suhanya Raffel, Hong Kong Palace Museum Director Louis Ng, and WestK CEO Betty Fung highlight the district's cross-disciplinary, audience-focused approach.
L’apprendimento è qualcosa di estetico e di emotivo. Lo dice Marco Dallari nel suo ultimo libro (e in questa intervista)
Italian pedagogist Marco Dallari discusses his latest book, "La bellezza di Sophia" (2026), which explores the intrinsic human drive for knowledge as an aesthetic and emotional necessity rather than a pragmatic survival tool. Drawing on Freudian concepts and the work of Alessandra Risso, Dallari argues that the desire to learn is a primal impulse that should be nurtured through beauty and curiosity rather than stifled by rigid institutional structures.
The Art Gallery of Burlington (AGB) has launched a new Community and Medicine Garden, a collaborative initiative designed to enhance waterfront biodiversity and serve as a living classroom. The opening event features traditional seed songs by Kaniehtenhawi Deer, tobacco planting workshops led by Michele Dent, and activities focused on sustainable gardening. Artists-in-residence Carly Franklin and Kamaldeep Kaur are also utilizing the space to grow indigo and other plants for their research into natural pigments and textiles.
A MEDIA LUMBRE. BARRO Y FIBRAS NATURALES EN LA OBRA DE ARTISTAS IBEROAMERICANOS
The exhibition 'A media lumbre' presents a collection of works by Ibero-American artists that engage with materials and knowledge historically considered minor arts, such as ceramics, clay, wool, textiles, embroidery, and natural fibers. The show integrates sound and oral tradition as tools for transmitting memory, drawing inspiration from communal gatherings like the 'filandones.' It unfolds across four autonomous exhibitions in Valencia, Mallorca, Aragon, and Catalonia, connecting urban museums like the IVAM with rural contexts.
Christopher Moller Gallery in Cape Town is set to host "Echoes of Home," a group exhibition featuring the works of Mpho Feni, Lionel Mbayiwa, and Olamide Ogunade. The show explores the evolving concept of identity and heritage across the African continent, contrasting traditional ancestral knowledge with contemporary lived experiences. Each artist provides a unique lens: Mbayiwa focuses on Shona cosmology, Ogunade utilizes introspective symbolism to capture the fragility of memory, and Feni documents the communal rituals of everyday family life.
The Henry Art Gallery at the University of Washington has unveiled its spring/summer 2026 exhibition schedule, featuring a diverse lineup of solo and group presentations. Highlights include a major exhibition by Diné artist Eric-Paul Riege exploring Indigenous cosmology and institutional knowledge, a showcase of Helen Frankenthaler’s experimental printmaking alongside works by Analia Saban, and the annual University of Washington MFA and MDes thesis exhibition. The season also features "Day-to-Day: Rhythm, Routine, Resistance," a collection-based show examining the intersection of personal life and structural social forces.
MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.
Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt
Uzbek artist Saodat Ismailova has opened a major solo exhibition, "When the Water Turns to Wind," at Portikus in Frankfurt. The presentation features a new, immersive film installation that weaves together ancestral myths, sonic landscapes, and the ecological history of Central Asia, focusing on the region's disappearing rivers and steppes. The work continues her long-term exploration of memory and cultural preservation.
Ecuador has selected artist Oscar Santillán to represent the nation at the 61st Venice Biennale in 2026. Curated by Manuela Moscoso and organized by the Museum of Anthropological and Contemporary Art (MAAC), the pavilion will feature a collaboration between Santillán and the collective Tawna. The exhibition, titled after the collective, will explore Andean-Amazonian contexts through a dialogue on territory, indigenous knowledge systems, and coexistence.
Artist Anastasia Pavlou’s practice is explored through her engagement with literature, memory, and the materialization of language. Her large-scale paintings, which draw formal comparisons to Art Informel and Abstract Expressionism, function as conceptual lexicons where titles—often direct citations from writers like Dionne Brand and Virginia Woolf—carry as much weight as the paint itself. Works such as "The Reader Interrogates Narrative, but Poetry Interrogates the Reader" demonstrate her interest in the "spectral" side of nomenclature, where naming serves to summon ghosts of the past while acknowledging the failures of language to capture emotion.
Optimierung verlernen – mit Heike Geißler
Award-winning author Heike Geißler discusses the necessity of resisting constant self-optimization and embracing despair as a response to modern labor conditions. Drawing from her experiences working in an Amazon warehouse, which inspired her book "Saisonarbeit," Geißler argues that the pressure to perform often leads to a "culture of contempt" and that acknowledging systemic failures is a vital form of resistance.
Annonce de chercheur : Les poteries « genre Palissy » au XIXe siècle en France
A doctoral candidate in art history, Mariette Boudgourd, has announced a public call for information to aid her research on 19th-century French ceramics in the 'genre Palissy' style. Her thesis aims to define the corpus of these works, analyzing their production techniques, market diffusion, and the construction of the myth surrounding the Renaissance potter Bernard Palissy.
The Museum of Modern Art of Rio de Janeiro (MAM Rio) is hosting a major retrospective titled 'Rubem Valentim: a ordem do sensível,' featuring approximately 180 works spanning four decades. Curated by Raquel Barreto and Phelipe Rezende, the exhibition showcases Valentim’s unique fusion of modernist abstraction with the spiritual symbols of Afro-Brazilian and Indigenous cosmologies. The presentation includes paintings, reliefs, and sculptures, culminating in monumental works like 'Templo de Oxalá.'
