The Complex, a major multi-artform venue in Dublin, was evicted from its warehouse building in January 2026 after its lease expired. A public campaign to save it, supported by politicians and cultural officials, failed due to a lack of legal mechanisms to protect grassroots cultural organizations. This closure follows a pattern of similar artist-led spaces folding in Ireland, most recently Ormond Studios.
Kye Christensen-Knowles, a 32-year-old figurative painter based in New York, is featured in Cultured's 2025 Young Artists list. A recent solo exhibition at Lomex in New York showcased his range, from unnerving contemporary society portraits to epic science-fiction scenes. His work is also on view in a group show at the Warehouse, a private museum in Dallas. In an interview, he discusses his readymade work "Painting" (2019–23), a studio rug covered in accumulated paint, and cites influences such as Vito Acconci and Louise Bourgeois.
Alexandria Contemporary Art Days launches from October 9th to 16th, 2025, transforming the Egyptian city into an open-air gallery. The festival features site-specific works by local and international artists across venues including the French Institute, Behna Warehouse, El Garage Cultural Space, and the Bibliotheca Alexandrina. Highlights include a performance connecting breath and sound by dancer Salma Salem and trombonist Simon Petermann, a drawing-based installation by Mohamed Adel Dessouki, and Tiana Kader's evolving participatory installation 'The House of the Fat Lady'. The programme also includes exhibitions, live performances, workshops, talks, and guided walks such as 'Art on Foot'.
Superchief Gallery, a longtime hub for LA’s underground art and photography scene, is fighting to stay open amid mounting financial challenges. Founder Bill Dunleavy is exploring alternative revenue models like crowdfunding to save the space, which has operated since 2014 in downtown LA and later moved to a 10,000-square-foot warehouse in South LA. The gallery has faced setbacks including a fire in 2020 and declining art sales and corporate sponsorships, despite its popularity for anti-elitist, community-focused programming.
An article by Laura Carlotta Cortoni on Artribune reports that Pino Pascali's iconic 1967 work "32 mq di mare circa" ("32 square meters of sea approximately"), on display at the Galleria Nazionale d'Arte Moderna e Contemporanea (GNAMC) in Rome, is covered in mold, dust, and insects due to a total lack of maintenance. The author describes the installation as resembling a neglected warehouse and notes that visitors unfamiliar with the piece mistake the decay for an intentional environmental statement, creating a critical paradox given Pascali's own series of works titled "Muffe" (Molds).
A fire broke out late Wednesday in a 19th-century warehouse at 481 Van Brunt Street in Red Hook, Brooklyn, destroying dozens of artist studios and damaging the building's roof and fourth floor. Over 250 FDNY members battled the blaze for more than seven hours, with two firefighters sustaining minor injuries. The warehouse housed a large artist cooperative, woodshops, furniture makers, and small businesses, and many artists lost work prepared for the upcoming Red Hook Open Studios event.
A newly discovered mold species, aspergillus section restricti, is damaging artworks and cultural objects across Denmark. Detected in 12 museums including the National Museum of Denmark and Skagens Museum, the fungus thrives in dry environments—the very conditions used to preserve artifacts. Conservators describe it as an "epidemic" that also poses health risks to visitors. The National Museum is relocating affected works to a new warehouse near Copenhagen, but no solution has been found yet. Preliminary studies are underway at 150 additional cultural sites to assess the spread.
The contemporary art space Spike Island in Bristol is hosting a solo exhibition by artist Phillip Lai titled "Rain / Ruin." Running from January 30 to May 10, 2026, the exhibition features a series of sculptural installations and works that engage with the architectural environment of the gallery. The presentation is documented through a comprehensive suite of installation photography by Rob Harris, capturing the spatial relationship between Lai's objects and the industrial character of the venue.
Kevin Potter, a jeweler based in Tucson, Arizona, has assembled the world's largest collection of artifacts from America's industrial jewelry manufacturing era. His collection, housed in two warehouses, contains an estimated 1.2 million hubs and dies—the hand-carved steel tools used to mass-produce jewelry through die-striking—along with related machinery and ephemera, preserving a vast physical archive of a vanished craft.
Acme Art Studios, a longtime visual arts institution in downtown Wilmington, North Carolina, has been listed for sale at $4.4 million. The one-acre complex at 711 N. Fifth Ave. includes a 12,000-square-foot warehouse with studio and gallery space, plus four vacant lots. Founded in 1991 by a collective of artists in a former carpet warehouse, Acme has become a vital hub for the local arts scene, renting to dozens of artists and hosting countless shows over more than three decades. The property is owned by five artists, including co-founder Pam Toll, who said the decision to sell was unanimous and that the timing is right for a number of reasons.
