Odili Donald Odita - Shadowland - Exhibitions

Odili Donald Odita presents a new body of work in the exhibition "Shadowland," featuring a series of acrylic paintings and manipulated photographs. The collection includes recent 2025 canvases such as "Protector," "Camouflage," and "RIOT," which showcase the artist's signature use of geometric abstraction and vibrant color theory. Notably, the exhibition also incorporates historical works by Okechukwu Emmanuel Odita, including the 1970s series "Njikoka: Nigerian Unity," creating a cross-generational dialogue.

Temple Contemporary Takes Viewers Inside the Pyramid Club

Temple Contemporary, the exhibition space at Tyler School of Art and Architecture on Temple University's campus, has opened "Pyramid Club: 1937-2035," its first show under new curator and director Matthew Jordan-Miller Kenyatta. The exhibition explores the history of the Pyramid Club, a social club for Philadelphia's Black elite founded in 1937, highlighting its prestigious art shows organized by Humbert Howard from 1941 to 1957. It features works from the collection of Dr. William Dodd, photographs by John W. Mosley curated by Leslie Willis Lowry and artist Shawn Theodore, and contemporary multimedia installations by Theodore.

Body, Territory, and Food Sovereignty at MAMM

CUERPO, TERRITORIO Y SOBERANÍA ALIMENTARIA EN EL MAMM

The Museo de Arte Moderno de Medellín (MAMM) has inaugurated a trio of exhibitions titled 'Nos habitan pájaros y montañas', 'La luz, el fuego y la ceniza', and 'El susurro del barro'. These shows collectively explore the intersection of the human body, territorial sovereignty, and food security, featuring a dialogue between the museum's permanent collection—specifically the work of Débora Arango—and contemporary artists. The exhibitions utilize diverse media, including sound and raw materials like clay and soil, to address environmental and social crises.

According to an AI, El Greco would actually be the sole author of the 'Baptism of Christ' in Toledo, long considered a workshop work

Selon une IA, Greco serait en réalité l’unique auteur du « Baptême du Christ » de Tolède, longtemps considéré comme une œuvre d’atelier

A new study published in Science Advances uses an AI tool called Patch to analyze the monumental painting "Le Baptême du Christ" (1608–1614) by El Greco, long believed to be a workshop piece completed by his son Jorge Manuel Theotocópuli. By mapping the 3D microtopography of the brushstrokes and comparing them with El Greco's authenticated "Christ on the Cross" at the Cleveland Museum of Art, the AI found consistent painterly gestures across the entire work, suggesting the master himself painted it despite tremors from neurological disorders in his old age.

The Groups and Other Artistic Revolts: Networks and Collectivities in Mexico, 1976-1985

LOS GRUPOS Y OTRAS REVUELTAS ARTÍSTICAS. REDES Y COLECTIVIDADES EN MÉXICO, 1976-1985

The Museo Universitario Arte Contemporáneo (MUAC) in Mexico City has launched a major exhibition titled "Los grupos y otras revueltas artísticas," which re-examines the surge of artist collectives in Mexico between 1976 and 1985. Drawing from the Arkheia Documentation Center, the show moves beyond a simple chronological survey to reconstruct emblematic works and document the radical shifts in artistic language that occurred during this era. It highlights key historical moments, such as the 1977 Paris Biennial and the formation of the Mexican Front of Cultural Workers' Groups, while exploring how these collectives navigated urban spaces and institutional boundaries.

The Spiritual Ear: On Daniel Heller-Roazen’s Far Calls

The article is a critical review of Daniel Heller-Roazen's new book, 'Far Calls: On Omens, Slips, & Epiphanies.' It examines the book's central thesis, which explores the historical and philosophical concept of a 'spiritual ear'—the interval between speaking and hearing where language escapes its intended meaning, giving rise to omens, slips of the tongue, and epiphanies. The review traces Heller-Roazen's genealogical investigation from ancient divinatory practices to modern psychoanalysis, highlighting his argument that linguistic accidents hold prophetic potential.

paris art dealer found guilty harassing brigitte macron 1234768919

A Paris art dealer, Bertrand Scholler, cofounder of gallery 55 Bellechasse, was among 10 people found guilty of online harassment for falsely claiming that French First Lady Brigitte Macron was born male. The court issued suspended sentences, fines, and a six-month ban from X, with the defendants also ordered to pay compensation. Scholler, who has over 108,000 followers on X, announced he would close his account for six months in compliance with the court order.

