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Celia Paul Makes Her Own Way

This week's Hyperallergic newsletter highlights artists forging their own paths. Celia Paul, known as a painter-chronicler and former muse to Lucian Freud, has her first New York exhibition in over a decade at Gladstone Gallery in Chelsea, featuring stark, desaturated portraits. Separately, the late Frank Stella's personal collection of 19th-to-20th-century Navajo weavings is on public display for the first time at Arader Galleries on the Upper East Side, ahead of a sale. The issue also covers the What Now: 2026 festival in Philadelphia, Greenpoint Open Studios in Brooklyn, a new mosaic at Brooklyn's Borough Hall subway station, and local backlash over new signage in Kingston, New York.

Phoenix Art Museum gifted 185 works of Native American art

The Phoenix Art Museum has received a gift of 185 works of modern and contemporary Native American art from collector William P. Healey, the largest such donation in the museum's history. Assembled over the past decade with guidance from Diné artist Tony Abeyta, the collection will anchor a new exhibition titled "The Way We Came: A Century of Indigenous Art," opening August 26 and co-curated by Abeyta and JoAnna Reyes. Featured artists include Jaune Quick-to-See Smith, Fritz Scholder, Allan Houser, T. C. Cannon, Kay WalkingStick, and Emmi Whitehorse, though only one artist, Michael Chiago, represents local Phoenix-area Tribes, and the Akimel O'odham, on whose ancestral lands the museum sits, have no representation.

Celia Paul Transcends Her Own Mythology

Celia Paul's exhibition "Innervisions" at Gladstone Gallery showcases her latest paintings, including works like "Cruciform Muse" (2025) and "Burning Painter" (2025). The show features her characteristic autobiographical approach, depicting family members, self-portraits, and ocean scenes, while also exploring themes of vulnerability and power through nude figures inspired by Gwen John. The exhibition builds on Paul's established reputation as a painter and memoirist, following her book "Letters to Gwen John" (2022) and a documentary by Jake Auerbach.

Someone Stole Maurizio Cattelan’s Banana, and the Centre Pompidou-Metz Is Pressing Charges

On Saturday, the Centre Pompidou-Metz announced that Maurizio Cattelan's iconic artwork *Comedian*—a banana duct-taped to a wall—was stolen from the museum. Staff quickly replaced the fruit with a fresh banana and tape, as is routine every three days. The museum filed a legal complaint against unknown persons, marking the second such incident at the venue after a previous theft in 2024. The artwork's value resides in its certificate of authenticity and presentation protocol, not the perishable banana itself.

The True Crime Story of a Notorious Looter

Hyperallergic reports on a new book, Matthew Campbell's 'The Man Who Stole the Gods' (2026), which centers on British dealer Douglas Latchford, who trafficked looted Cambodian antiquities on a massive scale before his death in 2020. Latchford sold objects to institutions like the Metropolitan Museum of Art, and the book examines the criminal network that supplied and transported these works, as well as the museum professionals and scholars who enabled it. The article also covers Frank Stella's collection of Diné (Navajo) textiles, now on view for the first time at Arader Galleries in New York, alongside an obituary for abstract painter Jay Milder, who died at age 92.

Art Movements: Wolfgang Tillmans Wins Europe's Richest Art Prize

Wolfgang Tillmans has been awarded the Roswitha Haftmann Prize, Europe's largest monetary award for living visual artists, worth CHF 150,000 (~$191,361). The prize, established in 2001 in honor of Swiss art dealer Roswitha Haftmann and administered by Kunsthaus Zürich, recognizes Tillmans for his artistic oeuvre and social commitment. In other news, Cheryl Finley was named the 2026 recipient of the David C. Driskell Prize from the High Museum of Art, and El Museo del Barrio will honor Isabel and Agustín Coppel, J Balvin, and Estrellita Brodsky with its Tony Bechara Legacy Award. Additionally, Art Basel announced over 200 exhibitors for its Paris fair, and Jack White's first public exhibition of his visual artwork will open at Damien Hirst's Newport Street Gallery on May 29.

