Sanya Kantarovsky presents 'Basic Failure,' an exhibition of paintings, ceramics, and a glass sculpture at Palazzo Loredan in Venice, running concurrently with the Venice Art Biennale 2026. The show features haunting, figurative works that resist linear narrative, drawing on themes of religion, history, philosophy, and human emotion, with the artist describing his intuitive, fragmentary approach to composition.
Indonesian artist Natasha Tontey is the subject of an interview discussing her film series *Macho Mystic Meltdown*, which debuted at the Venice Biennale. The series includes chapters *Oikoumenē* (2025), *Monster, She Wrote* (2026), and *The Phantom Combatants* (2026), exploring Minahasan cosmology, the Permesta rebellion, and the mythologized figure of female combatant Len Karamoy. Tontey uses speculative fabulation, collage, and unstable bodily forms to challenge patriarchal norms and official histories.
The USC Fisher Museum of Art is hosting the "Freedom Plane National Tour: Documents That Forged a Nation," a traveling exhibition of rare founding-era documents from the U.S. National Archives. The show, which runs through May 3, includes items such as a rare engraved copy of the Declaration of Independence, the Treaty of Paris (1783), and a Senate markup of the Bill of Rights (1789). USC is the only university stop on the eight-city national tour, and the documents arrived in Los Angeles on a special Boeing 737. The exhibition has drawn history students, faculty, and the public, with USC Distinguished Professor Peter C. Mancall bringing his class to study the documents up close.
The Museum Rietberg in Zürich has opened the exhibition 'A Kind of Paradise,' which critically reexamines colonial-era photography through the work of 20 contemporary artists from the global diaspora. The show is structured into four thematic sections—Shapeshifters, Confrontation, Care, and In the Photo Fantastic—and transforms archival images from tools of colonial power into sites of reinterpretation and resistance.
The Atatürk Cultural Center (AKM) in Istanbul has launched an exhibition featuring 41 works by 21 artists produced during the fourth Arnica Art Land workshop. Held in the ancient city of Aizanoi, the multidisciplinary project encouraged artists to create works inspired by the Temple of Zeus and the world’s first stock exchange. The resulting show, curated by Fırat Neziroğlu, includes experimental practices such as sound sculptures and live body painting alongside traditional plastic arts.
The COMO Museum of Art is hosting "Traces: Drawing Practices Now," a major group exhibition curated by Hassan Sheikh featuring 19 artists. The show explores the evolution of drawing from a preparatory medium into an independent, sophisticated art form. Notable participants include Ali Kazim, Muhammad Ali Talpur, and Ghulam Mohammad, whose works range from meticulous mark-making and subverted scripts to expressive, intuitive compositions that challenge traditional linguistic and visual codes.
The Alpharetta Arts Center is hosting a solo exhibition titled “From the Artist’s Studio: Alexi Torres,” running from March 4 through April 18. Organized in partnership with Arts Alpharetta and Alpharetta Arts & Culture, the show features a diverse range of media and genres from the Atlanta-based, Cuban-born artist.
The Colorado Springs Fine Arts Center at Colorado College has launched "Where I Learned to Look: Art from the Yard," an exhibition featuring works by more than 30 artists. Curated by artist and art historian Josh T. Franco, the show explores how residential yards serve as creative spaces between the private home and the public world. The display includes a diverse range of objects, from a functional windmill and an oversized cornhole set to a decorated Volkswagen Beetle and sculptures inspired by real estate signs.
The HUB-Robeson Galleries at Penn State University will host a solo exhibition by Jamaican-born interdisciplinary artist Krystle Lemonias titled "Puss an dawg nuh ave di same luck." Running from March 5 through July 19 in Art Alley, the showcase features textile-based installations and mixed-media works that utilize repurposed materials, such as baby clothes, to explore the intersections of labor, identity, and the Black diaspora.
The University of Hawai‘i at Mānoa is hosting its 2026 MFA Thesis Exhibition from March 7 to March 29 at The Art Gallery. The showcase features the culminating work of five Master of Fine Arts candidates: Diane Chen, Ashley Jeneé Collins, Caroline Holmes, Sheldon Wong, and Mia Zheng. The exhibition represents the final requirement for the terminal degree in visual arts, highlighting a diverse range of practices from personal narratives to broader contextual explorations.
The Polygon Gallery in Vancouver has announced its 2026 exhibition schedule, featuring a diverse lineup of solo and group shows. The year's programming is anchored by photography but includes sculpture, installation, and beadwork, with a strong focus on local and Indigenous artists. Highlights include a major solo show by Tania Willard, a career retrospective for photographer Greg Girard, a two-person exhibition with Jeneen Frei Njootli and Catherine Blackburn, and the return of the Lind Biennial.
Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.
The Michigan History Museum has opened a new exhibition titled “Black Velvet: A Rasquache Aesthetic,” which explores the cultural and historical significance of black velvet paintings within Latino and Chicano communities. The exhibit was developed by the museum's team in collaboration with three guest curators, who contributed works from their personal collections.
