Bruno Bischofberger, the influential Swiss gallerist and art dealer, has died. Known for his Zurich gallery that represented major contemporary artists, Bischofberger played a pivotal role in the careers of figures like Jean-Michel Basquiat, Andy Warhol, and Francesco Clemente. His death marks the end of an era for the post-war and contemporary art market.
Georg Baselitz, one of Germany's most significant post-war artists, has died at age 88. Born Hans-Georg Kern in 1938, he grew up in Nazi-era Saxony and later rejected his father's ideology, fleeing to West Berlin in 1957. Known for his provocative, expressionist works and signature upside-down paintings, Baselitz challenged artistic conventions with brutalist techniques—attacking wood with chainsaws and axes—and created scandalous pieces like "Die große Nacht im Eimer" (1962–1963), which was banned from exhibition. His career included major retrospectives at the Musée d'Art Moderne de la Ville de Paris (2011) and Centre Pompidou (2021), and commissions for the Reichstag.
John Moran Auctioneers is holding a Modern and Contemporary Fine Art sale at its Monrovia headquarters, featuring standout works by Deborah Butterfield and Joel Shapiro, alongside pieces by Alice Baber, Sandro Chia, Jonas Wood, Banksy, and Takashi Murakami. Highlights include two horse sculptures by Butterfield—Untitled (Foal) (2015) and Untitled (Large Horse) (2013)—and Joel Shapiro's Untitled (1996), all from the Estate of Herbert and Anne Lucas. The sale also includes works from other notable 20th- and 21st-century artists, positioning it as a key end-of-year auction event.
A limited edition 30th-anniversary exhibition poster for the historic Warhol/Basquiat collaboration is currently being offered for sale. The work, an offset lithographic poster published by the Tony Shafrazi Gallery in 2015, commemorates the iconic 1985 exhibition that brought together the king of Pop Art and the rising star of Neo-Expressionism. Signed by the publisher Tony Shafrazi, the piece is part of an edition of 300 and is being shipped from Hong Kong.
The article reviews "Georg Baselitz: A Life in Print," a comprehensive survey of the German painter's printmaking at Kode in Bergen, Norway, running from October 2025 to February 2026. Featuring 244 prints from 1964 to 2024, the exhibition showcases Baselitz's mastery of traditional techniques like etching, woodcut, and linocut, revisiting motifs from his paintings such as deer, eagles, and distorted figures. The show aims to correct the perceived neglect of prints by museums, as Baselitz himself lamented after his 2021 Centre Pompidou retrospective.
Fondation Beyeler in Switzerland is hosting a comprehensive solo exhibition celebrating the 60-year career of Latvian-born American artist Vija Celmins. The show spans her evolution from early paintings of everyday objects and war imagery to her signature meticulous pencil and charcoal drawings of spiderwebs, night skies, ocean waves, and cosmic expanses. Celmins, who fled World War II as a child and later settled in the US, describes her preference for pencil as "dense yet precise," and the exhibition includes a selection of her sculptures as well.
Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.
Bruno Bischofberger, the influential Swiss gallerist and collector, has died at age 86. A pivotal figure in the contemporary art market, he opened his first gallery in Zurich in 1963 and was instrumental in introducing American Pop Art to Europe, exhibiting Warhol, Lichtenstein, and Rauschenberg. He later championed Minimalism, Land Art, and Neo-Expressionism, representing artists like Sol LeWitt, Donald Judd, and Francesco Clemente. Most famously, Bischofberger discovered Jean-Michel Basquiat in 1981 and orchestrated the legendary collaboration between Warhol, Basquiat, and Clemente. His close relationship with Warhol included a first-refusal agreement on future works and the suggestion of standardized portrait commissions that became Warhol's primary income source.
Il corpo come scandalo. Al cinema il nuovo viaggio nell’arte di Egon Schiele (ma solo per 3 giorni)
Nexo Studios is set to release a new documentary film titled 'Tabù. Egon Schiele' in Italian cinemas for a limited three-day engagement from April 20–22, 2026. Directed by Michele Mally, the film explores the provocative life and career of the Austrian Expressionist, tracing his journey from the town of Český Krumlov to the cultural hubs of Vienna and Prague. The narrative features insights from experts at the Albertina and Leopold Museums, alongside archival footage and a parallel analysis of Schiele’s contemporary, Franz Kafka.
Una mostra a New York riconfigura l’Espressionismo Tedesco. La curatrice ci spiega tutto
The Guggenheim Museum in New York has launched "Contours of a World," the first major U.S. retrospective of German Expressionist painter Gabriele Münter in nearly thirty years. Curated by Megan Fontanella, the exhibition features a significant selection of paintings and photographs produced between 1908 and 1920, including a rare loan from the Vatican Museums. The show follows a major 2025 retrospective in Paris and aims to present Münter as a primary figure of the avant-garde in her own right.