Alan Saret, ‘Anti-Form’ Artist Known for His Wire Sculptures, Dies at 81

Alan Saret, an artist known for his chaotic wire sculptures and colored-pencil drawings that helped define the 'anti-form' movement of the late 1960s and early '70s, died on Tuesday at age 81. His death was announced by Karma, the New York gallery that staged three exhibitions of his work since 2022. Saret's breakthrough came with a 1968 exhibition at Bykert Gallery, leading to inclusion in Harald Szeemann's landmark show 'When Attitudes Become Form' at Kunsthalle Bern in 1969. His wire sculptures, made from crushed and bent industrial materials, were collected by institutions including the Museum of Modern Art and the Whitney Museum. He also created 'Gang Drawings' by dragging multiple colored pencils across paper, surveyed by the Drawing Center in 2007.

How Warsaw has become a new capital of collecting

Warsaw has emerged as a new hub for art collecting, driven by Poland's economic growth—projected to become the world's 20th largest economy by 2026. The city now hosts Art Warsaw, an art fair held in the historic Villa Róż, which attracted 56 galleries and around 11,000 visitors in its latest edition. Major collectors like Jerzy Starak and Artur Dela are fueling the scene, alongside the new Museum of Modern Art (inaugurated in 2024) and the long-running Warsaw Gallery Weekend.

The 100 Best Artworks About America

ARTnews and Art in America have jointly compiled a list of the 100 best artworks about America, selected by their editors. The list spans from before the nation's founding in 1776 to the present day, featuring paintings, sculptures, prints, drawings, videos, films, and digital works. Notable entries include rafa esparza's 2019 performance 'bust: indestructible columns,' which involved chiseling himself out of a concrete Ionic column on the Ellipse near the White House as a metaphor for democracy; Bureau of Inverse Technology's 1997–98 project 'BIT Plane,' a surveillance critique using a radio-controlled aircraft over Silicon Valley; and Bruce Nauman's 1981–82 neon work 'American Violence,' which combines sexual advances and white nationalist imagery.

Gala Season! Shaggy and Jewel Hit the Whitney, Henry Taylor and Pharrell Toast Gordon Parks, and More Juicy Art-World Gossip

Artnet News' gossip column "Wet Paint" reports on the Whitney Museum's 2026 annual gala, a major fundraising event. The author describes the scene: donors and celebrities like Jewel, Neil Patrick Harris, and Nigel Barker mingled with artists Julie Mehretu (the honoree) and Glenn Ligon. Notably, the 56 artists in the current Whitney Biennial were not invited due to limited seating, a policy confirmed by the museum. The evening raised $6.3 million, with individual seats costing $7,500.

‘A gift that keeps on giving’: the witty world of Lee Friedlander – in pictures

The Guardian published a photo essay celebrating American photographer Lee Friedlander, featuring images from his career spanning the 1950s to the 2010s. The article highlights his new book "Life Still," published by Aperture, which collects over 130 photographs—most previously unpublished—showcasing his signature wit and his eye for the American social landscape, including chain link fences, roadside signs, and still lifes. The piece includes commentary from curator Peter Galassi and notes Friedlander's influences from Walker Evans and Robert Frank.

From The Mandalorian and Grogu to Dear England: your complete entertainment guide to the week ahead

This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights three upcoming exhibitions: Hulda Guzmán's first major European show at Turner Contemporary in Margate (23 May to 13 September), featuring her lush, mystical tropical paintings exploring Caribbean identity; Lewis Hammond's exhibition of dark, old master-inspired portraiture at The Hepworth in Wakefield (23 May to 1 November); and Joanna Piotrowska's show at The Common Guild in Glasgow (23 May to 18 July).

