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With its 36th edition, Bienal de São Paulo seeks to ‘exhibit silence’

The 36th Bienal de São Paulo, titled *Not All Travellers Walk Roads—Of Humanity as Practice*, takes its name from a poem by Afro-Brazilian writer Conceição Evaristo. Chief curator Bonaventure Soh Bejeng Ndikung, alongside curators Alya Sebti, Keyna Eleison, Anna Roberta Goetz, and Thiago de Paula Souza, has organized an edition featuring 125 artists, 28 of whom are Brazilian. The biennial includes a new performance program called Tributaries, created with the cultural center Casa do Povo, and debuts on September 5, 2025, with the public run from September 6, 2025 to January 11, 2026.

Museums Are Under Fire. Silence Isn’t an Option

James Steward, director of the Princeton University Art Museum, argues that museums are under coordinated attack in a polarized political climate. He cites threats including scrutiny of the Smithsonian Institution for its narratives, pressure on directors who uphold diversity and inclusion principles, and immigration agents targeting museums serving communities of color. Steward calls on museum leaders to resist the impulse to remain silent and instead double down on their role as spaces for dialogue, debate, and the holding of contradictory ideas.

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Amy Sherald, the painter who canceled her exhibition “American Sublime” at the Smithsonian’s National Portrait Gallery in July due to censorship issues, has broken her silence in a MSNBC article. Sherald canceled her September show after the museum considered removing her painting *Trans Forming Liberty* (2024), depicting model and performance artist Arewà Basit as a Black transgender Statue of Liberty. In her op-ed, Sherald explains that institutional fear shaped by political hostility toward trans lives played a role, and she cannot comply with a culture of censorship targeting vulnerable communities.

Artist Flees Thailand After China Exerts Influence on Museum Exhibition

A Myanmar artist, Sai, has fled to the U.K. and is seeking asylum after Chinese officials pressured the Bangkok Art and Culture Centre to censor an exhibition on authoritarianism. The show, titled "Constellation of Complicity: Visualizing the Global Machine of Authoritarian Solidarity," included works by Tibetan, Uyghur, and Hong Kong artists. Following demands from the Chinese embassy, transmitted through Thai authorities, the center removed sensitive artworks, obscured artists' names, and covered flags and references to Tibet, Hong Kong, and Xinjiang. Sai and his wife, who co-curated the exhibition, were allegedly told Thai police were looking for them, though police denied this.

How a Bangkok art show was censored following China's anger

Burmese artist Sai and his wife have fled to the UK to seek asylum after their exhibition at the Bangkok Arts and Cultural Centre was censored following complaints from Chinese embassy officials. The show, titled 'Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,' opened on 26 July 2025 and featured exiled artists from China, Russia, and Iran. Chinese representatives, accompanied by Bangkok city officials, demanded the removal of works by Tibetan, Uyghur, and Hong Kong artists, leading to the blacking out of artist names, removal of flags, and switching off of films. The couple alleges Thai police are looking for them, though police deny this.

Allegory and Abstraction: Selections from the Department of Drawings and Prints

The Metropolitan Museum of Art's Department of Drawings and Prints has installed a new rotation in the Robert Wood Johnson, Jr. Gallery titled "Allegory and Abstraction." The exhibition features up to 100 works on paper, including Henri Matisse's 1947 series "Jazz," Louise Bourgeois's "He Disappeared into Complete Silence" (1947), and watercolors by J.M.W. Turner and Thomas Girtin marking the 250th anniversary of their births. The show explores how artists embed complex meanings through symbols (allegory) or through line, color, and pattern (abstraction).

Seattle art exhibit centers immigrant histories, experiences

More than 20 local artists are showcasing works in the "Wildest Dreams" exhibit at Nino Studio & Gallery in Seattle's Pioneer Square, running through July 31. Curated by Seattle-based artist Rya Wu, the show honors the histories, experiences, and cultures of first-, second-, and third-generation immigrants. Artists like Yaminee Patel use grains and legumes to depict the journey of food, while Allan Carandang addresses U.S. colonialism and the legacy of Spam in Guam. The exhibit is an extension of Wu's larger series "Have You Eaten," which began in 2023 to explore identity and home for the Asian diaspora.

bill dilworth new york earth room caretaker dead 1234747310

Bill Dilworth, the longtime caretaker of Walter De Maria's "The New York Earth Room," died on December 10, 2024, at age 70 from a stroke. His death was reported by The New York Times on Saturday. Dilworth tended the 1977 installation—280,000 pounds of dirt piled two feet high—for 35 years, from 1989 until his retirement in 2024. Managed by the Dia Art Foundation, the piece has been open to the public since 1980 and became a cult favorite, even inspiring a lookalike in a music video by pop star Lorde. Dilworth, an abstract painter, also maintained another De Maria work, "The Broken Kilometer," through his wife Patti, who served as its caretaker.

