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david diao icons 2025

Artist David Diao reflects on his long engagement with Barnett Newman's work, from his 1966 experience as an art handler installing Newman's 'Stations of the Cross' series at the Guggenheim Museum to his own paintings that reference Newman both admiringly and critically. Diao's 1992 work 'Barnett Newman: Paintings by Title & Size' lists all 118 of Newman's paintings against a red background, treating them as inventory rather than masterpieces, while later works like 'BN: Spine 2' (2013) incorporate the worn fold of a Newman catalog cover. The article, based on a studio visit, captures Diao's matter-of-fact perspective on Newman's art and his own decades-long dialogue with the Abstract Expressionist.

design inspiration summer interiors collecting

Cultured magazine's article "design inspiration summer interiors collecting" presents five distinct stories exploring the intersection of art, design, and collecting within private homes and studios. It profiles designer John Gachot's Shelter Island studio where his paintings coexist with his father Richard Gachot's sculptures; the Montauk home-workshop of Roman & Williams founders Stephen Alesch and Robin Standefer; artist David Salle's Hamptons residence and his approach to selecting artworks; real estate investor Carl Gambino's art collection featuring emerging and established artists; and author James Frey's personal collection, which he began by purchasing a Picasso with cash.

Archie Rand On the Irreducibility of Painting in a Post-Digital Age

Archie Rand, now in his late 70s, recently held his first extensive solo show in years at Jarvis Art in New York, featuring his new body of work titled "Heads." The exhibition reclaims painting's primordial function, emphasizing the connection between brain and hands, imagination and reality. Rand, who emerged from the downtown New York scene in the late 1970s and early '80s, has witnessed the full postwar evolution of American art. His career includes a pivotal synagogue mural commission that led to backlash from the Orthodox community and a break with critic Clement Greenberg, pushing him toward representational forms. He found allies in figures like Philip Guston and John Ashbery, and after his wife's death ten years ago, began reflecting on mortality and childhood influences.

Modern Art and Politics in Germany 1910–1945

The article examines the complex and often fraught relationship between modern art and political power in Germany from 1910 to 1945. It details how avant-garde movements like Expressionism, Dada, and the Bauhaus initially flourished, only to be systematically suppressed and labeled "degenerate" by the Nazi regime after 1933.

An expert’s guide to Edvard Munch: five must-read books on the Norwegian Expressionist

The article presents a curated reading list on Edvard Munch, compiled by Trine Otte Bak Nielsen, a curator at the Munch Museum in Oslo. The list includes five key books: Ali Smith's essay "So in the Spruce Forest" (2025), Gerd Woll's catalogue raisonné "Edvard Munch: Complete Paintings" (2009), "Living Lines: Five Contemporary Artists on Edvard Munch's Drawings" (2021) edited by Halvor Haugen, Rolf E. Stenersen's biography "Edvard Munch: Close-up of a Genius" (1944/2013), and Stanislaw Przybyszewski's "Das Werk Des Edvard Munch" (1894). The selection coincides with the museum's exhibition "Lifeblood: Edvard Munch," which explores the artist's work through themes of health and sickness.

art david salle east hamptons

CULTURED magazine interviews David Salle at his East Hampton home, discussing his new "Windows" series of paintings debuting at Seoul's Storage by Hyundai Card space as part of the exhibition "David Salle: Under One Roof." The Neo-Expressionist artist explains how the series evolved from an idea for a digital game, placing characters from his "Tree of Life" paintings into apartment windows against backgrounds drawn from details of his own past works spanning 40 years. Salle also reflects on his long history with the Hamptons, first visiting in 1976 through his connection to CalArts dean Paul Brach, and the area's deep ties to Abstract Expressionist history.

literature ann rower lee and elaine autofiction

Ann Rower's novel "Lee & Elaine," originally published in 2002 by Serpent's Tail, is being reissued next month by Semiotext(e). The autofictional work follows a narrator—a lightly fictionalized version of Rower—who, after learning of the death of her friend, artist Hannah Wilke, becomes obsessed with the graves of Lee Krasner and Elaine de Kooning at Green River Cemetery. The narrator imagines these two women, known primarily as wives of famous male painters, as secret lovers or comrades, and attempts to write a joint biography that doubles as a journey of self-discovery.

How Native American Artists Redefined Contemporary Art in the United States

A generation of Native American artists, emerging from the Institute of American Indian Arts (IAIA) in Santa Fe from the 1960s onward, reclaimed Indigenous representation in American art. Figures like Fritz Scholder, T.C. Cannon, Kevin Red Star, and Earl Biss used modernism, irony, and cultural specificity to dismantle colonial stereotypes of Native peoples as romanticized relics, instead portraying them as contemporary individuals with agency and living traditions.

Frank O’Hara and the end of the ‘American Century’

Frank O’Hara, the poet and curator at the Museum of Modern Art, was a central figure in the mid-20th-century effort to promote American high art globally as a cultural counterpart to U.S. military and economic power. The article examines how O’Hara’s work, alongside the Abstract Expressionists and other artists, helped establish New York as the capital of the art world, projecting American cultural influence abroad through exhibitions, poetry, and institutional support.