‘This is mine, I own it’: how Tracey Emin and Frida Kahlo inspired me to make meaning out of pain

The article is a personal essay by a writer who, after undergoing a colectomy in 2023, found inspiration in Tracey Emin's unflinching self-portraiture following her 2020 cancer diagnosis. The author describes taking her own post-surgery photographs, echoing Emin's mantra "This is mine, I own it," and reflects on Emin's current work, including the Tate Modern exhibition and paintings like "I watched Myself die and come alive" (2023) and "Barbed Wire Stitches" (2024). The essay also connects Emin's approach to that of Frida Kahlo, whose retrospective is upcoming at Tate.

S.I. Newhouse’s 11-Foot-Wide Jackson Pollock Drip Painting Sells for Record-Breaking $181.2 M.

A Jackson Pollock drip painting, *Number 7A* (1948), formerly owned by media magnate S. I. Newhouse, sold at Christie’s on Monday night for a hammer price of $157 million, totaling $181.2 million with fees. The work, measuring nearly 11 feet wide, received over 60 bids in a 10-minute bidding war and set a new auction record for the Abstract Expressionist artist, surpassing the previous high of $61 million set in 2021. The winning bid was placed by a buyer represented by Christie’s global president Alex Rotter, with Swiss mega-dealer Iwan Wirth acting as an underbidder, possibly for collector Laurene Powell Jobs.

The art world remembers Valie Export, Austrian pioneer of feminist performance art

VALIE EXPORT, the Austrian pioneer of feminist performance art, died on 14 May, three days before her 86th birthday. Her death was confirmed by her representative, Thaddaeus Ropac. Born Waltraud Lehner in Linz in 1940, she developed a radical artistic language centered on the female body, known for works such as *Tap and Touch Cinema* (1968–1971) and *Body Configurations* (1972–1976). Tributes have poured in from artists, writers, and institutions, including the Neue Nationalgalerie in Berlin and the Belvedere Museum in Vienna, where director Stella Rollig noted their ongoing collaboration on the exhibition *Feminist Futures Forever*.

From Normal to Ania Magliano: your complete entertainment guide to the week ahead

The Guardian's weekly entertainment guide includes a section on art exhibitions, highlighting two shows opening in the UK. Godfried Donkor's solo exhibition at Firstsite in Colchester runs from 22 May to 30 August, weaving stories of resistance from Boudicca to Yaa Asantewaa through collage, painting, and textile. Delcy Morelos's installation at the Barbican in London, running until 31 July, fills the space with huge mounds of earth, clay, and spices to create immersive environments based on Andean and Amazonian knowledge. The guide also mentions Phantasmagoria at the Henry Moore Institute in Leeds, exploring video games and digital art.

A Delayed Art Dubai Opens With Fewer Galleries—but Buyers Abound

Art Dubai opened its 20th edition at Madinat Jumeirah with a significantly reduced number of exhibitors—50 largely regional galleries, down from the originally expected 120—after being delayed from mid-April due to geopolitical tensions following the U.S.-Iran ceasefire on April 8. The fair, which offered free entry for the first time and refunded booth costs for participating galleries, saw strong attendance from Gulf and Middle Eastern collectors, with an upbeat mood and a more intimate atmosphere reminiscent of pre-Covid editions. Galleries from Lebanon and other conflict-affected regions were present, emphasizing art as a form of resilience and cultural identity.

‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain

The Victoria and Albert Museum (V&A) in London has opened "Rising Voices: Contemporary Art from Asia, Australia and the Pacific," a major exhibition produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane. Featuring over 70 works never before exhibited in the UK, the show draws from QAGOMA's Asia Pacific Triennial of Contemporary Art (APT), which began in 1993. Highlights include Michael Parekōwhai's sculpture of a Māori bouncer, Montien Boonma's terracotta bell installation, and Takahiro Iwasaki's intricate wooden model. The exhibition is the first APT survey to be held outside Australia and Chile, arriving after years of planning by V&A exhibitions director Daniel Slater.