Lake City, South Carolina, is set to host the annual ArtFields festival from April 10 to May 2, 2026. The event transforms the town into a massive gallery, displaying hundreds of works by Southeastern artists across local boutiques, restaurants, and historic warehouses. This year's competition features over $100,000 in prize money, with winners determined by both a professional jury and a popular vote.
Floral tributes left at Bondi Beach after a deadly terrorist attack on a Hanukkah celebration in December 2024 have been collected and will be transformed into an art installation at the Sydney Jewish Museum. Jewish Australian artist Nina Sanadze, born in Georgia and based in Melbourne, is working with volunteers to dry and process the flowers in a Sydney warehouse, experimenting with resin, bronze casting, and composted materials to create a work that may depict beachgoers fleeing the attack. The museum, currently closed for redevelopment, plans to feature the installation in a special exhibition when it reopens in 2027.
Artist Topher Campbell's large-scale sculpture *My Body Is An Archive*, commissioned by Tate Modern for his exhibition *Topher Campbell My ruckus. Heart!*, faces destruction if a new home is not found by the end of October 2025. The polished mahogany and collage work, which weighs over a ton, was temporarily housed at Birmingham Museums Trust after the show closed in January 2025, but the trust can no longer store it due to warehouse pressures. Campbell has launched a Go Fund Me campaign, which has raised 85% of its £2,000 target, to cover transport and storage costs.
The National Museum of Modern and Contemporary Art (MMCA) in Gwacheon, South Korea, has opened a major exhibition titled “Art between Korea and Japan since 1945,” co-organized with the Yokohama Museum of Art. Running from May 14 to September 27, 2026, the show marks the 60th anniversary of normalized diplomatic ties between the two countries. Featuring some 200 works by 43 artists, including Zainichi artists and video art pioneer Nam June Paik, the exhibition traces eight decades of artistic exchange shaped by colonialism, war, division, and ongoing tensions. It previously opened in Yokohama, drawing over 37,000 visitors—significantly surpassing typical attendance—with strong interest from younger audiences.
The third edition of the Diriyah Contemporary Art Biennale has opened in Riyadh’s JAX District under the title 'In Interludes and Transitions.' Curated by Nora Razian and Sabih Ahmed, the exhibition features over 65 artists from 35 countries, focusing on themes of migration, oral storytelling, and the movement of ideas across borders. The show is housed in repurposed 1970s industrial warehouses with a scenography designed by Formafantasma that emphasizes intimacy despite the monumental scale of the venues.
Pictorial Foundation, an organization born from the international photography magazine The Pictorial List, has opened a new gallery space at 105 Ann Street in Newburgh, New York. The 1,500-square-foot gallery, located within the ADS Warehouse complex, debuts on February 7 with the group exhibition “Foundations of Practice,” featuring 19 artists whose work emphasizes process over finished results. Founder Karen Ghostlaw Pomarico, a Pratt Institute-trained artist, collaborated with her husband, architect Michael Pomarico of Pomarico Design Studio, to create a flexible system of suspended partitions that can be reconfigured for each show. The gallery grows out of a desire to move beyond the limitations of online art visibility and create a physical space for slow, thoughtful engagement with art.
The Nederlands Fotomuseum, the Dutch national photo collection, has opened in a new, purpose-built home in Rotterdam. The museum, which holds over 6.5 million images, moved from its previous mixed-use location into a converted and expanded former coffee warehouse, designed to offer public views into its conservation archives and featuring interactive displays.
A new exhibition titled "Harold Keller: Portals" opens at the Alexander Gallery in Fayetteville, Arkansas, showcasing the work of the mid-20th-century artist and educator Harold Keller. Curated by Matthew Bailey, the show features paintings, drawings, and ceramics that blend whimsy, spirituality, and magical realism, drawing from Keller's Jewish upbringing, influences like Paul Klee and Saul Steinberg, and his time teaching in Arkansas and New York. Many works come from the University of Arkansas–Fort Smith collection, and some have never been publicly displayed before.
Point of Contact (POC), a Syracuse-based organization founded in 1975, is celebrating its 50th anniversary with a landmark exhibition titled “50 Sin Cuenta,” featuring over 100 works of contemporary Latin American art from its permanent collection. The exhibition opens September 19 at the newly renovated Warehouse Gallery at the Nancy Cantor Warehouse in downtown Syracuse, with works by artists including Luis Felipe Noé, Liliana Porter, Arnaldo Roche, and Víctor Vázquez. The show runs through October 24 and is free to the public.
The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.
