A small marble fragment from the Parthenon has been recovered from the wreck of the Mentor, a ship owned by Lord Elgin that sank in 1802 while transporting sculptures from the Acropolis to Britain. The fragment, discovered off the Greek island of Kythira by the Greek Ministry of Culture's underwater antiquities unit, is a decorative gutta likely from the temple's entablature or roof edge.
Alexander Butyagin, a senior archaeologist at the State Hermitage Museum in St. Petersburg, was arrested in Poland following an extradition request from Ukraine. Ukrainian authorities accuse Butyagin of conducting illegal excavations at the ancient Greek colony of Myrmekion in Crimea without the required permits following Russia's 2014 annexation. He is specifically accused of removing 30 gold coins, including rare artifacts bearing the name of Alexander the Great, while operating under Russian authority in occupied territory.
The British Museum has agreed to a six-month loan of the Vrindavani Vastra, a 350-year-old Himalayan tapestry, to the Assam State Museum in India. This 2027 homecoming is contingent on the construction of a specialized preservation facility in Guwahati to house the fragile nine-meter silk textile, which depicts the life of Krishna and features the earliest known Assamese script.
French President Emmanuel Macron has appointed Christophe Leribault as the new president of the Louvre Museum, following the sudden resignation of Laurence des Cars. Leribault, an 18th-century art expert who was currently serving as the director of the Palace of Versailles, takes over the institution during a period of significant internal crisis. In a concurrent move, Annick Lemoine was named the new director of the Musée d’Orsay and the Musée de l’Orangerie, filling the vacancy left by the late Sylvain Amic.
Archaeologist Mike Pitts has challenged the prevailing narrative surrounding the removal of Hoa Hakananaiʻa, the iconic Easter Island moai held by the British Museum. Drawing on a newly discovered 1869 eyewitness account from the Army and Navy Gazette and a rare historical photograph, Pitts argues that the statue's excavation was a collaborative effort involving hundreds of Indigenous Rapa Nui people rather than a simple act of imperial theft. The evidence suggests the British crew traded tobacco for assistance and were guided to the statue's location by the islanders.
The Indian government has unveiled the Piprahwa relics, a collection of Buddha-linked artifacts repatriated after being slated for sale at Sotheby’s in 2024. The objects, some dating to the 6th century BCE, were excavated in 1898 and 1971–1975 and are now on view at the Rai Pithora Cultural Complex in Delhi in an exhibition titled “Light and the Lotus: Relics of the Awakened One.” India’s government successfully blocked the Sotheby’s auction by arguing that the consignor, Chris Peppé, had no legal right to sell the stones and that the sale constituted “continued colonial exploitation.” Prime Minister Narendra Modi inaugurated the show, calling it a moment of great importance.
Several vivid frescoes have been uncovered during the ongoing excavation of Villa di Poppea, an ancient Roman villa in Oplontis near Naples that was buried by the eruption of Vesuvius in 79 A.D. The newly revealed decorations include an intact peacock fresco and fragments of a mask linked to the comedic character Pappus from the Atellan Farce. The discoveries were made in a room now called the Hall of the Peacock, part of the villa's western section, which is being excavated as part of a conservation project. Other finds include four new rooms, tree root casts showing an ornamental garden layout, and two richly decorated cubicula currently undergoing restoration.
The British Museum has sent approximately 80 artifacts on long-term loan to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai, India. The loan includes an ancient Egyptian wooden riverboat model, Sumerian statues from 2200 BCE, a Roman mosaic from London, and a marble bust of Emperor Augustus. It is the largest loan of ancient material to India and the first such deal between the British Museum and a non-Western museum. The exhibition aims to counter "colonial misinterpretation" by emphasizing India's contributions to civilization.
The British Museum has launched a new long-term lending program, transferring some 80 Greek and Egyptian antiquities to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai, India, for a three-year exhibition. Director Nicholas Cullinan presented the initiative as a collaborative alternative to the contentious debate over repatriation, aiming to share artifacts with former British colonies without permanently deaccessioning them. The loans are part of a 15-year partnership between the two museums, and Cullinan has signaled plans to negotiate similar arrangements with China, Nigeria, and Ghana.
