In Minor Keys: how Venice's international exhibition was brought to life after the death of artistic director Koyo Kouoh

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," was realized after the sudden death of its artistic director, Koyo Kouoh, in May 2025. A team of five of Kouoh's collaborators, known as "la squadra di Koyo Kouoh," worked with her before her death and finalized the exhibition's themes, artist list, and scenography. The exhibition features 111 invited artists, duos, collectives, and artist-led organizations, with the team emphasizing that this remains Kouoh's vision rather than a replacement.

"Es ist nur die Frage: Bist du reich genug oder nicht?"

A Christie's auction in New York saw Jackson Pollock's "Number 7A" sell for approximately $181 million, contributing to a total of $1.1 billion in sales for the evening. The auction, covered by Vanity Fair and the New York Times, featured intense bidding between figures like Iwan Wirth and Alex Rotter, while names such as Jeff Bezos and Ken Griffin were speculated to be involved. Combined with sales from Sotheby's and Phillips, the week generated around $2.5 billion. Meanwhile, a separate controversy erupted in France over artist Claire Tabouret's new stained-glass windows for Notre-Dame Cathedral, with critics arguing they violate heritage protection laws. Additionally, the Fondation Beyeler faces allegations that a Cézanne watercolor in its current exhibition may be Nazi-looted art from the collection of Jewish paper wholesaler Gustav Schweitzer.

Faces of Russian Art

Gesichter der russischen Kunst

On the Venice Biennale, the Russian Pavilion presents itself as a space for dialogue, while simultaneously a major exhibition in St. Petersburg titled "Russischer Imperativ" (Russian Imperative) opened on May 8 at the Manezh exhibition hall, glorifying war as a historical imperative of Russian identity. Curated by Anton Belikov, a Moscow artist and former Russian soldier who fought in Ukraine, the show features works from state museums like the Tretyakov Gallery, blending historical battles with the current war in Ukraine, and includes a monumental, fascistoid design with a ten-meter-tall installation of a soldier's head. The exhibition has sparked outrage on social media and in Russian exile media for its militaristic propaganda.

Stühle, die zum Reden zwingen

The article examines a peculiar three-seat sofa called the "Indiscret" on display in the Louvre, designed in 19th-century France under Napoleon III to force conversation among sitters. This "Conversation Chair" reflects an era when furniture was deliberately crafted to create social intimacy and control guest behavior, in stark contrast to modern public seating that often discourages lingering through hostile architecture.

"Man besitzt Kunst nicht, man ist nur ihr Verwalter"

The 61st Venice Biennale opened on Saturday without ceremony or an opening celebration, amid political turmoil over the participation of Russia and Israel. Italy's Culture Minister Alessandro Giuli criticized Biennale director Pietrangelo Buttafuoco for not informing the government about Russia's participation request, suggesting it could have been used as leverage for a ceasefire in Ukraine. The entire jury resigned after attempting to exclude both Russia and Israel from prize awards, leading to the cancellation of the traditional jury decision in favor of a public vote, which over 70 participating artists have protested by withdrawing from this year's prizes. Separately, a rare photograph from the early 1940s has surfaced showing Lucas Cranach the Elder's painting "Venus with Cupid as Honey Thief" in Adolf Hitler's Munich apartment, raising unresolved questions about whether the work was looted from Jewish owners before 1935.

Museum Night in Paris and Île-de-France: 5 ideas to get off the beaten track

Nuit des musées à Paris et en Île-de-France : 5 idées pour sortir des sentiers battus

The article from Beaux Arts Magazine offers five alternative recommendations for experiencing the Nuit des Musées (Museum Night) in Paris and the Île-de-France region on May 23. Instead of visiting major museums like the Musée d'Orsay or the Grand Palais, readers are guided to lesser-known institutions and unique activities: exploring the craftsmanship of Sèvres porcelain at the Mobilier national, joining a festive dance workshop led by choreographer Wanjiru Kamuyu at the Palais de la Porte-Dorée, creating a collective fresco inspired by Jean Dubuffet at the Parc de l'Île Saint-Germain in Issy-les-Moulineaux, and immersing in the historical atmosphere of 1936 at the Musée de l'Histoire vivante in Montreuil.

Au boulot ! 10 œuvres qui célèbrent le travail

Beaux Arts Magazine presents a feature on ten artworks that celebrate labor, from ancient Egyptian frescoes to modern depictions of workers. The article highlights pieces such as Pieter Brueghel the Elder's "The Harvesters" (1565), Diego Velázquez's "The Spinners" (c. 1657), and Johannes Vermeer's "The Milkmaid" (c. 1660), examining how artists have elevated peasant, artisan, and domestic work from background detail to central subject. The feature coincides with the Musée d'Orsay's nationwide initiative "100 œuvres qui racontent le travail" (100 Works That Tell the Story of Work), which explores the history and representation of labor in art.

