top 200 collectors 2025 issue editor letter 1234753943

The editor's letter for the 2025 ARTnews Top 200 Collectors issue recounts a cinematic moment at Art Week Riyadh in Saudi Arabia, where a government-affiliated collector described their role as "everyone and no one," reflecting the behind-the-scenes, museum-focused art acquisitions under Vision 2030. The issue features a report by Melissa Gronlund on the Gulf art scene, noting that Saudi Arabia is prioritizing museums and noncommercial programming before an independent market can emerge, while private collectors and foundations are also gaining ground. The article also highlights the cooling art market in Europe and the US, with collector Christen Sveaas criticizing blue-chip galleries for over-commercial pricing strategies.

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The Palais de Tokyo in Paris removed Cameron Rowland's artwork "Replacement" (2025) just one day after it went on view in the exhibition "ECHO DELAY REVERB." The piece replaced the French flag above the museum with the flag of Martinique, adopted in 2023, and included a wall text criticizing French colonial rule and quoting the Martinican independence movement. The museum appended a new label stating the work "could be considered illegal" and was no longer included. Neither the Palais de Tokyo nor Rowland's representative commented.

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The article reports on the rapid expansion of the Gulf art scene, with a packed calendar of events from November to March including Abu Dhabi Art, the Diriyah Contemporary Art Biennale, Noor Riyadh, Desert X AlUla, Art Basel Qatar, Art Dubai, and the Sharjah Biennial. Institutional buying is surging as Abu Dhabi prepares to open its Guggenheim, Qatar Museums acquires for the Art Mill, and Saudi Arabia buys for multiple planned museums. The number of collectors is also growing, driven by a "Covid bounce" of high-net-worth individuals relocating from Europe and India to tax-efficient Dubai and Doha, with 6,700 millionaires moving to the UAE in 2024 alone.

museums prepare to close their doors government shutdown continues 1234756430

As the U.S. government shutdown enters its third week, museums that had remained open are now closing. The National Portrait Gallery (NPG), part of the Smithsonian Institution, postponed its exhibition “The Outwin 2025: American Portraiture Today,” originally set to open October 18, after the Smithsonian’s surplus funds run out on October 11. The National Gallery of Art (NGA) closed on October 1, leaving two major works by Houston-based multimedia artist Dario Robleto—the film *Until We Are Forged: Hymns for the Elements* and the sculpture *Small Crafts on Sisyphean Seas*—inaccessible to the public.

marina xenofontos cyprus pavilion 2026 venice biennale 1234754706

Athens-based artist Marina Xenofontos has been selected to represent Cyprus at the 2026 Venice Biennale with a pavilion titled “It rests to the bones.” Curated by Kyle Dancewicz, deputy director of SculptureCenter in New York, the exhibition will be housed at the Associazione Culturale Spiazzi near the Arsenale. Xenofontos, born in Limassol in 1988, works across sculpture, kinetic objects, and film, often exploring Cyprus’s history and British colonial legacy. Her proposal was chosen from 21 submissions via an open call organized by Cyprus’s Department of Contemporary Culture, with a five-person advisory committee praising its engagement with Cypriot micro-histories and global issues.

staffers fired from kennedy center morning links september 12 2025 1234751701

Two key staffers have been fired from the Kennedy Center following President Trump's takeover: Kevin Struthers, senior director of music programming, and Malka Lasky, a social impact staffer and coordinator for the free Millennium Stage shows. Meanwhile, Canadian artist Armand Vaillancourt, 96, has sent a cease-and-desist letter to San Francisco officials to block the demolition of his 1971 Brutalist fountain in Embarcadero Plaza, which is fenced off due to structural hazards. Two Nazi-looted still life paintings by 17th-century Dutch artist Ambrosius Bosschaert have reportedly surfaced from an abandoned safety deposit box at an Ohio auction house, and if authenticated, will be returned to the descendants of a Jewish family. Additionally, the Maison Européenne de la Photographie in Paris has fired its director Simon Baker after an internal investigation for psychological harassment.

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Independent 20th Century art fair has announced that its 2026 edition will be hosted by Sotheby’s at the auction house’s new flagship headquarters in Manhattan’s historic Breuer building. The move, first reported by the New York Times, marks a significant expansion for the fair and an unprecedented collaboration between an art fair and an auction house in the modern art market. Founded in 2022, Independent 20th Century focuses on overlooked and celebrated artists of the last century, with curatorial programming that reframes movements from women in Surrealism to Arab Modernism. The Breuer—a landmark of Modernist architecture designed by Marcel Breuer and recently renovated by Herzog & de Meuron with PBDW Architects—will allow the fair to grow to more than 50 galleries, up from 31 at its most recent edition.