The Center for Curatorial Studies at Bard College (CCS Bard)’s Hessel Museum of Art will present "Betty Parsons: An Expanded World" from June 27 to October 18, 2026. It is the first major retrospective to examine Betty Parsons (1900-1982) as both a pioneering abstract artist and a trailblazing gallerist who launched the careers of Barnett Newman, Mark Rothko, and Jackson Pollock. Organized by curator Kelly Taxter with artist Amy Sillman, the exhibition features approximately 80 works spanning painting, sculpture, and works on paper, alongside a new film by G. Anthony Svatek and Kaija Siirala about the Betty Parsons Gallery.
The Staatsgalerie Stuttgart has acquired a monumental drawing by Max Beckmann titled *Resurrection*, measuring nearly five meters long and three and a half meters high. Executed between 1916 and 1918, it is the largest painting by the artist and a key work in his oeuvre, created after his traumatic experience as a volunteer medical orderly in World War I. Beckmann described the piece as expressing 'the terrifying cry of pain of deceived poor humanity,' marking a shift toward a new formal vocabulary influenced by the war.
Mary Boone has co-curated "Downtown/Uptown: New York in the Eighties" at Lévy Gorvy Dayan in New York, a sprawling exhibition of over 60 works by artists who defined the 1980s art scene, including Andy Warhol, Jean-Michel Basquiat, Keith Haring, Cindy Sherman, and Julian Schnabel. The show, running until December 13, 2025, features Warhol's portraits of Boone's former stable of artists and highlights the cross-pollination of Neo-Expressionism, street art, and political critique that made New York the epicenter of the art world.
New Orleans Auction Galleries has announced its upcoming Fine Art and Design sale, featuring 279 lots that span over a century of modern and contemporary art. The auction highlights a diverse range of works, including pieces by Mexican modernist José Clemente Orozco, Abstract Expressionist Grace Hartigan, and Southern Regionalist John McCrady. The selection focuses on themes of identity, social consciousness, and the intersection of text and visual media.
Christie’s has secured the collection of Robert F. Weis and Patricia G. Ross Weis for its November sales in New York, with 80 lots valued at over $180 million. The collection spans Cubism to Abstract Expressionism and includes major works by Picasso, Matisse, Mondrian, and Rothko, with top estimates reaching $50 million. The Weis family, founders of Weis Markets, assembled the collection over more than seventy years, and 18 lots will be sold in a single-owner sale ahead of Christie’s 20th-century evening sale.
This article is a listing for Cy Twombly's artwork "Untitled" (1960-61), a graphite and wax crayon on paper piece offered at Christie's. It provides a detailed biography of the artist, noting his birth in Lexington, Virginia, his studies at the School of the Museum of Fine Arts, Boston, the Art Students League of New York, and Black Mountain College, and his permanent move to Rome in 1957. The listing includes his major exhibitions, such as retrospectives at MoMA and the Whitney Museum, and highlights his high auction record of $70.5 million for "Untitled" (1970) at Sotheby's in 2015.
The Speed Art Museum in Louisville, Kentucky, will host "Abstract Expressionists: The Women" from May 16 to August 30, 2026. This is Kentucky's first exhibition devoted to Abstract Expressionism, featuring over 30 major female artists including Helen Frankenthaler, Joan Mitchell, Vivian Springford, Grace Hartigan, and Lee Krasner. The show includes works like Frankenthaler's *Circus Landscape* (1951) and Springford's *Scuba Series* (1972–1984/5), along with archival materials and a timeline of women's artistic achievements. Organized by the American Federation of Arts from the Christian Levett Collection and FAMM (Female Artists of the Mougins Museum), France, the exhibition is curated by Dr. Ellen G. Landau and presented locally by Tyler Blackwell.
The Armenian Museum of America in Watertown has extended the exhibition “Arshile Gorky: Redrawing Community and Connections” through September 27 due to overwhelming interest and positive reviews from publications including Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show brings together works from private collectors and institutions such as the Whitney Museum of American Art, the Housatonic Museum of Art, and Yale University Art Gallery, and was highlighted as a top pick by the Boston Globe and GBH Arts Editor Jared Bowen.
The Armenian Museum of America has extended its landmark exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews. This is the first exhibition of Arshile Gorky's work in an Armenian museum, featuring paintings and drawings on loan from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and other lenders. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show opened to coincide with the 100 Years of Arshile Gorky programming in Watertown, Massachusetts.
The Armenian Museum of America (AMA) in Watertown, Massachusetts, has extended its exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews from publications such as Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show is the first exhibition of Gorky’s work in an Armenian museum, featuring loans from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and the Armenian diaspora.