Portrait looted by Nazis found in home of Dutch SS leader’s family

An artwork looted by the Nazis from the renowned Goudstikker collection has resurfaced in the home of descendants of Hendrik Seyffardt, a notorious Dutch SS collaborator. The painting, *Portrait of a Young Girl* by Toon Kelder, was discovered by art detective Arthur Brand after a family member contacted him, revealing that the piece had hung for decades in the home of Seyffardt’s granddaughter. Brand traced the painting to a 1940 auction where part of the looted Goudstikker collection was sold, and lawyers for the Goudstikker heirs have confirmed the work was stolen and called for its return.

A ‘bird of Mexico City’ strikes a revolutionary pose: Pieter Henket’s best photograph

Photographer Pieter Henket describes the creation of his portrait "La Mujer" (The Woman), part of his series "Birds of Mexico City." The image features Ixchel Paz, a young Mexican woman wearing a lucha libre wrestling mask, captured in a dignified pose on the first day of the project. Henket explains how the series evolved from an earlier project, "Birds of New York," which celebrated young people in New York during the first Trump administration. After the pandemic, he traveled to Mexico City with his husband Roger Inniss, collaborated with stylist Chino Castilla and his team, and encouraged subjects to express their identities through costume and culture.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

Judge Orders Prado to Hold Disputed Velázquez Painting in Divorce Case

A Spanish judge has ordered the Museo del Prado in Madrid to take custody of a painting attributed to Diego Velázquez, which is at the center of a divorce dispute between steel magnate José María Aristrain and his ex-wife Gema Navarro. The work, a portrait of Philip IV linked to Velázquez’s early years in Madrid, was removed from Aristrain’s residence on March 17 and transferred to the Prado’s storage after Navarro filed a complaint alleging it had been wrongly withheld from her. The Ministry of Culture, acting with court and prosecutorial support, designated the museum as custodian until ownership is resolved. The painting had previously surfaced at auction, failing to sell in 2007 amid attribution doubts, before being acquired by Navarro in 2015 for €878,000.

Local Collections Shine at Sarasota Art Museum's Latest Exhibition

Sarasota Art Museum (SAM) has opened a new exhibition titled "Something Borrowed, Something New," featuring works from private collectors across Southwest Florida. The show includes pieces by renowned artists such as Chuck Close, KAWS, Richard Serra, Yoko Ono, Ai Weiwei, and Louise Bourgeois, spanning paintings, prints, sculptures, and mixed media from the 20th and 21st centuries. The exhibition was inspired by a museum trip program, during which executive director Virginia Shearer noticed that local collectors owned significant works by artists featured in major institutions like the Renwick Gallery and Glenstone.

WTF Is an “A-Corp”?

Hyperallergic's daily newsletter announces that Noah Fischer's comic "Prospect Heights Ghost Story" won a 2026 New York Press Club Award, thanks to collaboration with the Economic Hardship Project (EHRP). The edition also covers anti-Trump guerrilla protest art in Washington, D.C., including an arcade game titled "Operation Epic Furious: Strait to Hell" that satirizes the White House's foreign policy. Other stories include Ridgewood, Queens emerging as a new art hotspot, a feature on Francisco de Zurbarán's religious paintings, and Paddy Johnson's guide to what an "Artist Corporation" (A-Corp) is and whether artists should start one. The newsletter also reports that the Belgian Pavilion at the Venice Biennale closed on May 8 as part of cultural workers' strike for Palestine, and that nearly half of the artists in the international exhibition plus 22 national pavilions withdrew from awards consideration in solidarity with the jury's resignation.

The Netherlands is confronting its history of Nazi occupation – but many stolen objects remain unreturned

Arthur Brand, a Dutch art detective, was contacted by a man who discovered that his family descended from Hendrik Seyffardt, a high-ranking Nazi collaborator, and that a painting looted from Jewish art dealer Jacques Goudstikker remained in their possession. The painting, Toon Kelder's *Portrait of a Young Girl*, had hung in a relative's home near Utrecht for years. The family, who changed their name after WWII, handed the painting to Brand after the story broke in Dutch media, expressing shame and outrage over the silence surrounding their history.

Art Busan Is Building a More Sustainable Art Market

Art Busan, celebrating its 15th anniversary, will be held from May 21 to 24, 2026, at BEXCO in Busan, South Korea, bringing together over 110 galleries from 18 countries. The fair introduces two new integrated segments: DEFINE, which expands the fair to include collectible design, furniture, and craft, and LIGHTHAUS, which transforms gallery booths into curated spatial experiences to encourage deeper engagement. These initiatives aim to move beyond purely transactional sales and speculative momentum.