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Sandra Poulson, a 30-year-old Angolan artist, has opened her first museum exhibition at MoMA PS1 in New York, titled "Este quarto parece uma República!" ("This bedroom looks like a Republic!"). The show features sculptures that explore how everyday objects carry social and political meaning, including a work critiquing the influence of mega-churches in Angola. Poulson, who splits her time between Luanda, London, and Amsterdam, drew inspiration from her childhood, local furniture practices in Luanda, and colonial-era wood exploitation. The works were initially produced for Condo London and commissioned by Jahmek Contemporary Art.

rhea dillon sculpture new talent 1234745268

Rhea Dillon, a 29-year-old artist and writer, is preparing for three exhibitions opening over the summer: a group show at the Whitney Independent Study Program (ISP), a solo exhibition at Heidelberger Kunstverein, and a booth in the Statements section of Art Basel Switzerland. Her work, which draws on Black and Caribbean intellectual traditions, uses everyday objects and symbols to critique postcolonial diasporic identity, as seen in sculptures like *Caribbean Ossuary* (2022) and *Swollen, Whole, Broken...* (2023). Dillon also discusses her linguistic approach, explored in drawings at Paul Soto Gallery, where she repeats and redefines the shape of a spade to transform a racial slur into new forms.

fbi recovers paintings university new mexico harwood museum art 1234744684

The FBI has recovered two paintings stolen 40 years ago from the University of New Mexico's Harwood Museum of Art in Taos. Victor Higgins's oil painting *Aspens* (c. 1932) and Joseph Henry Sharp's portrait *Oklahoma Cheyenne aka Indian Boy in Full Dress* (c. 1915) were taken in March 1985, when the building housed a public library with a museum on the second floor. The recovery was triggered by a late 2023 tip from investigative reporter Lou Schachter to museum executive director Juniper Leherissey, who then led an Art Recovery Task Force. The paintings had been sold in 2018 by the Scottsdale Auction House under altered titles, and were located, recovered, and returned to the museum on May 12, 2025, with a public unveiling on June 6.

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A group of officials overseeing major UK cultural institutions, including the British Museum, the Victoria and Albert Museum, and the National Gallery, have signed a public letter defending corporate sponsorship. Published in the Financial Times, the letter calls for an end to "relentless negativity" around private sector partnerships and is backed by ten organizations, including the Science Museum Group. It follows protests over Baillie Gifford's sponsorship of literary festivals due to its ties to fossil fuels and Israel, which led nine festivals to end partnerships in 2023.

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Eva, one half of the German artist duo EVA & ADELE, has died. Her passing was announced on the couple's Instagram page on Wednesday, with the German press agency dpa reporting that she died in Berlin after surgery on her lumbar spine. Eva never revealed her true age; the couple's representative, Galerie Nicole Gnesa, stated in an obituary that she was 34 years, one month, and 10 days old—using her chosen wedding day as her birthday. EVA & ADELE were known for treating their lives as a performance, appearing publicly in matching outfits to blur gender binaries and individuality, and were fixtures at major art events like the Venice Biennale, Documenta, and Manifesta.

marsha p johnson biography art tourmaline tiny reparations 1234742788

This excerpt from Tourmaline's forthcoming book "Marsha: the Joy and Defiance of Marsha P. Johnson" (Tiny Reparations, May 20) focuses on Marsha P. Johnson's use of hand-sewn banners and textile art as tools of activism and joy within the gay liberation movement. It describes her creation of banners reading "GAY POOOR PEOPLE" and "Gay Love," the latter borrowed by the Hot Peaches theater troupe, and her broader artistic practice spanning acting, performance, fashion, and songwriting. The text also notes artist Tuesday Smilie's 2018 recreation of Johnson's STAR banner for an exhibit at the Rose Art Museum.

water leaks from louvres roof and misses prized cimabue painting 1234740831

A powerful hailstorm caused water to leak through the Louvre's roof into the Salle Rosa room, where the exhibition "A New Look at Cimabue: At the Origins of Italian Painting" is on view. The water narrowly missed Giovanni Cimabue's unprotected "Maestà" panel painting (circa 1280), but drips hit the base of Nicola Pisano's "Three Acolytes" (1264-67) on loan from Florence's Museo Nazionale del Bargello. Another near miss occurred near Duccio di Buoninsegna's "Madonna of the Franciscans" (1285-88), which was protected by glass. The museum closed the exhibition early for firefighter inspection, identified a damaged glass seal as the cause, and reopened the next morning after repairs.

