Expanded Vocabulary: Revisiting Deborah Kass’ Studio

The article recounts the author's visit to Deborah Kass's Brooklyn studio, which she shares with her wife, artist Patricia Cronin. The visit was prompted by logistical issues related to the author's exhibition "Social Minimalism" (2025). During the visit, the author and Kass revisited themes central to Kass's work over three decades: the exclusion of women from art history, Jewish identity, queer voice, lesbian subjectivity, and postwar American art. The conversation also touched on Kass's series including the Warhol Project, Feel Good Paintings, No Kidding, and the large painting/sculpture installation "Everybody" (2019), which was recently featured in a conversation between Kass and Titus Kaphar in Interview magazine.

Some cry censorship, others cry antisemitism

"Die einen schreien Zensur, die anderen Antisemitismus"

A constitutional law scholar, Christoph Möllers, warns in an interview with Die Zeit about the dangerous escalation of cultural policy conflicts, sparked by Documenta 15, where accusations of censorship and antisemitism collide. In Poland, Adam Budak was removed as director of MOCAK in Krakow after just a few months, facing 79 allegations including mobbing and problematic leadership. Meanwhile, the New York spring auctions have launched, and Jason Farago's review of the Venice Biennale in the New York Times criticizes the shift from aesthetic innovation toward identity-driven art. Robin Pogrebin also reports on the merger of the Met and the Neue Galerie, described as a rare convergence of two museum models.

"Wir wollen Rücknahme von Kürzungen"

Berlin's cultural senator Sarah Wedl-Wilson resigned on Friday after the Berlin Court of Auditors ruled that millions in funding for antisemitism prevention projects were illegal. The resignation has sparked a political debate, with CDU general secretary Ottilie Klein defending governing mayor Kai Wegner against opposition criticism, while Franziska Stoff of the Berlin Culture Conference demands stability and a reversal of budget cuts. Thomas Fehrle, director of the Deutsche Oper Berlin, expressed personal regret over Wedl-Wilson's departure, praising her competence and engagement.

A new director for the Smithsonian American Art Museum

Une nouvelle directrice pour le Smithsonian American Art Museum

Lynda Roscoe Hartigan, 75, has been appointed director of the Smithsonian American Art Museum (SAAM), succeeding Stephanie Stebich after a vacancy of nearly 17 months. Hartigan, who began her career at SAAM in the 1970s and rose to chief curator before leaving in 2003, most recently served as executive director of the Peabody Essex Museum, becoming its first woman to lead the institution. She will assume her new role on September 8.

« Les artistes sont des fous, des enfants » : rencontre avec Annette Messager au cœur du bric-à-brac poétique de son atelier

French artist Annette Messager, 82, welcomes Beaux Arts Magazine into her Malakoff studio and home ahead of her exhibition at the Musée de la Chasse et de la Nature in Paris. The studio is a chaotic, poetic bric-à-brac filled with hybrid creatures, stuffed toys, anatomical objects, and textile works, including her iconic piece "Les Piques" (1992–1993). Messager, who won the Golden Lion at the Venice Biennale in 2005, discusses her playful yet serious approach to art, describing artists as "mad, like children" who play constantly, sometimes very seriously. Her upcoming shows include presentations at Centre Pompidou Málaga, Galería Albarrán Bourdais in Madrid, the National Taiwan Museum of Fine Arts, and the Kunsthalle Prague.

The Story Behind Tschabalala Self’s Met Gala Dress by Brandon Blackwood

Artist Tschabalala Self will co-chair the 2026 Met Gala, marking her first attendance at the event, which launches the Costume Institute's new exhibition “Costume Art.” She collaborated with designer Brandon Blackwood, a friend, to create her gown and style her look for the evening.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

John Giorno “The Performative Word” at MAMbo, Bologna

A major retrospective exhibition dedicated to John Giorno, titled "The Performative Word," has opened at MAMbo, the Museum of Modern Art of Bologna. The show, curated by Andrea Bellini and Vincente Todolí, explores Giorno's multidisciplinary practice as a poet, artist, and activist, highlighting his collaborations and his innovative approach to making poetry a performative and visual experience.