At the Venice Biennale, the Thrill of Victory, the Agony of Defeat

The article reports on the opening of the 61st Venice Biennale, highlighting the central exhibition "In Minor Keys" conceived by the late Koyo Kouoh, along with national pavilions and collateral events. It notes standout contributions from artists such as Alvaro Barrington, Kaloki Nyamai, Florentina Holzinger, Ei Arakawa-Nash, Li Yi-Fan, and Dries Verhoeven, while describing the American pavilion as lackluster and the overall commercial offerings as uneven. The text also covers performances and exhibitions featuring nudity and body horror, including Tino Sehgal's "The Kiss" and Maja Malou Lyse's video with the collective DIS.

Renowned feminist artist and film-maker Valie Export dies aged 85

Valie Export, the Austrian performance artist and film-maker known for her provocative feminist works that challenged the male gaze, has died at age 85. Her foundation announced she died in Vienna on Thursday, three days before her 86th birthday. Export gained notoriety in the late 1960s for low-budget performances such as "Tapp und Tastkino" (1968), where she invited shoppers to touch her bare breasts through a tiny curtain strapped to her chest. She also co-founded the Austrian Filmmakers Cooperative, participated in documenta (1977, 2007) and the Venice Biennale (1980), and was a professor of multimedia and performance at the Academy of Media Arts in Cologne.

Valie Export, Groundbreaking Feminist Artist Who Questioned the Nature of Art, Dies at 85

Valie Export, the pioneering Austrian feminist artist known for challenging the conventions of art and cinema through body-centered, tactile works, died on May 14 at age 85, three days before her birthday. Her death was confirmed by Thaddaeus Ropac Gallery, which represents her. Over six decades, Export created influential works such as "TAP and TOUCH CINEMA" (1968) and "Action Pants: Genital Panic" (1968), using her own body to question gender norms and the nature of film. Born Waltraud Lehner in Linz, she reinvented herself as VALIE EXPORT in 1967, a name symbolizing her exportation of personal ideas. She was associated with the Viennese Actionists but developed her own expanded cinema practice, producing works like "Abstract Film No. 1" (1967–68) that redefined the medium.

In Pictures: New Museum curator Gary Carrion-Murayari’s Frieze favourites

New Museum curator Gary Carrion-Murayari shares his personal highlights from the Frieze New York art fair, selecting works by artists including Arthur Simms, Haegue Yang, Abel Rodriguez and Aycoobo-Wilson Rodríguez, Sung Tieu, Maryam Hoseini, Pedro Neves, and Melvin Way. Each pick is accompanied by a brief commentary explaining why the work resonates with him, ranging from underappreciated talents to artists featured in the 2024 Venice Biennale.

Latin American galleries dominate at Frieze New York

Frieze New York 2025 features a surge of 14 Latin American galleries from Mexico, Argentina, and Brazil, reversing a trend of withdrawal seen during the first 100 days of Donald Trump’s second presidency. Non-profit support from organizations like Latitude, which helped all eight Brazilian exhibitors, and a concerted effort by Frieze’s Americas team have enabled this increased presence, despite ongoing challenges such as high shipping costs, tariffs, and visa denials—exemplified by Mexican artist Dr Lakra being unable to attend his own show at Kurimanzutto.

In Pictures: the best of Venice at Frieze New York

Frieze New York 2025 features a curated selection of works by artists also showing at the Venice Biennale, including Precious Okoyomon, Alma Allen, Dayanita Singh, Alvaro Barrington, and Paulo Nazareth. The fair highlights pieces ranging from Okoyomon's intimate works on paper at Mendes Wood DM to Allen's bronze wall sculpture at Perrotin, priced between $30,000 and $150,000. Other notable stands include Nabil Nahas's fractal-inspired painting at Lawrie Shabibi and P420, Singh's archival photographs at Frith Street Gallery, and Barrington's carnival-themed paintings at Emalin, alongside a sculpture by Sung Tieu.