Pedro Reyes’s new Lacma commission sparks criticism in Mexico

Pedro Reyes's new sculpture 'Tlali' (2026), a four-meter-tall Olmec-inspired volcanic-stone female face installed at the Los Angeles County Museum of Art (Lacma), has sparked criticism in Mexico. An open letter signed by nearly 80 cultural figures, published on the art criticism site Cubo Blanco, alleges the work is a new version of a 2021 project that was canceled after backlash. That earlier project, 'Tlalli', was meant to replace a Christopher Columbus statue on Mexico City's Paseo de la Reforma but faced opposition from over 300 cultural figures who argued a male, non-Indigenous artist should not represent Indigenous women. The site later became the 'Glorieta de las Mujeres que Luchan', an anti-monument against gender violence.

The Bahamas returns to the Venice Biennale with a joy-filled posthumous collaboration

The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.

Sonic investigations non-profit to be artist-in-residence at London's Gasworks

The non-profit organization Earshot, founded by artist Lawrence Abu Hamdan, has been awarded a three-year studio bursary at London's Gasworks. The bursary, backed by Spanish patron Mercedes Vilardell, provides an annual stipend and covers monthly rent for a studio space at the south London exhibition and residency space. Earshot uses sound in the defense of human and environmental rights, and the residency gives it a platform to operate independently after an incubation period with Forensic Architecture. Abu Hamdan and Earshot will also take over the Barbican Centre this autumn for an event titled Repercussions, featuring installations, performances, screenings, and live music.

British Museum did not remove Palestine from labels due to pressure campaign, museum sources say—as backlash continues

Over 200 cultural figures, including musician Brian Eno and writer Laleh Khalili, have signed an open letter condemning the British Museum for allegedly removing the word "Palestine" from labels in its Ancient Levant gallery. The letter, published in March, accuses the museum of historical revisionism and links the action to pressure from the advocacy group UK Lawyers for Israel, while also criticizing the museum's broader ties to Israel.

A.I. Identifies Holbein Drawing as Possible Portrait of Anne Boleyn

Researchers at the University of Bradford have used artificial intelligence to analyze preparatory drawings by Hans Holbein the Younger in the Royal Collection at Windsor Castle. The AI model, which previously identified a forgotten Raphael painting, suggests that a drawing long believed to depict Anne Boleyn actually shows her mother, Elizabeth Howard, while another drawing labeled "Unidentified Woman" likely portrays Anne Boleyn herself. The findings, published in Heritage Science, are based on biometric analysis of facial features, bone architecture, and proportional relationships, offering quantifiable evidence to resolve long-standing scholarly uncertainty about the sitters' identities.

Is Chinese Censorship Reaching Inside Britain’s Museums?

London’s Victoria and Albert Museum (V&A) has come under fire following reports that it altered exhibition catalogues to comply with Chinese government censorship. To reduce production costs, the museum utilized printers in China, which are subject to Beijing’s General Administration of Press and Publication (GAPP) regulations. Consequently, the museum removed historical maps and an image of Vladimir Lenin from publications for the "Music is Black" and "Fabergé: Romance to Revolution" exhibitions after they were flagged by Chinese authorities.

Artemisia Gentileschi Masterpiece Goes to Auction—Without Its Face

The Dorotheum auction house in Vienna is set to auction a rare, autograph replica of Artemisia Gentileschi’s 'St. Mary Magdalen' (c. 1620) that is missing its central focus: the saint's face. Discovered in a private German cellar in 2011 and likely mutilated during the looting of postwar Berlin, the fragment has been authenticated by experts Roberto Contini and Riccardo Lattuada. Despite the missing section, infrared analysis confirms Gentileschi’s hand, and the work is estimated to fetch between $120,000 and $170,000.

the every woman biennial champions more than 200 artists heres a look inside 2456943

The fifth edition of the Every Woman Biennial, titled "I Will Always Love You," concludes its run at La MaMa Galleria in New York. Featuring over 200 female and non-binary artists, the salon-style exhibition showcases a diverse range of media including neon sculpture, textiles, and video, alongside a series of high-energy performances. Notable participants include Michele Pred, Nadya Tolokonnikova of Pussy Riot, and Swoon, with the event maintaining its tradition of honoring the legacy of Whitney Houston while providing an inclusive platform for contemporary creators.

