We Asked Artists, Dealers, Lawyers, and Advisers What Gallery Representation Means Today—And It’s Surprisingly Complicated

ARTnews explores the evolving and often ambiguous nature of gallery representation through interviews with artists, dealers, lawyers, and advisers. The article traces British painter Nigel Cooke's journey from his first representation by Stuart Shave/Modern Art in 2002 to his current gallery Pace, and his recent exhibition "Bad Habits" at Fondazione Querini Stampalia in Venice. It highlights the gap between the romantic ideal of a dealer discovering and nurturing an artist's career and the commercial reality of contracts, commissions, and termination clauses.

Cave paintings, a galleon and a wild Frenchman: London Gallery Weekend’s 10 must-see shows

London Gallery Weekend returns for its sixth year, bringing together hundreds of galleries across the city for a weekend of free exhibitions, talks, performances, and events. The article highlights ten must-see shows, including a Francis Picabia survey at Hauser & Wirth, Anne Imhof's gothic explorations at Sprüth Magers, Dominic Watson's surreal galleon installation at The Sunday Painter, and Savannah Harris's critique of gentrification at Harlesden High Street. The event runs from late May into early June, with galleries open late and all admission free.

Phoenix Probably Shouldn’t Exist. But Eric Fischl and Frank Lloyd Wright Make It Feel Like the Future

The article is a personal essay recounting the author's multiple visits to Phoenix, Arizona, in 2025. It reflects on the city's rapid growth, its reliance on air-conditioning and water from the Colorado River, and the surreal abundance of swimming pools. The narrative weaves together observations about the city's landscape, including non-native palm trees, and a dinner with artist Eric Fischl, who was judging an art show at Phoenix College. Fischl's painting "Daddy's Gone, Girl" (2016) is discussed as a key example of his work, which often explores suburban unease.

Lisson Grove's galleries collaborate to promote London's unsung art district

Lisson Gallery, The Showroom, The Bomb Factory Art Foundation, Patrick Heide Contemporary Art, and Palmer Gallery have formed the Lisson Grove Galleries initiative to promote the artistic activity of London's Lisson Grove district. The collaboration will launch during London Gallery Weekend (5-7 June 2025) with talks, tours, performances, and events, including discussions on collectivism, artist talks, and private views, with ongoing programming throughout the year.

The 21st Century’s Biggest Art Trend is Not a Style. But Once You See It, You’ll Notice It Everywhere.

The article traces the evolution of "systems art," a term coined by critic Jack Burnham in 1968 to describe art that uses rules, seriality, and repetition to mirror and reveal the growing protocols of the Cold War era. It highlights early practitioners like Kenneth Noland, Robert Morris, Dan Flavin, and notably Hans Haacke and Adrian Piper, who shifted from atmospheric systems (e.g., Haacke's *Condensation Cube*) to social systems (e.g., Haacke's *Shapolsky et al. Manhattan Real Estate Holdings*). The piece argues that systems thinking has become unavoidable in contemporary life—from algorithms to systemic racism—and that art remains a crucial tool for making these invisible systems legible.

How JR Transformed Paris’s Oldest Bridge Into a Massive Grotto

French artist JR has transformed Paris's Pont Neuf, the city's oldest bridge, into a massive inflatable grotto titled *La Caverne du Pont Neuf* (2026). The installation measures 120 meters long, 20 meters wide, and up to 18 meters tall, and will be open to the public from June 6 to June 28. It incorporates sound design by Thomas Bangalter of Daft Punk, augmented reality via Snap Inc., and a Bloomberg Connect guide. Over 800 people helped realize the project, which was fabricated from 18,900 square meters of fabric and 20,000 cubic meters of pressurized air by French firm Air Toiles Concept. The work concludes a five-year series of large-scale trompe l'oeil pieces by JR and pays homage to Christo and Jeanne-Claude's *The Pont Neuf Wrapped, Paris* (1975–85), with the blessing of their foundation.

