The Walker Guest House, a 1953 architectural pavilion designed by Paul Rudolph, has been transported from Florida and reassembled inside the Pacific Design Center in West Hollywood. It is being offered for sale for $2 million as part of the Basic.Space L.A. high-design shopping event, complete with original furnishings and architectural drawings.
Brazilian artist davi de jesus do nascimento explores the intersection of poetry, memory, and the geography of the São Francisco River. Born in Pirapora, Minas Gerais, the artist’s work is deeply informed by his family's history of displacement due to the Sobradinho dam and the tragic loss of his mother to the river. His practice spans painting, installation, and performance, all rooted in a linguistic and philosophical framework he calls "Tongue River Theory."
The Museu de Arte de São Paulo (MASP) is presenting the first Brazilian solo exhibition of Argentine artist La Chola Poblete, titled 'Pop andino,' from March 6 to August 2, 2026. The show features works that reimagine Pop Art through a Latin American lens, including her 'Chola Virgins' watercolor series and the 'Manifesto Pop Andino' sound piece, curated by MASP's Adriano Pedrosa and Leandro Muniz.
Vicino a Parma c’è l’intramontabile eleganza di Erté in mostra al Labirinto della Masone
The Labirinto della Masone near Parma is hosting a comprehensive exhibition titled "Erté. Lo stile è tutto," showcasing the work of the Russian-born Art Déco master Romain de Tirtoff, known as Erté. The display features a diverse array of drawings, gouaches, models, and sketches, many of which were originally acquired by the late publisher Franco Maria Ricci. The exhibition traces Erté's journey from his aristocratic Russian roots to his rise in Paris as a collaborator of Paul Poiret and a visionary of theatrical and couture design.
Solana Beach art gallery and custom frame shop Once Upon a Frame is set to host an opening reception for Southern California artist Paul Kauffman on April 18. The exhibition, titled “In The Presence of Color,” will showcase Kauffman’s recent paintings and include a live painting demonstration, music, and refreshments. The show explores the artist's unique background, balancing his experiences in a Catholic seminary with his time working in a family carnival.
Diné artist Eric-Paul Riege has launched his largest exhibition to date, titled “ojo|-|ólǫ́,” at the Henry Art Gallery. The show features large-scale soft sculptures, wearable art, and multimedia installations that reinterpret traditional Navajo symbols like the weaving comb and the hogan. Central to the exhibition is Riege’s rejection of traditional museum barriers; he encourages visitors to touch the tactile, plush works to honor the many hands involved in the production of his materials.
The March 2026 issue of the academic journal *Print Quarterly* has been published, featuring a collection of scholarly articles and reviews focused on the history of prints and printmaking. The contents include new research on artists ranging from Hans Burgkmair and Paul Gauguin to Hiroshige and Aubrey Beardsley, along with obituaries for notable scholars and reviews of recent publications and exhibitions.
The United States solidified its position as the world's leading art market in 2025, with fine-art auction sales rising 25.3 percent to reach $5.4 billion. Despite early volatility caused by trade tariffs, a surging stock market and cooling inflation fueled a massive November auction season in New York, where nine of the year's ten most expensive artworks were sold. In contrast, China's market contracted by nearly 11 percent due to a persistent property crisis, while the United Kingdom and France saw significant growth, with Paris benefiting from the momentum of Art Basel Paris.
FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY
The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.
The 2026 Coachella Valley Music and Arts Festival has unveiled its lineup of large-scale art installations, featuring major works by Dutch artist Sabine Marcelis, London-based architect Kyriakos Chatziparaskevas, and The Los Angeles Design Group (LADG). The program, curated by Raffi Lehrer of Public Art Company and Paul Clement, will transform the festival grounds with immersive experiences including a massive glowing maze and towering sculptural structures.
The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.
The DePaul Art Museum (DPAM) is hosting a career-spanning retrospective for New York-based artist Barbara Nessim titled "My Compass Is the Line" before the institution permanently closes in June. The exhibition marks Nessim’s first solo show in Chicago, featuring works from the 1960s to the present that span painting, computer art, and her iconic 1982 Time magazine cover. The show highlights Nessim’s exploration of femininity and sexuality, drawing stylistic parallels to the Chicago Imagists while showcasing her technical versatility.