The art of politics: how global conflicts are playing out in this year's Venice Biennale

Israel is making a controversial return to the 2025 Venice Art Biennale after its pavilion was locked in 2024 with a note demanding a ceasefire in Gaza. The artist representing Israel, Belu-Simion Fainaru, will present his project "Rose of Nothingness" in the Arsenale, while Russia also returns to the Biennale after its Giardini pavilion was reassigned to Bolivia in 2024. The Art Not Genocide Alliance (ANGA) has renewed calls for a boycott and is organizing strike action to disrupt the event, accusing Israel of genocide.

The Guardian view on the legacy of the Festival of Britain: look to the future | Editorial

The Guardian editorial reflects on the 75th anniversary of the Festival of Britain, launched by King George VI on 3 May 1951 as a "tonic" for a war-weary nation. It highlights the festival's most enduring legacy: the construction of the South Bank, including the Royal Festival Hall, which later became the Southbank Centre—the UK's largest arts complex. This summer, commemorations include poems from London schoolchildren projected onto its walls and a mobile poetry library visiting coastal towns, recreating the journey of the repurposed naval ship Campania. The festival, a triumph for the Labour government, faced critics like Evelyn Waugh and Noël Coward, and much of its physical infrastructure was demolished by the incoming Conservative government, save for the Royal Festival Hall.

Not-to-miss exhibitions in Italy — May 2026

May 2026 brings a packed calendar of exhibitions across Italy, ranging from independent galleries to major museums. Highlights include Igor Grubić's early works at Laveronica Gallery in Modica, a photographic exhibition by Lisetta Carmi at Galleria Nazionale dell'Umbria in Perugia, thematic investigations into Ettore Sottsass in Pistoia, Larry Nederlof's solo show at Extra Factory in Livorno, and an archaeological exhibition titled "Parthenope. The Siren and the City" at the National Archaeological Museum. The article also provides practical tips for visitors, such as checking opening times, booking tickets online, and planning transport.

How This Artist Pivoted Into Surreal Sculpture After Decades of Photography [Interview]

Artist Nic Nicosia, known for decades as a photographer and member of the Pictures Generation, has pivoted into surreal sculpture after losing interest in fabricated images. His work was featured in the 1983 Whitney Biennial alongside Cindy Sherman and others, and in major exhibitions like Documenta IX. Now, after years of exploring sculpture in private, he is preparing for his largest museum exhibition since 2000: "Everyday Surrealism" at the Nasher Sculpture Center in Dallas, opening May 16, tracing his career through over 70 works.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

L.A. vs. N.Y. vs. UK punks and so much more at a sprawling new Skirball exhibit

The Skirball Cultural Center in Los Angeles opens a new exhibition titled "Outsiders, Outcasts, Rebels + Weirdos: Punk Culture 1976-86," tracing the evolution of punk music and culture over a decade. Featuring nearly 400 original fliers, posters, photographs, clothing, and pins, the show highlights punk's spread from New York to the UK and then to the West Coast, with a special focus on Los Angeles' contributions and the often-overlooked role of Jewish musicians and icons. The exhibition opens as punk celebrates its 50th anniversary, with events like the Sex Pistols' upcoming tour.

Amid ceasefire, Tehran museum opens ‘Art & War’ exhibit spotlighting US Jewish artist

Tehran's Museum of Contemporary Art has opened an exhibition titled 'Art & War' featuring works by American Jewish artist Peter Saul, amid a fragile ceasefire between Israel and Hezbollah. The show includes Saul's provocative paintings that critique war and political violence, marking a rare cultural exchange in a country where official rhetoric often opposes Israel and the United States.

Our chief art critic’s nine best UK museums — you may be surprised

Laura Freeman, chief art critic for The Times, shares her personal list of nine favorite UK museums and galleries, ranging from London institutions like Sir John Soane’s Museum and the V&A to smaller venues such as Pallant House in Chichester and Kettle’s Yard in Cambridge. She emphasizes character and collection over flashy renovations, noting that her picks are based on decades of visits, family outings, and emotional resonance.

Georg Baselitz, German Neo-Expressionist Painter, Dies at 88

Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.