Eyes Wide Open! Kenny Schachter Dishes on Delinquent Dealers, Secret Deals, and That Other ‘Salvator Mundi’

Kenny Schachter offers a sardonic, first-person account of the spring 2025 art season in New York, weaving together observations from auctions, art fairs, and gallery openings. He notes brisk business at Sotheby's and Phillips, citing specific sales like James Ensor's tiny "Still life with Stingray" ($140,800) and Georgia O'Keeffe's double-sided "Maple Leaves and Flowering Cactus" ($1.68 million). Schachter also recounts his experience at Larry Gagosian's new Madison Avenue gallery, where security guards outnumbered the artworks, and reflects on the broader economic climate, including a tax lawyer moonlighting as a 3-D printer for his own sculpture project. He contrasts the wealthiest collectors—one driving a Lamborghini but staying at a Holiday Inn Express—with dealers wearing grim faces at TEFAF, painting a picture of a bifurcated art economy.

Tracey Emin, Katharina Grosse, and More Rally to Raise $2.7 Million for South London Gallery

Christie’s is partnering with the South London Gallery (SLG) on a special selling exhibition featuring works donated by 28 artists, including Tracey Emin, Frank Bowling, Katharina Grosse, Alvaro Barrington, and Ryan Gander. The exhibition is part of SLG’s “SLG Forever” fundraising campaign, which aims to raise £2 million ($2.7 million) to renovate the gallery’s historic Victorian building and support its outreach programs. The show will be open to the public at Christie’s London from June 5–25, with extended hours during London Gallery Weekend, and will continue online until September 30.

Your Summer Guide: 20 Art World Highlights Not to Miss

ARTnews has published a summer guide highlighting 20 art world events and exhibitions not to miss in the coming months. Featured highlights include the opera 'El Último Sueño de Frida y Diego' at the Metropolitan Opera, the 'Costume Art' exhibition at the Metropolitan Museum of Art, a Björk show titled 'echolalia' at the National Gallery of Iceland, a book on the Venice Biennale by Massimiliano Gioni, Raven Halfmoon's 'Flags of Our Mothers' at Ballroom Marfa, a Pierre Huyghe exhibition at Fondation Beyeler Basel, a James McNeill Whistler retrospective at Tate Britain, and the inaugural Medina Triennial in New York.

Waddington’s Spring Sale Spotlights Canadian Masters

Toronto-based auction house Waddington's will hold its Major Spring Sale on May 28, 2026, marking its 176th anniversary. The sale comprises three sessions: Canadian & International Fine Art, First Nations Art, and Inuit Art. Highlights include works by Lawren Stewart Harris (Lake Superior Sketch, VI, est. $700,000–$800,000 CAD), David Brown Milne (Heavy Forms, 1913, est. $80,000–$120,000), Rudolf Ernst (Finishing Touches, est. $100,000–$150,000 CAD), Emily Carr (Somewhere, ca. 1942, est. $350,000–$450,000), and Norval Morrisseau (Young Shaman with Powers, 1978, est. $100,000–$150,000 CAD). The sale spans diverse periods and mediums, with a focus on Canadian masters and Indigenous art.

Art in America’s Summer Issue Features 20 “New Talent” Artists, Juicy Art Heist Stories, and More

Art in America's Summer issue features 20 emerging artists in its annual "New Talent" portfolio, selected by the magazine's editors. The issue also includes a feature on art heist stories by Jackson Arn, an essay on systems art by Emily Watlington, and a piece on tragicomic times by Eugenie Brinkema. Additional content includes a tribute to Henrike Naumann, a spotlight on Olga Fröbe-Kapteyn, a book review of Trevor Paglen's latest work, and departments covering museum and gallery worker perspectives, a Frick Collection vs. Morgan Library comparison, and a summer reading list of art-themed novels.

The Wild Nine-Month Journey that Led to Nathaniel Mary Quinn Designing the Rolling Stones’ New Album Cover

Nathaniel Mary Quinn was commissioned to create the cover art for the Rolling Stones' new album *Foreign Tongues*, due July 10, after a three-way call with Mick Jagger and producer Andrew Watt. Over nine months, Quinn developed a composite portrait merging the faces of Jagger, Keith Richards, and Ronnie Wood, and also redesigned the band's iconic tongue-and-lips logo. The process involved regular conversations with Jagger and Richards, a private rehearsal session, and a lunch at the Baccarat Hotel, culminating in the band choosing Quinn's original composite over a second option featuring a vintage sports car.

