Coburn Gallery to open new season with unique exhibition, which used AI to capture older adults’ memories

Ashland University's Coburn Art Gallery will open its 2025-26 season with the exhibition "Transcending Barriers Beyond Time: Visual Reminiscence of Older Adults with Chronicle Illnesses Facilitated by Generative AI," running from August 25 to September 27, 2025. The show features 42 artworks created by older adults with chronic illnesses who collaborated with researchers using generative AI to visualize their memories. Co-curated by Janet Reed of Kent State University and Rebecca D. Miller of Ursuline College, the exhibition is part of the university's Symposium Against Indifference biennial series, which this year explores the theme "Thinking About Intelligence: Human and Artificial."

The Southwest City That Turned Itself Into an Essential Art Outpost

The New York Times reports on a city in the southwestern United States that has transformed itself into a significant art destination. Through strategic investments in museums, galleries, and public art initiatives, the city has attracted major exhibitions, international collectors, and a growing creative community, positioning itself as an essential outpost for contemporary art beyond traditional coastal hubs.

Space as Practice. A Decade of WL4 Art Space.

WL4 Art Space in Gdańsk, Poland, celebrates its tenth anniversary. Founded in 2015 when a group of artists took over a former bakery at Wiosny Ludów 4, the space has evolved from a practical need for studios into a self-organized, grassroots collective. Operating in a raw industrial building that once housed a giant steam bread oven, WL4 resists traditional display protocols, treating the site as a collaborator rather than a neutral container. Co-founder Adriana Majdzińska recalls the early euphoria as artists quickly filled the studios, building and adapting spaces while maintaining a simple rule: you had to be actively creating.

London | Artist Studio Visit with Dima Rebus

This article features a studio visit with London-based artist Dima Rebus, offering an intimate look into his creative process, workspace, and recent works. The piece includes photographs of the studio and Rebus at work, providing insight into his artistic practice and the environment that shapes his output.

Crowning AI-chievement: robot artist creates portrait of King Charles

Ai-Da, the AI humanoid robot artist, unveiled a portrait of King Charles III titled *Algorithm King* at the UK Mission in Geneva during the UN's 2025 'AI for Good Summit'. The robot, created by Oxford gallerist Aidan Meller, previously painted the late Queen Elizabeth II and set a record in November 2024 when her work *A.I. God. Portrait of Alan Turing* sold for over £1 million at Sotheby's New York.

Eve Kahn

Eve Kahn has been appointed as a contributing editor at The Art Newspaper, where she will cover art market news, auctions, and collecting trends. Kahn brings extensive experience as an award-winning journalist specializing in art, design, and cultural history, having previously written for publications including The New York Times and Smithsonian Magazine.

New Art Gallery to Open at La Boutique Design in Reykjavík

Independent design store La Boutique Design will open a new gallery space in downtown Reykjavík on 26 June. Located at Mýrargata 18, the lower floor of the shop will launch with a large group exhibition featuring around 60 works by approximately 20 Icelandic artists, including Hallgrímur Helgason, Auður Ómarsdóttir, Snorri Ásmundsson, and Aðalheiður Valgeirsdóttir. The store has hosted solo exhibitions since spring 2024, showcasing artists such as Guðrún Einarsdóttir and Unnar Ari Baldvinsson, and will continue its solo series alongside the new group shows.

Arts of Oceania

The article explores the rich artistic traditions of Oceania, emphasizing how the vast network of islands and ocean passageways fostered a dynamic exchange of cultures, materials, and ideas over millennia. It describes Oceanic art as vessels for metaphysical journeys, with objects like fishhooks, stick charts, and carved figures serving as tangible expressions of ancestral power and cultural knowledge. The text highlights the role of artists as chiefs and orators who manipulate local materials to manifest spirits, and traces the region's entanglements with European colonial powers from the sixteenth century onward.

Culture on canvas: Kyler Pahang, ’21, exhibits work at Henry Art Gallery and Wing Luke Museum

Kyler Pahang, a 2021 University of Washington graduate and current MFA student, is exhibiting his work in two Seattle venues. His thesis exhibition, part of the UW MFA and Master of Design show, runs at the Henry Art Gallery from May 24 to June 15, 2025. Additionally, two of his paintings are on view at the Wing Luke Museum in the exhibition “Lost & Found: Searching For Home,” which continues through September 2026. Pahang’s art focuses on Filipino culture, decolonization, and double consciousness, using imagery from Seattle-area Filipino barber shops and landscapes like “A Cry for Uran” to explore cultural identity.

An Artist Honors Extinct Plants and Animals at New York’s Swiss Institute

The New York Times reports on an exhibition at New York's Swiss Institute where an artist pays tribute to extinct plants and animals through their work. The show features installations and artworks that memorialize species lost to extinction, blending scientific documentation with artistic expression to create a poignant reflection on biodiversity loss.

