Bonner David Galleries will open 'Reverie in Paint,' a new exhibition by artist Francis Livingston, on May 14 at its New York City location. The show features Livingston's abstract, memory-infused interpretations of New York City architecture, including bridges like the Brooklyn, Manhattan, and Queensboro Bridges, rendered in a restrained palette of blues and greens with expressive paint application.
The third annual Affordable Art Fair Austin will take place from May 14 to 17 at the Palmer Events Center, featuring 28 Texas galleries and a total of 55 galleries from locations as far as Sydney, Australia. Artworks are priced between $100 and $12,000, and the fair includes live painting, an interactive mural, family programming, and a raffle benefiting Dell Children’s Medical Center. Over 30% of participating galleries are Austin-based, with local names such as Art From the Streets, Davis Gallery & Framing, and Wally Workman among them.
Beckstones Art Gallery in Greystoke Ghyll, near Penrith, is hosting a solo exhibition of celebrated still-life painter Tim Gustard titled 'Looking for the Light' from May 16 to May 31. The show features 23 new paintings created over the past two years, including works depicting glass, porcelain, silver, flowers, and miniature self-portraits. Gustard, who moved to Cumbria in 1997, is known for his technical precision and often spends hundreds of hours on a single painting. The gallery has represented him for over 29 years and notes that his previous exhibitions have nearly sold out.
The Chattanooga Public Library and the Hart Gallery are opening a new exhibition titled "Art From The Hart" at the Downtown Library on Saturday, May 9, with a reception from 2:00 to 4:00 PM. Curated by Hart Gallery artists and Library Services Specialist Ali Banks, the show features mixed-media illustrations, pencil drawings, paintings, sculptures, and digital art by returning artists Alex Scoggins and Angel Pellegrino, along with over a dozen other local creators. The exhibit runs through August 31, 2026, and pieces are available for purchase to support the Hart Gallery's mission.
Elysian Gallery in Alton, Illinois, is closing its original location at Mineral Springs Mall on May 10, 2026, to relocate and expand into a new concept called Elysian Gallery and Cafe at 419 E. Broadway. Owner Jeff Bohnert, a photographer, is transforming the 500-square-foot gallery into a larger, pet-friendly cultural hub featuring a cafe serving Goshen Coffee, a book nook, workspaces, and art exhibitions. The new space will open with a soft launch on May 30 during Alton Main Street's Pup Crawl, followed by a grand reopening on June 6. Bohnert and his girlfriend Janel Freeman originally opened the gallery in August 2025.
Artworks Gallery Guelph is hosting a new exhibition titled “Vision & Verse,” which explores the interplay between visual art and poetry. The show features works by gallery members Patti Collins, Diana Scott, Sharyn Seibert, Deb Stocker, and Suzanne Wakefield, with Katie Elliott-Stoyles as the featured artist. A grand opening is scheduled for Mother's Day, May 10, from 1 to 3 p.m. at the gallery located at 404 York Road in Guelph.
An exhibition of young Estonian artists has opened at the Art & Tonic gallery in Tallinn, showcasing 92 works selected from 269 submissions for the "Osta noort kunsti" ("Buy Young Art") spring auction. The auction, organized by gallery owner Reigo Kuivjõgi, features starting prices set by the artists themselves, ranging from €1 to €2,000, with past final prices reaching over €20,000. The exhibition runs free of charge from May 1 to May 14, with the live auction on May 15.
The Chattanooga Public Library and the Hart Gallery are opening a new art exhibit titled "Art From The Hart" at the Downtown Library on May 9, with a reception from 2-4 p.m. Curated by Hart Gallery artists and Library Services Specialist Ali Banks, the show features mixed-media illustrations, pencil drawings, paintings, sculptures, and digital art from local artists, including returning participants Alex Scoggins and Angel Pellegrino.
The article describes an artist's exhibition that celebrates the colors of springtime. The show is presented as a seasonal event, likely featuring vibrant, spring-themed artworks. The specific artist, venue, and location are not identifiable from the provided text due to a security verification wall that blocks access to the full article content.
Studio 34 Gallery in Long Island City, New York, announces its annual Open Studio Weekend on May 16–17, 2026, from 12:00–6:00 PM, alongside the opening reception of a group exhibition titled 'Collective Pulse' on May 16 from 6:30–9:30 PM. The free event invites the public to explore working artist studios, meet the creators, and experience the artistic process, with live music by Sunshine Music. The exhibition, curated by Alice Lipping and Tina Glavan, features 14 Studio 34 artists and 11 guest artists, and runs through June 7, 2026.
The Cultural Council for Palm Beach County, in partnership with the Palm Beach Sports Commission, has opened "Kinetic Energy," an exhibition at the Cultural Council headquarters in Lake Worth Beach, Florida. The show features 14 Palm Beach County-based artists and over 25 works in various mediums, exploring the power and grace of sports. It runs through June 12 and is free to the public, timed to coincide with the upcoming FIFA World Cup 2026.