While the world is ending outside

Während draußen die Welt untergeht

The ninth edition of the art festival "Various Others" opened in Munich amid rain, with galleries, institutions, and off-spaces presenting their exhibitions. Highlights include Jana Schröder's large-format paintings at Jahn und Jahn, juxtaposed with Willem de Kooning's works on newspaper; André Butzer's solo show at Galerie Christine Mayer, featuring his transition from monochrome 'N-Bilder' back to color; and Anselm Reyle's solo exhibition at Walter Storms in collaboration with Galerie Dirimart. Two standout shows are inspired by Persian miniature painting: Elif Saydam's 'Glory' at Galerie Rüdiger Schöttle, where silver and gold leaf works will oxidize over centuries, and another exhibition exploring bodies in transitional states—pupating, oxidizing, and escaping fixed forms.

In a new home, Photo London gets down to business

Photo London opened its 2025 edition at a new venue, Olympia’s Grand Hall in West Kensington, on 13 May, moving from its previous decade-long home at Somerset House. Despite a hailstorm, the preview day saw lively sales: Paris-B Gallery sold three works for £100,000, including pieces by Yang Yongliang; In Camera sold both a vintage and modern print of Jane Everlyn Atwood's *Auto Portrait (Serpent)*; and Radius Publishing moved 40% of its stock by Thursday lunchtime. The fair runs until 17 May, with prices ranging from £100 to £400,000.

Art Basel strives to maintain its prestige

Art Basel s’efforce de maintenir son prestige

Art Basel has announced details for its 2026 edition in Basel, featuring 290 galleries from 43 countries. The fair introduces a new "Basel Exclusive" label, which designates select major artworks unveiled exclusively during the VIP opening, with participating galleries agreeing not to preview these works through pre-sale channels. Twenty-two galleries from the 2025 edition are absent, some due to closures (Blum, Sperone Westwater) and others shifting to Art Basel Paris (Art: Concept, Emanuela Campoli, Fergus McCaffrey, David Nolan Gallery, Jeffrey Deitch). The fair maintains a re-enrollment rate above 90% and adds about twenty newcomers, including twelve in the main sector. For the first time, galleries from Ivory Coast, Lebanon, Saudi Arabia, and Turkey will participate, expanding geographic representation. The fair also highlights its strong modern art offering, with specialized dealers like Acquavella Galleries, Landau Fine Art, and Mayoral.

In Bangkok, an art scene in full boom

À Bangkok, une scène artistique en plein boom

Dib, Thailand's first major private contemporary art museum, has opened in Bangkok in a converted industrial warehouse. The project was initiated by late businessman and pop star Petch Osathanugrah and completed by his son Chang, a university president and guitarist. Designed by architect Kulapat Yantrasast—a protégé of Tadao Andō who has worked on the Grand Rapids Art Museum and the Met's Rockefeller Wing—the museum features a minimalist restoration with a social piazza, reflective pools, and a James Turrell light installation. Its collection highlights overlooked Thai artists such as Montien Boonma, Somboon Hormtientong, and Surasi Kusolwong, alongside international names like Louise Bourgeois and Anselm Kiefer.

À Paris, Anglet ou Dreux, 5 expositions gratuites à voir en juin

The article highlights five free art exhibitions to see in France in June 2026, spanning Paris, Anglet, Dreux, and the Maine-et-Loire region. In Paris, the Bibliothèque historique de la Ville de Paris presents "C'était Paris en 1970," showcasing 100,000 photographs from a 1970 city-wide contest to document the capital. In Anglet, the Centre d'art contemporain hosts "Tutti Frutti," a group show curated by Anne-Laure Lestage featuring 18 artists whose works evoke the atmosphere of a market, including pieces by Miriam Cahn, Takako Saito, and Manuel Wroblewski. In Maine-et-Loire, the exhibition "Dans le Maine-et-Loire, de grands artistes ouvrent les portes de leur atelier" displays photographs by Jean Marie del Moral of artists' studios, featuring figures like Joan Mitchell, Miquel Barceló, and Damien Hirst. Additional free exhibitions are mentioned in Dreux and elsewhere, though details are cut off.