Fairfield University Art Museum invites readers to private tour

Fairfield University Art Museum is offering an exclusive private tour to readers, as reported by the Westport Journal. The event provides a behind-the-scenes look at the museum's collections and exhibitions, allowing attendees to engage directly with curators and artworks in an intimate setting.

A skateboarder’s lament: the dismantling of San Francisco’s iconic and divisive fountain

San Francisco's Vaillancourt Fountain, a controversial concrete sculpture and centerpiece of Embarcadero Plaza since 1971, caught fire during its dismantling in early May 2025 after the city voted to potentially replace it with a grassy park. Designed by artist Armand Vaillancourt, the fountain was a landmark for the city's skateboarding scene in the 1980s and 1990s, but fell into disrepair and became a flashpoint in debates over modernist public art. The removal, costing $4 million for storage and assessment, was mourned by skateboarders and preservationists who saw it as a loss of cultural and architectural heritage.

Across Venice, Artists Defy Censorship to Mourn and Memorialize Gaza

The 2026 Venice Biennale, titled “In Minor Keys,” features numerous artworks that mourn and memorialize the destruction of Gaza, despite censorship pressures. The main exhibition opens with a poem by slain Palestinian poet Refaat Alareer, and includes works by artists such as Theo Eshetu, Mohammed Joha, Manuel Mathieu, and Avi Mograbi that directly or indirectly address the conflict. Outside the official Biennale, South African artist Gabrielle Goliath’s performance series “Elegy” was censored by her country’s culture minister after she proposed a version honoring murdered Palestinian poet Hiba Abu Nada, leading her to present the work independently at a church in Venice.

Was Jeffrey Epstein’s Copy of a Modernist Painting Available for Sale on eBay?

An eBay seller listed a giclée print of Kees van Dongen's painting "Femme Fatale" (ca. 1905), claiming it once hung above Jeffrey Epstein's desk in his Upper East Side townhouse. The listing, titled "Documented by Federal Prosecutors," sought $50,000 and reached $25,000 in bidding before eBay removed it for violating its policies. The print had previously sold at Millea Bros. Auctioneers for $275. The New York Post first reported the listing, which referenced federal documentation of Epstein's art collection.

Raghu Rai’s masterful images of Indian life – in pictures

Raghu Rai, the celebrated Indian photographer who was recruited to Magnum Photos by Henri Cartier-Bresson in 1977, has died at the age of 83. Over five decades, he produced defining images of Indian life, ranging from intimate portraits of Mother Teresa to stark documentation of the Bhopal disaster. His work captured both the grand and the everyday, from crowds at Mumbai's Churchgate railway station to slums in Dharavi, and he published more than 18 books, receiving multiple awards for his unflinching human gaze.

Bruno Birmanis and Mareunrol’s on Representing Latvia at the 61st Venice Biennale

Bruno Birmanis and the artist duo Mareunrol’s (Mārite Mastiņa-Pēterkopa and Rolands Pēterkops) will represent Latvia at the 61st Venice Biennale in 2026, with their pavilion located in the Arsenale. Their project draws on memories of Latvia in the 1990s, particularly the avant-garde fashion event The Untamed Fashion Assembly (UFA), conceived by Birmanis, which took place two months after Latvia regained independence from the Soviet Union. The installation is not a nostalgic archive but a space of dialogue and reflection, using the visual codes of a fashion show backstage to explore themes of memory, freedom, and utopian intentions.

The 10 best art galleries in the U.S. you can’t miss

Time Out has published a list of the 10 best art galleries in the U.S., highlighting commercial spaces that offer free, museum-quality experiences. The article features blue-chip giants like David Zwirner, Gagosian, and Pace Gallery in New York, as well as regional gems like Conduit Gallery in Dallas, emphasizing that visitors can enjoy world-class contemporary art without a collector's budget.

Met Gala guests from Beyoncé to Nicole Kidman set to flaunt fashion as art

The article previews the 2025 Met Gala, where celebrities including Beyoncé, Nicole Kidman, and Venus Williams will ascend the Metropolitan Museum of Art's steps dressed according to the dress code "Fashion is art." The event, which raises funds for the museum's Costume Institute, encourages guests to treat fashion as an embodied art form, drawing on historical collaborations between designers and artists—such as Elsa Schiaparelli with Salvador Dalí, Yves Saint Laurent with Piet Mondrian, and Marc Jacobs with Takashi Murakami. The red carpet will be livestreamed by Vogue and the Associated Press.

