“Villa Borghese è perfetta e non si tocca”. Siamo andati a vedere se è proprio così perfetta

A private company donated a design competition to the Galleria Borghese in Rome, aiming to expand the museum's exhibition spaces and services. Before any winning project was selected, associations like Italia Nostra protested, claiming the initiative would desecrate Villa Borghese. The article's author visited the park to document its current state, finding decay: a wrecked Globe Theatre, neglected ponds, graffiti, trash, dilapidated buildings, and a degraded horse-riding track. The author argues that while the park is defended as "perfect and untouchable," it is actually suffering from real neglect that goes unaddressed by the same groups opposing development.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

The Biennale Must Remain Open – Also for Russia

Die Biennale muss offen bleiben – auch für Russland

The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.

10 Tips for Getting the Most Out of Your Next Museum Visit

This article offers ten practical tips for enhancing museum visits, emphasizing preparation, physical comfort, and mindful engagement. It advises planning around specific artworks using online databases, addressing bodily needs like food and hydration, and timing visits to avoid crowds. The piece also recommends slowing down to spend ten minutes per work, using techniques like slow looking to deepen appreciation.

Local artist featured in exhibition in Italy

Medicine Hat artist Poul Nielsen, 78, is exhibiting his work in Venice, Italy, as part of the exhibition 'Anima Mundi (Rituals)' held in conjunction with the Venice Biennale. Nielsen, who has shown his art in around 100 solo and collaborative exhibitions across decades, began his international career with a show in Copenhagen in 2000 and has since exhibited in England, the United States, and China. His current series, 'Atmospheric Possibilities,' was started around 2015 after his retirement from teaching at Medicine Hat College, where he helped develop a pioneering program merging fine art and graphic design.

Ullger reflects on ‘quite special’ Berlin exhibition with Cane-Yo collective

Artist Karl Ullger recently participated in the group exhibition "Running with Scissors" at Anders Galerie in Berlin, organized by the global artist collective Cane-Yo. The show featured over 40 artists, including five invited Berlin artists, and displayed some 200 artworks. Ullger described the experience as "quite special," highlighting the energy of the packed opening and the direct engagement with visitors. He noted standout works by Austrian artist Theo Ritzinger, Chilean artist Diego Palacios, and Italian artist Yasmine Elgamal, as well as the opportunity to reconnect with fellow artists Alf Sims, Alex May, Shanice Farrugia, and Nicole Debono.

Artspace111 Opens Call for 2026 Texas Juried Exhibition

Artspace111 in Fort Worth, Texas, has opened the call for its 2026 Texas Juried Exhibition, organized by the nonprofit Love Texas Art Foundation. The annual show invites artists from across the state to apply by June 1, with juror Terri Provencal, publisher of the Dallas Arts District Guide and Patron magazine, selecting participants. Prizes include the $10,000 Edmund Craig Memorial Award, a solo or group exhibition opportunity in 2027, and cash awards totaling thousands of dollars, with every selected artist receiving a $150 honorarium.

Gallery 1882 bringing work of contemporary artists from around the country to Chesterton

Gallery 1882, located in Chesterton, Indiana, is hosting a new exhibition featuring contemporary artists from across the United States. The show brings together a diverse range of works, highlighting emerging and established talents in a local gallery setting.

New York art museum showcases Raphael's rare prints

The Murray Hill Art Museum in New York has opened an exhibition featuring 100 rare prints of works by Italian Renaissance master Raphael. The show includes engravings and lithographs from the museum's own collection as well as loans from private collectors across the United States, and was attended by local artists and collectors at its opening ceremony on April 25, 2026.

Agitate, Educate, Organize. A Conversation with the Indonesian Collective That Is in Venice with Two Projects

Agitare, educare, organizzare. Una conversazione con il collettivo indonesiano che è a Venezia con due progetti

Sale Docks, an activist art space born from a 2007 occupation in Venice, has invited the Indonesian collective Taring Padi to collaborate on two projects. The first is the exhibition "Taring Padi: People's Liberation," which reactivates banners as tools for propaganda, mobilization, and resistance. The second is a public intervention in Venice, where the collective and local community will repaint the walls of the historic social center Laboratorio Occupato Morion. The article includes an interview with Taring Padi, which was founded in 1998 in Yogyakarta by students and activists, and discusses their use of wayang shadow-puppet imagery and collaborative processes to agitate, educate, and organize communities.