Simultaneous or Poly-Cinema

The Bauhaus artist László Moholy-Nagy proposes a radical departure from traditional filmmaking in his 1925 text, "Simultaneous or Poly-Cinema." He envisions a cinematic experience that moves beyond the static, rectangular screen, suggesting instead curved, spherical, or multi-planar surfaces that can accommodate multiple simultaneous projections. By utilizing rotating prisms and intersecting film strips, Moholy-Nagy describes a system where different narrative threads—such as the lives of multiple characters—can physically overlap and merge, creating a dynamic architectural arrangement of light and movement.

Introduction to the Dark Forest Theory of the Internet

The article explores the conceptual origins of the internet, tracing its development to figures like Douglas Engelbart and Jacques Vallée, whose work blended computing with cosmic and paranormal inquiry. It argues that early internet pioneers were deeply influenced by ideas of remote viewing, extrasensory perception, and the search for extraterrestrial intelligence, framing the network as a project of cognitive augmentation and alien encounter.

The Big Review | 36th Bienal de São Paulo ★★★★

The 36th Bienal de São Paulo has opened with a site-specific installation by Nigerian-American artist Precious Okoyomon, titled "Sun of Consciousness. God Blow Thru Me – Love Break Me" (2025), which features a spiraling path of moss-covered earth and waterfalls evoking Brazil's deforested Cerrado region. The biennial, curated by Bonaventure Soh Bejeng Ndikung with an international team, includes 125 artists—97 international and 28 Brazilian—with more than half of the works commissioned for the exhibition. Notable presentations include a career-spanning display of over 20 paintings by British artist Frank Bowling, alongside works by Brazilian artist Gervane de Paula, who has the largest presence in the show.

Stone Gallery Show Explores What It Means to Be Not from Here, Not from There

Boston University's Faye G., Jo, and James Stone Gallery is presenting "Ni de Aquí, Ni de Alla" (Not from Here, Not from There), a solo exhibition by artist Victor Quiñonez, known as Marka27, running through December 10. The show features paintings, murals, sculptures, and large-scale installations that explore the intersection of opposing cultures, languages, and experiences, drawing on Quiñonez's neo-Indigenous aesthetic and his background as a graffiti artist. The exhibition was three years in the making and includes works that blend street art with references to Mexican masters like Diego Rivera and David Alfaro Siqueiros.

Stone Gallery Show Explores What It Means to Be Not from Here, Not from There

Boston University's Faye G., Jo, and James Stone Gallery is presenting "Ni de Aquí, Ni de Alla (Not from Here, Not from There)," a solo exhibition by artist Victor Quiñonez, known as Marka27. The show, on view through December 10, features a range of works from paintings and murals to large-scale installations that explore the intersection of opposing cultures, languages, and experiences. Quiñonez, who was born in Ciudad Juárez, Mexico, and raised in East Dallas, Texas, began his career as a graffiti artist and now describes his style as "neo-Indigenous," blending Mayan and Aztec imagery with contemporary street culture. The exhibition includes references to Speedy Gonzalez, hibiscus, Maya jaguars, serapes, baseball caps, and luchadors, creating a vibrant dialogue between heritage and modernity.

Martin Parr steps out from behind the camera lens in informal autobiography

Martin Parr, the renowned British documentary photographer, has released an informal autobiography titled "Utterly Lazy and Inattentive: Martin Parr in Words and Pictures," co-written with author and biographer Wendy Jones. The book, illustrated with images spanning his career, takes its title from a school report comment Parr now wears as a badge of honor. It traces his journey from an early interest in photography sparked by his grandfather to his iconic color series like "The Last Resort" (1983-85) and "Small World" (1987-94), which stirred controversy for their vivid depictions of British leisure and global tourism. Parr's photographs of Bristol Pride parades are currently on display at Bristol Museum and Art Gallery until March 2026, and a 2024 documentary, "I Am Martin Parr" by Lee Shulman, further explores his work.

Jürgen Habermas, philosopher famed for and within the public sphere, 1929–2026

Jürgen Habermas, philosopher famed for and within the public sphere, 1929–2026

Jürgen Habermas, the highly influential German philosopher, has died at the age of 96. A key figure of the Frankfurt School, his work on communication, rationality, and the public sphere extended far beyond academia, making him a prominent public intellectual who frequently commented on contemporary politics.

