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Artnet News published an interview with Julia Cameron, author of the bestselling creativity guide *The Artist's Way*, originally released in 1992. Cameron discusses the origins of her 12-week program for overcoming artistic blocks, including the famous 'Morning Pages' ritual of writing three pages of unedited text each day. She also introduces her new book *The Daily Artist's Way*, which offers a fresh approach for fans. The interview, conducted by Ben Davis, revisits how Cameron's practical, spiritually-infused techniques have become a staple for artists, musicians, and writers worldwide.

Megadealer Larry Gagosian Is the Subject of Unauthorized Documentary In the Works from Director Barry Avrich

Director Barry Avrich is producing an unauthorized documentary titled "Shadow Man: Inside The Secret World of Larry Gagosian" about the legendary art dealer. The film, confirmed by Avrich via email, promises to feature interviews with former employees and artists sharing insider stories about Gagosian's rise from selling posters on LA streets to running a global gallery empire with 18 locations. Avrich previously directed art-world documentaries including "Made You Look: A True Story About Fake Art" about the Knoedler & Co. forgery scandal and "Blurred Lines: Inside the Art World."

One Erased Vermeer, Two Books, and No Consensus

Two new books examine the legacy of Johannes Vermeer from contrasting angles. Ruth Bernard Yeazell's "Vermeer's Afterlives" (Princeton University Press) explores how the artist's open-ended, figureless interiors have inspired later creators, from painter George Deem to novelist Tracy Chevalier. Andrew Graham-Dixon's "Vermeer: A Life Lost and Found" restores the historical and religious context of 17th-century Delft, arguing that modern readings have overlooked the original meanings of Vermeer's works.

New catalogues reveal Royal Collection's vast sculpture holdings—and Queen Victoria's acquisition spree

A new four-volume catalogue, authored by former royal surveyor Jonathan Marsden, documents approximately 1,800 sculptures in the Royal Collection. The publication reveals the unsystematic nature of the collection's growth, driven by royal tastes and historical opportunities, and highlights significant discoveries like a previously unknown bronze satyr by Benvenuto Cellini.

The Triumphant New LACMA Has the Potential to Rewrite Art History

The Los Angeles County Museum of Art (LACMA) is set to open its new $724 million David Geffen Galleries, designed by Swiss architect Peter Zumthor. The building features a radical, non-linear layout that eschews traditional chronological and geographical hierarchies, allowing artworks from 15 different curatorial departments to be displayed in conversation with one of another. Despite years of controversy regarding its concrete design and a 10 percent reduction in exhibition space, the museum is positioning the new structure as a flexible "laboratory" for global art history.

Here’s What LACMA’s Lavish New Building Looks Like

The Los Angeles County Museum of Art (LACMA) has finally unveiled its new flagship building, the David Geffen Galleries, designed by Pritzker Prize-winning Swiss architect Peter Zumthor. The concrete-and-glass structure famously straddles Wilshire Boulevard, featuring a continuous glass facade that offers panoramic views of the Los Angeles landscape and newly installed outdoor sculptures. Inside, the layout encourages a non-linear experience, moving visitors through varying light conditions and diverse gallery sizes that house a mix of contemporary and classical works.

A Duchamp Retrospective at MoMA Presents an Artist Who Challenged the Very Definition of Art

The Museum of Modern Art (MoMA) has launched a major retrospective of Marcel Duchamp, marking the first comprehensive North American survey of the artist’s work in over 50 years. Co-organized with the Philadelphia Museum of Art and the Centre Pompidou, the exhibition traces Duchamp’s evolution from his early Cubo-Futurist paintings to his revolutionary "Readymades" and optical experiments. The show features seminal works such as Nude (Study), Sad Young Man on a Train and explores his various personas, including his female alter ego, Rrose Sélavy.

Mother Exhibition Palazzo Reale Milan

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Milan’s Palazzo Reale has launched "The Great Mother," a massive exhibition exploring the evolution of motherhood and female power throughout the 20th and 21st centuries. Curated by Massimiliano Gioni and produced by the Nicola Trussardi Foundation, the show features over 400 works by 127 international artists, including Louise Bourgeois, Cindy Sherman, and Rineke Dijkstra. The exhibition spans 29 halls, juxtaposing avant-garde historical works with contemporary installations to examine how gender roles and the maternal image have been constructed, challenged, and reclaimed.