The Center for Counseling & Consultation in Great Bend, Kansas, has announced a community art gallery titled "Because Every Story Deserves to Be Seen" as part of HopeFest 2026. The gallery invites local artists, community members, and classrooms of all ages to submit artwork exploring themes of mental health, healing, resilience, and hope. Submissions in various mediums including painting, photography, mixed media, sculpture, poetry, and fiber art will be accepted through August 1, 2026, with selected works displayed at the event on September 19 and some pieces potentially shown for an extended period afterward.
Les Rothschild et la porcelaine de Sèvres : une passion de collectionneurs au cœur d’une exposition à Paris
An exhibition at the Galerie des Gobelins du Mobilier national in Paris explores the Rothschild family's centuries-long passion for Sèvres porcelain. Titled "Sèvres, une passion Rothschild. De la Villa Ephrussi à Paris," it traces how the banking dynasty collected, traded, and bequeathed these delicate objects from the Ancien Régime, with a centerpiece table setting featuring pieces lent by family members from Vienna, England, and beyond. The show also highlights Béatrice Ephrussi de Rothschild, who amassed thousands of pieces and left them to the Villa Ephrussi de Rothschild, and includes a section on the Nazi looting of Rothschild collections in 1940, during which 22 Sèvres pieces were acquired by the Musée de Sèvres.
EuGene V Byrd III has curated the 'Politically inCorrect' group fine art exhibition, now open at Railroad ATL inside the Future Gallery in Atlanta. Featuring over 50 artists and 110 to 120 works across painting, photography, sculpture, and collage, the show addresses what Byrd calls an overdue conversation about art and social responsibility. Inspired by W.E.B. Du Bois, the open-call exhibition asks artists to speak their truth on political and social issues, with pieces like Faif Quin's photograph referencing the killing of Charlie Kirk and Naylon D. Mitchell's portrait 'Mama Rosa' among the highlights. The exhibition runs through May 30.
Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.
Wenn die Nacht auf den Tag abfärbt
Berlin-based graffiti artist Paradox Paradise, known for his distinctive red-and-blue "Paraglyphs" painted on high facades, discusses his evolution from classic graffiti to a radically reduced visual language. In an interview with Monopol, he explains how he stripped away decorative elements to focus on precise, vertical outlines and messages like "Mieten runter Wände bunter" (lower rents, more colorful walls). He describes his nocturnal actions as states of heightened presence requiring weeks of planning, where every movement has immediate consequences.
During the VIP preview of the Venice Biennale, a seagull laid three eggs near the entrance of the Polish Pavilion in the Giardini. Pavilion staff built a protective barrier around the nest and warned visitors to avoid the protective bird, which one Italian collector called "the main attraction."
The article examines the ongoing challenge of preventing the illicit trade in cultural property looted from conflict zones. It discusses the Hague Convention of 1954 and its protocol, which require signatory countries to prevent theft and pillage during armed conflict and to seize and repatriate unlawful exports. However, the protocol only applies to situations of 'occupation,' leaving a gap for looting that occurs in the chaos of war beyond formal occupation. The article also notes UN Security Council Resolutions that restrict unlawfully removed cultural property from Iraq and Syria, but no similar consensus exists for countries like Afghanistan, Libya, Ukraine, Lebanon, Yemen, Sudan, and Iran. EU Regulation 2019/880 is highlighted as a measure that prohibits introducing goods removed unlawfully from their place of origin into the EU, though its scope has expanded beyond its original anti-terrorist financing purpose.
Simon Burstall, at age 17, began photographing Sydney's underground rave scene in the 1990s, using borrowed school cameras and sneaking out in the family car to capture the burgeoning subculture. His images from that era were later compiled into the photobook '93: Punching the Light, published by Damiani in 2019.
The 61st Venice Biennale opened on Saturday amid significant upheaval, including the unexpected death of its curator Koyo Kouoh and the passing of German artist Henrike Naumann. Israeli artists have publicly criticized their country's participation in the event, with one artist quoted as saying, 'Again, Israel as a victim,' reflecting ongoing anti-Israel protests and the resignation of the Biennale's judges.
A group of artists has announced a strike to protest Israel's participation in the upcoming Venice Biennale. The action is intended to draw attention to the Israeli-Palestinian conflict and to pressure the Biennale organizers to exclude Israel from the event, reflecting growing tensions around cultural boycotts in the art world.