Francis Picabia: Against Bad Breath and Cathedrals of Shit

ArtReview examines the enduring relevance of Francis Picabia through the exhibition "Francis Picabia: Expanding Horizons" at Hauser & Wirth in London. The show presents a five-decade, 32-work mini-retrospective of Picabia's painting and drawing, spanning from an untitled impressionist landscape (1902) to his late Dada-themed works. The article highlights Picabia's deliberately wayward, ever-changing practice, his provocative aphorisms (e.g., "Cubism is a cathedral of shit"), and his role as a precursor to appropriation art, Pop, Conceptualism, and 'bad' painting, with key series including the Espagnoles, Transparencies, and mechanomorphic images.

Who the Art World Is Supporting at the FIFA World Cup 2026

Artsy asked a cross-section of artists, curators, and gallerists which teams they are supporting at the FIFA World Cup 2026, which will be co-hosted by the U.S., Canada, and Mexico starting June 11th. The article gathers responses from art-world figures about their chosen national teams, blending soccer fandom with personal and cultural ties.

17 New Artist Auction Records Set in May 2026

New York's spring auction week, starting May 18, 2026, saw record-breaking sales led by Christie's, which realized over $1.1 billion across two opening night sales. Major estate consignments from Condé Nast owner S.I. Newhouse, MoMA trustee Agnes Gund, dealer Marian Goodman, and financier Robert Mnuchin fueled the market, resulting in 17 new artist auction records.

Weekly News Roundup: June 12, 2026

Frieze Seoul 2026 announces its fifth edition with over 125 galleries from 30 countries, returning to COEX in Gangnam from September 2–5 in partnership with Kiaf SEOUL. Hong Kong debuts its first permanent Yayoi Kusama outdoor sculpture, a three-meter-tall green polka-dotted pumpkin at The Twins Tower I in Kai Tak. The Taishin Arts Awards names Indigenous Taiwanese performance collective TAI Body Theatre as Grand Prize winner for their work qaqay (2025). Iranian German artist Natascha Sadr Haghighian wins the inaugural LVM Insurance Art Prize for Public Art for her installation 86° WALTER HALİT (2025).

10 Must-See Shows During Paris Gallery Weekend 2026

Paris Gallery Weekend 2026 returns for its 14th edition from May 29th to 31st, organized by the Comité Professionnel des Galeries d’Art. The event features 73 galleries across the Marais and other districts, offering three days of programming with must-see exhibitions during the city's vibrant late spring season.

Duane Michals, Who Expanded Photography’s Boundaries With Élan, Dies at 94

Photographer Duane Michals, known for pushing fine-art photography's narrative potential by incorporating text and cinematic frame-by-frame sequences, died on Wednesday in Manhattan at age 94. Born in McKeesport, Pennsylvania in 1932, Michals began adding text to his images in 1974, challenging conventions like Henri Cartier-Bresson's "Decisive Moment." His career spanned commercial work for magazines like Esquire and Mademoiselle, album covers, and portraits of stars including Robin Williams and Tilda Swinton, alongside a parallel art practice that explored death, sexuality, dreams, and paternal love through sequenced photographs, paintings, and sculptures. His first solo show was at New York's Underground Gallery in 1963, and his breakthrough museum exhibition came at the Museum of Modern Art in New York in 1970.

