Arch Hades will hold a breakfast conversation with ArtReview editor Fi Churchman on May 8, 2026, at the Scoletta Battioro e Tiraoro di Venezia in Venice. The event coincides with the opening of Hades's solo exhibition 'Return | Ritorno,' a major presentation of large-scale paintings, immersive sculptures, and installations supported by the Erarta Foundation during the Venice Biennale preview week.
Steven Durland, a longtime editor of *High Performance* magazine and a champion of performance art, died on March 11 at age 75 after a brief illness. His life partner, Linda Frye Burnham, confirmed his death in Saxapahaw, North Carolina. Durland was born in Long Beach, California, raised in South Dakota, and trained as a ceramic artist with a BFA from the University of South Dakota and an MFA from the University of Massachusetts Amherst. He became deeply involved in performance and mail art, and from 1986 to 1994 served as editor of *High Performance*, a magazine founded by Burnham that featured thousands of artists including Nancy Buchanan, Carolee Schneemann, Paul McCarthy, Suzanne Lacy, and Ulysses Jenkins. Durland also maintained his own artistic practice, creating performances such as "Win Defeat/BID FOR POWER" (1978) and "Death and Taxis" (1982), and produced the micro-newspaper *Tacit*.
An original exhibition poster from the 1984 Milan exhibition "Nuova Fotografia Inglese" (New English Photography) has been made available for sale. Produced by the renowned Italian publisher Mazzotta Editore in collaboration with the British Council, the offset lithograph features a striking black-and-white nude study by an unidentified photographer, designed with the bold graphic sensibilities characteristic of the pre-digital era.
Administrators' filings for Stephen Friedman Gallery reveal a total debt of £7.8 million following its closure in February. Three prominent artists—Alexandre Diop, Deborah Roberts, and Kehinde Wiley—are among the unsecured creditors owed a combined £795,000, expected to recover only eight to nine pence per pound. The largest secured creditor is Coutts & Company, owed £3.1 million, followed by Pentland Group with £1.4 million outstanding. The gallery also owes £505,113 to the Pollen Estate for its Cork Street lease, £550,000 to HMRC, and significant sums to shipping and storage firms, including Crozier (£256,470) and Gander & White (£86,772). Art fairs Frieze and Art Basel Qatar are owed £71,227 and £18,763 respectively.
The Metropolitan Museum of Art in New York City is drawing record crowds in spring 2026 with its latest exhibitions, including newly restored ancient artifacts. The article, written by travel editor Elena Müller, positions The Met as a top cultural destination for American travelers, highlighting its location on Manhattan's Upper East Side, its Beaux-Arts architecture, and its proximity to Central Park. It also covers the museum's founding in 1870, its expansion into a neoclassical landmark on Museum Mile, and its role as a cornerstone of New York's cultural landscape.
The American painter Celeste Dupuy-Spencer has passed away at the age of 46 at her home in Los Angeles. Her gallery, Jeffrey Deitch, confirmed the news of her death but did not specify a cause. The announcement comes just weeks before a scheduled solo exhibition of her recent work, which is still set to open at the gallery’s Los Angeles location on April 17.
Major museums worldwide are launching a series of high-profile exhibitions this spring that challenge traditional art historical narratives. Highlights include a Marcel Duchamp retrospective at MoMA, a deep dive into Pop art's legacy at the Guggenheim, and significant surveys of icons like Frida Kahlo and Agnes Martin. Meanwhile, UCCA Beijing is presenting a major exhibition of Duan Jianyu, highlighting the evolution of Chinese painting in relation to Western influence.
Artnet and Artsy have officially merged under private equity firm Beowolff Capital, founded by former Goldman Sachs trader Andrew Wolff. The deal, which took Artnet private, has already led to layoffs at both companies—including at least seven staff members from Artnet News—and the closure of Artnet's Berlin office. Jeffrey Yin, CEO of Artsy, will lead the combined entity. The merger aims to combine Artnet's vast database of 18 million auction results with Artsy's primary market gallery network to create a seamless user experience for discovering, researching, and buying art.
ArtReview Podcast episode 6 features artist Hyeree Ro, who speaks with associate editor Jenny Wu about her practice, including her attraction to objects with ambiguous functions. Ro discusses her work *Niro* (2024), a skeletal car installation exploring her relationship with her late father, and her upcoming exhibition at the Korean pavilion for the 61st Venice Biennale. The episode also touches on gardens and maintaining friendships as artists, with references to the Soswaewon garden and Hua Hsu's memoir *Stay True*.