The Victoria & Albert Museum in London removed an image of an artwork depicting the Prophet Muhammad from its website due to security concerns following the Charlie Hebdo terrorist attack. The artwork, a poster made by an Iranian artist around 1990, remains in the museum's collection and is available to scholars by appointment. The decision has drawn criticism from experts who view it as self-censorship that could undermine the study of Islamic art.
Archaeological excavations at the Palace of Westminster in London have uncovered Neolithic flint tools and flakes dating back over 6,000 years, predating the earliest mounds at Stonehenge. The digs, led by the Museum of London Archaeology and overseen by the Houses of Parliament Restoration and Renewal Delivery Authority (R&R), also revealed the remains of Lesser Hall, a 12th-century royal dining space, along with Roman altar fragments, medieval tiles, and 19th-century artifacts. The excavations, running through 2026, are part of a £13 billion restoration project addressing the Palace's deteriorating condition.
The Museum of West African Art (MOWAA) in Benin City, Nigeria, will open its MOWAA Institute next week, the first completed building of a planned 15-acre campus that will also include the Rainforest gallery and other facilities by 2028. In advance of the opening, Antiquity magazine published an updated report on the MOWAA Archeological Project (2022–2024), a collaboration among MOWAA, the British Museum, and Nigeria’s National Commission for Museums and Monuments, with Cambridge Archaeological Unit and Wessex Archaeology as delivery partners. The excavations, the first at the royal palace complex since the 1960s, used both digs and ground-penetrating radar, with radiocarbon dating revealing artifacts spanning from before the Benin Kingdom through its collapse and colonial and postcolonial eras.
Archaeologists excavating the ancient Roman military stronghold of Satala in northeastern Turkey have unearthed a bronze bust of the Egyptian goddess Isis. The eight-inch-tall sculpture, found in a necropolis, dates to the 2nd or 3rd century CE and depicts Isis atop a circular base with calyx-shaped leaves. The discovery was led by Elif Yavuz Çakmur of Karadeniz Technical University and marks the first sculpture found at the site since the Satala Aphrodite was unearthed in 1872.
Researchers have identified a marble statue head unearthed in 2003 in Chersonesos Taurica, an ancient Roman colony in Crimea, as depicting a Roman matron named Laodice. The discovery, published in the journal Nature, was made by scientists at Poland's Adam Mickiewicz University, who matched the head to an inscribed pedestal found in the archives of the Archaeological Museum in Odessa, Ukraine. Laodice was the wife of city councilman Titus Flavius Parthenokles and was honored with the statue around 140 CE, when the city was granted eleutheria (self-governing status). The statue, carved from Parian marble and originally over six feet tall, is one of only five marble sculpture fragments found at the site in 200 years.
The Abbe Museum in Bar Harbor, Maine, is repatriating 17 items—including a human tooth and funerary objects such as tools, animal hides, and fabric—to the Wabanaki Nations, a confederation of four local tribes (Penobscot Nation, Passamaquoddy Tribe, Mi’kmaq Nation, and Houlton band of Maliseet Indians). The objects, many excavated by Warren K. Moorehead in the late 19th century, passed through the R.S. Peabody Museum, the Bangor Historical Society, and the Abbe Museum, with some lost due to undocumented loans. A Field Register notice from the National Park Service, published September 11, 2025, details their complex provenance. The repatriation is set to occur on or after October 14, 2025.
Yaniv Cohen, a Bucharest-based Israeli businessman, is threatening to sue the art publication e-flux and Ukrainian American art historian Konstantin Akinsha for defamation over an article questioning the authenticity of three paintings attributed to Kazimir Malevich. The works—'Suprematist Composition in Color' (ca. 1915), 'Cubo-Futurist Composition' (ca. 1912–13), and 'Linear Suprematism' (ca. 1916)—are currently on view at the National Museum of Contemporary Art (MNAC) in Bucharest as part of the exhibition 'Kazimir Malevich: Outliving History.' Akinsha accused MNAC of lacking expertise and challenged the provenance of the previously unseen works, prompting Cohen to demand the article's removal and an apology via a letter from the Tel Aviv–based law firm Rosen-Ben Gal.