Exhibition brings together Art Nouveau and Art Deco through a century of chairs

The Horta Museum in Saint-Gilles is set to launch a new exhibition titled 'Art Nouveau versus Art Deco? 1850-1950: A Century in 32 Chairs,' running from June 25 to January 11, 2027. The showcase utilizes 32 chairs designed by prominent architects and designers alongside archival documents to trace the stylistic and ideological evolution of Western design. A unique collaborative element features students from La Cambre, who will present chair designs in Victor Horta’s workshop for a public vote.

Is Vermeer’s ‘The Art of Painting’ in fact a lost work?

Paul Taylor, a curator at London's Warburg Institute and specialist in 17th-century Dutch art, argues that Vermeer's celebrated painting 'The Art of Painting' (1666-68), housed at Vienna's Kunsthistorisches Museum, may not be the work referenced in a 1676 legal document by Vermeer's widow Catharina. Taylor tracked down 25 period descriptions of 'de schilderconst' (the art of painting) and found they all depict allegorical personifications of painting, not studio scenes like the Vienna canvas, which shows an artist painting a model as the muse Clio. He suggests the document refers to a now-lost Vermeer that could still surface.

Got an Idea About Who Robbed the Gardner Museum? Get in Line.

The 1990 theft of 13 artworks from Boston's Isabella Stewart Gardner Museum remains unsolved, generating countless theories about the perpetrators. A new book by the former FBI agent who led the investigation for over a decade systematically debunks many prominent public theories, arguing they distract from the actual investigation.

MFA candidate brings ecological art to the Broad Art Museum

Hailey Becker, a Master of Fine Arts candidate at Michigan State University, has debuted a large-scale ecological sound sculpture at the Eli and Edythe Broad Art Museum. The installation features over 10,000 hand-cracked walnut shells suspended in a human-sized chime, which are struck by a mechanical arm to mimic the sound of water hitting a coastline. The project is the culmination of Becker’s interdisciplinary research, blending her background in engineering and material science with her current studies in forestry and fine arts.

Henry Art Gallery fall opening celebration hums with color and conversation

The Henry Art Gallery hosted its fall opening celebration on October 3, transforming the museum into a lively social event with a DJ set by KEXP’s Diana Ratsamee and an open bar. The evening featured four exhibitions: “Spirit House,” a group show of 34 Asian diasporic artists exploring life and death; Charlene Liu’s single painting “Scallion”; Rodney McMillian’s “Neighbors,” a multimedia installation addressing social and civic violence; and Kameelah Janan Rasheed’s “we leak, we exceed,” a text-based installation about Black excess and information theory. The event drew crowds of stylish attendees who filled the galleries with conversation, offering a vibrant counterpoint to the museum’s usual quiet atmosphere.

In this Milan exhibition, the viewer can modify the spaces. The great artist-architect Gianni Pettena explains why

In questa mostra a Milano lo spettatore può modificare gli spazi. Il grande artista-architetto Gianni Pettena ci spiega perché

Gianni Pettena, a pioneer of the Italian Radical Architecture movement, has unveiled his immersive installation "Paper/Northern Lights" at the BiM urban regeneration project in Milan's Bicocca district. Originally conceived in 1971 as a pedagogical exercise at the Minneapolis College of Art and Design, the work consists of 49 kilometers of white paper strips hanging from the ceiling. Visitors are invited to physically interact with the installation by cutting through the paper, effectively reshaping the architectural environment and challenging traditional notions of fixed space and authorship.

The Cosmic Entanglements and Inner Transformations of ‘Metamorphosis’.

Isaac Julien has created a new site-responsive film installation titled 'All That Changes You. Metamorphosis' at The Cosmic House in London. The work, which features protagonists Lilith and Naomi, explores themes of transformation, cosmology, and interdependence through a non-linear narrative that moves from Californian redwoods to Renaissance interiors, using the postmodern architecture as an active participant in the dialogue.

mfa boston layoffs curators color response 1234772568

The Museum of Fine Arts, Boston laid off 33 staff members, including several curators of color, prompting accusations that the cuts disproportionately targeted minority employees. Director Pierre Terjanian issued a statement denying the claim, asserting that the percentage of staff identifying as people of color remained unchanged at one-third. Among those let go were Marina Tyquiengco, associate curator of Native American art; Nadirah Mansour, assistant curator of Islamic art; and theo tyson, a curator in fashion arts who was reportedly the only Black curator at the museum. A union representative said workers were notified only five minutes before the public announcement, and no leadership took pay cuts despite the elimination of the COO position.

vanessa horabuena trump painter 2734547

Vanessa Horabuena, a Christian speed painter known for her rapid, faith-driven artworks, made headlines after a $2.75 million charity art auction with President Donald Trump on New Year's Eve at Mar-a-Lago. Horabuena, who sells original paintings for $15,000 to $40,000, creates what she calls 'worship paintings' in front of live audiences, blending art, prayer, and dance. She has also promoted conspiracy theories, including denying the moon landing and questioning the Earth's shape.