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Art critic Ben Davis reflects on the cultural landscape of early 2026, identifying a chaotic aesthetic defined by AI-generated imagery, esoteric Nazi dog whistles, internet trolling, and gaudy luxury, which he calls the "Chaotic Style." He also discusses the muted response to the 2025 Fall of Freedom initiative, the ongoing credibility crisis of liberal institutions over Gaza, and the need for serious AI criticism that moves beyond dismissing it as "slop."

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Sasha Suda, the former director and CEO of the Philadelphia Art Museum, gave her first extensive interview since her firing last November to Philadelphia Magazine, alleging that the board attempted to strip her of the CEO title. She claims former board chair Leslie Anne Miller initially offered both roles but later tried to separate them, only allowing her to hold both temporarily. Suda says she rejected the revised offer, leading the board to backpedal. The article also reveals that Suda placed chief curator Carlos Basualdo on administrative leave in 2024, a decision that upset some trustees and may have contributed to tensions. Suda was abruptly fired on Election Day via email citing "cause," and she and the board have traded allegations over misuse of funds and unfair investigations.

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A wave of museum openings has swept the Gulf region in recent weeks, including the Zayed National Museum and the Natural History Museum in Abu Dhabi, as well as new institutions in Qatar and Saudi Arabia. These projects are part of an ambitious cultural building drive fueled by oil wealth, with Western partners such as the Louvre, the British Museum, and consultancies like Cultural Innovations providing expertise in planning, governance, and exhibition design. The Zayed National Museum, designed by Foster + Partners, features objects on loan from the British Museum, while the Natural History Museum displays a T-rex skeleton bought at Christie's.

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ARTnews has published a guide to Black Friday and Cyber Monday deals on artists' tools and studio supplies, tracking discounts from US retailers on items ranging from tech gear like Samsung's The Frame TV and Ray-Ban Meta smart glasses to software subscriptions like Topaz Studio. The article advises readers to move fast as products may sell out, and explains the selection process involves research on art supply usage, customer reviews, expert advice, and the authors' own expertise as artists and teachers.

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Maurizio Cattelan has been awarded the 2026 Preis der Nationalgalerie, administered by Berlin’s Nationalgalerie. The prize, given every two years to an influential contemporary artist, includes a solo exhibition at the Neue Nationalgalerie. Cattelan was selected by a jury of international directors including Emma Lavigne, Sam Keller, and Klaus Biesenbach. His exhibition will open in September 2026 during Berlin Art Week, curated by Biesenbach and Lisa Botti. Cattelan previously co-curated the 4th Berlin Biennale in 2006.

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Jonathan Rinderknecht has been arrested on suspicion of starting the Pacific Palisades fire in January, which killed 12 people and destroyed over 6,000 homes. Authorities discovered evidence on his phone, including a ChatGPT query where he asked the AI to create a "dystopian painting" depicting a class war during a fire, as well as questions about legal culpability for starting a fire with cigarettes. The fire also damaged the grounds of the Getty Villa, forcing a four-month closure.

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Barbara Jakobson, a prominent art collector and longtime trustee of the Museum of Modern Art (MoMA), died at age 92 on August 25 in Manhattan due to pneumonia. Known for her extensive network of relationships with artists, dealers, and curators, she was a central figure in the New York art world for decades. Jakobson served on MoMA's board since 1974, helped found the Studio Museum in Harlem in 1968, and persuaded dealer Leo Castelli to donate Robert Rauschenberg's iconic work "Bed" (1955) to MoMA. Her Upper East Side townhouse, filled with works by artists such as Matthew Barney, Diane Arbus, and Robert Mapplethorpe, was a testament to her lifelong engagement with contemporary art.