How Do You Curate an Exhibition on Genocide? Faisal Saleh and the Palestinian Question That Crosses the Venice Biennale

“Come si cura una mostra sul genocidio?”: Faisal Saleh e la domanda palestinese che attraversa la Biennale di Venezia

At the 2026 Venice Biennale, a collateral exhibition titled “Gaza – No Words – See the Exhibit” presents 100 embroidered works using the traditional Palestinian technique of Tatreez. Curated by artist Faisal Saleh, founder of the Palestine Museum US, the show transforms embroidery from decoration into political testimony, reconstructing scenes from Gaza over the past two and a half years: shrouded bodies, killed children, mothers bidding farewell, bombed hospitals. The exhibition is housed at Palazzo Mora and has been called by many visitors “the real Palestinian Pavilion” of the Biennale, though it is not an official national pavilion.

London's Wellcome Collection returns 2,000 manuscripts to the Jain community

London's Wellcome Collection is returning 2,000 Jain manuscripts to the Jain community, the largest such collection outside South Asia. Acquired in 1919 at a low price from a Jain temple in what is now Pakistan, the manuscripts will be transferred to the UK-based Institute of Jainology and deposited at the University of Birmingham. A Memorandum of Understanding is being signed at the House of Commons. The restitution bypasses the country of origin because the Jain community in Pakistan was displaced after the 1947 partition, leaving no suitable depository there.

Iran Pushes Back on Venice Biennale Withdrawal Reports: ‘We’re Still Coming’

Iran has pushed back against reports that it withdrew from the 2024 Venice Biennale, with Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture, stating that the country never withdrew and is still in negotiations to participate. Tehrani told the Iran Students News Agency that Iran submitted a plan for a pavilion and is awaiting a final response, despite unresolved issues including sanctions, high rental costs, and the ongoing war with Israel and the US. Meanwhile, a separate unofficial pavilion called the Hyperstitional Pavilion of Iran, curated by Pouya Jafari and Nazli Jan Parvar, has been announced, featuring works by Iranian artists and organized by Finland-based nonprofit Perpetuum Mobile.

Iran has not withdrawn from 2026 Venice Biennale, pavilion commissioner says

Iran has denied withdrawing from the 2026 Venice Biennale, despite the Biennale's announcement that the country would not participate. Aydin Mahdizadeh Tehrani, director-general of visual arts at Iran's ministry of culture and Islamic guidance and the country's pavilion commissioner, stated that Iran requested more time rather than submitting a withdrawal. He cited the US-Israel war with Iran, political and economic challenges, and a sharp currency devaluation that tripled projected costs as reasons for the delay. Iran proposed a shorter two-to-three-month participation, which was rejected, but has since sent a letter insisting on opening its pavilion even after the opening. The foreign ministry has intervened to support Iran's participation, and a final response from the Biennale is expected soon.

Underground Railroad stop in New York threatened by real-estate development

A hidden chute within the Merchant's House Museum in Manhattan, identified as a rare surviving stop on the Underground Railroad, is threatened by a planned real-estate development next door. The two-foot-square vertical passage, concealed behind a built-in dresser, was built in 1832 by abolitionists Joseph and Susanna Brewster to shelter Black fugitives escaping slavery. The museum's western wall, which contains the hideaway, adjoins a one-story garage slated for demolition to make way for a commercial building, prompting the museum team to oppose the development due to risk of structural damage.

First look inside the Billy Ireland Cartoon Library and Museum

The Billy Ireland Cartoon Library and Museum reopened on May 23, 2026, following renovations to its galleries. The museum now features a new permanent exhibition titled "Story of Comics," a dedicated gallery showcasing original "Calvin & Hobbes" artwork by Bill Watterson, and an exclusive U.S. presentation of work by Chris Ware. The reopening was previewed by Ohio State Newark dean and director Matthew Smith, a comic book scholar, during a tour with curator Jenny Robb on May 20, 2026.

