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EXPO CHICAGO 2026 Opens With Local Enthusiasm and Strong Institutional Sales

EXPO CHICAGO 2026 has launched at Navy Pier with a streamlined, highly curated format that emphasizes quality over quantity. The fair’s opening days have been defined by robust institutional engagement, with several major museums acquiring works for their permanent collections. This year’s edition features a diverse array of artists and galleries, reinforcing its position as the premier contemporary art platform in the American Midwest.

David Shrigley | I Destroyed the Tennis Ball (2023) | Available for Sale

British artist David Shrigley’s 2023 screenprint, 'I Destroyed the Tennis Ball,' is currently up for auction through Vanguarts Auctions on the Artsy platform. The work, a 26-color screenprint on Somerset Satin paper from an edition of 125, features the artist's signature deadpan humor and cartoon aesthetic. Estimated to sell between $2,500 and $3,500, the piece is part of the 'Contemporary Dialogue: Icons & Emerging Voices' sale.

‘There’s a bead connection to every place’: Wendy Red Star on exploring the real and symbolic currency of beads

Artist Wendy Red Star has launched a site-specific solo exhibition titled 'One Blue Bead' at Sargent’s Daughters in Tribeca, exploring the historical and symbolic weight of trade beads. The exhibition transforms the gallery into a simulated trading floor featuring monumental glass beads, over 100 watercolors, and Hudson’s Bay point blankets. The project originated from the artist's residencies at the Pilchuck School of Glass and the Tacoma Museum of Glass, where she researched the global circulation of glass beads from Europe to Africa and the Americas.

Shepard Fairey Projection Mirror: ICE Paid Agitator Screenprint Contemporary Art Obey Giant , 2026

Street artist Shepard Fairey has released a new limited-edition screenprint titled "Projection Mirror: ICE Paid Agitator" as part of his "FUCK ICE" series. The artwork features inflammatory rhetoric previously used by the Trump administration, redirected toward U.S. Immigration and Customs Enforcement (ICE) to highlight what the artist describes as the agency's pervasive brutality and dehumanizing attacks on immigrants. A portion of the proceeds from the sale of these prints will benefit the Coalition for Humane Immigrant Rights (CHIRLA).

Sotheby’s “Origins II” Results Suggest Saudi Collectors Are Prioritizing Legacy

Sotheby's second auction in Saudi Arabia, 'Origins II,' achieved a total of $19.6 million, nearly doubling its low estimate. The sale, held in Diriyah, saw strong demand for Saudi and MENA artists, with a third of works sold to local collectors, signaling a shift from the previous year's reliance on international blue-chip art.

Big prices, bigger confidence: Inside Indian art’s breakout era

The Indian art market is experiencing a significant boom, characterized by record-breaking auction prices for established masters like SH Raza and MF Husain, and growing international visibility for contemporary artists at biennales and fairs. A new generation of high-net-worth collectors is driving this growth, building collections with greater intent, knowledge, and personal connection rather than pure speculation.

Hawai’i at the British Museum, a Venice palazzo for sale, Joseph Beuys’s ‘Bathtub’—podcast

The latest episode of The Art Newspaper's podcast 'The Week in Art' covers three distinct stories. Host Ben Luke tours the British Museum's new exhibition 'Hawaiʻi: a kingdom crossing oceans' with Alice Christophe, head of Oceania, discussing the museum's revised approach to stewarding its Hawaiian collection. The episode also examines the sale of Ca' Dario, a famed Venetian palazzo on the Grand Canal, with Anna Somers Cocks, who recounts its eerie history and supposed curse. Finally, Luke speaks with Thaddaeus Ropac about Joseph Beuys's late bronze sculpture 'Bathtub' (1961-87), which is featured in a new show at the Thaddaeus Ropac gallery in London.