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A new study by University of Bristol historian Benjamin Pohl, published in the journal *Historical Research*, proposes that the Bayeux Tapestry was originally designed as mealtime reading for monks in the refectory of St. Augustine’s Abbey in Canterbury. Pohl argues that the tapestry’s moralistic episodes, inclusion of Aesop’s fables, and simple Latin text align with Benedictine rules requiring silent dining accompanied by edifying readings. The theory builds on earlier speculation that the tapestry once hung in a private school’s refectory, but Pohl provides documentary and archaeological evidence for the Canterbury location.

The true story of the Caravaggio theft by the Sicilian Mafia behind the Arte series 'The Caravaggio Conspiracy'

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The theft of Caravaggio’s 'Nativity with Saint Francis and Saint Lawrence' from the Oratory of San Lorenzo in Palermo remains one of the world's most notorious unsolved art crimes. Stolen in October 1969 by professional thieves who cut the massive three-meter canvas from its frame, the masterpiece has been missing for over 50 years. Investigations have long pointed toward the Sicilian Mafia, with various theories suggesting the work was displayed at secret summits, hidden in Switzerland, or tragically destroyed.

The True Story of the Caravaggio Theft by the Sicilian Mafia Behind the 'Le Complot Caravaggio' Series on Arte

La véritable histoire du vol du Caravage par la mafia sicilienne derrière la série « Le Complot Caravaggio » sur Arte

The article details the infamous 1969 theft of Caravaggio's masterpiece, "Natività con i santi Lorenzo e Francesco d'Assisi" (The Nativity with Saint Francis and Saint Lawrence), from the Oratory of San Lorenzo in Palermo, Sicily. The painting, a large-scale work measuring three by two meters, was expertly cut from its frame and has never been recovered, remaining second on the FBI's Top Ten Art Crimes list. The theft is widely attributed to the Sicilian Mafia, with theories suggesting it was stolen to order or for use in secret mafia gatherings.

Is It Simple to Be a Communist in Philosophy? Review of Alberto Toscano, Communism in Philosophy

Is It Simple to Be a Communist in Philosophy? Review of Alberto Toscano, Communism in Philosophy

The article reviews Alberto Toscano's book 'Communism in Philosophy', which examines the intellectual convergence of philosophers Alain Badiou and Antonio Negri. Both thinkers, whose major works gained prominence in the early 2000s, are analyzed for their shared commitment to rethinking communism as a philosophical concept beyond its historical political failures.

Mondialisation and Mondialité: For a Museum of Errantry with Édouard Glissant

The Center for Art, Research and Alliances (CARA) in New York is hosting "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant," an exhibition traveling from the Instituto Tomie Ohtake in São Paulo. The show eschews traditional curatorial hierarchies, instead utilizing the theories of Martinican philosopher Édouard Glissant to present works by artists such as Gerardo Chávez and Eduardo Zamora. Rather than providing didactic labels, the installation encourages "errantry" and "relationality," allowing visitors to discover visual resonances and meanings through their own active engagement with the landscape of the gallery.

Local Notes: Art Exhibition, Line Dancing Classes, Set Dancing Classes

The group exhibition ‘Bándearg’ (Pink) is set to open at Books At One in Louisburgh, County Mayo, featuring the work of five female artists based in Ireland. The show explores the color pink as both a physical medium and a complex cultural symbol, showcasing a diverse range of artistic approaches including the bold, hard-edge op art of Elphin-based artist Nickie Harrington.

In upcoming thesis exhibition, Bates senior studio art students each have a seat At the Table

Eleven graduating studio art and visual culture students at Bates College are preparing to debut their year-long thesis projects in the professional exhibition "At the Table." Opening April 17 at the Bates Museum of Art, the show features a diverse range of media including charcoal drawing, photography, and sculpture. The students have spent two semesters transitioning from theoretical research and material exploration to the physical production and professional framing of their works under the guidance of faculty and museum staff.