Louvre Robbery: Security Overhaul and Investigation Update

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The Louvre Museum has announced a massive €80 million ($92 million) security overhaul following a brazen daytime heist on October 19, where thieves stole imperial jewels valued at €88 million. The investigation revealed significant institutional failures, including outdated software and weak passwords like "Louvre," allowing local thieves to enter via a movers' lift and escape on scooters in under seven minutes. While four suspects from the Paris suburbs have been charged, the majority of the stolen items remain unrecovered.

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German installation artist Henrike Naumann has passed away at the age of 41 following a battle with cancer. At the time of her death, Naumann was preparing for the pinnacle of her career: representing Germany at the upcoming 61st Venice Biennale. The German pavilion organizers have confirmed that they will work closely with her studio team to realize her finalized artistic vision for the exhibition as planned this May.

the met agrees to repatriate artifacts to cambodia as douglas latchford fallout continues 2409554

The Metropolitan Museum of Art has agreed to repatriate 14 artifacts to Cambodia and two to Thailand following an investigation into the late antiquities dealer Douglas Latchford. Latchford, who was indicted in 2019 for trafficking looted Khmer Empire relics, died in 2020 before trial, but federal authorities have continued to track works sold through his network. The returned items include significant sandstone statues and bronze deities dating back as far as the 7th century.

national portrait gallery shells record 4 million artemesia gentileschi self portrait 1314446

London's National Gallery has acquired a recently rediscovered self-portrait by Artemisia Gentileschi, 'Self Portrait as Saint Catherine of Alexandria' (c. 1615–17), for £3.6 million ($4.7 million). The painting was purchased from a London dealer who had secured it at a Paris auction in December, where it set a new auction record for the artist. The acquisition marks a significant addition to the museum's holdings, as it is only the 21st work by a female artist in its collection of over 2,300 pieces.

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Zahi Hawass, the 78-year-old former Egyptian minister for antiquities, is the subject of a new self-mythologizing documentary titled "The Man With the Hat." The film recounts his rise to international fame through countless TV appearances, his role in overseeing major discoveries like the 3,000-year-old "lost golden city" in Luxor, and his leadership in building the $1 billion Grand Egyptian Museum (GEM). Hawass is also shown advocating for the repatriation of artifacts such as the Nefertiti bust and the Rosetta Stone, while sidestepping controversies that have marked his career.

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Artnet News reports on the rediscovery of Colombian artist Luis Fernando Zapata (1951–1994), whose solo booth at Art Basel Miami Beach features works from 1988 to 1994 that resemble ancient artifacts. The booth, titled “The Immemorial: The Transcendence of Luis Fernando Zapata,” is presented by Bogotá’s Galería Elvira Moreno in the fair’s Survey sector, which highlights historically significant art made before 2000. Zapata’s pieces—including totemic shields, a mud-brown sarcophagus with cuneiform-like glyphs, barques, steles, and his “excavaciones”—are mostly hand-sculpted papier-mâché, evoking ritual and imagined cosmologies. Diagnosed HIV+ in the mid-1980s, Zapata died in 1994, leaving a body of work that has remained largely absent from the queer canon and art-world consciousness until now.

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The National Endowment for the Arts (NEA) has updated its 2026 fiscal year grant guidelines, cancelling the Challenge America grants that targeted underserved communities and replacing them with a focus on projects celebrating the 250th anniversary of the United States (America250). The changes, announced in response to executive orders by President Donald Trump, eliminate DEI-related funding and require applicants to have a five-year history of arts programming. Organizations that had applied for the $10,000 Challenge America grants must now resubmit under the broader Grants for Arts Projects category, with extended deadlines.

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The article reports on the outlook for the art market in 2026, following a difficult 2025. It notes signs of recovery, including decent sales in Miami and $2.2 billion in marquee New York auctions, but warns of a K-shaped recovery where some sectors will bounce back while others continue to struggle. The piece also highlights a major shift toward the Gulf region, with Art Basel launching in Qatar, Art Dubai celebrating its 20th anniversary, Frieze debuting in Abu Dhabi, and the long-awaited opening of the Guggenheim Abu Dhabi, all signaling commercial maturity in the area.