The 10 Most Expensive Auction Works in 2025

The article reports on the ten most expensive auction lots of 2025, led by Gustav Klimt's 'Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer)' (1914), which sold for $236.36 million at Sotheby's, making it the second-most-expensive artwork ever sold at auction. The top end of the market rebounded after a quieter 2024, with the 100 most expensive lots totaling $2.13 billion, up from $1.8 billion the previous year. Nine of the top ten lots were sold during the marquee New York sales in November, where Sotheby's, Christie's, and Phillips together generated over $2 billion and set 16 artist auction records. The list includes multiple Klimt works from the collection of American philanthropist Leonard A. Lauder, as well as a Vincent van Gogh still life that sold for $62.71 million.

NADA Miami and Untitled Art Test the Temperature of the Mid-Tier and Emerging Markets

NADA Miami and Untitled Art opened on December 2, 2024, in Miami Beach, both targeting the mid-tier and emerging art markets. The fairs saw strong early sales and a predominantly American and local audience, with fewer European and Asian collectors than in previous years. Dealers reported a rebound in market confidence, with sales activity signaling a recovery in the mid-career and emerging segments, though not reaching the frenzy of earlier boom periods. The fairs also showcased a shift away from bright figuration and identity politics toward deeper reflections on reality, mediatization, and materiality.

India’s art market is fast growing—is it also maturing?

The third edition of Art Mumbai (13-16 November) saw strong sales and record auction prices for Indian Modernists, including MF Husain's *Gram Yatra* (1953) becoming the first Indian painting to sell for over $10 million. The fair, held amid surging private wealth in India, featured leading contemporary galleries reporting up to 90% sales on opening day, with works priced from $1,000 to $300,000. A recent reduction in India's goods and service tax on art from 12% to 5% has further boosted the market.

16 New Auction Records Set in November 2025

New York's fall auction week in November 2025 saw major houses Sotheby's, Christie's, and Phillips collectively bring in over $2 billion, signaling renewed market confidence after an uneven spring. The top lot was Gustav Klimt's *Portrait of Elizabeth Lederer* (ca. 1914–16), which sold for $236.36 million at Sotheby's—the second-highest price ever paid at auction and a new record for the artist. Other notable records included Frida Kahlo's *El sueño (La cama)* (1940), which became the most expensive artwork by a woman artist sold at auction, fetching $54.66 million. In total, 16 new artist auction records were set during the week.

‘The government understands what is at stake’: Italian art world weighs in on tax cut at Artissima

The Italian parliament reduced VAT on art sales from 22% to 5%, the lowest rate in Europe, a move announced by Prime Minister Giorgia Meloni's government. The tax cut was celebrated at the 30th anniversary dinner of the Fondazione Sandretto Re Rebaudengo in Turin, where politician Federico Mollicone noted it had been over 30 years in the making. The contemporary art fair Artissima, holding its 32nd edition in Turin, became the first Italian fair to test the new tax policy. Italian dealers reported positive effects, including easier deal closures and increased sales to both Italian and European collectors, with some galleries experiencing their best opening day ever.

A Ballet Based on the Life of Josephine Baker Opens the Fall Season at Théâtre des Champs-Elysées, and Other News

The Théâtre des Champs-Elysées opened its fall season with *Josephine*, a ballet by Germaine Acogny based on the life of Josephine Baker, tracing her 1925 Paris debut, activism in the French Resistance, and civil rights advocacy. Costumes by Chanel's specialty atelier Paloma feature in the solo performance, which is paired with Pina Bausch's *The Rite of Spring*. In other news, London's National Gallery announced a new wing under its Project Domani initiative, funded by $502 million in private donations including record pledges from the families of Michael Moritz and Julia Rausing, set to open in the early 2030s. Phillips will auction a juvenile triceratops skeleton nicknamed "Cera" in its November modern and contemporary art sale, with a presale estimate of $2.5–3.5 million. Kelly Reichardt's art heist film *The Mastermind* will screen at the New York Film Festival, and Thomas Heatherwick discussed his role as general director of the Seoul Architecture Biennale.