Pakistani-born, Brooklyn-based tailor and community leader Hafeez Raza was honored by Mayor Zohran Mamdani as one of six garment workers photographed by Kara McCurdy, highlighting the real faces behind the fashion industry. Meanwhile, the Los Angeles Times's Image Editor-in-Chief Elisa Wouk Almino recounts a peculiar correspondence with artist Sophie Calle, who orchestrated a fake but real exchange using pre-written texts. In other news, Ai Weiwei discusses his new exhibition in Italy, censorship in Europe, and the Venice Biennale in an interview with El País. Additionally, Jacci Gresham, the first professional Black tattoo artist in the United States, reflects on her career since 1976, including tattooing Klan members and innovating with brown paper for Black and Brown clients.
Tate Britain will mount the first major exhibition exploring the transformative impact of fashion, art, and photography on 1990s Britain. Curated by former British Vogue editor-in-chief Edward Enninful, the show titled “The 90s: Art and Fashion” will bring together over 100 works—including photographs, paintings, films, sculptures, objects, and garments—from nearly 70 artists. It runs from August 8, 2026 through February 14, 2027.
Lithuanian interdisciplinary artist Lina Lapelytė will present a large-scale sonic installation and performance titled "We Make Years Out of Hours (2026)" at Berlin's Hamburger Bahnhof — Nationalgalerie der Gegenwart, opening May 1st during Berlin Gallery Weekend 2026. The work is the second iteration of the Chanel Commission, with performances scheduled on Tuesdays, Thursdays, and Saturdays through January 10, 2027, and a public preview on April 30th.
The Getty Center in Los Angeles has announced a temporary closure beginning March 15, 2027, to undergo its most extensive renovation since opening in 1997. The modernization project aims to enhance the visitor experience across the campus through a series of facility upgrades and reimagined spaces.
Photographer Peter Fraser has collaborated with Bottega Veneta on a new series of 27 photographs exploring Venice, capturing both its iconic landmarks—canals, marble floors, Byzantine façades—and its overlooked details like construction cranes, discarded plaster casts, and beached boats. The images are juxtaposed with Bottega Veneta's intrecciato bags from Louise Trotter's first collection, nodding to the fashion house's long history in the Veneto region. In an interview, Fraser discusses his approach to photographing a city burdened by its own legacy, emphasizing the need to distance himself from preconceptions and to shoot based on feeling rather than appearance.
Wie viel Veränderung hält die Gesellschaft aus?
Artist Julius von Bismarck and SPD politician Rita Schwarzelühr-Sutter engaged in a deep dialogue about the societal transition from a fossil-fuel-based to a post-fossil society. During a live podcast hosted by Monopol editor-in-chief Elke Buhr at the BMW Foundation in Berlin, von Bismarck challenged traditional notions of environmental protection, arguing that the very concept of "nature" should be abolished to foster a new relationship with the world. The discussion bridged the gap between artistic radicalism and political pragmatism, touching on existential threats, global inequality, and the role of technology like AI.
The 2026 Venice Biennale's main exhibition opens this week, curated by Koyo Kouoh—the first African woman to hold the role—who was announced in 2024 but passed away suddenly in 2025. The article highlights six artworks that define her curatorial vision, which connected the international art world to artists and institutions from Africa and the Global South.
Cherry Cheng, a London-based perfumer, has curated a personal art collection in her Notting Hill flat that reflects her instinctive and humorous approach to collecting. The collection features works by artists such as Beau Gabriel, Miranda Keyes, Sarah Pucci, Juliette Teste, Araki Nobuyoshi, Katrien de Blauwer, Lucile Littot, Leo Costelloe, Sebastian Espejo, and Joline Kwakkenbos, displayed throughout her home like a diary of her tastes.
A large statue mysteriously appeared in central London earlier this week and has been confirmed as the work of the street artist Banksy. The piece, bearing the artist's signature, depicts a suited man carrying a flag that obscures his face as he walks off a plinth. It was installed in Banksy's signature guerrilla style at Waterloo Place in St. James's, near statues of Edward VII and Florence Nightingale.
Art Basel has announced that Nairy Baghramian and Ibrahim Mahama will create major new site-specific sculptures for the 2026 edition of its flagship fair in Switzerland. Baghramian will present "Modèle vivant (S’empilant)" (2026), an elaborate installation designed for the Messeplatz fountain, while Mahama's commission details are yet to be fully disclosed. Both artists are part of Art Basel's inaugural class of Gold Awardees, with the commissions first revealed in February 2026.
The Vatican has unveiled the roster for its Pavilion of the Holy See at the 2026 Venice Biennale, featuring a high-profile multidisciplinary lineup. Curated by Hans Ulrich Obrist and Ben Vickers, the exhibition titled “The Ear is the Eye of the Soul” will showcase new works from 24 contributors, including FKA Twigs, Brian Eno, Devonté Hynes, Patti Smith, and Precious Okoyomon. The presentation aims to bridge the gap between contemporary art, music, and spirituality through a diverse array of creative mediums.