NSCAD University (Nova Scotia College of Art and Design) in Halifax has reported a dramatic surge in applications and acceptances from US-based students for fall 2025, driven by tightening US immigration policies under the Trump administration. Undergraduate applications from the US spiked 220%, acceptances rose 186%, and student responses increased 66%, with interest coming from 23 different states. NSCAD president Jana Macalik noted that student feedback cited concerns over trans rights, disability, same-sex marriage, and women's freedoms as motivating factors. Similar trends are being seen at other Canadian institutions like the University of Toronto, University of British Columbia, and Alberta University of the Arts.
Hundreds of ancient ceramics from the Late Hellenistic-Early Roman Period have been discovered perfectly preserved in a shipwreck off the coast of Adrasan, Turkey. The cargo ship, dating back approximately two thousand years, contained plates, trays, and bowls stacked inside one another with raw clay, which protected their original colors and patterns. Turkish Minister of Culture and Tourism Mehmet Nuri Ersoy visited the site and announced the finds as part of the ministry's 'Heritage of the Future' project, which aims to accelerate archaeological excavations.
New research challenges the long-held belief that Pharaoh Thutmose III destroyed statues of his predecessor Hatshepsut out of vengeful rage after her death in 1458 B.C.E. Jun Yi Wong, a research fellow at the Metropolitan Museum of Art, examined hundreds of statue fragments from Hatshepsut's mortuary temple at Deir el-Bahri in Luxor. His study, published in Antiquity on June 24, reveals that the statues were broken according to a ritual practice called deactivation—snapped at the neck, waist, and knees—while faces were left intact. Wong found that the fragments were not immediately buried but later reused by everyday Egyptians as building materials, suggesting pragmatic reuse rather than targeted erasure.
A team of archaeologists from Heidelberg University has uncovered a monumental stone relief in Nineveh, Iraq, depicting King Ashurbanipal flanked by two major Assyrian gods, Ashur and Ishtar, along with demigods. The 2,600-year-old relief, measuring nearly 20 feet across and 10 feet high, was found buried in a pit at the northern palace, a site first excavated in the 19th century by Austen Henry Layard. The discovery is part of the Heidelberg Nineveh Project, launched in 2018 after the liberation of Mosul from the Islamic State.
A survey exhibition titled "Françoise Sullivan: Le temps du geste" is on view at Galerie Simon Blais in Montreal, showcasing the multidisciplinary career of French Canadian artist Françoise Sullivan. The show spans works from the 1940s to the present, including painting, sculpture, photography, and choreography, and highlights dialogues between different phases of her practice. Sullivan, who signed the Refus Global manifesto in 1948, is the only active member of that group, and the exhibition features pieces such as the watercolor "Sans titre – Turquie, Ruines de Commagène à Nemrut Dağ" (1996) and the geometric abstraction "Les damiers no. 4" (2018). The exhibition runs through June 14, 2025.
Archaeologists have discovered the base of the Bromeswell Bucket, a Byzantine-era vessel from Sutton Hoo in Suffolk, U.K., revealing that it was used as a cremation urn. The bucket, first found in fragments in 1986, 2012, and 2023, features a hunting scene and a Greek inscription. Excavations by the TV program Time Team, the National Trust, FAS Heritage, and volunteers uncovered the base, which contained cremated human and animal remains, including a skull and talus, as well as bones from an animal larger than a pig. The remains were likely stored in a bag, confirming the bucket's funerary purpose.
A team of German archaeologists from Heidelberg University has uncovered a monumental stone relief in the throne room of the North Palace of King Ashurbanipal at Nineveh, near Mosul, Iraq. The slab, measuring 5.5 meters long and 3 meters high and weighing 12 tons, depicts the last great Assyrian ruler alongside the deities Ashur and Ishtar, as well as a mythological fish genius. The discovery was announced by Professor Aaron Schmitt, who noted that no other known Assyrian palace reliefs feature major deities, making this find exceptional. The excavation is part of the Heidelberg Nineveh project, ongoing since 2018.