The Museum of Fine Arts St. Petersburg has launched two major exhibitions: a career-spanning survey of Iranian-born artist Ali Banisadr and a site-specific installation by Ward Shelley and Douglas Paulson. Banisadr’s exhibition, "The Alchemist," features nearly 20 years of work including large-scale paintings that blend abstraction with intricate, emerging figures. Accompanying this is "The Last Library IV: Written in Water," a life-sized library constructed from corrugated cardboard that explores the fragility of the written word and the impact of censorship and AI on language.
The Henry Art Gallery at the University of Washington has unveiled its spring/summer 2026 exhibition schedule, featuring a diverse lineup of solo and group presentations. Highlights include a major exhibition by Diné artist Eric-Paul Riege exploring Indigenous cosmology and institutional knowledge, a showcase of Helen Frankenthaler’s experimental printmaking alongside works by Analia Saban, and the annual University of Washington MFA and MDes thesis exhibition. The season also features "Day-to-Day: Rhythm, Routine, Resistance," a collection-based show examining the intersection of personal life and structural social forces.
Ans Azura is hosting a major auction in Bucharest titled "The Shape of Today," featuring a curated selection of Romanian contemporary and modern art. The sale spans generations, from historical avant-garde masters like Marcel Iancu and Victor Brauner to global contemporary stars like Adrian Ghenie. The collection explores how Romanian artists have navigated identity, language, and resistance through various political and cultural shifts over the last century.
MASP CONTESTED NARRATIVES BETWEEN REPLICA AND WEAVING
The Museu de Arte de São Paulo (MASP) has opened two simultaneous exhibitions that critically examine how narratives in Latin American art are formed. 'Réplica (Replica)' is a retrospective of Peruvian artist Sandra Gamarra Heshiki, featuring over 70 works that appropriate and alter historical pieces to expose the exclusionary mechanisms of museums. 'Vivir, tejer (Living, Weaving)' presents the collaborative textile work of Claudia Alarcón and the Silät collective, a group of over one hundred Wichí women weavers, foregrounding ancestral knowledge and collective creation.
Écho des songes. Le Symbolisme à Bruxelles
The Maison Hannon in Saint-Gilles, Brussels, has opened a major exhibition titled "Écho des songes" dedicated to Belgian Symbolism. Following an extensive restoration that removed scaffolding from its 1904 Art Nouveau facade, the historic residence designed by Jules Brunfaut is now fully accessible to the public. The show utilizes the building's restored interiors, including its famous staircase hall and Paul Baudoüin frescoes, to provide a contextual backdrop for the Symbolist movement.
The Museu de Arte de São Paulo (MASP) is currently presenting two distinct exhibitions that explore memory, identity, and historical violence in Latin America. 'Santiago Yahuarcani: The Beginning of Knowledge' features 35 works by the Peruvian artist that weave together Uitoto cosmology with the traumatic history of the Amazon rubber boom, while 'Video Room: Oscar Muñoz' showcases three video works by the Colombian artist that use ephemeral materials to reflect on political disappearance and the instability of the image.
Archaeologists have discovered skeletal remains beneath the floor of St. Peter and Paul Church in Maastricht, Netherlands, which are believed to be those of the 17th-century French soldier Charles de Batz de Castelmore, the historical figure who inspired the literary character D'Artagnan. The discovery was made during repair work, and artifacts found nearby—including a French coin and musket ball fragments—align with the historical record of D'Artagnan's death during the 1673 siege of Maastricht.
The art auction market showed signs of recovery in 2025, with total sales increasing for the first time since 2021, driven by a strong late-season surge in New York. The U.K. market grew by 11.3%, aided by major sales like the $136 million dispersal of Pauline Karpidas's Surrealist collection, while the ultra-contemporary sector declined for a fourth year as investment flowed to established Impressionist and Modern works.
Artist Gê Viana's monumental sound system installation, 'A colheita de Dan (The Harvest of Dan, 2025)', was a standout work at the most recent Bienal de São Paulo. The piece, a towering radiola painted in black, white, and red, combines photomontages of Black reggae parties, Afro-Indigenous religious shrines, and medicinal plants, while playing a loop of Brazilian reggae and songs from Maranhão's quilombo communities.