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Alex Da Corte's mid-career survey, "The Whale," is on view at the Modern Art Museum of Fort Worth, featuring works that repurpose pop-cultural icons like Disney villains and Mariah Carey to explore themes of erasure and violence. The exhibition includes pieces such as *A Time to Kill* (2016), which obliquely references the 2016 Pulse nightclub shooting through an inverted Elsa standee, and *The Great Pretender* (2021), which removes Lily Tomlin from a TIME magazine cover to comment on queer erasure.

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Damien Hirst, the 59-year-old British artist and one of the world's wealthiest living artists, has revealed a plan to continue creating artworks after his death. In an interview with the London Times, Hirst described a system of 200 notebooks, each representing one year after his demise, which will contain instructions for artworks that collectors can buy the rights to produce. These rights will be tradable certificates, and the works will be signed by his descendants. The scheme allows for back-dating of works, including a sculpture of a pig in formaldehyde conceived in 1991 but never made, which could be fabricated 145 years after his death and dated to 1991. This follows criticism Hirst faced in 2024 for assigning 1990s dates to formaldehyde sculptures actually produced recently, which his company Science Ltd. defended as conceptual artworks dated by conception.

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American Pop artist Robert Rauschenberg created his controversial work *Erased de Kooning Drawing* (1953) by taking a drawing from Abstract Expressionist legend Willem de Kooning and erasing almost all of its marks. Rauschenberg, then 28, had recently returned to New York after studies at Black Mountain College and the Art Students League. He convinced de Kooning to donate a drawing for the project with a bottle of Jack Daniels, and de Kooning insisted it be a work he would miss. The erasing took about a month and wore down roughly 40 erasers. The finished piece, framed in a traditional gilded frame and inscribed by Jasper Johns, is now held by the San Francisco Museum of Modern Art (SFMOMA), which used infrared technology in 2010 to reveal traces of de Kooning's original charcoal-and-pencil figures.

‘Designed to disorient’: LA art museum unveils enormous concrete gallery, 20 years in the making

The Los Angeles County Museum of Art (LACMA) has unveiled the David Geffen Galleries, a $724 million concrete structure designed by Swiss architect Peter Zumthor. Spanning Wilshire Boulevard, the building features 110,000 square feet of elevated gallery space characterized by curving walls and massive windows. The project marks the culmination of a nearly 20-year revitalization effort led by director Michael Govan, replacing several older buildings with a single, fluid architectural statement.

Why I Wanted to Meet Thaddeus Mosley

The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.

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Brandon Stanton, the photographer behind Humans of New York, has transformed Grand Central Terminal and its subway station into a massive public art installation titled "Dear New York." Running through October 19, the installation replaces over 150 digital screens typically used for advertising with thousands of portraits and stories from Stanton's archive, making it the largest public art installation in New York City in decades. The project, created in collaboration with creative director David Korins, also features live music performances by Juilliard School students and a piano donated by Steinway & Sons.

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Performance artist Marina Abramović is being sued by her former creative and romantic partner Frank Uwe Laysiepen, known as Ulay. Ulay alleges that Abramović violated a 1999 contract by failing to share royalties and credit for collaborative works they created together. He claims Abramović has omitted his name from attributions and provided inaccurate sales statements, paying him only four times in 16 years. Abramović's lawyer has dismissed the allegations, and the case may be heard in Amsterdam district court.

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Barbara Kruger's monumental text-based mural "Untitled (Questions)" (1990/2018) at the Geffen Contemporary in Los Angeles has become a backdrop for National Guard deployments during protests against ICE raids. Originally commissioned by MOCA in 1989, the 191-foot-long work asks "WHO IS BEYOND THE LAW?" and has been photographed twice with armed soldiers beneath it—first in 1992 during the Rodney King protests, and again this week as President Donald Trump deployed the National Guard to quell demonstrations against immigration enforcement. Photographer Jay L. Clendenin captured the latest image, showing a calm scene that belies nearby unrest.