LA PROCESIÓN COMO FORMA DE MUNDO: ARTISTAS LATINOAMERICANOS EN LA BIENAL DE DIRIYAH
The third Diriyah Contemporary Art Biennale, titled 'In Interludes and Transitions,' is open until May 2nd in Saudi Arabia's historic Diriyah district. Curated by Nora Razian and Sabih Ahmed, the exhibition features 68 artists from over 37 countries and frames the world as a multitude of processions, using movement as its central theme and methodology. The exhibition design by Formafantasma encourages a fluid, nomadic journey through four thematic movements and site-specific 'arenas' within the repurposed industrial halls of the JAX creative district.
The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.
Tasmanian artist Joan Humble is presenting her final exhibition at the Lady Franklin Gallery in Hobart, featuring over 40 works that span from large-scale paintings to her signature miniatures. Despite a terminal cancer diagnosis at age 88, the internationally acclaimed artist remains dedicated to her craft, completing a three-year effort to document the rugged beauty of Tasmania’s South West Wilderness. Humble, a recipient of the prestigious Golden Bowl for miniature art, continues to work on remaining commissions, citing the intense concentration required for painting as a vital source of strength.
A statue of Caesar Rodney, a signer of the Declaration of Independence who enslaved over 200 people, is set to be reinstated in Washington D.C.'s Freedom Plaza. The National Park Service plans to place the statue as part of the nation's 250th birthday celebrations, six years after it was removed from Wilmington, Delaware, during Black Lives Matter protests.
A team of Swiss archaeologists and the nonprofit Octopus Foundation have recovered a 2,000-year-old Roman cargo from Lake Neuchâtel. The haul consists of approximately 600 remarkably preserved artifacts, including stacks of brand-new ceramic plates, bowls, goblets, weapons, tools, chariot wheels, and a wicker basket, dating from between 50 B.C.E. and 50 C.E. The ship itself was not found.
Iranian archaeologists Sepideh Maziar and Mehrnoush Soroush have launched an interactive online map to document and geolocate cultural heritage sites in Iran damaged by military strikes. The map, hosted by the University of Chicago's CAMEL Lab, currently lists 69 verified sites, including the historic Sa'dabad Palace complex in Tehran, and is updated as new information becomes available.
The Houston Center for Contemporary Craft (HCCC) has opened the exhibition 'Clutch City Craft,' which explores the craft traditions and material cultures that define Houston. The show features a diverse range of making practices, from mosaic street signs and cowboy boot making to fiber artists involved in aerospace design, framing the city's creative density as an extension of its industrial identity.
Artist Liss Fenwick has created a photobook titled 'The Colony' by feeding a collection of historical Australian novels, described as 'settler fan fiction,' to a colony of termites. The insects consumed the books over several years, leaving behind hollowed, sculptural remains that Fenwick photographed. The resulting work documents this process of organic transformation, where the physical texts are digested and reshaped.
Photographer Claire Rosen has released a series of portraits featuring live birds, ranging from fluffy owlets to rosy flamingos. The project documents various avian species through a carefully composed, artistic lens.
The New York Times has published a comprehensive guide aimed at aspiring gardeners, detailing the essential steps required to cultivate and maintain a successful green space. The resource covers foundational gardening knowledge, from soil preparation and plant selection to long-term maintenance strategies for various types of outdoor environments.
A collection of rare 17th-century books, written in Chinese by Jesuit missionaries and stolen from the Jesuit Historical Institute in Rome, has been returned to Italy. The books, which cover astronomy and other scientific topics, were recovered by the Carabinieri art squad after being illegally exported to the United States.
ArtReview's feature 'The Museum in Crisis' presents a critical diagnosis of contemporary museums, questioning their foundational authority, purpose, and relevance. The article compiles perspectives from professionals, highlighting challenges like restitution claims, alienated audiences, and the need to dismantle colonial hierarchies embedded in language and display practices. It argues that museums must move beyond being mere preservers to become active producers of public knowledge.
Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão and curated by Inês Grosso, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition. Drawing inspiration from the philosopher and Quilombola leader Nêgo Bispo, the installation challenges Western linear conceptions of time and highlights the persistence of colonial structures in modern social organization.
Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition rather than linear progression. Drawing inspiration from the Quilombola philosopher Nêgo Bispo, the installation challenges Western colonial structures and highlights the importance of ancestral knowledge and Indigenous cosmologies.
CIMAM (International Committee for Museums and Collections of Modern Art) has launched an open call for its 2026 Travel Grant Programme. The grants will fund museum professionals, curators, and researchers from emerging and developing economies to attend the organization's 58th Annual Conference in Harare, Zimbabwe, under the theme 'Museums Beyond Limits: Imagining Repair Across Cultures, Ecologies and Knowledges.'
The Liverpool Biennial has appointed Lucía Sanromán and Aimee Harrison as Co-curators for its 2027 edition. Sanromán, Chief Curator at Mexico City's MUAC, brings an international perspective on socially engaged art, while Harrison, a long-time Biennial staffer, provides deep local knowledge and experience in community-focused projects. The festival will run from June 5 to September 12, 2027, utilizing historic buildings, galleries, and unexpected spaces across the city.