Effondrement de façade et vandalisme à l'église Saint-Roch de Paris
A significant portion of the cornice on the right side of the façade of the historic Saint-Roch church in Paris collapsed on March 9, 2026. Fortunately, no one was injured. The incident follows a pattern of similar structural failures at Parisian churches like Saint-Paul, Saint-Merry, and Saint-Augustin. Almost simultaneously, the church was targeted by vandals who severely damaged a gilded wooden altar in the shape of the Ark of the Covenant, a work from 1840 designed by architect Charles Lelong, just before its planned restoration was set to begin.
The Representational Art League has launched its latest group exhibition at the Hagopian Gallery, located within the Humboldt County Library in Eureka, California. This showcase features a diverse array of studio and plein-aire works created by local artists using mediums such as watercolor, acrylics, pastels, and oils. Featured participants include Paul and Nancy Rickard, Michelle Murphy-Ferguson, and several other regional creators.
Cincinnati-based artist and activist Paul Kroner is celebrating the fifth anniversary of his space, Studio Kroner, with his first solo exhibition titled "What Have I Done?" opening April 17. Since its founding, the 1,200-square-foot venue has evolved from a private studio into a vibrant community hub, hosting national artists, theatrical performances, and social justice-oriented exhibitions. The upcoming show will feature a diverse range of Kroner’s own work, including paintings, illustrations, and a new series of bronze sculptures called "Liminals" created through a hybrid process of wax casting and digital scanning.
Brazilian conceptual artist Daniel de Paula is set to make his Expo Chicago debut with a solo presentation hosted by gallery Yehudi Hollander-Pappi. The installation features industrial thousand-liter water tanks filled with water from the San Francisco Bay, a site chosen for its symbolic and material convergence of neoliberal history and digital infrastructure. The water contains both the scattered ashes of economist Milton Friedman and chemical effluents from Silicon Valley data centers, creating a visceral link between economic theory and environmental reality.
The art exhibition ‘Like a Rising River: Stories of Women and Change’ recently opened in Nepal, showcasing the results of a collaborative project between Srijanalaya, UN Women Nepal, and the Government of Finland. The initiative sent 15 Nepali artists to four provinces—Sudurpaschim, Bagmati, Sarlahi, and Madhesh—to document the lived experiences, social struggles, and resilience of local women through various artistic mediums, including textiles, mixed-media animation, and storytelling.
Le château de Breteuil monte en gamme
François and Pauline de Breteuil, the son and daughter-in-law of the 10th Marquis de Breteuil, have initiated a strategic shift for the centuries-old Château de Breteuil in the Chevreuse Valley, one year after taking over the family estate. They are moving the château's positioning away from its previous focus on family tourism and Perrault's fairy tales toward a more museum-like and prestigious experience. This 'upgrading' includes the opening of a new on-site restaurant, the Café d'Achille, and the redecoration of four rooms by interior designer Jacques Garcia, creating period rooms dedicated to the 18th century, Marie Antoinette, and the Empire style.
The Heron Marsh Gallery, located at the Paul Smith’s College Visitor Interpretive Center (VIC), has issued an open call for artists to participate in an upcoming exhibition. The gallery is seeking submissions that align with the natural themes of the Adirondack region, specifically highlighting the "Fiddleheads and Ferns" feature scheduled for May at the Adirondack Artists Guild.
Paul Waldman, a multifaceted artist known for his transgressive paintings and unique architectural birdhouses, has died at the age of 89. After overcoming childhood dyslexia and a stint as a competitive bodybuilder, Waldman established a significant career in the New York art scene, characterized by his meticulous technique and a fascination with the human form and avian structures.
The V&A East has officially opened in Stratford with its inaugural exhibition, 'The Music is Black,' a comprehensive survey of Black British music. Curated by Jacqueline Springer, the landmark show features over 200 items ranging from traditional African drums and a Ben Enwonwu sculpture to contemporary pieces by Rene Matić and iconic stage outfits from artists like Pauline Black and Stormzy. The exhibition marks the first major show for the new £135m O’Donnell & Tuomey-designed building, which joins the V&A’s expanding portfolio of sites.