The Chobi Mela, a Dhaka-based international photography festival, is taking place in Bangladesh amid political upheaval following the 2024 'Monsoon Revolution' that toppled the authoritarian government of former Prime Minister Sheikh Hasina. Co-organized by photographer and curator Munem Wasif with Sarker Protick, the festival explores themes of revolution, rebuilding, and historical repetition through themed exhibitions and solo shows by international and Bangladeshi artists, including Bani Abidi, Myriam Boulos, and Mong Mong Shay. The event occurs at a tense time, with mob violence targeting arts groups in December 2024 drawing UN condemnation, yet organizers insist on addressing the region's current crises.
An art exhibition by Cypriot painter George Gavriel in Paphos was cancelled a day after its opening following public outcry over religious imagery. The show, titled “Antisystemic Art,” included paintings of Orthodox icon-style figures such as Christ and the Virgin Mary placed in explicit secular and sexually suggestive contexts. Political parties DISY and ELAM condemned the works as blasphemous, while the Blue Iris Gallery issued an apology and shut down the exhibition to avoid further unrest.
Chicago-based multidisciplinary artist Yvette Mayorga, in collaboration with Austin’s nonprofit MASS Gallery, has announced an open call for artists living in the Greater Austin area to submit existing works for an exhibition titled *Lost and Found*, scheduled for January 17 through February 14, 2026, at MASS Gallery. The open call is part of the community engagement phase of Mayorga’s major public art project for the new concourse at Austin-Bergstrom International Airport (ABIA), set to open in 2030. Her project draws on her ancestral ties to the Bracero Program, exploring the emotional resonance of personal objects carried across borders and generations. The exhibition aims to give visibility to local artists while building community around themes of migration, ecology, and the flora and fauna of Texas and Mexico.
An exhibition titled “Unspoken Resilience: Healing from the Lewiston Shooting Two Years In” is on view at the University of New England Art Gallery in Portland, Maine. Co-curated by Michelle Ames and Meryl Troop, the show features work by deaf artists and craftspeople alongside color photographs of Lewiston by Michael Kolster. It was created in response to the October 2023 mass shooting at Schemengees Bar & Grille in Lewiston, which killed 18 people, four of whom were deaf. Ames, co-director of deaf services at Disability Rights Maine, was frustrated by the lack of ASL interpreters in media coverage and helped organize community support. The exhibition includes pieces that explore Deaf culture, healing, and the concept of De’VIA (Deaf View/Image Art), a term defined in 1989 by deaf artists to express the Deaf experience through high contrast, intense colors, and symbolic imagery.
Sophia Al-Maria, winner of the 2025 Frieze London Artist Award, is performing a stand-up routine titled *Wall-Based Work* (2025) daily at the fair. Her act blends humor and serious topics, from art world bureaucracy and the Gaza conflict to being mansplained to by Robert De Niro, and includes karaoke and an editioned work benefiting the LGBTQ+ asylum charity Micro Rainbow.
The Mütter Museum in Philadelphia, known for its collection of medical artifacts including human remains, has been embroiled in controversy since a 2023 ProPublica investigation revealed it held Native American remains without repatriating them as required by NAGPRA. The museum's executive director Kate Quinn and then-president Mira Irons responded by removing digital content mentioning human remains, sparking a petition signed by over 30,000 people accusing them of reactive decisions. High-level staff departed, donors requested their body parts back, and both Quinn and Irons eventually resigned. The museum is now led by science historians Erin McLeary and Sara Ray.
The Ruth Chandler Williamson Gallery at Scripps College has opened a new exhibition, “Pintor de Poemas: Unseen Works by Alfredo Ramos Martínez,” featuring over 25 drawings and paintings by the Mexican modernist. Guest curator Robin Dubin, director of Louise Stern Fine Arts, organized the show to highlight recently discovered works that reveal Ramos Martínez’s political engagements, challenging the long-held view of his art as merely decorative or folkloric. The exhibition is divided into four thematic sections—Indigenismo, Revolution, Labor, and War—and includes studies for his 1946 mural “The Flower Vendors,” which is housed nearby in the Margaret Fowler Garden.
Signal Space, a new permanent gallery dedicated to digital art, light design, and visual media, will open in Prague, Czech Republic on September 30. Its inaugural exhibition, "Echoes of Tomorrow," features eight artworks including generative audiovisual pieces by Playmodes Studio, laser-light spatial works by Shohei Fujimoto, and a film by Quayola and Max Cooper. The gallery will also host DJ sets, live performances, lectures (including a talk by new media artist Zach Lieberman), and an interactive family space called Signal Playground. The exhibition runs through March 2026, with a second show following in April.
Bernard Williams' solo exhibition "Crossings" is on view across the Elmhurst Art Museum campus, including its parking lot and the Mies van der Rohe house. The show features sculptures, paintings, and installations that reference African American history, such as the "Spirit of Bessie Coleman" works honoring the pioneering aviator, and "Cowboy Dream" with its roosters and cowboy figure. The exhibition's title and layout deliberately avoid linear narratives, instead forcing viewers to navigate a fragmented path that mirrors the complexities of historical memory and racial injustice.