The Indira Gandhi Cultural Centre (IGCC) of the Indian High Commission in Dhaka inaugurated a ten-day art exhibition titled “Sampriti” on May 7, 2026, coinciding with the 165th birth anniversary of Rabindranath Tagore. The exhibition features works created during a two-day art camp by 33 eminent Bangladeshi artists, including Rafiqun Nabi, Monirul Islam, and Farida Zaman, and was curated by Professor Sanjoy Chakraborty of Dhaka University. High Commissioner Pranay Verma opened the event, highlighting the shared artistic traditions between India and Bangladesh, and paid tribute to the late Bangladeshi artist Tarun Ghosh, whose work is included in the show.
Sparrow Art Center, an art education company, has opened a new gallery and teaching facility in Loveland, Colorado, and is hosting its inaugural art show with a Mother's Day theme. The exhibition features work from over a dozen artists, including owner Cody Winiecki, who contributed a painting of a horse and foal. The show includes a free public reception on Saturday evening, as well as painting sessions for mothers and children. All proceeds from sales go directly to the artists, and the show will run until early June.
The Indira Gandhi Cultural Centre (IGCC) in Dhaka inaugurated the art exhibition “Sampriti” on May 7, bringing together artists, scholars, and diplomats from Bangladesh and India. The exhibition, which follows a two-day art camp held in April, features works by 33 contemporary Bangladeshi artists and ICCR scholars, and was curated by Prof Sanjoy Chakraborty. The opening coincided with the 165th birth anniversary of Rabindranath Tagore and included a lamp-lighting ceremony, speeches by High Commissioner Pranay Verma, and a performance of Rabindra Sangeet by Prof Shahnaz Nasrin Ila.
Haley Art Gallery in Kittery, Maine, has opened its 21st season with the group exhibition "Shared Spaces," featuring works by Paul Burke, Sheridan Cudworth, Barbara D’Antonio, Jozimar Matimano, Bill Oakes, and Carlos Vega. The show runs through August, with gallery artist talks scheduled for June 13 and June 27. The gallery also offers special purchasing incentives for local business owners and designers, as well as a Victorian Tea-Time Art experience for groups.
Bowen Island artist Corey Bulpitt presents his new series "Above the Flood, Watching for the Light" at the Hearth Gallery Community Centre, on view until July 28. The six-painting series follows his earlier "Daalkaatlii Diaries" works, which depicted the great flood of Haida territories and are now held in collections including Paris’ Musée du Quai Branly–Jacques Chirac and Gallery Jones in Vancouver. This new body of work shifts from historical catastrophe to speculative imagination, drawing on Haida cosmology while embracing invention and exploring unseen energies, microscopic spaces, and ephemeral light.
South African artist Gabrielle Goliath inaugurated an off-site Venice exhibition with a public poetry reading after her official presentation at the South African Pavilion was canceled. The performance, part of her ongoing series *Elegy* (2015), features seven singers sustaining a single tone for an hour as a mourning ritual. The work addresses femicide, rape culture, and the killing of Palestinian civilians, and includes new video and sound installations lamenting specific victims: South African teenager Ipeleng Christine Moholane, Nama women killed during Germany’s colonization of Namibia, and Palestinian poet Hiba Abu Nada. The South African Department of Sport, Arts and Culture rescinded Goliath’s invitation in January, deeming the work “related to an ongoing international conflict that is widely polarising.” Goliath unsuccessfully challenged the decision in South Africa’s high court, and the exhibition now runs throughout the Venice Biennale outside the official program before traveling to London in October.
Afton's Third Friday Night Art Exhibits return for the 2025 season, running from May 15 through November at 146 Main Street in Afton, New York. The monthly events, held in the HUG/HALos building (formerly the Great American Food Store), feature rotating selections of artwork from local artists, with the first exhibit showcasing youth art from Afton students. Gallery curator and artist Michael Bolde, who launched the series three years ago, organizes the shows in a community room provided free of charge by Joyce Humphrey, founder of the HALos grief counseling program. Artists who sell work contribute a 20% commission to HALos, far below the typical 50% gallery split, supporting both creators and local programming.
At the 2026 Venice Biennale, Somalia has established its first-ever national pavilion, commissioned by the Somali government to showcase the richness of Somali culture through the theme of Saddaxleey, a triadic form of Somali poetry and proverbs. The pavilion features works by Somali Swedish artist Ayan Farah, UK-based Somali Danish multidisciplinary artist Asmaa Jama, and Somali British poet Warsan Shire. However, a collective of queer Somali artists, curators, and culture workers called Warbixinta Cidda has publicly criticized the pavilion for overrepresenting the diaspora, selecting an all-male advisory board, and appointing an Italian co-curator instead of Somali curators, raising concerns about representation and neocolonialism.
Ocula, an online platform for contemporary art, has published a promotional piece highlighting its services: partnering with leading galleries to showcase artists and artworks, offering vetted gallery membership by application and invitation, and providing art advisory with access to influential galleries, collectors, and auction houses. The article also mentions Ocula's editorial content that celebrates people and ideas shaping contemporary art.