Remembering Bruno Bischofberger, Manuela Hoelterhoff, and Steven Durland

This week's In Memoriam column from Hyperallergic honors seven figures from the art world who recently passed away, including Swiss collector and dealer Bruno Bischofberger (1940–2026), Pulitzer-winning arts critic Manuela Hoelterhoff (1949–2026), and artist-editor Steven Durland (1951–2026). Other notable losses include British painter Ray Burgoyne, iconographer Christina Dochwat, German gallerist Jenny Falckenberg, realist painter Ward Nichols, and MoMA preparator Pamela A. Popeson. Each entry provides a brief biography and highlights their contributions to visual art, criticism, and cultural organizing.

Tefaf New York wishlist: a Tiffany window and an Egyptian goddess with a nose job

The article highlights three standout artworks being offered at Tefaf New York. A Tiffany Studios stained-glass window, "Birches and Irises" (around 1915), designed by Agnes Northrop, is priced at $1.25 million through Macklowe Gallery. An Egyptian goddess bust from 570-526 BC, rediscovered at a regional auction in England and later authenticated after scientific study, is offered for £1.5 million by David Aaron. A painting by Cecily Brown, "Functor Hideaway" (2008), is listed at $3.9 million by Berggruen Gallery, coinciding with her current exhibition at London's Serpentine Gallery.

Ten years on, Tefaf New York still stands out from the crowd

Tefaf New York returns to the Park Avenue Armory from 15 to 19 May, bringing together 88 exhibitors from 14 countries. The fair, which launched in 2016 as a two-part event and consolidated into a single annual edition in 2022, spans Greco-Roman antiquities, jewellery, 20th-century design, and contemporary art. This year’s edition includes nine new exhibitors such as David Lévy, Larkin Erdmann, Piano Nobile, Macklowe Gallery, and ML Fine Art, and sees the return of John Berggruen after a three-year absence. Fair leadership, including director Leanne Jagtiani and head of fairs Will Korner, emphasize the fair’s distinctive focus on Modern art, which they say differentiates it from other spring fairs in New York that are more heavily weighted toward contemporary work.

Bodies, Bodies, Bodies: Artists Revisit the Nude in Shows Across New York

This spring in New York, multiple exhibitions are revisiting the nude as an artistic genre, with artists exploring themes of flesh, harm, aging, and political oppression. Notable shows include Seung Ah Paik's "Self Configuration" series at Bortolami, where she paints distorted self-portraits that recall Surrealist and feminist traditions, and Joan Semmel's self-portraits at Alexander Gray Associates, which continue her decades-long focus on the nude body. These shows are part of a broader trend that also includes the New Museum's "New Humans: Memories of the Future."

Bringing back the salon: UK organisation aims to revive Brighton's contemporary art scene

The Adelaide Salon, a new arts organization founded in 2024 by Pascal Dowers and Paulina Anzorge, is staging a ticketed contemporary art event at Brighton's Royal Pavilion on 30 May, featuring live art and performance. This follows the organization's earlier exhibitions at their home in Adelaide Crescent and a current takeover of the Founders Room at Brighton Dome with the exhibition Act O (until 25 May), part of the Brighton Festival. The salon aims to revive Brighton's art scene after notable losses, including the 2023 closure of Brighton University's Centre for Contemporary Art (CCA) and the withdrawal of Arts Council funding at Fabrica gallery.

Beer With a Painter: Keith Mayerson

Hyperallergic interviews Los Angeles-based painter Keith Mayerson, who discusses his ongoing 'My American Dream' series—a cosmology of paintings blending American identity, activism, and popular culture. The conversation covers his early influences from comics, the Muppets, and Hunter S. Thompson, his transition from cartooning to painting, and his vibratory, swirling brushwork. Mayerson's work has been featured in the 2014 Whitney Biennial and is currently on view at the Aspen Art Museum and the Pollock-Krasner House.