Basquiat's intense works on paper are at the center of his first exhibition in Denmark

Le intense opere su carta di Basquiat sono al centro della sua prima mostra in Danimarca

The Louisiana Museum of Modern Art in Humlebæk, Denmark, is hosting "Headstrong," a retrospective of 50 works on paper by Jean-Michel Basquiat, running until May 17. The exhibition focuses on Basquiat's depictions of the human head and body, created between 1981 and 1983, and first shown posthumously in 1990. It is the first solo museum presentation of Basquiat in Scandinavia, featuring loans from private collections and international museums, highlighting a lesser-known aspect of the artist's practice.

A Vienna una grande mostra dedicata a Daumier, l’artista della satira

The Albertina Museum in Vienna is hosting a major retrospective titled "Honoré Daumier – Mirror of Society," dedicated to the French artist Honoré Daumier (1808–1879). The exhibition features lithographs, drawings, paintings, and sculptures, with significant loans from the Städel Museum in Frankfurt. Daumier, known for his sharp satire and acute social observation, critiqued political abuses and social injustices of 19th-century European society. The show also recalls a previous Daumier exhibition held at the Albertina in 1936, which served as a political statement against Nazi oppression.

The Last Interview with the Great Artist Georg Baselitz on the Occasion of His Exhibition in Florence

L’ultima intervista al grande artista Georg Baselitz in occasione della sua mostra a Firenze

Georg Baselitz, the German artist born in 1938, is the subject of a major retrospective titled "Avanti!" at the Museo Novecento in Florence, featuring 170 works including paintings, works on paper, and sculptures, with a strong focus on his graphic output. The exhibition, curated by Sergio Risaliti and Daniel Blau (Baselitz's son and an artist himself), spans three floors and traces the evolution of Baselitz's practice, culminating in a dialogue with the work of Italian artist Ottone Rosai. The show is accompanied by a prequel exhibition honoring the 120th anniversary of Villa Romana, where Baselitz once held a fellowship, and will be followed by another exhibition at the Fondazione Giorgio Cini in Venice in May, which together with the Florence show form the artist's testament. Artribune published Baselitz's last interview in its new bimonthly issue.

NJCU Visual Arts Gallery presents "Formidable Women, Dangerous Times"

New Jersey City University Visual Arts Gallery is presenting a solo exhibition by Johanna Foster titled "Formidable Women, Dangerous Times," running from May 14 to 28, 2026. The show features a series of figurative oil paintings that depict fierce women from Foster's communities, both real and imagined, exploring themes of resistance, courage, and perseverance in difficult times. Foster, a professor of sociology at Monmouth University, began her MFA at NJCU in 2022 and has exhibited widely across New Jersey, New York, Pennsylvania, Arizona, and California, including a digital exhibition at Newark Liberty International Airport and the Montclair Art Museum.

Venice Biennale 2026 Collateral Events Six Of The Best – Nico Kos Earle

The 61st Venice Biennale is described as the most contested and chaotic in recent history, marked by the absence of a curator following the death of Koyo Kouoh and overshadowed by global conflicts that made presentations in national pavilions fraught with difficulty. Amid this turmoil, standout collateral events include Michael Armitage's exhibition 'The Promise of Change' at Palazzo Grassi, curated by Jean-Marie Gallais and Hans-Ulrich Obrist, which uses softly painted scenes to address sociopolitical tensions and post-colonial identity. Another highlight is The Holy See Pavilion, curated by Hans Ulrich Obrist and Ben Vickers, featuring a sonic prayer by Soundwalk Collective with contributions from contemporary composers including Patti Smith.

LACMA Director Michael Govan ’85 talks museum architecture, public art, mounds of dirt

Michael Govan, director of the Los Angeles County Museum of Art (LACMA) and a 1985 graduate of Williams College, discussed his career and philosophy in an interview with the Williams Record. Govan reflected on his early work at the Williams College Museum of Art (WCMA), where he helped install pieces in Lawrence Hall after an expansion by architect Charles Moore, and his subsequent collaborations with Frank Gehry on the Guggenheim Museum Bilbao and Zaha Hadid at the Solomon R. Guggenheim Museum. He also highlighted his recent oversight of LACMA's new David Geffen Galleries, a $720 million project that has drawn significant attention.