25 of 2025: 5 Painters Who’ve Been Catching Our Eye

Artnet News has spotlighted five painters in its '25 of 2025' series, highlighting emerging talents defining the year. Among them are Pol Taburet, a Parisian painter known for bold color palettes and a rising market presence, with works selling above estimates at Sotheby's and Artcurial, and Maja Ruznic, a Bosnian-born artist whose haunting, jewel-toned works earned comparisons to Klimt and Rothko and a standout at the 2024 Whitney Biennial. Taburet is set to feature in the 36th Bienal de São Paulo, while Ruznic recently opened a solo exhibition at Karma Gallery and is included in Site Santa Fe International.

Director of Contemporary Istanbul urges Turkish art to remain ‘radical and clever’ in face of political tension

Contemporary Istanbul (CI) opened its 20th anniversary edition at the Tersane Istanbul complex, a restored Ottoman shipyard, bringing together 51 galleries from 16 countries. The fair coincided with the Istanbul Biennial, drawing a larger crowd of collectors and museum groups than the previous year. Works by leading Turkish artists such as Nil Yalter, Güneş Terkol, and Azade Köker were on view, with prices ranging from €1,000 for emerging artists to over €2m for a James Rosenquist painting. Despite high spirits, the fair unfolded against a backdrop of political tension following the arrest of Istanbul mayor Ekrem İmamoğlu, ongoing protests, and increasing censorship. Galleries displayed politically and socially engaged works, including Rasim Aksan's homoerotic triptych and Fatoş İrwen's prison-made fabric piece, while collectors sought discounts amid Turkey's high inflation and economic volatility.

The Art World This Week, 19 September 2025

Ocula's weekly briefing reports strong sales at viennacontemporary with 15,000 visitors and six-figure results for Galerie Zimmermann Kratochwill. Sotheby's announced $248 million in pre-tax losses for 2024 but achieved $100 million from the Karpidas collection sale and consigned the Pritzker and Lauder collections for November. Haegue Yang was appointed chair of the executive board at Kunst-Werke Berlin. Yemen's National Museum in Sanaa was damaged by Israeli airstrikes. Gallerist Sebastian Gladstone opened a new Los Angeles space, while L.A. Louver closed its Venice Beach gallery after 50 years. Taymour Grahne Projects opened in Dubai. Samia Halaby won the MUNCH Award, Jennifer Packer and Marie Watt received Heinz Family Foundation awards, and the Henry Moore Foundation distributed £100,000 to UK sculptors.

Untitled Art Houston opens with a slew of four- and five-figure sales

Untitled Art Houston opened its inaugural edition on Thursday, September 18, with a VIP preview that generated uneven but promising sales. Lower-priced works sold well, with notable transactions including a $415,000 piece by Carlos Cruz-Diez at Sicardi Ayers Bacino, a $125,000 painting by John Alexander at McClain Gallery, and a $150,000 bronze sculpture by Clare Rojas at Jessica Silverman. Other galleries reported sales ranging from $2,000 to $55,000, with some dealers selling out their stands. The fair marks Houston's first new art fair in years, following the demise of the Houston Fine Art Fair and Texas Contemporary Art Fair.

Rarely seen Walter Sickert painting to go on sale in London

A rarely seen Walter Sickert painting, *Ennui* (1913), will be offered for sale in a selling exhibition at Piano Nobile gallery in London on 26 September. The work, once owned by Hollywood actor Edward G. Robinson and later by collectors Herbert and Ann Lucas, has not been publicly exhibited since 2001. Priced around £750,000, it is one of five versions Sickert painted in the 1910s depicting a pub landlord and his wife; three are held by British institutions including the Royal Collection and the Ashmolean Museum. The sale also includes a Sickert pastel of a sex worker unseen since 1908, plus works from his Dieppe period.

Record Prices, New Buyers and Global Reach: Design’s Moment Has Arrived

Global auction sales for design, decorative arts, and furniture surged 20.4 percent to $172 million in the first half of 2025, according to ArtTactic, while other art market segments declined. Sotheby’s design sales in New York and Paris reached $75 million combined, among the highest totals ever for the category, with Christie’s and Phillips also posting strong results. Record prices were set for works by Tiffany Studios, including the Danner Memorial Window ($12.4 million) and a Frank Lloyd Wright lamp ($7.5 million), fueled by new and younger buyers and institutional acquisitions.