Artnet has implemented sweeping layoffs following its consolidation with Artsy under a single leadership team led by CEO Jeffrey Yin. The cuts have severely impacted Artnet News, resulting in the departure of veteran senior reporters Sarah Cascone and Eileen Kinsella, while Andrew Russeth has been named interim editor. Additionally, Artnet’s German entity is being wound down, affecting the Berlin-based team responsible for the platform's online sales operations.
New York- and Ramallah-based Palestinian artists Basel Abbas and Ruanne Abou-Rahme present *Prisoners of Love: Until the Sun of Freedom* (2025), an hour-long four-channel film installation at The Bell/Brown Arts Institute in Providence. The work layers psychedelic imagery of figures in nature with spoken and written testimonies from Palestinians formerly detained by Israeli authorities, exploring themes of incarceration, surveillance, and resistance through fragmented montage and poetic text. The exhibition also includes drawings by Abou-Rahme’s father and printed screenshots of reflections on the genocide in Gaza.
Major layoffs have hit Artnet and Artsy following their consolidation under the UK-based investment firm Beowolff Capital. The staff reductions occurred just one day after the merger announcement and include the departure of veteran Artnet News reporters Sarah Cascone and Eileen Kinsella, who both served the publication for over a decade. As part of the restructuring, Artnet will also shutter its German entity, while Andrew Russeth has been tapped to serve as interim editor.
The article highlights a partnership with leading global galleries to showcase artists, artworks, and exhibitions, with membership vetted by industry peers and available by application and invitation only. It also emphasizes the role of art advisors who provide visibility and access to influential galleries, collectors, and auction houses, while celebrating contemporary art through editorial content.
Salone del Mobile 2026 in Milan debuted a new curated section called Salone Raritas, tucked into Pavilion 9 of the fairgrounds. Conceived by fair editorial and cultural director Annalisa Rosso with exhibition design by Formafantasma, the selective showcase brought together 28 exhibitors from 32 countries, featuring rare collectibles, antiques, limited editions, and high-end craft. Highlights included Saudi design house Zaza Maison, Marseille gallery 13desserts, Italian gallery Serafini with works by Indian designer Karan Desai, and live ceramic assembly by Officine Saffi Lab. Formafantasma’s sustainable design used reusable wooden dividers and drilling-free hanging systems.
Indonesian multimedia artist Dian Suci has won the 10th edition of the Max Mara Art Prize for Women, as announced by curator and jury chair Cecilia Alemani in Venice at the Serra dei Giardini. Suci was selected from a shortlist of five finalists that included Betty Adii, Dzikra Afifah, Ipeh Nur, and Mira Rizki. The jury was organized and chaired by Alemani and included Museum MACAN director Venus La.
Bologna si prepara al grande festival di editoria per l’infanzia. Parla la direttrice
The Bologna Children’s Book Fair (BCBF) has announced the details for its 63rd edition, scheduled to take place from April 13 to 16, 2026, at BolognaFiere. This upcoming iteration will feature Norway as the Guest of Honor under the theme "What if?" and will host 1,500 exhibitors from 90 countries. The fair continues to evolve beyond traditional publishing, integrating transmedia narratives, licensing, and discussions on artificial intelligence alongside major anniversaries for figures like Carlo Collodi, Agatha Christie, and Mitsumasa Anno.
Pure i cataloghi delle mostre possono diventare manga. Il caso Yuko Mohri
The Pirelli HangarBicocca has released a unique exhibition catalogue for Japanese artist Yuko Mohri following her solo show, 'Entanglements,' in Milan. The publication distinguishes itself by including a 24-page manga titled 'Yuko and the Unnamed' by artist Ran Kurumi, tucked into the book's jacket. This graphic insert serves as a biographical narrative, tracing Mohri’s journey from her formative years in Tokyo’s Akihabara electronics district to her recent representation of Japan at the 2024 Venice Biennale.
Beowolff Capital has consolidated two of the art world’s digital giants, Artsy and Artnet, under a single ownership structure. While both platforms will maintain their distinct brand identities, they will begin integrating their underlying infrastructure and data systems. Jeffrey Yin, the current leader of Artsy, will take the helm as CEO of the combined entity, with Beowolff founder Andrew Wolff serving as chairman.
Indigenous weaver Jeremy Frey, a 2025 MacArthur Fellowship recipient, will participate in an upcoming public conversation with Hyperallergic Editor-at-Large Hrag Vartanian. The discussion will explore Frey’s unique practice of Passamaquoddy basketry, which involves harvesting natural materials like black ash and sweetgrass to create intricate vessels and innovative relief prints that bridge the gap between traditional craft and contemporary sculpture.