Liu Dan’s Chinese ink art with Western influences on show in Hong Kong

Leading contemporary Chinese ink artist Liu Dan is holding his largest solo show to date at Phillips’ space in Hong Kong’s West Kowloon Cultural District. The selling exhibition, titled “Liu Dan: Morphogenesis,” features 26 Chinese ink and watercolour works created over four decades, with a focus on Taihu stone—a perforated limestone from Suzhou that has long inspired Chinese scholars. The centerpiece is “Taihu Rock aka ‘Yu Ling Long’ (from Yu Garden, Shanghai) (2024),” priced at HK$10 million (US$1.3 million), the highest in the show. The exhibition runs until May 12.

In Baltimore, Confronting Chaos Through Contemporary Art

The New York Times reports on a contemporary art exhibition in Baltimore that uses artistic expression to address and navigate themes of social and political chaos. The show features works by multiple artists who respond to the city's complex urban landscape and broader national tensions, transforming galleries into spaces for reflection and dialogue.

In Venedig findet Lotus L. Kang Schönheit im Vergänglichen

Canadian artist Lotus L. Kang has opened an exhibition titled "The Face of Desire Is Loss" at the new Bvlgari Pavilion in Venice. The show features her fluid, changeable works that explore themes of desire, loss, absence, and impermanence, with the artist describing the experience as a charged, chaotic, yet focused pursuit of something elusive.

Looking Back to Look Forward

Blick zurück nach vorn

The Museum Rietberg in Zürich is hosting an exhibition that examines the intersection of photography and colonialism. The show highlights how early photographic techniques, introduced to Africa shortly after their invention in 1839, were historically used as tools of power, surveillance, and scientific categorization. By juxtaposing historical archives with contemporary works, the exhibition demonstrates how modern artists are reclaiming and transforming these violent visual legacies.

Under Water, We Who Are Deaf Are Freer

"Unter Wasser sind wir Gehörlosen freier"

Artists Bogna Burska and Daniel Kotowski have been selected to represent Poland at the upcoming Venice Biennale with their collaborative project, "Liquid Tongues." The exhibition features elaborate video works that draw parallels between the ancient, complex vocalizations of whales and the visual communication of sign language. By filming underwater, the duo explores an environment where the traditional sensory advantages of hearing people are neutralized, and the gestural fluency of the Deaf community becomes a primary mode of connection.

In Greece, the Thessalonikéon Métropolis Archaeological Museum Opens Its Doors

En Grèce, le musée archéologique Thessalonikéon Métropolis ouvre ses portes

The Thessalonikéon Métropolis archaeological museum opened on May 7 in Thessaloniki, Greece, inside the renovated Pavlos Melas barracks (Building A3). Its collection of over 300,000 objects—including ceramics, jewelry, mosaics, sarcophagi, and architectural fragments—was unearthed during the construction of the city's metro system, which began in 2006 and became the largest rescue excavation in northern Greece. The centerpiece is the Decumanus Maximus, a well-preserved Roman-Byzantine commercial street discovered at the Venizelou station, nicknamed "Byzantine Pompeii." The museum's restoration cost about €14.5 million, partly funded by European Union funds, while the total archaeological interventions cost between €75 and €203 million.

The Museum of the Surrender of Reims Reopens After a Year of Renovations

Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux

The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.

Andrew Christopher Green at Can

The exhibition "Nachsommer" by artist Andrew Christopher Green is currently on view at Can in Vienna. Running from March 6 through April 16, 2026, the presentation features a series of new works, including untitled pieces from 2026, and is documented through a selection of images and video available via the Contemporary Art Library.

Luca Vanello at Z33

The contemporary art center Z33 in Hasselt is hosting a solo exhibition by artist Luca Vanello titled "Withering into breath, wetness undoes itself." Running from February 12 through April 12, 2026, the presentation features a series of sculptural installations documented through extensive photography by Silvia Cappellari. The exhibition explores themes of materiality and transformation, characteristic of Vanello's practice of manipulating organic and inorganic substances.

Laura Langer at Simian

Argentine artist Laura Langer presents a solo exhibition titled "Why am I me?" at Simian in Copenhagen. Running from January 24 through April 12, 2026, the show features a comprehensive installation documented through an extensive series of 145 images captured by photographer Brian Kure.

Dozens of Suspended ‘Halos’ Glimmer in a Florentine Factory

Earlier this month, artist SpY installed "Halos," a large-scale installation of dozens of metallic discs suspended from the ceiling of a former railway factory in Florence. The work was part of the city's Bright Festival, transforming the brutalist industrial interior into a space of ethereal movement and reflection, with the discs interacting with natural breezes and glimmering light.