Two legal challenges advanced on Thursday against the Trump administration's cuts to U.S. cultural agencies. A coalition of academic groups—the American Council of Learned Societies, the American Historical Association, and the Modern Language Association—filed a lawsuit to stop the "illegal dismantling" of the National Endowment for the Humanities, which in April announced a 70–80 percent staff reduction and cancellation of over 1,000 grants. Separately, a federal judge issued an emergency order temporarily blocking similar cuts to the Institute of Museum and Library Services, after the Department of Government Efficiency placed its 75-person staff on leave and the American Libraries Association brought suit.
The Metropolitan Opera has staged Gabriela Lena Frank's first opera, *El Último Sueño de Frida y Diego*, which imagines a supernatural reunion between Frida Kahlo and Diego Rivera on Día de los Muertos. The production, conducted by Yannick Nézet-Séguin and starring Isabel Leonard and Carlos Álvarez, uses magical realism to explore the couple's turbulent relationship, though it largely sidelines their Communist activism and Kahlo's queer affairs in favor of a simplified reconciliation narrative.
Diana Campbell, Chomwan Weeraworawit, and Paris-based art advisors Samy Ghiyati and Nicolas Nahab of NG Partners organized a pizza party called Pizzalo Mundo during the Venice Biennale. Each artist contributed an ingredient from home: Rirkrit Tiravanija brought a Penang coconut base, Precious Okoyomon added flowers, Daria Kim wild honey, Tarek Atoui za'atar on hummus, Miet Warlop artichoke hearts, Tori Wrånes self-grown potatoes, and Alexa Kumiko Hatanaka fig leaf oil with yuzu salt. The event drew a crowd of curators, directors, and collectors from institutions including Tate, Musée d'Orsay, Guggenheim Abu Dhabi, MoMA, and Centre Pompidou.
Cultured magazine profiles legendary 80-year-old artist Paul McCarthy during his Paris exhibition at Hauser & Wirth, titled “SS EE Saint Santa Eva Elf.” The article follows the journalist's three-day pursuit of McCarthy, covering a screening of his films *A&E Adolf & Eva/ Adam & Eve Cooking Show* (2022/2023) and *A&E Adolf & Eva/Adam & Eve Mother* (2022/2025), which feature psychosexual themes referencing Adolf Hitler and Eva Braun alongside Adam and Eve, co-starring actor Lilith Stangenberg. The exhibition includes large raw drawings created during improvised, multi-camera performances with Stangenberg, where they play twisted Santa and elf characters. McCarthy also has concurrent shows at The Journal Gallery in Los Angeles and SOLO contemporary art space in Madrid.
The New Museum in New York has reopened after two years with a major expansion designed by OMA / Shohei Shigematsu and Rem Koolhaas, doubling its size to 60,000 additional square feet. The inaugural exhibition, “New Humans: Memories of the Future,” curated by Massimiliano Gioni, features over 800 objects by more than 200 artists, scientists, and designers across three main floors. The show explores how concepts of the human have evolved in response to technological innovation over the past century, with thematic chapters such as “Reproductive Futures” and a site-specific sculpture by Klára Hosnedlová in the new Atrium Stair.
The Frick Collection hosted its annual Young Fellows Ball on the Upper East Side, a black-tie gala that drew a polished crowd of cultural figures, designers, and philanthropists. The event featured the theme 'Travel Through Time,' with guests exploring the museum's galleries filled with masterworks and Gilded Age furnishings, and highlighted the exhibition 'Gainsborough: The Fashion of Portraiture.' Benefit chairs included Natalie Bloomingdale, Ivy Getty, and Alexander Hankin, while Frick leadership Axel Rüger and Aimee Ng were in attendance, alongside comedian Marcello Hernández and political candidate Jack Schlossberg.
Quattro Gatti has been named the official gin of the 61st Venice Biennale, which opens in May 2026. The Umbrian-crafted spirit will be the exclusive gin available across Biennale sites including the Giardini della Biennale and the Arsenale, with a special Biennale cocktail planned. The brand was founded in 2022 by the Mordant family, led by Simon Mordant, a British-born arts patron who served as Commissioner for the Australia Pavilion in 2013 and 2015 and is Global Ambassador for Australia in 2026. The Mordants also led the rebuilding campaign for the Australian Pavilion, which opened in 2015 as the first 21st-century pavilion in Venice.