Summer 2026 Midnight Moment Program

Times Square Arts has announced the Summer 2026 Midnight Moment program, featuring three artists: Sonia Boyce (June), Tromarama (July), and Maia Chao (August). Boyce's 'Transform' presents a kaleidoscopic film of Andean ancestral movements, presented with the Queens Museum. Tromarama's 'Turn On #2' examines technology's impact on reality and the environment, presented with The Kitchen. Maia Chao's 'Studies for American Idle' draws from a 2025 site-specific performance in Times Square. The works will be shown nightly from 11:57 pm to midnight on nearly 100 electronic billboards.

The Museo Casa Natal Picasso rescues Marisol Escobar, the forgotten queen of pop art

The Museo Casa Natal Picasso in Málaga, Spain, has opened the exhibition "Ni Musas Ni Modelos" (Neither Muses Nor Models), which seeks to reclaim the legacy of Marisol Escobar, a Venezuelan-born pop artist who rose to fame in the 1960s but later fell into obscurity. The show features over forty works by Escobar—including her piece "Saco La Lengua" (I Stick Out My Tongue)—alongside works by thirty other artists such as Dorothea Tanning and Helen Frankenthaler, aiming to correct the historical sidelining of female artists.

HKMoA Showcases Local Artists at Venice Biennale with 'Fermata: Hong Kong in Venice' Exhibition

The Hong Kong Museum of Art (HKMoA) has organized 'Fermata: Hong Kong in Venice' as a Collateral Event of the 61st Venice Biennale, running from May 9 to November 22. The exhibition features artworks by Hong Kong artists Kingsley Ng and Angel Hui, curated under the musical symbol 'Fermata' in dialogue with the Biennale's theme 'In Minor Keys'. This marks the first time HKMoA has curated Hong Kong's exhibition at the Venice Biennale, with support from the Hong Kong Arts Development Council (HKADC) and the Hong Kong Special Administrative Region Government.

Derrick Adams to Install Monumental Portrait of Koyo Kouoh in Venice During the Biennale

Artist Derrick Adams will install a monumental banner version of his collage "Heavy is the head that wears the crown" (2026) on the facade of the Palazzetto dello sport Giobatta Gianquinto in Venice, near the Arsenale, during the Venice Biennale. The work features a portrait of the late curator Koyo Kouoh, artistic director of the 2026 Venice Biennale, with the word "JOY" radiating golden rays above her head. The tribute was conceived by curator Francesco Bonami, who had invited Kouoh to serve on the Golden Lion jury for his 2003 Biennale, and developed after a studio visit with Adams.

Has a new Banksy statue just appeared in central London?

A new statue has appeared on Waterloo Place in central London, bearing the signature of elusive street artist Banksy. The artwork depicts a suited man carrying a large flag that covers his face, stepping off a plinth, and blends with nearby bronze and granite monuments. Sightings were first reported on Wednesday 29 April, but how and when the statue was erected in this busy intersection remains unknown. Banksy has not yet posted the work on his Instagram account, his usual method of authentication, though crowds have already gathered.

The best looks from the 2026 Met Gala

The 2026 Met Gala, themed 'Costume Art,' took place at the Metropolitan Museum of Art, honoring the Costume Institute's spring exhibition on the role of the dressed body in art history. Co-chaired by Nicole Kidman, Venus Williams, Anna Wintour, and Beyoncé, the event featured A-list celebrities, pop stars, and tech titans on the museum's grand staircase, with a dress code of 'Fashion Is Art' encouraging guests to treat the body as a canvas. Notable attendees included Sabrina Carpenter, Doechii, Rosé, Gigi Hadid, Katy Perry, and Charli XCX, with many wearing custom designs from houses like Marc Jacobs, Saint Laurent, Thom Browne, and Jean Paul Gaultier.

Paul Klee’s ‘Angelus Novus’ Joins Show at Jewish Museum in New York

Paul Klee's iconic watercolor 'Angelus Novus' (1920) has been added to the exhibition "Paul Klee: The Visible and the Invisible" at the Jewish Museum in New York, after being delayed due to wartime complications. The work, which was famously owned by philosopher Walter Benjamin and inspired his concept of the angel of history, joins over 70 other works in the survey of Klee's career.