Think you have strong opinions about the 2026 Archibald prize? Check out the portraits that didn’t make the cut | Dee Jefferson

The article explores the annual ritual of the Archibald Prize, Australia's most famous portrait competition, through the lens of the 2026 edition. The author, Dee Jefferson, describes the predictable cycle of public enthusiasm, critical disdain, and media coverage that surrounds the prize, noting recurring trends like brown suits, oversized heads, and the dominance of male artists painting male subjects. The piece highlights specific works in this year's exhibition, including a portrait of musician Keli Holiday by Sindy Sinn that the author finds disorienting, and contrasts the main exhibition with the Salon des Refusés, the showcase of rejected entries, which includes a provocative portrait of Patricia Piccinini by Wendy Sharpe featuring exaggerated anatomy.

British ’90s art and fashion exhibition heading to Tate Britain in fall 2026.

Tate Britain will mount the first major exhibition exploring the transformative impact of fashion, art, and photography on 1990s Britain. Curated by former British Vogue editor-in-chief Edward Enninful, the show titled “The 90s: Art and Fashion” will bring together over 100 works—including photographs, paintings, films, sculptures, objects, and garments—from nearly 70 artists. It runs from August 8, 2026 through February 14, 2027.

“The Adventure of Domenico Gnoli” at Lévy Gorvy Dayan, New York

Lévy Gorvy Dayan in New York is presenting “The Adventure of Domenico Gnoli,” a survey of the Italian artist’s work including paintings, drawings, etchings, notebooks, and letters. The exhibition is organized in collaboration with Gnoli’s widow, Yannick Vu, the artist’s estate, Mimì Gnoli, and the Livia Polidoro-Gnoli Archive, and follows his major 2021–22 retrospective at the Fondazione Prada in Milan.

The Big Review | Lacma's David Geffen Galleries ★★★★

The Swiss architect Peter Zumthor's new $724 million building for the Los Angeles County Museum of Art (Lacma), now called the David Geffen Galleries, has opened after nearly two decades of anticipation. The swooping concrete-and-glass structure is praised for its harnessing of natural light and horizontality, creating a stunning showcase for antiquities and inviting the city inside with floor-to-ceiling windows offering views of the La Brea Tar Pits and Wilshire Boulevard. The building performs best with sculpture and decorative objects, with standout works including Liz Glynn's "The Futility of Conquest" (2023) and Manjunath Kamath's "Vikatonarva" (2024).

Tate Britain will Exhibit ‘90s Art and Fashion, and Other News.

Tate Britain will stage "The 90s: Art and Fashion" in autumn 2026, guest curated by Edward Enninful, featuring nearly 70 artists, designers, and photographers including Steve McQueen, Damien Hirst, Alexander McQueen, and Vivienne Westwood. The exhibition explores how the decade reshaped British cultural identity through art, fashion, and social commentary, highlighting DIY anti-fashion aesthetics and themes of identity, race, class, and representation. Separately, Gagosian opened a new ground-floor flagship at 980 Madison Avenue in New York, replacing its longtime sixth-floor space after 37 years. A rare 17th-century Mughal astrolabe is heading to Sotheby's London with a £1.5–2.5 million estimate. Fondazione Sozzani launched an award for emerging creative talent. A Manhattan federal jury ordered art publisher Michael McKenzie to pay $102.2 million in damages to the Morgan Art Foundation for producing unauthorized works by Robert Indiana.

Museum of Contemporary Art Detroit reopens, with the local community front and centre

The Museum of Contemporary Art Detroit (Mocad) reopened on 25 April after over a year of renovations, unveiling upgrades to its 22,000-square-foot Midtown space—including a new learning space, air conditioning, and a large street-facing window—just in time for its 20th anniversary. The main building has been renamed after co-founder Julia Reyes Taubman. Co-directors Marie Madison-Patton and Jova Lynne have repositioned the institution as a civic space, emphasizing community engagement and local artists, with exhibitions such as Olayami Dabls: Detroit Cosmologies, Martha Mysko's Retail Therapy, and Carole Harris's This Side of the River.

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Artnet News's Talentspotter feature profiles six emerging Asian artists shaping contemporary art. The artists, including Chen Ronghui, Steph Huang, and Cole Lu, explore themes of urbanization, migration, identity, and consumer culture through photography, sculpture, and installation.