BlackBook Art Gallery announces its 2026 season in Southampton, featuring two major exhibitions: "The Lost Generation: Then and Now," which pairs New York School legends like Jackson Pollock and Lee Krasner with contemporary artists Julie Mehretu and Rashid Johnson, and "Summer Figuration," showcasing Amy Sherald, Kerry James Marshall, and Toyin Ojih Odutola. Founder Evanly Schindler frames the season around the concept of "urgency," drawing parallels between the postwar abstract expressionist era and today's climate of war, digital saturation, and political polarization. The gallery also plans to open a new location in Detroit's Eastern Market in fall 2026, with the Detroit Salon following in 2028.
The Clyfford Still Museum in Denver is opening a multisensory exhibition called "Still in Sound" on May 16, curated by Bailey Placzek and British artist Ben Coleman. The exhibition pairs the museum's vast collection of abstract expressionist works with sound-driven experiences. Additionally, the museum commissioned a world-premiere symphony, James Clarke's "Symphony No. 2," which will be performed by the Colorado Symphony at Boettcher Concert Hall on May 7. The program also includes music that inspired Still himself, such as works by Beethoven and Mahler, drawn from the artist's personal record collection.
The National Gallery in London will stage its first exhibition of modern German paintings, 'German Expressionism: Modern Painting 1900–1918', in spring 2027, before traveling to the National Gallery of Ireland in Dublin in autumn 2027. This is the first UK and Ireland exhibition since the 1960s to cover both key Expressionist groups, Die Brücke and Der Blaue Reiter, featuring over fifty international loans from institutions such as Berlin's Neue Nationalgalerie, Brücke Museum, and the Art Institute of Chicago, alongside works from private collections.
The Lenbachhaus museum in Munich has opened a major exhibition titled "Beyond the World. The Blue Rider," running from March 10, 2026, to September 5, 2027. The show explores the cultural exchanges and historical context of the Blue Rider movement, featuring newly acquired works by Wilhelm Morgner, Emmy Klinker, and Albert Bloch, alongside iconic pieces by Wassily Kandinsky, Franz Marc, and Gabriele Münter. The exhibition is organized chronologically, beginning with the cross-cultural inspirations behind the 1912 Blue Rider Almanac and concluding with a reflection on the Nazi suppression of German Expressionism, including inventory lists of confiscated "degenerate" art.
The Minneapolis Institute of Art has opened a major exhibition, 'Modern Art and Politics in Germany 1910-1945: Masterworks from the Neue Nationalgalerie, Berlin.' The show, curated by Tom Rassieur, presents a chronological journey through German art from the Expressionist era through the World Wars, featuring key works by artists like Ernst Ludwig Kirchner, Vassily Kandinsky, and Franz Marc. It highlights groups like Der Blaue Reiter and uses deliberate pairings, such as portraits of Jewish art dealers by Otto Dix and Lovis Corinth, to explore themes of societal tension, propaganda, and identity.
The Metropolitan Museum of Art has announced a major upcoming exhibition, "Krasner and Pollock: Past Continuous," scheduled for October 2026. The show seeks to reframe the legacy of Lee Krasner by presenting her work as equal in significance to that of her husband, Jackson Pollock, challenging the historical narrative that has long positioned her in his shadow.
The Los Angeles County Museum of Art (LACMA) is launching a four-day celebration from April 16–19 to mark the opening of the David Geffen Galleries, the museum’s new home for its permanent collection. The "Third Weekend" festivities include behind-the-scenes talks on the installation process, film screenings, poetry workshops, and movement sessions. The weekend culminates in the official unveiling of the Peter Zumthor-designed building, followed by two weeks of exclusive member previews before the general public opening.
Glasstire has announced the second installment of its "Talking Texas Art" panel series, scheduled for April 23, 2026, at the Louise Hopkins Underwood Center for the Arts (LHUCA) in Lubbock. Part of the publication’s 25th-anniversary celebrations, the event focuses on the Texas Panhandle's creative landscape. The panel features prominent regional figures including Judy Tedford Deaton of The Grace Museum, Jon Revett and Amy Von Lintel of West Texas A&M University, and Charles Adams of CASP, moderated by Glasstire’s William Sarradet.
The Princeton University Art Museum has opened "Willem de Kooning: The Breakthrough Years, 1945-50," an exhibition featuring 22 pivotal works from a transformative period in the artist's career. The show highlights de Kooning’s unique ability to balance abstraction with representational elements, showcasing masterpieces like "Gansevoort Street" and "Dark Pond." Unlike his contemporaries who moved toward pure abstraction, de Kooning’s work from this era remains anchored in the physical world, capturing the energy of mid-century Manhattan and the natural landscape through a radical use of line and gesture.
Art historian Amy Lyford delivered a lecture exploring the artistic and personal relationship between Arshile Gorky and Isamu Noguchi. The talk, presented by the gallery Hauser & Wirth, examined their shared experiences as immigrants, their navigation of American modernism, and the cross-pollination of ideas between their practices.