Insider’s Look at Curating a Show Inspired by the Declaration of Independence’s 250th Anniversary [Interview]

The Fabric Workshop and Museum (FVM) in Philadelphia has opened "Some American Dreams," an exhibition marking the 250th anniversary of the U.S. Declaration of Independence. Curated by Hilde Nelson, FVM curatorial fellow, the show features 27 works by 20 artists created during the museum's Artist-in-Residence Program over four decades. The exhibition includes pieces in furniture, sculpture, textiles, clothing, video, and photography, and is on view until June 14, 2026. In an interview with My Modern Met, Nelson discusses her curatorial approach, which poses the question, "What if 'America' is not one project, but many?" and explores how these multiple Americas are affirmed, resisted, or remade through the artworks.

7 D.C. art exhibits to catch this summer before they close

The article highlights seven art exhibitions in Washington, D.C. that are closing at the end of summer 2025, urging visitors to see them before they end. Featured shows include a retrospective of African American artist Alma Thomas at the Smithsonian American Art Museum, a survey of contemporary Indigenous art at the National Museum of the American Indian, and a solo presentation of Yayoi Kusama's infinity rooms at the Hirshhorn Museum and Sculpture Garden. Other notable exhibits include a photography collection by Gordon Parks at the National Gallery of Art and a showcase of modern Latin American art at the Museum of the Americas.

‘Like a Malfunctioning Theme Park Ride’: Banality and Body Horror at New York Art Week

New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.

The Artist Who Painted Pixels Before We Saw in Pixels

Der Künstler, der Pixel malte, bevor wir in Pixel sahen

Reinhard Voigt, a German artist little known to the public, painted grid-based pictures as early as 1968—years before pixels became ubiquitous in daily life. Despite early discouragement from Gerhard Richter and fellow artist Alan Jones, Voigt persisted, creating meticulous works on paper and canvas using transparent paper, rulers, pencil, and oil paint. His first major exhibition, "Pure Pleasure," took place in 2023/2024 in Nuremberg, and his current duo show "High on Low" with Anna-Sophie Berger is on view at Berlin's Kunstraum Grotto, featuring his Word Paintings series. Voigt lives and works in Berlin-Prenzlauer Berg with his wife, artist Susan Elias.

A new wing to solve the problems of the Galleria Borghese in Rome. Beautiful challenge, tedious controversy

Una nuova ala per risolvere i problemi della Galleria Borghese a Roma. Bella sfida, stucchevoli polemiche

The Galleria Borghese in Rome, one of Italy's most extraordinary museums, faces significant accessibility and capacity issues due to its historic 17th-century structure. The museum is difficult for visitors with disabilities, overcrowded, and forces visitors to book far in advance—often waiting over a month for a time slot—while many masterpieces remain in storage. In 2025, the engineering firm Proger offered to sponsor a feasibility study for a new wing, contributing nearly 900,000 euros to fund an international architecture competition and a technical-economic feasibility plan. The study, currently underway, aims to explore whether a new annex can be built within the protected Villa Borghese park to create new entrances, exhibition spaces, and services.

The best and worst we saw at the Venice Art Biennale 2026. Artribune's hits and flops

Il meglio e il peggio che abbiamo visto alla Biennale d’Arte di Venezia 2026. Top e flop di Artribune

The 61st Venice Biennale, titled "In Minor Keys" and directed by Koyo Kouoh, opened amid significant turmoil: the death of a newly appointed curator, diplomatic tensions over the presence of Russia and Israel, political protests, and the unprecedented collective resignation of the jury, which led to the Golden Lions being awarded by public vote for the first time. Despite this chaotic backdrop, the exhibition—featuring a record 100 national pavilions—has been widely praised for avoiding moralistic pedagogy and instead embracing visual seduction, formal quality, and sensory joy while addressing themes of identity, memory, colonialism, ecological crisis, and violence. The article highlights top and flop moments from the opening week, including strong showings by Biennale president Pietrangelo Buttafuoco and a standout exhibition at Fondazione Prada.

It's full of artworks behind the looks seen on the Met Gala 2026 red carpet

È pieno di opere d’arte dietro ai look visti sul red carpet del Met Gala 2026

The Met Gala 2026, held at the Metropolitan Museum of Art in New York, adopted the dress code "Fashion Is Art," prompting designers and celebrities to transform their bodies into living canvases and sculptures. Notable looks included Emma Chamberlain in custom Mugler evoking Vincent van Gogh, Anne Hathaway wearing a Michael Kors Collection dress hand-painted by artist Peter McGough with ancient Greek iconography, and Madonna in a Saint Laurent by Anthony Vaccarello ensemble inspired by Leonora Carrington's surrealist work. Other celebrities like Kendall Jenner and Kylie Jenner referenced classical sculptures such as the Nike of Samothrace and Venus de Milo, while Anok Yai, in collaboration with Pierpaolo Piccioli for Balenciaga, created a metallic bronze effect honoring the Black Madonna.