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Photographer Nan Goldin publicly addressed Israel’s war in Gaza during a talk at the Rencontres d’Arles photography festival in France. She appeared on stage with novelist Édouard Louis, who read a statement about the conflict. An audience member shouted at Goldin, who responded by citing civilian death tolls and questioning whose lives matter. Goldin also criticized the conflation of anti-Zionism with antisemitism, calling it a weapon to silence critics of Israeli government actions.

Zuccaire Gallery Exhibit Explores Power of Indigenous Language in Contemporary Art

The Paul W. Zuccaire Gallery at Stony Brook University presents "Weaving Words, Weaving Worlds: The Power of Indigenous Language in Contemporary Art," a group exhibition featuring 24 artists including Jeffrey Gibson, Jaune Quick-to-See Smith, and Kay WalkingStick. The show, on view from July 17 through November 22, explores how traditional and new media art can serve as a vessel for cultural continuity, storytelling, and the reclamation of Indigenous languages, with a focus on Algonquian languages spoken across Long Island and the Northeast. Archival materials from Stony Brook University’s Special Collections, including the Native Long Island map with over 400 Algonquian words, provide historical context.

‘An act of solidarity’: exhibitions raising funds and awareness for Palestinians open in London

Two exhibitions raising funds and awareness for Palestinians open in London this week. The main show, titled 'GAZAGAZAGAZA', features over 400 donated works by more than 200 artists from 35 countries, organized by Studio 1.1 and the artist-led activist community Artists Supporting Palestine (ASP). Proceeds from sales, including postcard-sized works priced at £20, will benefit Medical Aid for Palestinians (MAP). Additional fundraising initiatives include prints by Gaza-based artists and a badges project supporting children in Gaza.

Local art exhibition confronts apartheid silence

A live exhibition titled "Uncovering / Recovering the Past" was held on 21 May at the Stellenbosch University Museum in South Africa, featuring sound, sculpture, and archival material. Created by artist Haroon Gunn-Salie, the exhibition explores the Truth and Reconciliation Commission's failure to prosecute apartheid-era crimes, focusing on the reopened inquest into the 1969 death of anti-apartheid cleric Imam Abdullah Haron while in police detention. The event was presented by the Centre for the Study of the Afterlife of Violence and The Reparative Quest (AVReQ) and included speakers such as human rights lawyer Odette Geldenhuys and senior research coordinator Westley Ceasar.

Trump seeks to defund Institute of American Indian Arts

President Donald Trump's proposed 2026 federal budget seeks to eliminate all federal funding for the Institute of American Indian Arts (IAIA), the only four-year school dedicated to contemporary Indigenous arts. IAIA relies on federal funding for 75% of its operational costs and received $13 million in the prior two fiscal years; the budget also cuts over $500 million from the Bureau of Indian Education, which supports 37 tribal colleges including IAIA.

Local feminist art coalition tackles censorship in current exhibition at San Diego Central Library

The Feminist Image Group (FIG), a local feminist art coalition, is opening a new exhibition titled "In the Land of…" at the San Diego Central Library on Sunday, running through Oct. 12. Originally invited to exhibit before the pandemic, the group shifted focus to address censorship after facing criticism directed at libraries and books. The show features 15 members' works in various media, including paintings, sculpture, fabric art, embroidery, and collage, confronting banned books, silenced histories, and the fight for free expression. Member Jennifer Spencer, a local photographer and painter, helped organize the exhibition and contributed an accordion-fold book piece inspired by Project 2025.

Lesia Vasylchenko wins the PinchukArtCentre Prize

Lesia Vasylchenko, a Kyiv-born artist, has won the 2025 PinchukArtCentre Prize, receiving 400,000 Ukrainian hryvnia (about $10,000). Her winning installation includes two video works: one reflecting on the shelling during Russia's full-scale invasion of Ukraine, and another using AI to compress 30 years of sunrises into a single event. At the awards ceremony held on 18 June in Kyiv—a day after a deadly Russian drone attack killed at least 28 people—Vasylchenko announced she would donate the entire prize to support the Armed Forces of Ukraine. Special prizes were awarded to painter Kateryna Aliinyk and artist Yevhen Korshunov, each receiving 100,000 hryvnia and additional support.