Steven Adrian Stewart, Founder of Kansas Gallery, Dead at 46

Steven Adrian Stewart, founder of the Lower East Side's Kansas Gallery, has died at age 46. Stewart died on May 26 in Lawrence, Kansas, near where he grew up; no cause of death was provided. He founded Kansas Gallery in 2011, representing a roster of emerging artists including Michael Berryhill, Mira Dancy, Ethan Greenbaum, and Sylvan Lionni, before closing the space in 2016. After moving to Melbourne, Australia, he cofounded Futures Gallery in 2021 and later worked at Elizabeth Leach Gallery in Portland, Oregon. Stewart is survived by his wife, artist Jen Berean, and their two children.

Roberta Smith Still Has Notes

Roberta Smith, the longtime co-lead art critic for the New York Times and a towering figure in American art criticism, is the subject of a new documentary titled *House of Criticism*, which premieres at the Tribeca Film Festival. The film focuses on Smith and her husband, New York magazine critic Jerry Saltz. In conjunction with the film's debut, Smith gave an interview reflecting on her career, her critical method, and her views on the art world today.

See Never-Before-Shown Martin Wong Works, Now On View in a Show Of His Chinatown Paintings

A new exhibition at Wrightwood 659 in Chicago, “Martin Wong: Chinatown USA,” presents over 100 works by the late self-taught artist, including 11 never-before-exhibited paintings and the never-before-seen back side of a large canvas. The show focuses on Wong’s depictions of San Francisco’s and New York’s Chinatowns, featuring iconic imagery such as Bruce Lee, Peking opera performer Mei Lanfang, and the pagoda-style building at 241 Canal Street. It is the first monographic institutional show of Wong’s work in nearly a decade, complemented by a concurrent New York exhibition, “Martin Wong: Popeye,” at P.P.O.W. Gallery, which closed in June 2026.

New photography museum in Cincinnati foregrounds the medium’s democratic power

The FotoFocus Center, a new museum dedicated to photography, has opened in Cincinnati after over three years of construction. Designed by local architect Jose Garcia, the building's three-tone palette of black, white, and sepia references the medium's origins, while its materials blend regional elements (black iron bricks, indigenous woods) with foreign stone from Argentina. The inaugural exhibition, "Big Tent," curated by Kevin Moore, features works by dozens of artists including Gordon Parks, Catherine Opie, and Robert Mapplethorpe, and reflects on American diversity through photography. The 14,700-square-foot museum occupies a former gas station lot and gives the non-profit organization FotoFocus a permanent home for year-round programming.

Jamie Nares’s Enduring Romance With the Brushstroke

Hyperallergic interviews Jamie Nares, a New York-based painter and filmmaker, about her artistic journey and enduring focus on the brushstroke. Nares, who came out as transgender in 2019 and changed her artist name in 2024, discusses her move from London to New York in the mid-1970s, her involvement in the No Wave movement, and her recent decision to relocate permanently to Upstate New York. She explains how she reduced her practice to the single brushstroke, finding endless variation in that gesture, and describes her process as a search for the essences of things, stripping away what is superfluous.

Come together: how London galleries are making it work in the capital

London’s gallery sector is undergoing a reset as a slower market, rising operating costs, and changing collector behavior challenge dealers of all sizes. Despite high-profile closures, around two dozen new galleries have opened in the past few years, and many are experimenting with new business models. London Gallery Weekend (LGW) returns this month (5–7 June), highlighting a shift away from art fairs toward a renewed focus on exhibitions. New galleries like Pale Horse Gallery in Marylebone and Edel Assanti’s second space in St James’s prioritize in-gallery programming, while others like Elizabeth Xi Bauer are expanding into studios and residency programs to offer artists more infrastructure.

‘We have a shared sky and stars’: the Indigenous American artists challenging our relationship to the natural world

Hold to This Earth, the largest exhibition of contemporary Native North American art ever shown in Britain, has opened at a time when the United States prepares for the 250th anniversary of the Declaration of Independence. Curated by Sarah Coulson, the show features works from more than 35 tribal nations, drawn from Santa Fe’s Tia Collection. Artists such as Jeffrey Gibson, Rose B Simpson, Raven Halfmoon, Dakota Mace, and Hock E Aye Vi Edgar Heap of Birds address urgent issues including environmental exploitation, land rights, and Indigenous resilience through a blend of traditional craft and contemporary media.