A Lush Textile Installation Springs to Life in Shanghai

Artist Hu Yuehua presented a large-scale textile installation titled "Weaving Nature" at the 13th edition of Design Shanghai. The work is a dense, wall-like garden composed of stitched and dyed cotton and linen elements in indigo and ochre, forming leaves, blooms, and growths that highlight the artist's hand through loose threads, raw edges, and pleats.

Theodor Nymark “Diversione” at Pachinko, Oslo

Artist Theodor Nymark presents his solo exhibition "Diversione" at Pachinko gallery in Oslo. The show features works developed from a residency at the Danish Institute in Rome, exploring themes of memory, nature, and mediation through symbolic and physical frames.

Stanislava Kovalčíková “Rubigo” at Kunstverein Freiburg

Stanislava Kovalčíková has opened her first institutional solo exhibition in Germany, titled "Rubigo," at Kunstverein Freiburg. The exhibition features a large-scale installation constructed from red plasticine, which forms an immersive environment housing a series of paintings executed on discarded clock dials salvaged from Prussian church towers.

Beginnings: Mapping the Origins of Saudi Modern Art in Riyadh

Mapping Saudi Modern Art’s Origins: “Bedayat” in Riyadh

The exhibition 'Bedayat: Beginnings of the Saudi Art Movement' at Riyadh's National Museum showcased over 250 artworks from the 1960s to 1980s, a period of rapid modernization. It featured archival materials like exhibition catalogs and scholarship letters, alongside paintings grouped into themes such as 'Faces and Features' and 'Social Life,' though the curation largely avoided direct commentary on the era's intense socio-political debates.

MAC Panama Presents Two New Exhibitions: Oceanic Perspectives and a Surrealist Pioneer

OCEAN AND MEMORY MAC PANAMA PRESENTS TWO NEW EXHIBITIONS

The Museo de Arte Contemporáneo de Panamá (MAC Panamá) has opened two exhibitions. The first, 'otras montañas, las que andan sueltas bajo el agua,' features artists Nadia Huggins and Tessa Mars and is part of the international research program The Current IV. It uses video and audio installations to explore an oceanic perspective. The second is a retrospective of pioneering Panamanian surrealist artist Beatrix 'Trixie' Briceño, which includes a digital art response by contemporary artist Ix Shells.

αMプロジェクト2025‒2026「立ち止まり振り返る、そして前を向く vol.5 飯川雄大｜デコレータークラブ：すべて違う姿」 @ gallery αＭ

gallery αM in Tokyo is presenting the fifth edition of its αM Project 2025–2026 series, titled “Stop, Look Back, Face Forward. vol.5 Takehiro Iikawa: Decorator Crab－No Two Alike,” running from April 11 to June 13, 2026. The exhibition features works by artist Takehiro Iikawa, including pieces such as “Decorator Crab – Arrangement, Adjustment, Circulation” (2026) and “Decorator Crab – New Audience” (2026), with guest curator Aki Otsuki, a curator from the Ashiya City Museum of Art and History.

Winter Welcome brings creativity and community spirit to Grays

On December 18, Grays Shopping Centre hosted Winter Welcome, a community celebration produced by Thurrock-based arts organization Together Productions in collaboration with Welcome to the UK. The event featured visual arts activities, a 'Creating Home' art exhibition by the Together Create Visual Arts Collective with artists Marsha Ashley and Salina Jane, participatory singing led by Ashley Beauchamp and Thames Opera Company, and food prepared by Welcome to the UK community members. Thurrock's Deputy Mayor Cllr Steve Liddiard attended, and shoppers enjoyed a pop-up performance.

Science Museum Partners With Serendipity Arts For Free Events In London This June

The Science Museum in London has partnered with Serendipity Arts, a not-for-profit foundation supporting artistic practice across South Asia, to present free events this June. The collaboration launches on June 5 with Innovation Lates, an adults-only evening of music, making, and ideas inspired by Indian innovation, as part of the Great Exhibition Road Festival. The festival marks 175 years since the Great Exhibition of 1851 and includes workshops, talks, performances, and a puppet parade directed by Dadi Pudumjee.

Explore Art Galleries in Fort Wayne

This article is a directory-style guide listing art galleries and museums in Fort Wayne, Indiana. It highlights the Fort Wayne Museum of Art as a major attraction and provides addresses, hours, and contact information for over a dozen other venues, including Artlink Contemporary Art Gallery, the Jeffrey R Krull Gallery at the Allen County Public Library, and galleries at the University of Saint Francis and Purdue University Fort Wayne. The guide also mentions appointment-only spaces like Wunderkammer Company and The Art Farm.