The Fenix Museum of Migration opens in Rotterdam on May 16, housed in a former warehouse transformed by MAD Architects into a dramatic space centered on a double-helix staircase called the Tornado. The museum explores migration through art, with a major exhibition titled *All Directions* featuring over 100 artists, a photography show *The Family of Migrants*, and a maze built from 2,000 suitcases. Director Anne Kremers and foundation director Wim Pijbes emphasize the museum's role in telling stories of both departure and arrival in a city shaped by centuries of global movement.
A Venezia torna il Padiglione della Siria dopo il crollo del regime. L’intervista
The Syrian Pavilion returns to the Venice Biennale after the fall of the regime, marking the country's first participation since 2024. The pavilion, curated by artist Sara Shamma, is housed in the former refrigerated warehouses of Santa Marta at the Iuav University of Venice and runs until November 22. It features an installation inspired by the ancient funerary towers of Palmyra, combining painting, architecture, light, sound, and scent to explore cultural heritage and the restitution of looted antiquities.
Gli alberi sono un modello da seguire. A Modena c’è un festival che lo conferma
The Alberi Festival in Modena transforms the Villaggio Artigiano Ovest into an open-air laboratory focused on the intersection of botany, architecture, and urban planning. Inspired by the seminal 1960s research of Cesare Leonardi and Franca Stagi, the event features exhibitions, installations, and discussion tables centered around the "Officina Botanica," an experimental green regeneration project housed in a former industrial warehouse.
Optimierung verlernen – mit Heike Geißler
Award-winning author Heike Geißler discusses the necessity of resisting constant self-optimization and embracing despair as a response to modern labor conditions. Drawing from her experiences working in an Amazon warehouse, which inspired her book "Saisonarbeit," Geißler argues that the pressure to perform often leads to a "culture of contempt" and that acknowledging systemic failures is a vital form of resistance.
A historic warehouse in downtown Fayetteville, known as the Porter Produce Warehouse, has been restored and opened as the Alexander Gallery, operated by the Walton Arts Center. The gallery's inaugural exhibition, "Our Art, Our Region, Our Time," features 106 works from 75 local artists and debuted at a grand opening on Wednesday evening. The building, built in 1906 and added to the National Register of Historic Places in 2020, had been closed to the public for 35 years. Walton Arts Center spent $950,000 on interior renovations, while the city contributed about $1 million for exterior restoration.
More than 1,000 artifacts were stolen from the Oakland Museum of California's off-site storage facility on October 15, 2023. The thieves broke in around 3:30 a.m., stealing jewelry, precious metals, pearls, Native American baskets and tools, antique daguerreotypes, political pins, laptops, and cameras. No security staff were on duty, and the entry was not through a door. The Oakland Police Department and the FBI's Art Crime Team are investigating, and no arrests have been made. The museum delayed announcing the theft to protect the investigation.
Artist Vic Liu and abolitionist organizer Mariame Kaba have launched "The Warehouse," a large-scale exhibition at the Brooklyn Public Library’s Bedford branch. Featuring over two dozen paintings and a dedicated children’s wing, the installation explores the concept of prison abolition by visualizing a society supported by robust healthcare, housing, and community care. The project moves away from traumatic imagery, instead focusing on the humanity of incarcerated individuals and the tangible possibilities of a world without prisons.
The "Yokai Immersive Experience Exhibition Tokyo" has opened at Warehouse Terrada, utilizing projection mapping and 3D technology to bring over 300 supernatural creatures from Japanese folklore to life. The exhibition features digital recreations of historical emaki scrolls and ukiyo-e prints by masters such as Utagawa Kuniyoshi and Katsushika Hokusai, alongside contemporary works from the Yokai Art Museum in Shodoshima.
The Community Arts Stabilization Trust (CAST) has partnered with the San Francisco Port Commission to transform Pier 29, a long-vacant warehouse on the city's waterfront, into a major cultural hub. The 47,000-square-foot indoor space and 23,000-square-foot outdoor area will house exhibitions, residencies, performances, and a new residency program called Art + Water, led by author Dave Eggers and San Francisco Arts Commission member JD Beltran, providing affordable studio space for emerging and underserved local artists. CAST is investing $300,000 and the Port $500,000, with a two-year lease and an option to extend, aiming to open in January 2026.
The 14th annual Bay View Gallery Night will take place on Friday, May 30, 2025, in Milwaukee's Bay View neighborhood. The free, community-focused event features over 60 participating sites including galleries, breweries, restaurants, and shops, showcasing local artists, musicians, and makers. Highlights include live painting, tattoo art, virtual reality art, pet-friendly activities, and a complimentary shuttle service between key venues like Lincoln Warehouse and Hide House.