Lélia Demoisy at Domaine de Chamarande: an exhibition exploring forest narratives — our photos

French artist Lélia Demoisy presents a solo exhibition titled 'Récits de forêts' at the Domaine départemental de Chamarande in Essonne, running from May 10 to August 30, 2026. The show features sculptures, installations, and landscape interventions across the estate's orangery, park, and grounds, exploring the memory of forests, natural materials, and the interactions between species. Works such as 'Laissés sur la rive,' 'Le Foyer,' and 'Cedrus deodara – Forêts futures' use wood, fibers, charcoal, and animal tracks to probe themes of repair, regeneration, and the boundary between life and endurance.

Ekphrastic Poetry Re-imagines Hopeful Art

The Union of Maine Visual Artists (UMVA) is hosting an ekphrastic poetry performance on Saturday, May 23 at 4:00 pm at the Oak Street Lofts Gallery, as part of its "Celebrating Hope" exhibition. Poets Annaliese Jakimides, Gregg Harper, Lily Brown, and Maureen Thorson will respond to artworks inspired by Emily Dickinson's poem "Hope is a strange invention." The exhibition features 20 artists and runs on weekends through May 29.

Danielle Brathwaite-Shirley Expands THE DELUSION Beyond the Gallery with New Interactive Online Game

Serpentine has launched "I DIDNT REALISE YOU THOUGHT LIKE THAT," a new online game and critical thinking tool by artist and game designer Danielle Brathwaite-Shirley. Available from May 21, 2026, on web and mobile platforms, the project extends the world of Brathwaite-Shirley's acclaimed "THE DELUSION" and explores polarization, identity, and social connection beyond the gallery. Developed with nonprofit Beyond Code Collective and supported by Glass Castle Foundation, the game places players in a post-apocalyptic universe where they encounter fictional characters and make decisions that shape narratives and determine multiple endings, drawing on real-world materials from news cycles, social media, and community testimonies.

Morris Museum’s Common Ground: NJ Artists Think Monumental, an Ex

The Morris Museum in Morristown, New Jersey, presents "Common Ground: NJ Artists Think Monumental," the 42nd New Jersey Arts Annual. For the first time in the series' history, the exhibition moves outdoors, activating the museum's 8-acre campus with large-scale sculptures. Nine artists were selected from 530 submissions by a jury led by Johannah Hutchinson, Executive Director of the International Sculpture Center. The exhibition runs from May 28 to August 23, 2026, and includes works by Clifford Blanchard, Sunil Garg, Wendy Gordon, Robert Koch, Robert Lobe, Judith Peck, Jill Scipione, Lee Tal, and Josh Urso.

Oklahoma Arts Council receives largest gift to state art collection

The Oklahoma Arts Council has received the largest gift in the history of the Oklahoma State Art Collection: ten works by influential Native artists from The Howard L. and Mary Ellen Meredith Collection, donated by America Meredith and Samonia Byford in honor of their parents. The donated works include pieces by Benjamin Harjo Jr., Norma Howard, Vanessa Paukeigope Jennings, Ruthe Blalock Jones, Shan Goshorn, Doc Tate Nevaquaya, Jane Osti, Juanita Pahdopony, Jeri Redcorn, and Dick West. The artworks are now on display in the Betty Price Gallery at the Oklahoma State Capitol, alongside two other recent acquisitions.

Minnesota Marine Art Museum celebrates two new collections with weekend events

The Minnesota Marine Art Museum in Winona is hosting a "Spring New Look Weekend" from Friday through Sunday to celebrate two new collections. The first, "Myths & Legends of Minnesota: An Exhibition of the Minnesota Plein Air Collective," features 43 paintings by 32 artists created outdoors across the state, focusing on folklore, oral traditions, and waterways. The second, "Gordon Coons: Gidibaajimomin / We Tell Stories," showcases 18 new works by Ojibwa artist Gordon Coons, along with earlier pieces and examples of Woodland Style art from Norval Morrisseau and Sam Ash. The weekend includes plein air painting demonstrations, a printmaking activity with Coons, meet-the-artist tours, and an evening social.