Art’s hot this August and here is where to be this month

August 2025 brings a vibrant lineup of art exhibitions across India, from Chennai to New Delhi and Mumbai. Highlights include Akhil Anand's solo debut "Morphogenesis" at ArtSpace by KalpaDruma in Chennai, blending mathematics, mythology, and nature; the group show "The Personal is Mythical" at LATITUDE 28 in New Delhi, curated by Bhavna Kakar and featuring Bhajju Shyam, Neha Sahai, and Viraj Khanna; the all-women showcase "Objects May Appear Softer" at Black Cube Gallery; antique map and print sales at Nilaya Anthology's Gallery 2; and the Mumbai debut of London's Evoke and Bangalore's Kaash, hosted by Srila Chatterjee.

With two fairs and a new festival, Aspen art scene is reaching new peaks

Aspen, Colorado's art scene is expanding with two concurrent art fairs and a new festival during Aspen Art Week. The 15th edition of Intersect Aspen, the city's longest-running fair (formerly Art Aspen), will feature 28 galleries including Jackson Fine Art and debutant 212 Gallery. CEO Tim von Gal reports record attendance and sales from 2023. Meanwhile, the Aspen Art Fair returns for its second edition at the historic Hotel Jerome, doubling its exhibitor list to 43 galleries, including Perrotin and Miles McEnery Gallery. Co-founded by Rebecca Hoffman and dealer Bob Chase, the fair emphasizes a convivial, community-focused atmosphere.

Culture Type | The Month in Black Art, Here’s What Happened in June 2025

The June 2025 edition of Culture Type's 'The Month in Black Art' roundup reports multiple developments: the Detroit Institute of Arts acquired Tiff Massey's installation 'Baby Bling' (2023) for its reimagined Modern and Contemporary galleries opening in 2026; Aperture magazine released a summer issue guest-edited by Tanisha C. Ford focusing on Black style and fashion; Different Leaf, a cannabis culture journal, relaunched with guest editors Nick Cave and Bob Faust; and Sean Kelly Gallery announced representation of artist Lindsay Adams in collaboration with PATRON Gallery. The article also notes updates on the Studio Museum in Harlem, a shakeup at the Afro Brazil Museum, new Art Basel Awards, and Suzanne Jackson's exhibition at SFMOMA.

Commercial goes pastoral: the draw of showing art in the open air

The article explores the trend of commercial art galleries expanding into rural locations, using Hauser & Wirth Somerset in Bruton, the New Art Centre at Roche Court, Messums West in Tisbury, and Thirsk Hall in North Yorkshire as key examples. These galleries have transformed former farms, historic barns, and country estates into exhibition spaces that combine contemporary art with pastoral settings, attracting significant visitor numbers and fostering local engagement.

Prix de West 2025 Celebrates Excellence In Western Art In Grand Tradition

The 53rd annual Prix de West Invitational Art Exhibition & Sale took place in late June at the National Cowboy & Western Heritage Museum in Oklahoma City, featuring nearly 300 original works by nearly 100 artists. The event generated over $3.2 million in sales, with Utah-based artist James Morgan winning the prestigious Purchase Award for his oil-on-linen painting *White on White*, which will enter the museum's permanent collection. Morgan also received the Robert Lougheed Memorial Award for best display of three or more works.

New art fair Arrival brings collectors to the bucolic Berkshires

Arrival, a new art fair, launched its inaugural edition on June 12 at the Tourists hotel in North Adams, Massachusetts, featuring 36 exhibitors from across the US. The biennial fair, running through June 15, includes panels, talks, and off-site programming at nearby museums. Galleries set up in hotel rooms, creating an intimate, domestic atmosphere. Founders Yng-Ru Chen, Sarah Galender Meyer, and Crystalle Lacouture—who together bring 60 years of art-world experience—aim to offer a respite from conventional convention-center fairs. Early sales included works by Hayal Pozanti, Chelsea Ryoko Wong, and Pae White, and the Williams College Museum of Art acquired three works from the fair.