London-based Chinese artist Jacky Tsai painted the exterior of a ZQ-2E Y2 rocket, which launched into space in May from China's Jiuquan Satellite Launch Center. The project, titled "Chang'e Flying to the Moon," was a collaboration with commercial space company LandSpace, reimagining the Chinese moon goddess in a cosmic context. Tsai worked with engineers to apply aerospace-grade paint, avoiding colors like green that could interfere with tracking systems. He had planned to recover separated rocket parts for a sculptural installation or charity auction, but all painted sections were incinerated upon re-entry.
The Tacoma Art Museum presents an exhibition curated by Kenji Stoll that traces the evolution of Japanese visual culture from traditional ukiyo-e woodblock prints to contemporary anime-inspired works. The show features a diverse range of artists, including Roger Shimomura, whose painting "Minidoka No.5 (442)" references the Japanese American 442nd regimental unit in World War II, alongside self-taught artists like VanVan, who contributes manga-style drawings. Stoll himself, a tattoo artist, exhibits a large mural titled "Nikkei Butterfly," which celebrates Japanese diaspora culture through patterns and a samurai warrior motif. Other artists include Ed Augai, Lauren Iida, Hanako O’Leary, and Yoshiko Yamamoto, whose works bridge historical ukiyo-e techniques with contemporary themes of identity, memory, and female empowerment.
WaterFire Arts Center in Rhode Island has announced its summer and fall 2025 exhibition lineup, featuring five shows from June through November. Highlights include Kate Blacklock's solo exhibition "Inside Out" (June 5–July 6), which explores memory and identity through large-scale narrative paintings; "Growing the Networks" (July 10–August 31), a group show building on the 2024 NetWorks Rhode Island and Chazan Collection; "Family Business" (September 11–October 19), an immersive installation by the WaterFire Accelerate 2024–2025 cohort of six emerging artists; and "Nothing Follows its Spontaneous Course" (October 23–November 9). The season also includes the BuyArt holiday sale, reinforcing WaterFire's role as a hub for local creativity.
The Condé Museum at the Château de Chantilly, north of Paris, has opened a special exhibition of the Très Riches Heures, the celebrated 15th-century illuminated manuscript. For the first time in decades, the public can view the 12 monthly calendar pages as independent works, detached from the manuscript after a painstaking conservation project. The exhibition, running until October, also features around 100 loaned medieval manuscripts, sculptures, and paintings to contextualize the manuscript's importance. The Très Riches Heures, commissioned by the Duc de Berry and begun by the Limbourg brothers around 1411, has been held at Chantilly since 1856 and is normally never lent out due to the conditions of the Duke d'Aumale's bequest.
The 13th edition of the Liverpool Biennial, titled 'Bedrock,' will run from June 7 to September 14, 2025, across 18 venues in the UK's largest city-wide contemporary art festival. Curated by Marie-Anne McQuay, the exhibition brings together 30 international artists and collectives with 22 new commissions, placing works in galleries, libraries, cathedrals, shopfronts, and public squares. The theme explores Liverpool's literal sandstone foundations as a metaphor for its layered histories—colonial empire, industry, civic resilience, and community life. Notable works include Amber Akaunu's film 'Dear Othermother' at Bluecoat, Linda Lamignan's triptych at FACT Liverpool, and Dawit L. Petros's installation at Liverpool Central Library.
The article highlights two must-see exhibitions and two must-read books on Korean art. The exhibition "Scent of Korea in Silla" (June 27–November 30) at Solgeo Art Museum in Gyeongju features four contemporary artists—Park Dae-sung, Songcheon, Park Sun-min, and Kim Min—coinciding with the Asia-Pacific Economic Cooperation forum in October. The books include "Modern and Contemporary Korean Art in Context (1950–Now)" by Jung-Sil Lee and Dong-Yeon Koh (Bloomsbury Academic), which surveys postwar Korean art from ink painting to digital art, and "Art, War, and Exile in Modern Korea: Rethinking the Life and Work of Lee Qoede" by Jinyoung Anna Jin (Amsterdam University Press), which reexamines the life of a Korean painter long misunderstood due to political circumstances.
Wes Anderson, the acclaimed filmmaker known for his distinctive visual style, is the subject of a new exhibition or feature covered by The Art Newspaper. The article explores his influence on visual culture, likely focusing on his collaborations with artists, his use of color and composition, or his curation of art-related projects. Specific details about the event or announcement are not provided in the given text, but the piece appears to be part of the publication's daily art news digest.
Imelda Cajipe Endaya, a pioneering Filipino feminist artist, will hold her first U.S. solo exhibition in nearly two decades at Silverlens New York, opening May 8, 2025. Titled "There is Still a Tomorrow, Mother" and curated by Eugenie Tsai, the show spans works from 1982 to 2023, highlighting the overlooked roles of Filipino women through colonialism, war, and dictatorship. The exhibition features mixed-media pieces incorporating materials like cloth gloves, woven bamboo, and crocheted textiles, alongside paintings such as "Tutol ni Dolorosa" and the installation "The Wife is a DH," which address themes of erasure, migration, and resistance.