Creativity as Curation

Yalin Hu, a Creative Director, has led several international exhibition projects over the past year, including "Infinite Weave" during New York Design Week (NYCxDESIGN Festival), the online exhibition "Unraveling" during London Design Festival, and "Touching the Void" at The Blanc Gallery in New York. In May 2026, she will lead "Becoming" at Artech Space in New York. Hu approaches each project as a complete creative system, focusing on theme development, spatial structure, audience journey, and cross-media integration, blending art, design, digital technology, and public experience.

AlUla Arts Showcases More than 20 Artists at 61st Venice Biennale

A contemporary art fair called "This is Normal" has been held in Kyiv, Ukraine, during wartime, organized by the Art Kyiv fair. The event features over 20 Ukrainian artists and galleries at the Lavra Gallery, deliberately avoiding any direct reference to the war in its booths or artworks. Organizers and participants describe the fair as a space for cultural continuity and psychological respite, where art helps people make sense of a reality shaped by missile strikes and loss.

New Loveland gallery celebrates motherhood with inaugural show

Sparrow Art Center, an art education company, has opened a new gallery and teaching facility in Loveland, Colorado, and is hosting its inaugural art show with a Mother's Day theme. The exhibition features work from over a dozen artists, including owner Cody Winiecki, who contributed a painting of a horse and foal. The show includes a free public reception on Saturday evening, as well as painting sessions for mothers and children. All proceeds from sales go directly to the artists, and the show will run until early June.

As the South African Pavilion Sits Empty, Gabrielle Goliath Continues a ‘Life-Work of Mourning’

South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.

This ICA Exhibition Skewers Art’s Culture of Capitalism

The Institute of Contemporary Art (ICA) has opened a new exhibition titled "Genuine Fake Premium Economy," featuring works by artists Jenna Bliss, Buck Ellison, and Jasmine Gregory. Curated by Nicole Leong, the show critiques the culture of capitalism within the art world, using appropriation and mimicry to highlight contradictions and hypocrisies. The artists, all born in the mid-1980s in the United States, came of age professionally after the 2008 financial crisis, and their works incorporate advertising imagery, reality television, luxury brand aesthetics, and private wealth management vocabulary. Bliss's video works include a scripted reality TV episode set in an art fair booth before the crash, while Ellison has invented a fictional private bank called Orlo & Co., and Gregory reproduces Patek Philippe advertisements with the watches erased.

After the firestorm: First look at Australian artist’s Venice Biennale works

Australia has opened its pavilion at the Venice Biennale featuring artist Khaled Sabsabi's multimedia installation "conference of one's self," a vivid work inspired by a 12th-century Sufi poem. The exhibition follows a political firestorm: Creative Australia initially selected Sabsabi and curator Michael Dagostini to represent the country, then rescinded the invitation after controversy over a 2007 video featuring Hezbollah leader Hassan Nasrallah. The decision was later reinstated, and Sabsabi also has a companion work in the main Biennale exhibition curated by Koyo Kouoh. The pavilion is funded by the federal government and private donors including Simon Mordant and the Turnbull Foundation.

Pelham Art Center presents ‘Relics: Ancient to Modern,’ a teen-curated exhibition, from May 7 through May 31

Pelham Art Center will host 'Relics: Ancient to Modern,' a teen-curated exhibition organized by its Teen Artist Council, from May 7 through May 31. The show opens with a public artist talk on May 7 and a reception on May 9, featuring works by over 50 artists from the United States and abroad, including Pakistan. The council, composed of high school students, developed the theme, issued an open call, and curated the final selection under the guidance of Gallery and Teen Programming Coordinator Fiona Agababian.

‘Wild, Ordinary, Enchanting, Excruciating Beauty’: an art exhibition

A group exhibition titled 'Wild, Ordinary, Enchanting, Excruciating Beauty' is on view at Thapar Contemporary in New Delhi until June 21. Curated by Vaibhav Raj Shah in collaboration with Jasone Miranda-Bilbao, the show brings together eleven contemporary artists—including Amitabh Kumar, Bhrigudev Ranade, Chandrashekhar Koteshwar, Harmeet Singh Rattan, Harsha Durugadda, Jagadeesh Tammineni, Madhurjya Dey, Raj Jariwala, Vanshika Babbar, Vasudha Kapadia, and Yogesh Ramkrishna—whose works in sculpture, installation, drawing, and moving image explore the blurred boundaries between personal anxiety and collective crisis.