Preview: Upcoming Summer Shows at Houston Area Museums

Houston-area museums and art spaces have announced their upcoming summer exhibitions, including immersive installations, figurative group shows, and presentations addressing environmental issues. Highlights include A.A.Murakami's "Floating World" at the Museum of Fine Arts, Houston (MFAH), the first solo U.S. museum presentation for the artist duo; Francesca Fuchs's "The Space Between Looking and Loving" at the Menil Collection, which explores a personal connection between the artist's father and John de Menil; and "Figurative Histories" at the Moody Center for the Arts, featuring works by Black Texas artists examining sociopolitical histories.

Marquee May auctions in New York come at a volatile moment

New York's marquee spring auctions, beginning May 12, are facing significant headwinds from President Donald Trump's second-term policies, particularly the 'Liberation Day' tariffs and resulting stock-market volatility. Phillips deputy chairman Robert Manley confirms at least one eight-figure work was pulled from sale due to tariffs. The combined Modern and contemporary auctions at Christie's, Sotheby's, and Phillips carry an estimated $1.1bn to $1.5bn in art—the lowest total estimate for spring sales since 2010, roughly $250m lower than May 2024. No nine-figure-estimate lots have been consigned, and the number of catalogued lots is the lowest since 2007 (excluding pandemic and recession years). Single-owner collections dominate, with Christie's securing the $200m Leonard and Louise Riggio collection, including a Piet Mondrian estimated at $50m, and works from Anne and Sid Bass. Sotheby's offers collections from dealers Daniella Luxembourg and others.

What not to miss at Frieze New York 2025

Frieze New York 2025 will take place from 7 to 11 May at The Shed, featuring over 65 leading contemporary art galleries from more than 25 countries. The fair offers collectors access to blue-chip works by major artists and pieces by emerging talents, alongside amenities such as the US debut of Korean luxury beauty brand The Whoo showcasing three South Korean female artists, and a Ruinart champagne bar with a commissioned installation by artist Sam Falls. Notable booths include Mendes Wood DM presenting a new sculpture by Sonia Gomes and works by Kishio Suga, a joint presentation by Apalazzogallery and Emalin featuring Augustas Serapinas, and Tina Kim Gallery highlighting a multigenerational selection of women artists including Maia Ruth Lee.

Ten Highlights From New York’s Spring Marquee Auctions

New York's spring marquee auctions are set for May 2025, with Christie's, Sotheby's, and Phillips presenting strong lineups after a 25% drop in total public sales in 2024. Highlights include the $250 million Leonard and Louise Riggio collection at Christie's, featuring Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (est. $50 million), and Alberto Giacometti's *Grande tête mince* (est. over $70 million) at Sotheby's. Other top lots include Lucio Fontana's *The End of God*, Jean-Michel Basquiat's *Baby Boom*, a Rothko from the Bass mansion, Claude Monet's *Crepuscular Peupliers*, Olga de Amaral's evening sale debut, a trove of 40 Roy Lichtenstein works, and an Ed Ruscha piece. The sales test market resilience amid supply constraints and a cautious art market.

Female artists and new buyers breathe life into the art market

The global art market contracted by 12% in 2024, falling to an estimated $57.5 billion in sales from its 2022 peak, according to the Art Basel and UBS Art Market Report 2025 compiled by Dr. Clare McAndrew. Despite the overall decline, the number of transactions grew by 3%, driven by a broadening collector base and increased engagement with more affordable works. The report highlights a surge in interest in female artists, with galleries raising their representation to 41%, and notes that art fairs remain the most common entry point for new buyers. The Aotearoa Art Fair, opening May 1-4 at Auckland's Viaduct Events Centre, exemplifies these trends with strong Indigenous and Pacific representation, emerging artist platforms like Horizons 2025, and affordable works under $5,000 from established galleries such as Gow Langsford Gallery.